One of the surest signs of hope for the world is that academics are beginning to notice monsters. A trickle began some time ago and it’s probably best to call it a trickle still, nevertheless, the quality of the trickle is improving. Some serious publishers are now counted among the mix of those who pay attention to the lovable unlovable. Greg Garrett’s Living with the Living Dead: The Wisdom of the Zombie Apocalypse is one of the more recent approaches to the undead that looks for religious themes among them. They’ve been there from the beginning with zombies, of course, but few with tenured positions bothered to look. It’s an open question how long the current fascination with the undead might last, but Garrett’s treatment finds them useful sources of theological thought.
Perhaps the aspect of my own fascination that I feel most often compelled to explain is why fear has such an appeal. Garrett makes the point that fear often causes people to make bad choices, and I would have to agree. It is, however, the fear of fear that takes a greater toll. You see, fear is a survival instinct. Without fight or flight we’re all zombie food. Some of us learn this harsh lesson early in life, and if we manage to survive long enough we might even become nostalgic for it. It’s not that I like be afraid, but I do know that if we fear fear—if we avoid looking at what scares us—we put ourselves in danger that the flight response might well prevent.
Garrett’s treatment is helpful in demonstrating that there is a reason for such stories. In fact, according to his analysis zombies can leave you with a profound sense of hope. He uses the living dead as a means of thinking about community, ethics, and apocalypse. Not all end of the world scenarios are that bad. How we treat the living dead may tell us quite a bit about our own rectitude or lack thereof. In other words, zombies are more than their puerile thrills might suggest. There’s something of substance here. I don’t agree with all of Garrett’s conclusions, but he offers a stimulating tour of the current media frenzy around the living challenged and is surely correct that there is more going on with monsters than many of our parents would like to have a religion expert admit. Those childhood years might not have been wasted on monsters after all.
Posted in Books, Evolution, Monsters, Popular Culture, Posts, Religious Violence
Tagged Apocalypse, ethics, fear, Greg Garrett, Living with the Living Dead: The Wisdom of the Zombie Apocalypse, Monsters, zombies
Home alone on a Friday night, I turned to Werner Herzog’s Nosferatu. Not a typical horror film, this art house production is an updating and remaking of F. W. Murnau’s technically illegal 1922 adaptation of Bram Stoker’s Dracula. It has been a few years since I’ve watched it, but the beauty of the cinematography kept coming back to me at unexpected times. Klaus Kinski is an unforgettable Count Dracula, hideous and compelling simultaneously. He draws pity and revulsion. When he’s not on camera you can’t wait for him to appear. There’s not much new in the story, of course, as it follows Murnau pretty closely, with some shots being nearly identical. One exception to this is the plague. Wherever Dracula appears the Black Death accompanies him. This leads to one of the most unusual twists of this retelling—the role of Dr. Van Helsing.
Instead of being the authority on vampires and leader of the attack, Van Helsing is here a reluctant rationalist who doesn’t accept superstition. He encourages the town elders to respond calmly to an outbreak of the plague. When Lucy Harker insists that Jonathan has been the victim of a vampire (which he has) the professor again urges caution. He insists that this must be approached scientifically, empirically. You don’t pull up wheat to see if it’s growing, he notes philosophically. Take time, trust science, and all will be well. Meanwhile the audience knows the reality of the vampire. There is a supernatural threat and it is moving fast. Lucy knows they must strike against Dracula before the vampire destroys the whole town. Despite the mounting number of deaths by plague, Van Helsing still clings to slow and steady evidence, only realizing after Lucy’s death that she had been right all along.
There’s quite a bit to unpack in this retelling after all. A female takes the lead. Lucy is the one determined to stop the vampire. She does so out of belief. Van Helsing rightly points out that this is a dangerous way to approach a problem. One ponders what might’ve happened had science been allowed to run its course. Van Helsing, if science be science, would’ve had to at last come to the same conclusion that Lucy had experientially. She’d read Jonathan’s diary and she had a late night conversation with Dracula where he did not appear in her mirror and did shy away from her crucifix. She too is evaluating evidence, only she has to allow for the reality of the supernatural. Since the story is old and the production artistic, this is no bloodbath horror spectacle. It is a thoughtful, almost quiet reflection on how we perceive reality. Even among the many vampire films it remains a thing of beauty.
Posted in Literature, Monsters, Movies, Popular Culture, Posts, Science
Tagged Black Death, Bram Stoker, Dracula, F. W. Murnau, Klaus Kinski, Nosferatu, science and religion, vampire, van Helsing, Werner Herzog
Fox recently announced that, after four seasons, Sleepy Hollow is being cancelled. The news, while not unexpected, is still disappointing. The initial success of the series caught just about everybody by surprise. Intelligent, witty, and literate, this program tapped into a number of themes dear to American sensitivities. One of those sensitivities, surprisingly, was the Bible. I sometimes wonder if the Bible might’ve been able to save Sleepy Hollow. In my limited view the first season was the best. It started out with an all-American apocalypse. To survive an apocalypse you need a Bible. George Washington’s Bible featured throughout the mythology of the first installment. Two of the four horsemen of the apocalypse had arrived in Sleepy Hollow. Then something went wrong.
In season two, Moloch—clearly a stand-in for the Devil in the series—was killed off. Apocalypse no. The end of the world, in Scofield’s canonical view, had been cancelled. Even Ichabod and Abbie began to wonder what good it is to be mentioned in Revelation if your role as world saviors has been made redundant. A new arch-villain was needed. The coven that had shielded Ichabod, headless without its horsemen, simply faded away. Ichabod learned how to drive. Where’s an enemy when you need one? Enter Pandora for season three. But wasn’t she rather a sympathetic figure? Sure, she unleashed lots of negativity but hardly with malicious intent. There’s no villain like a biblical one.
Where do you go after the apocalypse is over? What use is the Bible in such a world? Pandora has no book of Revelation behind her. No special effects budget can rival Pestilence, War, Famine, and Death. What can make you shudder like that pale horse and its skeletal rider? In a world with ebola and zika it would seem that pestilence still has a place. Famine in a world of plenty is horror defined. Two out of four isn’t bad, I suppose, but when you start off with Death you’re not leaving yourself much room for maneuver. Of course, after the horsemen there are three seals left. Perhaps if Sleepy Hollow had stayed with the script and followed through until just before the final trump, it might still be here among the land of the living. Just like creation, the “end of the world” has multiple versions in the Good Book. The Bible’s a consistent narrative only in the imagination of harmonizers eager for easy answers. The possibilities are endless. Where there is no vision, the people parish.
As a novel, like its monster, Frankenstein trespasses all kinds of boundaries. Is it science fiction or horror? Is it Gothic or presciently modern? Is it feminist or conventional? One thing about it is certain: it has been immensely influential. Lester D. Friedman and Allison B. Kavey have created for the world a truly wondrous treatment of this meme. Monstrous Progeny: A History of the Frankenstein Narratives is perhaps the most engaging monster book I’ve ever read (and there have been many). One of the main reasons for this is that Friedman and Kavey are keenly aware that binaries don’t necessarily exclude their opposites. Frankenstein is about both science and religion, and it treats both profoundly. Considering that Mary Shelley was only 21 when the novel was published bespeaks a rare genius in blurring boundaries and making those on each side think.
Monstrous Progeny considers multiple issues associated with Frankenstein. Should science be approached alone, or should peer review be involved at every stage? Is religion eschewed by this woman so strongly influenced by atheism, or is it the very crux of the matter? And what about the incredible and continuing afterlife of Shelley’s story? Friedman and Kavey survey not only the novel but several movies associated with, or based on ideas from, the book. Modern science, if we’re to be honest, also owes much to the fictional musings of a 19-year-old girl on a dark and stormy night. The tale of the tale is nearly as fantastic as its progeny. Challenged to write a ghost story, Shelley produced an undying Zeitgeist feature instead. Monstrous Progeny delves deeply into this unexpectedly profound idea, showing how it grips the heart of many contemporary nightmares.
Genres can be deceiving. Shelley wrote her tale as a “ghost story.” It received literary acclaim, becoming one of the best selling books in England in the nineteenth century. Only when Universal found success with Dracula in 1931 and followed it up with Frankenstein the same year did film critics want something to call movies like this. The term “horror film” was invented. There is certainly horror in Frankenstein, but there’s much more to it than that. The relationship between religion and science, and the very real ethical issue of making something because we can, are never far from the reader’s mind. Giving life to the creature only underscores the conflicts and contradictions of life in a world where to be gods risks destroying any possibility of heaven. Monstrous Progeny is a thought-provoking book that will, in its own way, brings our present fears to life.
Posted in Books, Literature, Monsters, Movies, Popular Culture, Posts, Science
Tagged Allison B. Kavey, Frankenstein, Frankenstein's monster, horror films, Lester D. Friedman, Mary Shelley, Monstrous Progeny: A History of the Frankenstein Narratives, science and religion, Universal Studios
We’ve had a lot of rain lately. One rainy night over this past weekend I talked my wife into watching Dracula with me. It’s been a few years since I’ve seen this classic myself. Difficult to believe that it was ever scary. This is the film that launched the horror genre that has become such a major part of the entertainment industry. It has the right mood for a rainy night. Movies were paced much more slowly in the 1930s, and viewers are given ample time to drink in what’s happening. In some current day films the cross-cutting in action scenes is so rapid that I really have no idea what took place. Dracula is slow, stately even. Thinking back, I believe this was the first monster movie I ever saw, so it has a resonance with me. When Renfield balks at the huge spider web in Dracula’s castle, the vampire quotes from Leviticus—“the life is in the blood.” Monsters are religious creatures.
A year ago in January, with the help of two colleagues, I proposed a new unit for the American Academy of Religion annual meeting—Monsters and Monster Theory. After working on this proposal a couple of months (strictly off work time for me), the new unit was declined by the academy. We decided to try again. This year our exploratory session was approved. The idea had come to me when I noticed that papers on monsters and religion had been on the rise, but there was no central forum to discuss them. They were like zombies without a shepherd. Not being an academic, I couldn’t start the session by myself. Now the society agrees that we’re worth at least one meeting room and a couple of hours to see whether the topic might become a recurring one.
Some people, I’m well aware, find this combination odd. Religion, after all, is about sweetness and ethereal light. Being nice to one another. Things like that. Monsters, on the other hand, inhabit the dark. They’re creepy and unsettling. They’re also wonderful metaphors for so much of life. What some of my colleagues have come to realize, and the academy seems to be backing us up on this, is that if anyone can understand monsters, religion can. Psychology will continue to try. Literature will continue to create them. Scholars of religion, however, are those who would like to bring some order to a chaotic world. We study monsters to learn about what it means to be human. It has been raining quite a lot lately.
Posted in Bible, Higher Education, Monsters, Movies, Posts, Weather
Tagged American Academy of Religion, Dracula, horror movies, Leviticus, Monsters and Monster Theory, vampires