“Springsteen’s work and person invite analysis in terms of the biblical themes of exodus and promised land,” so wrote Kate McCarthy in “Deliver Me from Nowhere: Bruce Springsteen and the Myth of the American Promised Land” (conveniently in a Routledge title, God in the Details: American Religion in Popular Culture, second edition, 2011). Having just finished Bruce Feiler’s America’s Prophet (not Routledge), I am attuned to the exodus theme at the moment. Feeling an unaccountable, personal connection to the other Bruce (Springsteen), I have felt the sense of exile in his songs since I was a teenager. I had no idea who Springsteen was when “Born to Run” made it to the charts. Living in a nowhere town at the time (population less than 1000), I felt the burning need for a personal exodus that eventually landed me in the largest city in the country. But still the sense of exile remains.
Lest readers be too confused, it might be politic to point out that the biblical concept of exodus likely had its origins in the Exile. Without rehearsing too much history, the Babylonian Empire, under Nebuchadrezzar, conquered Jerusalem in either 587 or 586 BCE, leading to the deportation of a significant number of Judahites who would become, over a generation, the “Jews.” These people were exiles, forced to live under the watchful eye of a political overlord with whom they shared only the most basic of heritages. Their religions had grown apart over the centuries, and as the Jews began to think back on their homeland, the exodus came to mind. Archaeological evidence for an exodus of biblical proportions (literally) does not exist. Why, then, the story of the exodus? Did not the desire to return home involve crossing the desert, with a divinely appointed leader? One who carried the law (Torah) with him? When Ezra led returnees home in the fifth/fourth century, he had the Torah in hand. Like Moses, he led the people out of bondage under the Persian plan. Exile and exodus are twin children of oppressive regimes.
So, how do ancient desert wanderers come into the orbit of a very damp New Jersey, and in particular, it’s arguably most famous resident? Alienation is home. Very few teenagers don’t understand this. As we attempt to integrate them into adult life, something vital, essential, is left behind. Consider all the long-haired artists of the ‘60’s and ‘70’s who still perform, now shorn to conservative acceptability and sometimes churning out very conventional songs. The fire has gone out. It is difficult to escape exile when you carry it with you. That’s something I think Bruce understands. His look may have changed, but his message has not. America has always been a haven for exiles. Simply because an exile moves into a new setting, however, does not mean that the promised land has been reached. As McCarthy seems to be saying, and as I have often felt, the promised land disappoints. The seeking is what must persist. America may have its Moeses, but it will find, from atop Nebo, that the path is where your feet already are.