It was in a locker room. I couldn’t believe I was here. First of all, at Gordon College—that bastion of conservative Christianity. Second of all, in the same room as him. A friend had offered to drive me up here from Boston, where we were both in seminary. I was a little saddened to see less than 200 chairs set up on the gym floor, carefully arranged on a tarp so as not to mar the shining wood beneath. Larry Norman came onto stage to great applause, and was remarkably intimate with his fans. He’d been a big name in the 1970s, almost single-handedly starting the Christian rock genre. After the concert was over, my friend said “Do you want to meet him?” Here he was, in the locker room, taking the time to speak with fans, individually. He refused to sign autographs, preferring to give the glory to the Lord. But he listened, he responded, and, it was clear, he loved.
While the sections of the brain that process religion and music may not be the same, we know that our gray matter is intricately interconnected. Analysts have noted that the most famous religious leaders of modern times have quite often been deeply affected by music. Religious services without some form of music are in the minority for a reason. And it really doesn’t matter what style said music takes, it moves people. Instead of apologizing for my own musical tastes, I’ll simply note that I was exposed to Larry Norman at a young age. Although his religious perspective and mine had parted ways before I had the chance to meet him, I’ve never disparaged his music. It is authentic, innovative, and above all, sincere.
Gregory Alan Thornbury has just published a biography of Larry Norman. I will surely read it. Although Christian rock has grown insipid and cloying since it began, it is still a remarkably lucrative business. Evangelicals will pay good money to get those rock rhythms with unthreatening words and praise of Jesus thrown in. Norman’s songs, however, were complex and nuanced. Equal parts love and social justice, they might not even mention Jesus. Or when they did, they might suggest he was a UFO. Unconventional. Blasphemous to some. As the ‘70s faded into the ‘80s, Larry Norman was considered old news. He had, however, started something that was bringing other people lots of money. And he looked me directly in the eyes late one night in the locker room of a conservative Christian college, and told me to keep on believing. Obscurity, he showed by his life, is no measure of a person’s actual importance. And music and religion can never be separated.
Posted in American Religion, Current Events, Memoirs, Posts, Rock-n-Roll, Sects
Tagged Christian Rock, evangelicalism, Gordon College, Gregory Alan Thornbury, Larry Norman, music
It was like that dream—you know, the one where you find a penny on the sidewalk, stoop down to pick it up, and discover that there are hundreds more of them. Maybe that’s the kind of thing those born in humble circumstances dream of, but we all recognize the draw of a windfall. People are pretty tight with their money in Manhattan, but it was early in the morning, still dark, and rainy when I saw it. A hundred dollar bill on the ground. Then I noticed more—a while bunch of them. When I reached down to pick one up, it came apart in my hand. Of course, it was a novelty replica of an actual piece of currency. When I walk through the garment district I often find great swatches of scrap cloth that have spilled out of designers’ trash bags. I’m tempted, I’ll confess, to pick them up and save them for future use. Nevertheless, this hundred dollar bill wasn’t what it appeared to be. Many things aren’t.
Religions around the world are predicated on the fact that what seems to be real isn’t. Even long before The Matrix came along. The idea that what occurs in our heads—or to use more conventional religious language, our hearts or souls—is truly real automatically takes us a step away from material reality. It’s not to say that this soggy, pulpy piece of paper in my hand has no existence, but it simply isn’t what it pretends to be. On mornings when the fates are all synched just so, I’ll look out the window of the bus from the helix and see Manhattan laid out in front of me like a picture postcard. “It’s not real,” I whisper to myself. Unlike the tourist in awe during a first visit to the city, I actually mean it. This concrete, glass, and steel world is not real. I’d feel a bit exposed suggesting such a thing on this blog had I not the biggest names in world religions behind me. One thing that they all seem to agree upon is that reality isn’t just what we experience in this corporeal vehicle that we currently call home.
Religion has been called the opium of the people. Marx wasn’t the first to suggest that the more needy among us were the driving force behind belief. Nevertheless, belief is present in all forms of thinking from extreme rationalism to naive acceptance of what your parents told you. The thing about religion is that it conscientiously advocates belief. It admits up front that it holds certain things to be true. One of those beliefs happens to be that things are not what they appear to be. Here in Manhattan we’re all so busy rushing around that who has the time to stop and think like that? I frequently walk past Holy Innocents church on my way to work. I may function, in this world, as an editor of biblical studies, but as I pass that edifice to a faith to which I don’t even belong, I feel the draw. Inside those doors—and I know this is true because I can sometimes hear the bells—a different reality awaits. Out here there may be hundreds of dollars scattered on the ground. When you look closer, however, you discover that they’re not what they appear to be.
So, I’m getting ready to update this website. I’ll give you a warning before things change. Another update, however, is in order. I’ve been promising that I’d let you know when my forthcoming book with McFarland received its final title. Well, drum roll please! The final title is actually the first title I proposed—Holy Horror: The Bible and Fear in Movies. And it has an ISBN: 978-1-4766-7466-7. And a cover design too, but I can’t share that just yet. It is appropriately lurid, matching the subject. But in all seriousness, the book makes a case for the fact that many people understand their religion via popular media. Being a bad boy, I look at it through horror movies.
The title Holy Horror was a play on Douglas Cowan’s excellent book, Sacred Terror. I recall reading that book, starting the night I bought it as SBL, curled up in the swank conference hotel bed, turning pages until I couldn’t hold my eyes open any longer. It had honestly never occurred to me that religion scholars could get away with writing about horror movies. Cowan had the natural advantage of being a Canadian, something I’ve always longed to be. He also has a secure university post. I was, at the time, just a guy trying to feel secure in what seemed like (and turned out in reality to be) a threatening seminary position that was shortly to end.
It may be difficult to understand how horror can be consoling. It can. I’m a squeamish guy. I don’t like blood and gore. I hate being startled. Nevertheless, I took comfort in this genre as my career was falling apart. Holy Horror was a cathartic book for me to write. There’s more than a little metaphor in it. One thing that will become clear to readers is that the Bible is no stranger to horror movies. Ironically, many of them are strangely conservative—Carol J. Clover’s classic Men, Women, and Chainsaws (which I’ve reviewed on this blog) made that point clearly. Horror often has the same message as your typical Disney film, although it’s presently slightly differently. How so? Well, I can’t say very much here or you’ll have no reason to read my book. McFarland does a great job with publishing this kind of title. You won’t find it in Barnes and Noble, and not likely in your local indie either, but it’ll be available on Amazon and these days that’s enough. And before long these pages will change to reflect its coming.
Posted in Bible, Books, Higher Education, Memoirs, Monsters, Movies, Popular Culture, Posts, Religious Violence
Tagged and Chainsaws: Gender in the Modern Horror Film, Carol J. Clover, Douglas Cowan, Holy Horror, Holy Horror: The Bible and Fear in Movies, McFarland Books, Men, Sacred Terror: Religion and Horror on the Silver Screen, women