The reboot of Jurassic Park, Jurassic World, has been on my mind. Back in the early days of this century I hadn’t bothered to see either Jurassic Park II or III. The original, despite its faults, was like a childhood dream come true. I’ve always felt that dinosaurs (along with vampires and pirates) made for the best movies, although space has to be right up there in the top since 2001 (not the year, the movie). Since the summer I’ve made a point to carve out time to finish out the holy trilogy of dinosaur flicks. I liked the character Dr. Malcolm in the original, but he should’ve never been the main character of the sequel. The Lost World almost lost my resolve to see the series through. The story was unvarying: humans meet dinosaurs, dinosaurs chase humans. New and innovative means of trying to contain or exploit them try to demonstrate the evils of hubris and greed, but dinosaurs always prevail. Jurassic Park III was a bit better, going back to the original formula but adding something bigger than Tyrannosaurus Rex—the Spinosaurus. It was unbelievable, however, that a paleontology doctoral student couldn’t recognize it, thinking it a mere Suchomimus. At the turn of the century, new dinosaur finds had suggested that Spinosaurus was larger than T-Rex, and the movie reflected the new top predator of the time.
It is the little boy in me that keeps me coming back for dinosaurs. Some of my favorite toys were cheap, molded plastic dinos, and when my daughter was young we bought her all the more realistic (and pricey) Safari versions. When I get to the store, I still stop and look at the species we never acquired and make a wish. I think it’s because dinosaurs represent something we can never have. Species that grew to enormous size and had armor-like skin, and even, if some paleontologists are to be believed, considerable intelligence. Of course, that may just be the movie talking. In a world where all things are equal, we’d never stand a chance against dinosaurs. They are like reptilian deities.
When Amanda Kirby (ironically, the only adult to be addressed by first name in the movie by new acquaintances; the males are called by their titles even after they’ve been through several dinosaur attacks together) sees the incubators at the compound, she says, “So this is how you make dinosaurs.” Dr. Grant (let’s give him his title) responds, “No, this is how you play God.” Playing God is a trope as old as science itself. Planting crops to grow where you want them to grow is playing God in its own way. Creating uncontrollable forces that can destroy you seems to be a uniquely human trait. And so my imagination is drawn back to dinosaur days. Those who make the movies tug on wishes that any mere creature would have: to create its own gods and somehow manage to survive them. Hubris, it seems, is just as human as dreaming of dinosaurs.
In addition to music, Christmas has also been associated with seasonal foods. Unlike today, when we think of foods primarily in terms of either fast food or culinary sophistication, Christmas dishes of yesteryear often had religious symbolism. While singing an English carol, for instance, you might hear of figgy pudding. I tried my first when living in the United Kingdom and it was nothing like the images its name conjures. It is more like a dense cake made of raisins and dried fruit, set aflame to burn off the brandy. Sometimes it is topped with holly. According to an interview on NPR, the Christmas dessert, in addition to taking weeks to make, contains thirteen ingredients, to symbolize Christ and the apostles. The holly is to represent the crown of thorns, and the flames the passion. That’s a lot of theology to stomach. (In seminary I had friends who used food analogies for theological purposes, but I suspect they didn’t know it was such an ancient tradition.)
Christmas cheer, I would’ve been shocked to learn as a child, generally involved spirits. For example in A Christmas Carol, Charles Dickens reverses his entrepreneurial relationship with Bob Crachit over a bowl of smoking bishop. I had always supposed this was a kind of soup or stew, but, again NPR comes to the rescue with a piece about Christmas drinks. Smoking bishop was made of port, and, according to the NPR story by Anne Bramley, is of the class of Protestant drinks called “ecclesiastics.” These were various alcoholic drinks named after Catholic church offices that Protestants used to poke fun at the ecclesiastical hierarchy of the Catholic tradition.
A Christmas Tree primer
It is difficult to conceive of anything more basic than food and drink. All living things require nourishment. It stands to reason that when religious sensibilities began to appear that they would certainly be associated with the necessities of life. Holidays, as necessary breaks from the mundane, offer opportunities for bringing theology to the table. The most basic of ingredients, as any observer of biblical holidays knows, can contain more than just nutrients and roughage. There is a symbolism in what we eat. In these days when it is fashionable to declare religion nothing but stuff and nonsense, it can’t hurt to stop and look at what might be on our plate or in our cup before declaring it to be mere animal nourishment.
Posted in Books, Britannia, Holidays, Just for Fun, Popular Culture, Posts, Religious Origins, Sects
Tagged A Christmas Carol, Anne Bramley, Charles Dickens, figgy pudding, Holidays, NPR, Protestant, Roman Catholicism, smoking bishop
While reading about holidays recently, I came across the idea of Christmas as a cultural holiday as well as a religious holiday. Now that it’s here, it feels like a little of both. My wife grew up in a musical family and Christmas music was a large part of her experience of the holiday. Although I grew up in a family where the religious aspect of the holiday was as preeminent as it could be with young boys, I don’t recall music being much a part of it. Perhaps we had enough of Christmas carols in church and on every shopping excursion. I don’t recall having a record player beyond maybe a close-and-play for our few 45’s. Now a large part of our holiday experience is the music. We listen to contemporary secular and classical religious and, to borrow an expression from popular parlance, it’s all good. Music spans the sacred and secular and suggests that we might all get along if only we were willing to try.
Scanning our shelves we have a wide variety of Christmas music. It begins with Medieval carols and spans to a Very Metal Christmas and the most recent Pentatonix album. Even Amy Grant has a place in there from my college days. Like a kid I awake early on Christmas, from the long habit of getting up around 3:30. The house is quiet and, rare for New Jersey even the street outside is silent. In the hush I can still hear a kind of music. The music of peace, of a dream, of an ardent hope, of Christmas.
Christmas is all about sharing. We know Jesus of Nazareth was unlikely born this time of year, but we take it as a symbol. The peace of a silent night is best enjoyed in mixed company. With the political rancor of exclusion burning in our ears other days of the year, maybe we could think about sharing today. Sharing our land. Sharing our sense of hope. Sharing our music. The world could be such a wonderful place if we would only listen for Christmas.