Love Life

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Photo by Priscilla Du Preez 🇨🇦 on Unsplash

I suppose that it’s good to keep Valentine’s Day mostly private, but there was some wisdom to how it was practiced in school when I was growing up.  In primary school the rule was that everyone had to give everyone else a valentine card.  You couldn’t just give them to the people you liked.  Valentines Day was a day of equity, and, as children understand it, love.  Love for everyone, not just those of your nation or ethnicity.  Kids of any gender received cards from kids of any other gender.  The point was, love one another.  Looking at the way that hatred has become the new normal with right-wing politicians leading the way, Valentines Day has become a much-needed symbol.  We should be loving those who are different.  Instead we go to the polls and elect extremists who start wars and who brag, even before votes are cast, of the damage they intend to do in their next term.  Where’s the love?

I confess to being an idealist, but I do wonder why love is so difficult to achieve.  Are we so much the victims of tribalism that we can’t see there’s enough to go around?  We live in a world where, were it properly administered, we could see to it that most people, if not all, would have their basic needs met.  Where love could be our highest motivating factor.  Instead, we want the love of only those we love and everyone else can fend for themselves.  And whatever facsimile of love we can muster ends at an artificial line we call a national border.  Those on the other side are our enemies and we want to take what they have.  Is this a sane way to spend Valentines Day?

The irony of all this is that those who perpetuate this divide and conquer mentality were raised in religions founded by leaders who insisted on love.  Love your neighbors.  And, more radically, love your enemies.  What if Valentine’s Day were more than just a time for romantic dinners and little treats, and those things which are best kept private?  What if it were a day when we all tried to love that kid who’s always picking on you?  Or who looks different?  That kid that doesn’t seem to have any friends?  Childhood taught us that everyone’s shoebox got a card today.  We may have been too young to understand some aspects of love, but one thing we got right.  Everyone deserves ours.  Why not try love?

Scholarly Publishing

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So here’s the thing about innocuous names—they don’t work well with the internet.  Search engines throw a rod trying to find something so insipid that it might mean anything.  I’m driven to this topic by the fact that “Scholars Press” or something like it, is used by a number of organizations, some apparently predatory.  If you’re a scholar of religion you know to what I’m referring when I say “Scholars Press.”  You know the neat, trim little monographs that you consumed like popcorn while writing your dissertation.  Try to find a history of the press online.  I’ll wait.

So finally I heaved myself out of my chair and got an actual book (imagine that!) off the shelf.  It is a volume I purchased when the American Academy of Religion and Society of Biblical Literature met in Orlando.  A conference to remember.  So, along with Woody and Buzz Lightyear, we were gathered to learn about religion and I finally shelled out for Ernest W. Saunders’ Searching the Scriptures: A History of the Society of Biblical Literature 1880–1980.  There I found what Google couldn’t: Scholars Press dates from 1974, a joint venture of the two societies.  Originally it published books from the University of Montana at Missoula, and later moved to Chico, California.  Finally it settled in Atlanta and eventually split into two as AAR and SBL took on the publishing of their own books.  I saved myself several minutes of probably fruitless scrolling.  It seems nobody else is really interested in this.  I am an historian of religion, but an historian none the less.  I wanted to know the sequence of events.

I am curious when the two decided to break up this venture.  There was a divorce, or temporary separation, between the societies some years back—I can’t recall when it was—that seems a logical time for them to think about taking on their individual publishing programs, but then again, they may have started before then.  In other words, I don’t have the date when Scholars Press dissolved.  Religious studies, I realize, is a small discipline.  For many colleagues it’s their entire world.  Some of them write histories about various aspects of it—I saw a book that I want to read about the murder of a religion professor Ioan Culianu back in 1991—but compared to history or English, we’re minuscule.  And we don’t seem very curious about ourselves.  We’re an odd lot, that’s for sure.  And we don’t always pick the best names.

Out of Season

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Culture fascinates me.  And one of my favorite aspects of culture is holidays.  I realize that’s a privileged thing to say but were we living among the hunter-gatherers I’d probably have ended up a shaman.  In any case, I had my eye on Stanley Brandes’ Skulls to the Living, Bread to the Dead: The Day of the Dead in Mexico and Beyond for some time now.  Like most observers of lugubrious culture, I’ve noticed the symbols of el Día de los Muertos creeping into Halloween displays in the United States for many years.  I knew that the Day (properly Days) of the Dead was connected in some way to All Saints and All Souls days.  I wanted to find out more, however.  Now, I know that one source doesn’t give you all the information, but time is limited and Brandes was recommended.

This book contains a lot of information.  I am, however, a worker in the publishing industry and that made me wonder a number of things.  The trim size (dimensions) and cover design suggest this is a textbook.  I suspect Blackwell (the publisher) wanted it so.  It is, however, written for ethnographers.  I’ve read enough anthropology over the years to have an idea of how this works, but inside the book it seemed that this was a toned-down academic monograph.  It doesn’t use a lot of technical terms, but the writing is geared toward other ethnographers, it seemed to me.  There is a bit of a dilemma here.  If you’re wanting an authoritative book you generally go to academic publishers, such as Blackwell.  On the other hand, sometimes you just want an overview that doesn’t get lost in the weeds.

The fault is entirely my own, I realize.  And I don’t mean to criticize since I learned an awful lot from this book.  Nothing is ever simple, not even holidays.  Especially holidays.  These are times we take from the ordinariness of daily living to find meaning, and often joy, in our lives.  A safe space where work can’t reach us and we can concentrate on celebrating the occasional, the unusual.  The Day of the Dead is, in the eyes of many, an unusual take on the late autumn holidays.  (Halloween is also unusual, but the two holidays are distinct.)  This book provides a lot of information on the culture of Mexico—information that derives from its most famous holiday.  You can tell a lot indeed from looking at what people celebrate.  There’s more going on than meets the eye.

Not Bram

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I guess I wasn’t sure if Stoker was horror or not.  It’s similar to Hitchcock in many ways, and some suggest it’s a “thriller” rather than horror proper.  One of the refrains of this blog is that horror is a poor genre designation.  Too many other genres bleed into it and it grows into several others also.  Still, Stoker was conceived of as a horror movie and it fits that, generally.  The title made me think of Bram, the most famous bearer of that surname, at least in my mind.  I’m pretty sure that others had the same impression, since some websites take pains to mention that this is not a vampire story.  It’s not.  It is, however, a story about a psychopath or two.  But it generally gets compared to Shadow of a Doubt rather than Psycho.  I’ll spoil things below.

On India Stoker’s birthday, the family receives the news that her father has died.  She was very close to her father and distant from her mother. During his funeral she notices someone watching from afar.  It’s an uncle she didn’t know existed and who’s decided to live with them.  This uncle, we learn, was released from an asylum.  As a child he’d killed his younger brother.  After arriving at the Stoker mansion, people who recognize him disappear.  India was trained as a hunter by her father and senses something is wrong.  The uncle meanwhile seduces her mother so she doesn’t see his obvious faults.  (He’s a charming psychopath.)  He’s goal is to have his niece, India.

There’s a creepy atmosphere throughout, and it’s difficult to determine what India’s end game is.  She’s able to take care of herself, mostly.  She does rely on her uncle to save her, though.  India discovers that he’d been institutionalized at the fictitious Crawford Institute, interestingly in Crawford, Pennsylvania, not far from where I grew up.  Instead of accepting his plans for her, however, she charts her own violent course.  This is an odd film as far as determining character motivations go.  It’s not really clear what India or her mother really wants.  The uncle’s straightforward about it, but he’s a serial killer.  It’s difficult to know upon whom to cast your sympathies.  A movie about family dynamics as much as about horror (a character kills both his brothers, his aunt, and a housekeeper that he feels is in the way), it has no clear message.  And there are no vampires anywhere to be seen.

Drac Ops

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Just don’t ask, okay?  Like most things in my life, I discovered Dr. McNinja way past when it was popular.  Who knows?  Maybe it’s still popular.  I’m not the best judge of that kind of thing.  I’ve read a few graphic novels in recent years, generally when someone lends them to me, or when a movie I like is based on them.  Now, the thing about Dr. McNinja is that it started out as a webcomic.  People younger and more with it than me have shown me other people younger and more with it than me making a good living web cartooning.  They don’t have 9-2-5s and they live, going by their videos, in nicer houses than I do.  So when someone suggested I look up Dr. McNinja I found an old-looking website saying it was no longer online.  The author had published it in book form.

Even though I work in publishing, I find it difficult to tell if a book is out of print.  We live in that strange purgatory where IP (intellectual property) can be kept on life support until copyright expires without ever really having to print more books when they run out of stock.  They’re never truly out of print.  I’m guessing that’s what happened when on Amazon you see that only used copies are available.  So which McNinja to select?  The one with a cover that riffs off Plan 9 from Outer Space, of course.  That movie keeps coming back into my life.  It’s one of Fox Mulder’s favorites on the X-Files.  In any case, I was hardly prepared for the amazingly creative imagination that Christopher Hastings has.  If you start with Operation Dracula! From Outer Space you’re entering the story in media res, as the academics say.

I confess to liking Teenage Mutant Ninja Turtles when it first came out.  These days the exoticism of eastern Asia is frowned upon by academics, but it’s still there in Christopher Nolan’s Batman Begins, so why not?  In case you’re wondering, there is a reason behind all this.  I can’t tell you at the moment, however.  I can say that if you’re looking for a wild, wild story with lots of unexpected twists and turns, Dr. McNinja will not fail to win approbation.  I’m dithering on whether to go back and start from the beginning—these print volumes are becoming collectors’ items, it seems.  And no matter how much fun it is, reading graphic novels always feels like cheating to me.

Using Brains

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I’m old enough to know better.  Here’s a thought.  I recently saw a headline that suggested human brains filter out things like ESP because brains evolved to help us survive.  No matter what you believe about ESP, the idea got me to thinking.  We often act as if our brains are able to determine the Truth (that capital is intentional).  At the same time we don’t understand what consciousness is.  We know that other animals have brains and that the evolution of said organ is to help individuals survive to reproduce.  Some animal species end their existence at that point, but others linger on to wonder.  And I’m wondering if our brains are filters.  Stick with me here: we know that there are stimuli that we can’t perceive that other brains can.  For example, it seems that migrating birds can perceive magnetic fields.  Even if they can’t there are magnetic fields that we perceive only through their effects on objects.  Our brains have no direct access.

Image credit: Andreas Vesalius‘ Fabrica, showing the Base Of The Brain, by user Ancheta Wis

Here’s where it gets spooky.  If our brains filter out things that may hamper us in survival, what if they overzealously teach us not to perceive things that actually exist?  We’re somewhat limited by our “five” senses, no doubt.  We get along okay.  But what of those people who see things that others don’t?  We tend to medicate them or lock them away, but what if their brains have learned how to shut off part of the filter?  Having written a book about demons, naturally they come to mind as a test case.  Or, if you prefer, ghosts.  We tell our children these things aren’t real.  Trust the filter.  Get on with life in “the real world,” right, Cypher?

I didn’t have time to read the article, but I’d experienced a perspective shift.  If our brains are all about gathering information (and in part they clearly are), that’s one thing.  If they are actively filtering things out, well, that’s quite another.  We laud the imagination of children until they become “old enough to know better.”  Do we teach them to shut out what they can actually see, or sense, in order to accept the inevitable, material, adult world?  This idea has startling implications.  As we plunge ahead inventing AI to do our thinking for us, perhaps we’ve left something even more fundamental behind.  Have we lost interest in the Truth?  We may not be able to access it directly, but I wonder if we’re taught to give up without even trying.

Seeing in Darko

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Having seen it I have to wonder why I waited so long.  Part of it was timing, of course.  I was still teaching at Nashotah House when Donnie Darko came out, and I didn’t watch as many movies then.  My loss of that job started me on my horror-watching spree, but Donnie Darko is more than horror.  In fact, it’s usually labeled a thriller instead.  Another reason I avoided it is, alas, the title.  It’s actually the name of the protagonist, and one of the other characters in the movie remarks that it sounds like a superhero name rather than a regular person.  What’s it about?  Well, that’s where it gets interesting.  Donnie has mental health issues, but those issues are tied in with time travel and philosophical discussions about the existence of God.  The high school Donnie attends, although not explicitly stated, seems to be Catholic but there aren’t priests and nuns about, and one of the teachers is seemingly evangelical.

Donnie has trouble distinguishing reality.  Instead of allowing the audience to get away with labeling him easily, the question of reality itself is left unanswered.  The movie is deep like Brazil or The Matrix, and is often considered one of the greatest independent films of all time.  It’s the story of Donnie’s October 1988.  He sleepwalks and sees a guy in a bunny costume who tells him the world will end in 28 days.  Of course he’s medicated and sent to see a psychologist, but what the guy in the bunny costume tells him ends up coming true.  The story is intricate and doesn’t bear a brief synopsis.  It is a movie that will make you think.  It’s become a cult film and I think I’ll be joining that crowd on this one.

Films that manage to put philosophical reflection in the spotlight are rare.  Even more uncommon are those that do so with high production values and convincing acting.  Movies that do this aren’t often cheerful—philosophers in general don’t tend to be a jovial lot (some are fun, of course, but they’re not the majority).  Thinking is serious work, even if those who do it aren’t really paid for their efforts.  Donnie Darko is a movie that will make you think.  Is it horror?  Some classify it so.  Others say sci-fi, but it didn’t really seem like that to me.  In fact, it’s very difficult to classify at all.  Many of the best movies are that way, in my experience.

One Another

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Like much of the other information that I’ve managed to pick up in these six decades of wandering the planet, my knowledge of horror is self-taught.  In truth, I’m an eclectic reader—my various, periodic obsessions generally stem from books I’m writing.  For my unwinding time, however, horror stories seem to do the trick.  Nobody I know in person reads horror, so my recommendations are generally the results of other books I read.  That’s how I found Thomas Tryon’s The Other.  Although I’d only learned of it recently, it has been a classic in the field for many decades.  After having read it, I can see why.  And unlike many fiction works with an afterword, this edition has one worth reading.  Maybe you’re unfamiliar with the novel?  If so, in brief, it’s about twins.  It’s about twins.

Identical twins.  Holland and Niles Perry were born over the cusp of midnight, giving them different birthdays while still being the same age.  Unlike stereotypical identical twins, however, Holland is evil and Niles is good.  As the novel unfolds it contains some twists that, if like me you haven’t heard the story, really do work.  They live in a small town in Connecticut with their widowed mother, older sister and brother-in-law, maternal grandmother, and a couple of domestics.  An aunt and uncle, along with a cousin, settle in.  (It’s a large house.)  Family dynamics are strange and the locals grow increasingly impatient with Holland’s antics.  The Perry family is, however, long established and well respected.

Doesn’t sound very scary, does it?  That’s the genius of the work.  It’s a slow burn but when the fuse reaches the powder it leaves you trembling.  Nobody taught me how to find and read horror.  I’m still pretty much a novice and it seems that novels these days tend to have weight problems.  I was glad to find The Other wasn’t excessively long.  It shows that literary horror is possible as well.  Like Shirley Jackson, Tryon received acclaim for his work.  (And like Jackson, his novel doesn’t balloon out to over four hundred pages—something of a rarity these days.)  I guess I’m just a bit surprised it took so long for me to find out about this one.  I don’t want to give any spoilers because this is a beautifully constructed novel and knowing what happens might deter other readers.  I wouldn’t want to do such a disservice to a book I wish I’d known about when I was younger.

Strangers

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Okay, so I like to think that I’m a reasonably intelligent person.  I can drive a car.  I’ve read over two thousand books.  I have been blogging for nearly a decade and a half.  Why can’t I figure out this password thing?  My brother has a blog on WordPress too.  His posts are quite different than mine, but I always like to read them since we think a lot alike.  Anyway, I wanted to leave a comment on a recent post he wrote.  You’d think that’d be easy since this blog is also hosted on WordPress.  (I’m the one who suggested WordPress to him.)  When I went to post the comment I received a dialogue box basically asking “and who might you be?”  When I gave my web credentials it wanted a password, but it wasn’t clear which password it wanted.

An actual word press; image credit: DANIEL CHODOWIECKI 62 bisher unveröffentlichte Handzeichnungen zu dem Elementarwerk von Johann Bernhard Basedow. Mit einem Vorworte von Max von Boehn. Voigtländer-Tetzner, Frankfurt am Main 1922, public domain via Wikimedia Commons

Like most human beings alive today I have more passwords than atoms in a typical tardigrade.  With a brain over sixty, trying to recollect them all in an instant, well, let’s just say that ain’t happenin’.  As I laboriously lumber through all relevant passwords (I’m pretty sure they don’t want all the unique ones I use at work, in addition to my private accounts), it rejects each and every one.  You see, WordPress is funny.  My own account, now 14 years old—maybe that’s the problem—those teenage years!—doesn’t recognize me at times.  Indeed, on my own blog (and I have a paying account) it sometimes blinks its virtual eyes and says, “and who might you be?”  I try not to take this personally.  I mean, we’ve only known each other for years.  And all I want to do is put a supportive comment on my brother’s blog—we share the same surname, and even the same web host.  What could be so difficult about that?

I’m pretty much logged into my WordPress account constantly.  I post every day.  There’s over 5,300 mini-essays of about 400 words.  That’s over 2 million words.  Is this relationship really so one-sided?  I’m trying hard not to let my aporripsophobia get the best of me here.  Just tell me which password you want!  And, if I can use it to log into my own WordPress account, why won’t it work for the WordPress accounts of family and friends when I want to make a comment?  We’ve been together for so long, do you really not know me any better than this?  Hey, I think I need a private moment with WordPress—you can check out my brother’s blog while you wait…

Mind Echoes

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One of the things that must be frustrating about making movies is that so much competition exists.  Even when you hit on a great idea, such as using a Richard Matheson novel for a story basis, others might be producing something similar.  This isn’t unique to movies, of course.  Some of us have had the experience while writing books.  For those of us who watch movies online, rather than in theaters, the timing differential can still warp perspectives.  I’d not heard of Stir of Echoes until I stumbled onto a website that lists horror movies that have a little something extra.  While watching it I couldn’t help but think of The Sixth Sense, which I also saw at home, but quite a few years earlier than Stir of Echoes.  The acting in the latter is quite good.  The haunted kid pulls this off effectively.  And Kevin Bacon and Kathryn Erbe do a great job as parents (actor-wise).  Spoilers follow.

If you’ve intuited that the child sees dead people, you’re not far off.  It’s actually only one dead person and it’s not a Shyamalanian counsellor.  But the spooky part is his dad begins to see them too, after he’s been hypnotized by his sister-in-law, who’s an amateur.  At its heart the story follows the traditional trope of the undiscovered murder.  It does a good job of hiding the perpetrators until near the end.  The build-up is good also, with Bacon portraying Roy Neary-like obsession (interestingly, they’re in similar professions) quite well.  

The scary part, for me, was the sense that you’re not in control of your own mind.  There’s perhaps just a little too much possibility here.  We tend to think we own our minds, but what if they’re really just on loan?  I remember reading, as a high schooler, that religious people are difficult to hypnotize.  Hypnosis is still not well understood.  The larger fish in the pond is consciousness itself, which we really can’t even define.  We do know that memories are altered with time, and we can demonstrate this to ourselves by rewatching an old movie and seeing what we got wrong.  I suspect that’s why Stir of Echoes is so effective as a horror film—taking us into the realm of mind exposes us to so much that we really don’t understand.  And since ghosts seem to be pretty believable, well, the combination works.  Stir of Echoes is unsettling and a cut above much of what’s available for free streaming.  So if you’re in the mood for a ghost story, this might just fit the bill.

Not so E-Z

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Paying for someone else’s mistake.  That’s what technocracy brings.  We’ve used E-Z Pass for years.  We first got initiated in Pennsylvania although we lived in New Jersey at the time.  In those days we were taking lots of trips from New Jersey to upstate New York, for which you generally have to drive through Pennsylvania.  Hey, we’re a tri-state area.  One of the ironies my wife and I noticed is that you have to pay tolls to get out of New Jersey, but not to get in.  That’s not a scientifically-verified fact, just a pedestrian (or vehicular) observation.  Since I’ve got more things on my mind than I know what to do with, we set the account to auto-replenish.  When funds get low, it automatically refills.  Nifty, huh?!

For some reason I can’t even remember the card on which this system was based had to be reissued.  Like most people I can’t remember all the auto-renews on any given card, so when I get a notice that there’s a problem, I update immediately.  So let it be with E-Z Pass.  See, there—wasn’t that easy?  But apparently not.  The day after I updated (and given that transactions are instantaneous these days, what, me worry?) we happened to drive to New Jersey.  My wife had four work-related trips to our neighboring state over the next two weeks.  Then the violations started arriving.  From New Jersey E-Z Pass.  I’d spoken with a rep from Pennsylvania E-Z Pass the day before and he assured me everything was set up correctly.  But New Jersey plays hardball.  They won’t even talk to you until you’ve received the violations by mail—weeks after the fact.

Any violation comes with a $30 surcharge.  I needed to speak to a person since NJ’s E-Z Pass menu doesn’t offer an option for “If our system has screwed up and your being charged for it, please press 666.”  The message immediately says there will be a forty-minute wait to speak with a representative (PA E-Z Pass picks up on the first ring, just sayin’).  Forty-minutes of muzak turned into an hour.  My phone died.  I recharged and tried again.  Another hour passed.  Finally I called at 8 a.m. the next morning—there’s still a forty-minute wait, but it’s only forty minutes.  I finally spoke with a truculent rep (if you’re already out of sorts by 8:40 a.m. perhaps it’s time to look for a different job) who told me I had to set up an account for NJ E-Z Pass—they don’t have truck with PA E-Z Pass—and check it seven-to-ten business days later to see if the charges had cleared.  E-Z Pass really isn’t that easy.  Keeping a pocket full of quarters might save you time in the long run.

Photo by Possessed Photography on Unsplash

Heavy Machinery

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Funny how some things just stick in your mind.  And then come back at odd times.  Killdozer was a television movie from 1974.  I must’ve watched it pretty close to when it first aired.  Why it came back to me half a century later I just don’t know.  I haven’t been around any heavy earth-moving equipment lately, nor have inanimate objects been threatening me.  When I found it on a free (albeit with commercials, but hey, the original had commercials, so it’s a full circle kind of phenomenon) streaming service, I figured why not?  I was really expecting something cheesy, like I would’ve liked at eleven or so.  It wasn’t really that bad.  There’s actual characterization and the acting is believable.  Only the special effects of the meteorite and the blue glow were obviously low budget.  But you might not be familiar with the D9, so let’s go.

An uninhabited island off the coast of Africa.  Six guys on a construction job—building an airstrip for a petroleum company.  The supply ship’s a few days away and when the Caterpillar D9 hits the meteorite, it becomes a murderous machine, like Stephen King’s Christine.  You can outrun a bulldozer, for a while, anyway.  But if it never runs out of fuel, and you’re trapped on an island, your chances aren’t good.  They’re even worse if the thing is sentient and knows what you’re planning to do.  Six men were sent to the island, and only two make it back.  You get the picture.

As a child I had no idea who Theodore Sturgeon was.  When I saw that this was based on one of his stories, I had to ponder a bit.  Sturgeon wrote several of the original Star Trek series episodes.  His most famous stand-alone story seems to be Killdozer.  In fact, it’s become a cult classic.  I don’t have many friends, so I’m not always aware of what’s in during any given decade.  I think kids at school were talking about Killdozer, but nobody has really uttered that word in my hearing since Gerald Ford was president.  So if you don’t mind commercials, and you have a sleepy spare hour, some of us would be interested to hear what you think about this movie.  The sense of isolation and people being killed by something they construct to be basically indestructible struck me as a lesson worth pondering.  And I’ll continue to try avoiding heavy earth-moving equipment, just in case.

For the Music

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Believe me, I’ve tried.  I took a year of piano lessons but just couldn’t get it.  I married a musician.  I tried to learn guitar.  (I would still play with it, but I broke a string last time I tried to tune it and who has time to get to a music store where it can be restrung?)  I can’t sing—I’ve never been trained and I just don’t seem to have the voice for it.  (In fact, since I no longer teach those close to me say I speak so softly that it’s a strain to hear me.)  But the fact is I love music.  That’s why I don’t listen to it as background.  If there’s music playing, that I like, I find it difficult to concentrate on anything else.  It goes directly to my brain, it seems.

My memory is such that if a piece of music is too familiar I sometimes just don’t want to hear it.  I’m also out of touch with contemporary music.  I have strong tastes, and not too much appeals to me.  When something does, it’s transcendent.  It’s like I’ve fused with the performers.  It’s mystical and amazing.  Growing up, we couldn’t afford much in the way of records.  (I’m sure I need not say anything about cassette or 8-track tapes.)  I listened to the radio with my brothers from time to time, and enjoyed what we heard.  I secretly enjoyed what I heard coming from my older brother’s room.  Left to my own devices, however, I tend to pick up a book and I can’t listen to music and read at the same time.  I know that this is my own neurological issue, but I’m letting you in because anything transcendent is worth sharing.  

Photo by Jefferson Santos on Unsplash

Although the quality isn’t as good, services such as Spotify and Amazon Music Unlimited have slowly introduced me to music of the nineties and later.  Why the nineties?  That’s when I began teaching and my spare time was spent researching (reading) and I had little time for other diversions.  You see, music may just be what it’s all about.  It’s being absorbed and enjoying every second of it.  Humans are visually oriented, but when we focus on sounds something happens to us.  I can be in a crowded store and stop dead right in the middle of the aisle if one of my special songs comes on in the background.  I have to stand and listen, shopping forgotten.  Transcendent moments are few.  If we were in transport all the time I fear it would become ordinary.  And such things are worth pondering on Groundhog Day.

Out There

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While Amazon Prime includes a few A-list horror movies, those that it does I’ve already watched.  Since I can’t afford to pay for this habit, I watch what’s free.  That brought me to the horror comedy There’s Nothing out There.  Written and directed by a twenty-year-old guy, it’s kind of what you might expect.  Its main claim to fame, apart from being a low-budget monster flick, is that it anticipates Wes Craven’s classic Scream.   The latter is famous for being so self-aware.  One of the characters keeps telling the others what happens in horror films and, of course, those things happen.  Although There’s Nothing out There is silly, one of the characters does exactly that.  In the funniest moment in the movie he looks directly at the camera and says “It’s a distinct possibility” in response to one of the girls asking “So you’re saying we’re in a movie?”  Craven didn’t borrow that, but then, Scream is a landmark.

So what’s it about?  There are seven young people who head to a cabin in the woods.  Actually, it’s a regular house, and quite a nice one at that.  The three couples are there for sex but the single guy (Mike) is the horror expert and gets on everyone’s nerves.  He’s right, of course, that there is a monster on the loose.  A slimy green thing with a huge mouth full of pointy teeth, has fallen from space into the neighborhood and it slimes the guys, digesting them, and tries to mate with thee girls.  And if it shoots lasers into your eyes you become its servant, helping out with its mission.  The kids are picked off, of course, with Mike surviving along with one of the couples.  Before they can stop the monster a plumber also gets eaten.

Horror comedy is a strange genre.  It tends to work because there are elements of humor in much of horror.  It’s not all blood and gore—the best examples use that sparingly, in any case.  And horror comedy doesn’t really frighten since it’s pretty clear that it’s being played for laughs.  Sometimes such movies venture into the bad realm—there’s a reason some movies are free on Amazon Prime—but at times they actually have quite a bit to offer.  There’s nothing scary about There’s Nothing out There.  It’s the kind of movie that tends to grow into a cult classic over the years, however.  And while it’s not A-list material, it’s still worth watching for free.