I was called “moon boy” and was otherwise taunted in ways I care not to share. As a child I openly spoke about my fascination of life in space and was ridiculed in the way children specialize in executing humility. So it was with great appreciation, but not much surprise, that I read that water had been discovered on Mars. Where there’s water, there’s likely life. I won’t say “I told you so.” Life, although I know I’m being premature—I’m a moon boy after all—has been one of the many tools in the God-of-the-gaps bag. God-of-the-gaps thinking is where a religion, in the light of scientific explanation, backs and fills by saying only God could do x, y, or z. The weather used to be a gap, but meteorology and fluid dynamics have started to explain many of the things that happen in the atmosphere. But life—life! Life was something only God could do, and it was only here on earth. Mind the gap.
No, we’ve not yet discovered life on Mars. Those who spend every hour of their waking days combing at incredible magnification the photographs coming from Mars have suggested life forms. Some of them, I must admit, have been very intriguing. The official stance, however, has been that Mars is too cold for life because, as any trekkie knows, life has to be as we know it. I would venture to say that life will be announced on Mars before too long. Astronomers and astro-biologists are a cautious lot, but I think that life is probably a lot more common than we’ve been led to believe. And I have to believe that we’re not the most intelligent species possible. How else can we explain what’s happening in the run up to the Republican Convention? E.T. may not live on Mars, but somebody else might.
Often I ponder how strange our geocentrism is. Copernicus and Galileo more or less proved that we’re not the center of the universe. Reluctantly the church let go of that fiction, but scientists, in some measure, have held onto it. We are the only planet with life. Life on our planet is the most advanced that it is anywhere. And because we know that nothing travels faster than light there’s no possibility that life elsewhere has ever found its way here. To claim otherwise is to face a scientific inquisition. Water on Mars? Yes! This is a new chapter not in the history of the universe, but in appropriate humility in the face of the unknown. Take it from the moon boy—there’s a lot more yet to be discovered.
Our friends were shocked. I don’t even remember the title of the movie, but they couldn’t believe we had gone to see it. Not because of the content of the film, but because it had been shown on a Sunday morning. Why hadn’t we been in church? This was back in Edinburgh when we had very little money—wait, we still have very little money. This was back in Edinburgh, and we had won free tickets to an early screening of a new movie. The showtime was on Sunday morning. So in our own version of weak-willed athletes from Chariots of Fire, we’d skipped church to go see the movie. I don’t remember the title and I remember very little of the film. It had something to do with Richard Wagner and a conductor. An art film. We didn’t really feel too guilty missing church to go, since at the time, it seemed like a rare opportunity and the movie was, in some sense, religious. Or at least mythological.
Movies have a way of really influencing people. Thus it has been since the invention of the art form. We’ve all had the experience, I suppose, of a movie hitting us with a profound impact. It never really occurred to me to ask why. That is, until I read Colin McGinn’s The Power of Movies: How Screen and Mind Interact. I’d always thought that movies were simply a successful form of entertainment, and scholars seldom take entertainment seriously. As McGinn makes clear, there’s a lot more than casual watching going on when we slip into the theater. As a philosopher, McGinn is duty-bound to look beyond the obvious. Time after time in this profound little book I found myself pausing to consider the implications of what he says. Ultimately, he suggests that movies access the same areas of the brain that dreams do, not only giving them dreamlike qualities, but also making films emotional experiences like dreams.
At one point, McGinn draws explicit connections between going to church and going to a movie. Beyond the superficial aspects of a darkened building with a performance meant to impact a person, there are clear parallels between going to the theater and going to church. Both can be transformative experiences. The Power of Movies is a powerful little book. As much as we like to think that we have custody of our minds, the realm beneath the surface—that which gives us dreams and syncs with movies—has more influence on us than we’d generally like to admit. More and more, scholars are beginning to realize that films do have a profound impact on viewers. This is not just entertainment. It may not be worship, but after reading McGinn I think it might not be too far from it. The mind able to dream, after all, is a mind that’s truly free.
Posted in Art, Books, Consciousness, Movies, Popular Culture, Posts
Tagged Chariots of Fire, Colin McGinn, dreams, Edinburgh, Movies, philosophy, The Power of Movies: How Screen and Mind Interact
I was teaching in a seminary when Robert Duvall’s The Apostle came out. Seeing the favorable reviews, I put it on my wish-list and somehow it never managed to rise to the top. Perhaps it was because I worked at a religious institution 24/7. Seeing a movie about church felt almost superfluous. Many years on now, my wife bought me the DVD (yes, we’re old-fashioned) and we finally sat down to watch it. I realized, as the preaching started, that I didn’t know what to expect. I assumed that Sonny would be a typical Elmer Gantry-type character, cynical and self-centered, but as I kept waiting for the sneering commentary to come, it never did. The movie didn’t valorize Sonny either—he is a flawed preacher who commits murder out of jealousy and flees the state to start a life elsewhere. Landing in rural Louisiana, he begins building a life doing what he does best—preaching. The local people benefit from his presence, so I was waiting for the cracks to appear, but they never did. The movie is amazingly respectful of Holiness, or Pentecostal religion. It left me quite thoughtful.
Having grown up in a non-denominational setting, the scene of the altar call was one that was familiar to me. Fiery sermons were also something I’d seen before. Theological education, of course, causes one to question much of this, which is why many Fundamentalist churches do not hire seminary graduates to be their clergy. Study tends to refine that ability to let go and have emotion become the substance of the service. Recalling my own childhood, steeped in the Bible and fervent fear of Hell, church was primarily an emotional catharsis for me, not an intellectual enterprise. The problem for me was that I couldn’t stop thinking about it. That’s where it often starts to crumble for those who want to understand emotion-driven religion. It doesn’t mix well with rationality.
The Apostle is made all the more powerful for its use of actual Holiness preachers in the movie. When they’re preaching, they’re not acting. They’re preaching on film. Part of the draw, I suppose, for many viewers is that this is a foreign world. Mainstream church services are often subdued, perhaps even dour, by comparison. They are, however, more rationally driven. The substance of any mainstream liturgy derives in some form from Catholicism. Pentecostalism dismisses all of that, retaining the music and the sermon and the Bible. Otherwise, they are practically different species. The storyline of the movie isn’t anything grand. Preacher commits crime, repents, gets caught. Still, there’s an authenticity to it that makes it compelling. No Jim Jones here. No David Koresh. Just a man, in many ways typical, trying to make his way in the world in the only way he knows how. And that can be inspirational.
Posted in Bibliolatry, Higher Education, Memoirs, Movies, Popular Culture, Posts, Sects
Tagged Elmer Gantry, emotion, Fundamentalism, Holiness Churches, Pentecostalism, rationalism, Robert Duvall, The Apostle