This was an appropriate weekend for a scary movie. With Guillermo del Toro in the news of late, I selected The Orphanage to fit the mood. Foreign language films can present a challenge when too much action is interspersed with dialogue, but the pacing and deliberate unfolding of The Orphanage solved that problem. As always when screening horror films, I was watching to see how religion played into the plot. The story follows the disappearance of a child adopted by a couple who wish to open a home for special needs children. Laura, the mother, is unwilling to accept her child’s disappearance while her rational, physician husband, Carlos, feels that the outcome is inevitable. In a show of support, however, Carlos lends Laura his Saint Anthony’s medal, just until their son is found.
The association of Saint Anthony—perhaps the most famous Franciscan after Francis himself—with lost items is a worldwide phenomenon. The city of San Antonio bears his name (although it is easily found). In the movie he is invoked to find the lost child. The distraught Laura religiously wears the medal until the child is found (in what state I’ll not say, for the benefit of those who’ve not seen the film). When Carlos comes to seek his wife, he finds the medal, bringing the movie to a close. The orphanage also features a very gothic chapel that sets the mood in a few scenes as well. “The Good Shepherd” is the very biblical name of the institution. Although not central to the story, religion is woven throughout, demonstrating once again that fear and religion are closely related.
Like Saint Francis before him, Anthony was born to a wealthy family in the Middle Ages. Both young men forswore their material goods to seek spiritual wealth. Both died relatively young (not uncommon in the Medieval Period) and in poverty. Choosing such a selfless character as the means of recovering that which has been lost may seem counter-intuitive, and The Orphanage exploits that idea very nicely. Over this gray weekend when many people were thinking about loss, an orphanage seems an appropriate metaphor. Although a Saint Anthony medal may inspire confidence, it can never restore what is truly gone. Even so, religion may assuage the anxiety, but in the end we still must find our own way home.













