Mormons on Broadway? Well, not actual LDSers, but their famous founding document, The Book of Mormon, is now a Broadway show. While I wouldn’t hold my breath waiting for The Quran to be produced, holy books have often been utilized by the media as rich venues for timeless tales. Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar come to mind as Lloyd Webber adaptations. Godspell, while not as directly scriptural, drew its inspiration from the Gospels (particularly Matthew). Those who lose are those who resist the free press of popular culture.
At the risk of sounding Niebuhrian, the religion that refuses the blessing of society is the one that will fade away. Religions are human institutions, and as such, require human adherents. Critics often claim that popular adaptations of their sacred writ are making fun of the texts, but is not cultural adaptation all about celebrating a story that has won its way into the media and outside the confines of rigid orthodoxy? Which version can be said to be truly alive? This is not theology, it’s theater.
Working with students who have very little background in the Bible, I clearly see the wisdom of taking what are admittedly dry texts and bringing them to life. Religions often founder in the process of mistaking form for substance. Literalism has done more to damage religions that it has to keep them pure. Reviews from the Book of Mormon attest to its appeal, and in a country where the Latter Day Saints are generally considered the second-fastest growing church, the musical is a boon. Trey Parker and Matt Stone can hardly be accused of attempting to convert the heathen, but their show cannot but help to bring this particular denomination into the public eye nearly as much as Mitt Romney’s attempted candidacy will. That’s what I call rose-colored glasses!