Weaponized Scripture

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One of the many questions that haunt evangelical Christians is whether it is okay to watch horror films or not.  The same applies to whether it’s okay to listen to rock-n-roll (even as it’s reaching its senior years).  Cultural accommodation is often seen as evil and evangelicalism, as a movement, is frequently offered as a culture all its own.  I recently rewatched Brian Dannelly’s Saved!, a coming-of-age comedy about a group of teenagers at American Eagle Christian High School.  Gently satirical, it portrays well how evangelicals try to redefine “cool” in a Christian mode.  Taking tropes from pop culture and “baptizing” them, Pastor Skip—the principal—assures the young people that they’re every bit as cool as secular culture icons, only the Christians are going to heaven.

The film came out when I was teaching at Nashotah House.  That seminary also had problems with secular culture, but in a completely different way.  Its method was basically to ignore that culture.  Isolated, Anglo-Catholic, one might even say “Medieval” but for the sanitation, it was likely not a safe place for a professor to be watching such films.  Evangelicalism and right-wing Catholicism were beginning to find each other.  Once the cats and dogs of the theological world, they were becoming more like goldfish in their bowl, watching a strange and unnerving world just outside the glass.  A world in which they couldn’t survive.  Now, Saved! is only a cinematic version of this, but it has a few profound moments.  Mary, the protagonist, comes to see the hypocrisy of both the school and her former friends when she supports a boyfriend who is gay.

At one point her friends attempt an intervention.  They try to exorcize Mary, and when that fails one of them throws a Bible at her.  Picking it up, Mary says “This is not a weapon.”  Since this movie isn’t by any stretch of the imagination horror, I didn’t address it in Holy Horror.  As I rewatched it in the light of that book, however, I recognized a motif I did discuss in it.  The use of the Bible in movies is extremely common.  That applies to films that don’t have an overt Christian setting such as this one does.  The iconic Bible is a protean book.  Despite what Mary says it can indeed be a weapon.  It often is.  Many of us have been harmed by it.  Christian separatist culture has its own dark side, even if it’s carefully hidden, its adherents think, from the secular world outside the fishbowl.

Goliath and Company

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First UltraViolet.  Then Google +.  Well, actually neither of these was first—tech initiatives cease to exist all the time.  Giants aren’t immune to extinction, it seems.  I’ve got to be careful with my confessions toward Luddite sympathies since, as it turns out, tech is king.  Emperor, in fact.  But since tech only works as long as society holds together, I still want paper knowledge in my library.  I don’t own a Kindle and despite what visitors say, I don’t want to “save room” by getting rid of books.  I like books.  I wink at them from across the room.  Sidle up to them when in private.  Get to know them intimately.  Books are a way of life.  If the grid breaks down, I’ll have books to read and candles to do it by.  For a while there I even made my own candles, although most of those were used up in the aftermath of Hurricane Sandy.

Just sayin’

You see, my hairs bristle when I hear tech experts complain that “authors should be taught to write in XML.”  Said techies have apparently never written a book.  Ideas, you see, flow.  When you’re in the zone, there’s no stopping to mark-up your text.  In fact, the best, purest kind comes in scribbles on paper with misspelled words and all.  You can hold it in your hands and remember the Muse who had you at the time.  For me the hours of inspiration are before dawn.  I mostly use a computer now, but I can still find myself typing too slow to keep up with manic inspiration, desperate to record my ideas before paid work starts.  Work is the Medea of creativity—both mother and slayer.  Once I login I check out.  I need to wait for another day to dawn.

We’ve invested heavily in technology.  The internet is largely responsible for the globalization against which the world has recently rebelled.  No matter how many times people like me say we love books somebody will say, “Have you considered a Kindle?”  Why?  I bought a house as a place to keep my books.  These little bricks are bits of my mind.  Pieces of my soul!  What we read makes us who we are.  The last person who said the remark about authors learning XML literally sighed with disgust as he said it.  How could, you could feel him thinking, anyone be so backward as to think this is a problem?  I recall Hurricane Sandy.  Sitting in an apartment lit by candles we’d made ourselves, we read old-fashioned books and were eerily content.

Servants and Such

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At Nashotah House I met my first real-life servant.  This was a student—a candidate for the priesthood—who’d formally been a “domestic.”  Now, being Episcopalian one doesn’t bat an eyelash at that sort of thing but I was secretly in shock that servants still existed.  I’m woefully uninformed about aristocracy.  Having grown up poor I resent the idea of a person being placed in the role of fulfilling the whims of someone just because they have money.  My wife has more of a fascination about this than I do, and she was recently reading a book about servants.  This post isn’t about domestics, however.  It’s about foreign gods.  In the book she was reading my wife noticed one of the servants writing that old-fashioned stoves were like Moloch.  Were it not for Sleepy Hollow, I suspect, many modern people wouldn’t know the name at all.  Who was Moloch?

Moloch, according to the Bible, was a “Canaanite” deity.  Specifically, he was a god that demanded child sacrifice.  The phrase the Good Book uses is that his worshippers made their children “pass through the fire” for Moloch.  Very little is known about this deity, and the question of human sacrifice is endlessly debated.  Theologically it makes sense, but practically it doesn’t.  Deities want servants and living bodies do that better than dead ones.  Although it’s been suggested that “passing through” could be a symbolic offering, by far the majority of scholars have taken this act as an actual sacrifice.  The ultimate servant is a dead servant.  Moloch, you see, comes from the same root as the word “king.”  And kings are fond of having many servants.

Image credit: Johann Lund, Wikimedia Commons

So how is a stove like Moloch?  The classic image of the god, which looks like a scene from The Wicker Man, holds the answer.  Well circulated since the early eighteenth century, this engraving has captured the imagination of modern people.  A massive, multi-chambered statue intended to consume by the raging fire in its belly.  This is the way in which a stove might resemble a Canaanite deity.  The servant who described cookware thus knew whereof she spoke.  Archaeological evidence for the “cult of Moloch” is slim.  It is almost certain that nothing like this fanciful image ever existed.  Moloch, in other words, lives in the imagination.  One aspect, however, rings true.  Like most tyrannical rulers the deity wants unquestioning obedience on the part of servants.  And this is a viewpoint not limited to deities.

Terror Text

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Dystopia reading and/or watching may be more practical than it seems.  History often reveals authors who may be accused of pessimism more as prophets than mere anxious antagonists.  Two books, according to the media, took off after November 2016.  One was George Orwell’s 1984,  and the other was Margaret Atwood’s The Handmaid’s Tale.  I’d read both long before I started this blog, but I recently asked my wife if she’d be interested in seeing the movie of the latter.  While teaching at Rutgers, I had a 4-hour intensive course and to give students a break from my lecturing I’d have us discuss Bible scenes from secular movies.  The Handmaid’s Tale was one of them.  Watching it again last night, I realized the problematic nature of Holy Writ.

The Handmaid’s Tale is a movie (and novel) that involves what I call “Bible abuse” in Holy Horror.  That is to say, the Bible can be used to oppress rather than to liberate.  To cause human suffering instead of eliminating it.  Sure, to make Atwood’s dystopia work a future catastrophe of fertility has to occur, but the military state, the assumed superiority, and the will to control on the part of men are all too real.  We’ve witnessed this in the United States government over the past two years.  A lot more has been revealed than personal greed—that side of human nature that quotes the Good Book while doing the bad thing.  In the movie it’s literally so, while our “leaders” are only a metaphoric step away from it.  Although it’s not horror, it’s a terrifying movie.  I still have trouble watching The Stepford Wives.  Why is equality so easy in the abstract, but so difficult when it comes to actual life?

Aggression is not a social value.  This is perhaps the most ironic aspect of using Scripture to enforce oppressive regimes.  The whole point of the New Testament is self-denial for the sake of others.  That may be why the only Bible reading in the movie comes from the Hebrew Bible, the story of Jacob and Rachel.  Although this isn’t one of the traditional “texts of terror,” to borrow Phyllis Trible’s phrase, it nevertheless illustrates the point well.  A culture that values women only for their reproductive capacities is dystopian to its very core.  When a book, no matter how holy, is divorced from its context it becomes a deadly weapon of blunt force.  Atwood moves beyond Orwell here—the government that sees itself as biblical can be far more insidious that one that only weighs evil on the secular scale.  Not only the Bible ends up being abused.

Nature’s Bible

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When you’re writing a book, many strands in your mind are weaving their way into what you hope will be whole cloth.  Well, at least if you write books the way that I do.  In writing Weathering the Psalms, for instance, one of the threads was the question of science and religion.  I was teaching at Nashotah House at the time, and I read a lot of science.  As I told colleagues at the time, if science is how we know things, shouldn’t what we know of the natural world apply to the Bible?  I don’t claim to be the first to ask that question—back in the days of exploration there were many people (mostly the genus “white men” of the “clergy” species) who went to what is now and had used to be Israel, to find out what the world of the Bible was actually like.  Their books still make interesting reading.

Quite unexpectedly a colleague, Dalit Rom-Shiloni of Tel Aviv University, told me she’d just ordered my book.  She’s leading up a project called the Dictionary of Nature Imagery of the Bible (DNI).  Over a decade after my teaching career ended, someone had deemed my work relevant.  Dr. Rom-Shiloni recently sent me the link to the project website where there is a video of her interviewing three Israeli scientists about the possibility of lions, leopards, and bears living in Israel.  They’re all mentioned in the Bible and no longer exist in the area.  The video is on this link and won’t take half an hour of your time.  It’s quite interesting.

One of the surprising facts to emerge is that leopards, in small numbers, may still exist in Israel.  This assertion is based on lay observation.  I contrasted this with the United States where, no matter how often a cougar (aka mountain lion, puma) is spotted in a state where it’s “known” to be extinct, it is claimed to be mistaken observation.  A departed friend and mentor of mine once saw a mountain lion in West Virginia.  I’d grown up in neighboring Pennsylvania where they are officially extinct, so I wondered if said beasts knew to observe the Mason-Dixon line.  The fact is, despite all our best efforts to destroy our environment, animals often find a way to survive.  Growing up, one of my cousins in Pennsylvania (now also unfortunately deceased) showed me a puma print in the snow behind his rural house.  Now Pennsylvania is a long way from Israel, and this topic is a long way from the DNI, but remember what I just said about how my books are written.  Tapestries only make sense from a distance.

May Care

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The thing about the Devil is that evil is no laughing matter.  Darren Oldridge had no easy task limiting the dark lord to The Devil: A Very Short Introduction.  He nevertheless does an admirable job packing lots of provocative stuff into a small package.  The historian of religion part of me found his short history of Satan in chapter 2 a compelling synthesis of the character’s background.  Longer sources get tangled in theological weeds once the New Testament’s over, what with erstwhile saints being recast as heretics over some minute point of doctrine.  Lots of ideas about the Devil were floating around in those days, even as they are today.  A particularly important point, however, is made early in this book: even during the Enlightenment most intellectuals—including scientists—assumed the reality of the spiritual world.  It was only when materialism alone came to reign that there could be no Devil because there could be no spirits.

A vast disconnect continues to exist between “public intellectuals” and hoi polloi.  The vast majority of people in the world are religious.  Even in, especially in, the United States a great number of people believe in the Devil.  Many of those same people can’t recognize political evil when it stands naked before them.  Here’s the irony of it all: Oldridge discusses how an evil system, let’s say Nazism, blinded many otherwise decent people to the evil they were asked to perform.  Rhetoric that demonized the other, when dispersed over large crowds, has historically had that effect.  Today we see “Christians” claiming that a social system of helping those in need is of the Devil.  The greatest weapon of the prince of darkness is the sincerely believed lie.

Lies have always been associated with the Devil.  When the number of untruths coming from the White House has broken the very meter for measuring lies, those who claim the name of the crucified man who advocated care for the poor shout all the more loudly.  Not at the lies, but at those who don’t accept them.  Historically, the reign of facts has kept some checks on the Devil.  Even Jesus accused Herod of watching Fox—or was it being a fox?—too bad there are no facts to check.  Oldridge doesn’t tip his hand as to whether there is an actual Devil or not.  Society has, however,  no trouble making up its mind.  All they need to do is turn on the television.

The Late Vortex

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So there was this polar vortex recently, here in the States, that led to a meteorological frenzy.  It was worse than the apocalypse itself since it was so bone-chillingly cold outside.  I had contacts from around the world asking if we were okay.  It used to be called “winter.”  Now, I’m not big on human suffering.  I hate to see anyone cold, hungry, or lonely.  These are things for which theodicy itself will some day have to stand trial.  But it does seem that we’ve caved in to media hype about the weather.  Yes, the cold is not to be trifled with.  It can kill.  Winter, however, comes around every year in the temperate zones, and using our evolved brains can help us survive things like winter’s chill.  Heck, our species has survived ice ages before.  They just had no internet to tell them that.

One morning at Nashotah House we were scheduled to attend a lenten mediation in Milwaukee.  A real winter storm was upon us—whether it was a polar vortex or not I do not know—and the temperature plummeted.  The Dean at the time was undeterred.  He’d hired a van to take us to Milwaukee.  I awoke to the news that the air temperature, not the wind chill, was 42 below zero.  For those of you who read centigrade, it crosses paths with Fahrenheit at 40 below.  The weather forecasters warned that mere minutes outside could be fatal.  Our Dean was no respecter of weather.  We piled into a rented van whose windows frosted over as soon as they were cleared and we made our way to experience lent.

My point is, winter can get cold.  A polar vortex by any other name would be so chilly.  What makes the difference between a cold day and an apocalypse?  The media.  Now that we’re constantly online we know when the chill settles in.  The hype makes it more marketable.  Advertisers pay, but they want hits.  By the end of the winter we’ve survived many apocalypses.  I always did find it ironic when some celibate priest would snort, hitch his pants, and say he was a real man (it actually happens!), but living through winter is something we ought to be used to by now.  On the way home from Milwaukee, we said evening prayer in the van so that we wouldn’t have to go outside to trudge to chapel in the midst of what may have been a polar vortex.  Even real men feel the cold, I guess.

The Desert

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Now, I’m fairly certain Athanasius of Alexandria didn’t have access to CreateSpace, or even an Amazon Prime account.  He did write the classic Life of Antony (or Anthony), which I took the opportunity to read recently.  I’m not going to go into this life with great detail—Athanasius does that, in as far as he can—but the reading of this book raised the perils not only of demons but of easy self-publication.  As usual, there’s a story behind it.  Antony was famous for being an early monk who fought demons so effectively that they feared him.  His story wasn’t written in English, seeing that the language had not yet evolved.  When I tried to find an affordable copy that I could access quickly, I found the edition pictured here.  It was fairly obviously a conversion, likely from a PDF (based on my own so doing, in the line of duty).  A minimal cover was applied and it was offered cheaply on said Amazon (with free shipping).

Those who work in publishing know how to spot a print-on-demand title.  That means the book is printed when it’s ordered, or, printed a few copies at a time so that the overhead of offset printing (how books were traditionally made) can be avoided.  Self-publishers can name themselves a press—this one Beloved Publishing—and anything in the public domain can be reproduced and sold to rubes like me.  When a scholar, erstwhile or while, approaches a book s/he wants to know certain facts about it.  Who was the translator?  What was the original language?  When was it written?  Who was (in this case) Athanasius?  Some of this I knew simply by dint of studying ancient texts for most of my adult life and having attended and taught in seminaries.  Still, an introduction of some sort would have been appreciated.

This edition appealed to me because the Life on Antony is a short book.  Most mainstream publishers bulk books like these up with hefty introductions and notes and charge four times as much for it.  They usually put in other works too, since this one weighs in at less than a hundred pages, even with loose typesetting.  Sometimes you just want the contents, with minimal introduction.  So let it be with Antony.  Or so I thought.  This edition, which has a few quirks, contained Athanasius in English, which is what I needed.  The translator remains unknown.  It is print-on-demand.  It is also affordable.  In case any readers of this blog wonder why I sometimes tend not to engage with the contents of the books I review, I would point out that this is what my own books are for.   A guy has to try to make a buck somehow, now and again.  (Antony forgive me!) 

Something Blue

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I’ve worked for two British publishers.  This probably has nothing to do with the fact that I lived in the United Kingdom for over three years, but the two situations have this in common: they’re bloody complicated.  I say that for a reason.  I’ve always wondered why “bloody” is considered swearing in Her Majesty’s realm, but not over here.  Profanities tend to be culturally specific, of course, while some forms (scatological and blasphemous, in particular) are generally universals.  I had always assumed “bloody” had something to do with religion, kind of like the more tame “zounds” is an abbreviated form of “God’s wounds.”  In fact, the folk etymology of bloody suggests just that.  Folk etymologies, I learned as a budding philologist many years ago, aren’t the same as scientific etymologies.  In other words, like folklore, they aren’t entirely accurate.

One of the lessons I learned in Britain was that if you wish to cite a lexicon, it should be the Oxford English Dictionary.  It’s The authority.  So I thought I’d bloody well check it out on this.  There, it turns out, the emphatic use of bloody has to do with breeding, not bleeding.  Back in the seventeenth and eighteenth centuries there were rowdy aristocrats, or “bloods,” that gave the phrase it’s referent.  These privileged wealthy classes, as befitting the stereotype, could afford idle drink.  They did not work, so life was a matter of passing the time with aristocratic pursuits, such as imbibing.  This led to a phrase “blood drunk,” which, disappointingly, didn’t refer to Dracula, but meant drunk like a blood.  It was only a short, tipsy walk to “bloody drunk.”

Antoine-Jean Duclos, from Wikimedia Commons

Disengaging the adjective—like the saucer part of the Enterprise pulling away from its iconic Star Trek hull—you get stand-alone “bloody.”  This swear has nothing to do with sacred blood, but rather blue blood.  Which brings us to the realm of sacre-bleu, in which the word “blue” (bleu) features.  But this has nothing to do with the color blue (such as Marian blue, known from mythology of the virgin) but from the fact that bleu rhymes with dieu, and using the name of a deity (although “god” is actually a title, not a name) is swearing.  In fact, it is technically what is meant by blasphemy.  Working for British-based publishers has been its own kind of education.  It’s easy to get lost in etymological labyrinths.  But is that the bloody time?  I’ve got to get to work.

Troubled Trilogy

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The quest for the truth is never-ending.  New information keeps emerging and our poor brains have evolved to survive the perils of weather and wild animals, not to receive all available information.  It’s the fear that I might’ve missed something that has me going back to a place I’d rather not go.  Andrea Perron’s account of what happened in Harrisville, Rhode Island is the only real published source by eyewitnesses that’s readily available.  Her three-book account, however, is a deeply personal ramble that isn’t easy for the fact-finder to follow.  A couple of months ago I posted on volume one, intimating that I would probably have to go back and read two and three.  There’s a compunction about completion that humans have.  An economist once told me not to measure a venture by sunk funds.  The same applies to books, I guess.

In my ongoing research into demons, and particularly the work of Ed and Lorraine Warren, I felt I had to continue with the troubled trilogy.  Volume one barely mentioned the Warrens.  Volume two finally revealed some of the story.  It took 260 pages to get there, but finally, an eyewitness account!  It has plenty of gaps, of course, but it is, as they say, different from the movie.  You have to understand that a certain sector of the internet was buzzing like flies in January over The Conjuring.  Based on a true story, it was a sympathetic treatment of the Warrens’ work that it was hoped would give credibility to the demon-hunting duo.

House of Darkness, House of Light in total is well over a thousand pages long.  I know, I know—“caveat emptor.”  Nevertheless, I’ve always felt that long books owe it to their readers to deliver on the promises.  I want my haunted house books to be scary.  Or at least moody with a gothic sensibility.  I do understand the desire—the compunction—to approach life philosophically.  Were I ever to put my life out there on display, beyond the occasional forays on this blog, I would hope to do it in a way that left readers wanting more, not less.  Biography is a dicey subject.  Autobiography even more so.  The traditional publisher steps in with an editor firmly in hand.  I know because I’ve been doing this for about a decade now.  The writer and the editor, like the farmer and the cowman, should be friends.  It’s tough, painful even, when someone takes a pen to what you’ve carefully crafted.  The results, when they work, give the reader what s/he wants.  The quest may indeed be never-ending.  At least trilogies have only three parts.

Quiet on the Winter Front

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There’s a weird silent time, after a book is published, when you start wondering how it’s doing.  Holy Horror was apparently released November 29, and published December 29, if done according to standard publishing practice.  The release date is when stock is received in the warehouse.  The book is printed and technically available, but not yet published.  Publication is about a month later when the sellers, distributors, etc., have received their orders and can begin sending them out.  Publishing, as I’ve noted before, is a slow business.  Somewhere around this point you start wondering how your book is doing.  Reviews take some time to appear.  The publisher falls silent (I know this from the editorial perspective as well).  You start thinking, did it really happen?

This is the internet syndrome.  We’ve become used to instant results and it’s difficult to believe that can get by without minute-by-minute updates.  The problem is publishing is slow.  Reading a book takes time.  Not all readers review.  It’s perhaps the kind of malaise you expect in late winter.  In my case, however, my book was an autumn book that missed its release date by a few months.  Yes, hardcore horror fans are still chomping at the bit for upcoming features like Us, but the public in general is well on its way to Valentines Day and what comes after.  We are pretty much a holiday-driven culture and Holy Horror was a Halloween book released after Christmas.  That, and the combination of Bible and horror is unexpected, with many, I’m guessing, thinking the book is something it isn’t.

Often at work I ponder how publishing has changed, even if it runs like sap in January.  Professional writers—those who lived from their books alone—used to be rare.  Most authors were otherwise employed, and many of them worked in publishing.  It stands to reason when you think about it.  I’ve worked for three publishers and finding other writers is, and has been, a rarity.  Instead editorial boards consist of people who largely don’t have the experience of writing a book of their own talking about author expectations.  A disconnect has emerged where writers find employment in other industries and find themselves wondering why publishers do things the way they do.  Even with that background knowledge, I do wonder how my little book is doing.  It’s only natural.  And now that we’ve progressed to February, it’s only eight months more until October.

Ground, Candle, and February

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The world’s hairiest prophet?

Relying on the prophetic ability of a rodent may seem like a fool’s errand, but to understand Groundhog Day you have to go back to Candlemas.  Apart from when I lived at Nashotah House, I’ve never been anywhere that people knew what Candlemas was.  It’s also known as the Feast of the Presentation, and it in itself is built on an archaic ritual based on a creative understanding of biology.  In ancient Israel, a woman was considered impure for seven days.  The eighth day, if the child was a boy, he was circumcised.  Thirty-three days later the woman, finally considered pure enough to approach the temple precincts, was to take a sacrifice for her purification.  And oh, if she bore a girl the impurity lasted sixty-six days.  It’s all there in Leviticus.

What does any of this have to do with Groundhog Day?  Well, according to the much later tradition that Jesus was born of a virgin on December 25, if you do the math you’ll find Mary’s purification falls on February 2.  And if Jesus had been a girl Candlemas would be a moveable feat since February sometimes has 29 days.  Since it’s still dark out for most of the time in February a couple of traditions developed: one was a way of finding out when winter would be over and the other was the blessing of candles since you’d still be needing them for awhile.  That gave the feast its common name.  The tradition grew that clear weather on Candlemas meant that winter was to last for a good long time yet.  Since Germanic peoples love their Christmas traditions, a badger was used for the long-range forecast part of the celebration.

In Pennsylvania Dutch territory, badgers are rare.  Woodchucks, or groundhogs, are just about everywhere and they live in burrows like badgers do.  In a carryover from Candlemas’s clear weather foretelling the future,  the belief was that a badger or groundhog seeing its shadow—because it’s clear, get it?—meant six more weeks of winter.  Of course nobody knew about global warming in those days.  Candlemas, it turns out, was one of the earliest Christian celebrations and it was part of the Christmas complex of holidays.  It’s still winter out there.  It’s also Saturday which means I already have a list of chores as long as a badger’s shadow.  Now I’ve got to remember to get my candles blessed as well.   Winter, it seems, never ends.

Desert Demons

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After reading many popular books, coming to a scholarly tome can be a shock to the system.  This is especially the case when said academic volume contains lots of information (not all do, believe me!).  David Brakke’s Demons and the Making of the Monk: Spiritual Combat in Early Christianity has been on my reading list for quite some time.  One of the perils of being a renegade academic is that you have no university library at hand and I’m not sure I want to reveal this side of myself to the local public librarian yet.  In any case, it would be difficult to summarize all that Brakke covers in this insightful treatment.  One of the elements that struck this reader, however, is the protean nature of the demons with which the eponymous monks wrestled.

Keep in mind that although demons appear throughout the Bible in various forms there is no single definition of what they are.  They appear to be spiritual monsters, in short.  Some passages seem to suggest they are fallen angels.  Others that they are foreign (primarily pre-Christian) gods.  Later ideas add the possibility that they are children of the Watchers, or even, as Brakke explains, evil thoughts.  The desert monks didn’t dwell on trying to discern their origin myth—they were out there to purify their souls, not to do academic research.  The Hebrew Bible does suggest that demons were creatures of the desert.  As monasticism began, appropriately in Egypt, one natural resource found in abundance was wilderness real estate.  The mortgage, however, was a constant struggle with demons.

Many of these demons developed into the seven deadly sins.  Not surprisingly, men living alone in the desert found themselves the victims of sexual temptation.  This led to, in some cases, the demonizing of women.  We’d call this classic blaming the victim, but this is theology, not common sense.  Anything that stood between a monk and his (sometimes her) direct experience of God could, in some sense, be considered demonic.  Brakke presents a description of several of these early desert-dwellers and their warfare with their demons.  Much of their characterization of evil would be considered racist and sexist today.  Brakke does make the point that during the Roman Empire—the period of the earliest monks—race wasn’t perceived the same way that it is in modern times.  Nevertheless, some of this book can make the reader uncomfortable, and not just because of demons.  Or, perhaps, that’s what they really are after all.