Sweet Tooth

Often our luxuries come at someone else’s cost.  I personally don’t have much of a sweet tooth, but I do enjoy dark chocolate once in a while.  (Milk chocolate tends not to be vegan.)  My wife had discovered Moka Origins chocolate at a local health food store and then learned that their location is in the Poconos, just outside Honesdale.  We visited their facility, small but growing.  We learned how they’re committed to fair trade and sustainability.  And they’re gaining a reputation in a world where scale is everything and as scale increases quality declines.  We all know that to be true but we still support the big guys.  The visit to Moka Origins made me reflect, once again, how we prefer low quality and cheapness to something that’s really well made but costs more.  It’s one of the realities of our economic system.

There is a small but thriving vinyl market for sound recordings—the quality is better, and many are willing to work with the inconvenience of turntables and discs than simply streaming whatever.  I took a lesson from Moka.  The cofounder told us that large companies come into places like Africa paying low prices to buy in bulk.  They buy improperly fermented cacao beans in huge lots which probably includes some beans that aren’t even cacao.  Mixing these large lots with enough additives, they can get away with the chocolate taste most people have grown accustomed to having.  If, on the other hand, you scale down and pay attention to what you’re doing you can even tell the country of origin of chocolate by its taste.  Since Moka sells only single origin chocolate, we were given samples from three different African countries and they were obviously very different, even to someone without a sweet tooth.

Economic scale often drives quality down.  In a company where the owner comes in on a Saturday morning to personally lead a tour and where the chocolate bars they sell are literally wrapped by hand, you know you’re not in Hershey.  Or at Nestlé.  Or any other corporate candy giant.  These companies make astronomical profits.  The owners of Moka Origins spend time in Africa, developing fair trade farms to grow quality produce.  I also learned that cacao pods are technically fruits.  It’s a food.  We tend to overlook that in our quick snack culture.  This was a very educational half hour, even for someone not inclined to food tourism.  So, if you happen to be in northeast Pennsylvania on a Saturday morning, stop in to try chocolate that’s really a food.  Or you can order it online.  Just know that you’ll pay for fair pricing for those who are doing the work to raise and process cacao beans as they should be treated.  You can tell the difference fairness makes.

Oh, and I should mention they also do coffee…


Following Irving

I’m growing fond of staycations.  Maybe it’s because I’ve become such a creature of habit that major disruptions seem daunting, but I still like a change of scenery with my family.  We settled on the Poconos because of, well, a chocolate factory.  More on that anon.  In any case, said location was near Honesdale, Pennsylvania.  Before setting out we learned that Honesdale is one of those quaint downtowns that has made it an island of culture in a sea of red, if you get my drift.  While researching things to do we learned about Irving’s Cliff.  This is an overlook of the town from a bluff atop one of the many hills.  What really caught my attention is that the Irving was none other than Washington Irving, the author of “The Legend of Sleepy Hollow.”  This cliff was a view he enjoyed, so it was named after him.

The view from Irving’s Cliff

Honesdale is a small town.  Less than 5,000 people call it home.  Growing up in western Pennsylvania I heard about more affluent people going to “the Poconos” out east.  It was a “romantic” getaway for some lucky high schoolers while the rest of us had to use our imagination regarding what such a place might be like.  Of course, living just south of the Poconos now we’ve driven through them many times, but we never stopped to linger here.  As I tried to commune with the spirit of Irving on his cliff, it occurred to me that he had been a world traveler.  Nipping across the border from his native New York to Pennsylvania must’ve been no big deal.  Still, he wrote incessantly and the locals obviously appreciated that a famous writer had tarried in their town.  Standing here, I knew the view he took in was quite different.  The hills would’ve been here, but a much smaller town and, above all, no cars.

My forthcoming book on Sleepy Hollow will have a thing or two to say about Washington Irving, of course.  It’d be a fool’s errand to try to follow in his footsteps, just as it would be to try the same for his namesake George Washington.  Besides, I was born in a western Pennsylvania town visited by our first president.  Although we couldn’t afford accommodation in Honesdale itself (it is a quaint town), we checked into our hotel knowing that “Washington Irving slept here.”  And when you’ve spent a few years writing a book about a guy’s work, well, a staycation to a place where he had one is worthy of comment.


Praying for Mantis

Now this is a Cold War movie.  And I mean “cold.”  The Deadly Mantis is one of those movies that hovers between “so bad it’s good” and just plain “so bad.”  I was kind of rooting for the mantis.  In any case, this was an ambitious movie for the time but it reflects the post-war paranoia in the United States.  It also makes very abundant use of stock footage, much of it military.  You almost expect a recruiting ad at the end.  (It does thank the Ground Observer Corps in the closing credits.)  Okay, so here’s the story.  A volcano in the south Atlantic causes the calving of an enormous Arctic iceberg near the North Pole.   That iceberg contains the frozen body of a 200-foot praying mantis from dinosaur times.  Even earlier.   Said frozen mantis, quite hungry after millions of years, begins attacking Arctic radar bases and flying south.  The Air Force calls in a paleontologist to help identify what they’re looking for.

The mantis is so big that it prefers people for food, although, one might note, a polar bear would’ve been easier prey.  In any case, given the technology limitations of the time, the military has trouble keeping track of the insect as it flies over the most populous part of the country.  They do get the cloudiness of the East Coast about right.  Eventually they shoot it down—actually a fighter jet crashing into it does the job—over Newark and the mortally wounded mantis crawls into the Lincoln Tunnel (called “The Manhattan Tunnel” in the film).  By this point the viewer is saying “just let the poor thing die in peace,” but they pump smoke into the tunnel, presumably to hide wires and other props, and commit a protracted insecticide.  

Now, I’m one of those people who hates to hurt any animal.  The death twitches of an insect are quite troubling, so I try to catch what I can indoors and release them.  I have trouble with the instructions to kill spotted lantern flies—it’s not their fault that they’re here.  The movie shows a bravado regarding the military and a machismo regarding the main female character that hearkens back to why it was so necessary to evolve out of the fifties.  Of course, we learned nothing from The Deadly Mantis and have catapulted back into a new Cold War and an even more robust military.  William Alland, the producer, had a real love of this genre of movie, and for that we have much to be grateful.  But even the big bug genre can produce a real groaner now and then.


Mustard Monster

Speaking of mustard seeds, as a child something troubled my literalist brain.  Mark 4.31, “It is like a grain of mustard seed, which, when it is sown in the earth, is less than all the seeds that be in the earth…” According to subsequent translations after the KJV “less than all” reads, “the smallest.”  Of course, in Elizabethan English that’s what “less than all” denotes.  Since these words came from Jesus, and since the Bible was factually true on every point, I wondered how this error had crept in.  The mustard seed, I knew as a child, wasn’t the smallest seed.  Not by a long shot.  I knew, for example, that poppy seeds were smaller.  Why had Jesus said the mustard seed was the smallest when it wasn’t?  I was too young for the casuistry called exegesis, so a small crisis of faith emerged.

Pardon the resolution: I don’t have a macro lens any more. Mustard (left) meets chia seed (right).

The mustard seed has other roles in the gospels as well.  I still frequently recite “If ye have faith as a grain of mustard seed, ye shall say unto this mountain, Remove hence to yonder place; and it shall remove; and nothing shall be impossible unto you” (Matthew 17.20).  All of this made me curious as to the history of mustard.  While in Wisconsin we used to visit the Mustard Museum in Mount Horeb.  It’s now the National Mustard Museum and is in Middleton.  It seems that mustard, in its familiar paste form, was developed in China centuries before Jesus.  And people had been using mustard seeds as a spice long before that.  Jesus, like earlier prophets, used nature to make a point.  The problem wasn’t Jesus, it was literalism.  

Jesus also said “For as Jonas was three days and three nights in the whale’s belly; so shall the Son of man be three days and three nights in the heart of the earth” (KJV) in Matthew 12.40.  Modern translations of “sea monster”—for the Hebrew says it was a fish—forced me to dust off my Greek New Testament.  So Jesus said “in the belly of Cetus.”  Cetus was mythical sea monster, not unlike the mythical Leviathan God describes in Job 40.  Good thing I couldn’t read Greek or Hebrew as a kid!  Well, it seems we’ve gone from mustard to monsters.  If you’re familiar with the history of this blog, that shouldn’t surprise you too much.  I wonder what literalists believe about the Loch Ness Monster?  But don’t get me started on that or we’ll be here all day.


Cryptid Caper

I don’t recall how it got on my fiction reading list—I probably saw it on Goodreads—but I picked it up because it was short.  And surprisingly, multiple copies were in Barnes and Noble.  Since James Daunt bought the chain out it has definitely improved.  In any case, Hunter Shea’s To the Devil, a Cryptid looked like it might be a fun romp, and if it turned out that I didn’t like it, well, it was short.  Ads in the back keyed me in that this was a part of a series of horror novels about cryptids.  Besides, I like to support publishers that aren’t part of the big five.  I’d just finished reading a five-hundred-pager, so something under two was very welcome.  The title seems to riff off the horror flick To the Devil a Daughter.  As much as I try to keep up on my cryptids, I was unfamiliar with the Goat Man.  And I did like it, by the way.

So, the real Goat Man is mostly associated with Maryland, but in Texas, where the novel is set, there is the Lake Worth Monster.  This seems a good fit for the cryptid part (whether intentional or not I don’t know).  A bunch of kids messing around with Satanism decide to sacrifice a goat in the woods where a Goat Man cryptid is said to live.  Something goes wrong and the goat fuses with a guy trying to break up the ceremony and mayhem ensues.  Lots of bodies torn apart in this version of the Lone Star State.  Still, the story is fun.  I’ve been writing cryptid fiction for years, and this may be a targeted demographic, but that doesn’t prevent this from being a good horror novel.  Particularly interesting is the resolution.  I’ll try not to give too many spoilers, but the next paragraph reveals something.

How do you stop a demonic, bulletproof Goat Man?  You call in a priest to do an exorcism.  The truly remarkable part of this is that the priest is treated sympathetically.  None of the characters are religious.  And of the two main young people who survive, you really don’t expect them to be found in church.  The story isn’t intended to be believable, of course.  The Goat Man is an urban legend.  Urban legends are often difficult to tease apart from actual cryptids sometimes.  Cryptids remind us that there’s still more to be discovered in the world.  And I may have just discovered a series of stories that work for a quick fix.


Not Poor

It’s an amazing era for cinema.  A number of genre-defying films have emerged and some of them are quite striking.  Some months ago I saw Everything Everywhere All at Once.  Some called it horror, but that label didn’t really stick.  It reminded me of Parasite, another movie difficult to classify.  Casting about for something we might both like, my wife and I settled on Poor Things, recommended to me by a fellow horror fan.  Other than being amazed by it, I have no idea how to classify it either.  Again, there are horror elements here but it’s certainly not a horror movie.  A comedy, yes, but a dark one.  It’s a movie that has a feminist message, but one that’s been disputed.    Perhaps a quasi-summary might help.

Bella Baxter is not what she seems.  Cared for by a Frankenstein-like doctor named Godwin, she literally has the brain of an infant in an adult body and is rapidly coming to know the world.  Rescuing her just after she died by suicide, Godwin transplanted her unborn baby’s brain into her revived body to see what would happen.  Himself experimented on mercilessly by his own father, Godwin is a rationalist, eschewing emotional entanglements.  He decides to marry Bella to one of his students but before that can happen an unscrupulous lawyer steals her away only to find he can’t control her.  After gaining experience of the world, and learning life lessons in a brothel, Bella returns home to marry her fiancé and be with Godwin as he dies.  Her cruel former husband reclaims her only to have Bella realize why she’d chosen suicide in the first place.  She returns to Godwin’s home and sets up life on her own terms.

A number of things stand out.  One is Bella’s innocence and utter lack of shame regarding her body.  Emma Stone’s acting here is incredible.  Another is the nods to steampunk sensibilities in a story set in Victorian times.  Perhaps the aspect that most caught my attention was Bella’s use of “God” as her name for Godwin, frequently calling him “my God.”  Her grammatical naivety leads to much of the comedy in the film, but this particular choice is freighted with interpretative possibilities.  Obviously, one’s parents are the models one incorporates into concepts of God.  That has been long recognized.  Another, however, is that Godwin did, in fact, create her to see what she would become.  As Godwin faces his own mortality, Bella notes “God is dying.”  What happens after this is that she becomes her own woman for the first time, not under the control of men.  I’m not sure how to classify Poor Things apart from a movie that may require another watching just to attempt a classification.


Passing Words

I’ve never counted, but it must be dozens.  Maybe a hundred.  And they have very high memory requirements.  Especially for a guy who can’t recall why he walked into a room half the time.  I’m talking passwords.  The commandments go like this:

You can’t use the same password for more than one system/platform/device/account

You can’t tell anyone your password (duh!)

You can’t write it down

You can’t send your password to someone electronically (duh!)

You must logoff your device when it’s unattended

You will be held responsible for anything done under your login

The word of the Lord.

Now, how much more ageist can you get?  I’ve never counted the number of passwords I’ve had to generate for work alone but I can’t remember much without writing things down.  Even the chores after work.  I hear that there are “keychains” you can get that remember your passwords for you.  I suspect you need a password to access your passwords.  Replicate the commandments above.

I know internet security is serious business.  My objection is that you’re not supposed to write any of this down.  I carry a notebook around with me (it has no passwords, so please don’t try to steal it) to keep track of everything from doctors’ orders to how to call the plumber if there’s a leak.  I can’t remember all that stuff.  Some of it is personal information, but with everything you’re expected to keep in memory these days—at the same time we’re unleashing AI on the world—is madness.

A friend pointed out that AI books are written without authors.  If I remember correctly, my response was “AI has great potential, but let’s leave the humanities to humans.”  I hope I’m remembering that correctly, because I thought it clever at the time. I wish I’d written it down.  Those who make the rules about passwords aren’t as close to their expiration date as I am.  My grandmother was born before heavier-than-air flight took place and died after we’d landed on the moon.  Guys my age regale their kids (and some, their grandkids) by telling them telephones used to be attached to walls and you could walk away from technology at will.  Now it follows you.  Listens to you even when you’re not talking to it—our car frequently interjects itself into our conversations.  At least she isn’t asking for a password while I’m driving.  I couldn’t write it down.  Our love affair with technology is also driving.  More often than we suppose.  It’s driving me too… driving me crazy.


Invisible Again

Sequels are a fact of life.  Movies, although some of us look to them for profundity, are made for selling.  (I guess my writing for so long with no profit from it has skewed my view a bit.)  Still, The Invisible Man Returns isn’t too bad.  In my mind, there were a set of six canonical Universal monster movies: Dracula, Frankenstein, The Mummy, The Invisible Man, The Wolf Man, and The Creature from the Black Lagoon.  In reality, each of these successful films was followed by a clutch of sequels, filling the thirties and forties—into the fifties—with monster movies.  I never really bothered with the sequels, but some of them are pretty good.  And I still haven’t seen the more recent Invisible Man, which I hear is quite good.

When I was a kid, Vincent Price represented horror like no other single person.  He had developed a persona that was lucrative and that influenced other monster boomers as well.  He was a relative unknown when he was hired for The Invisible Man Returns.  His face only appears in the last minute of the film and his voice had not yet settled into its characteristic menace tone that would make him a genre icon.  Still, the story has a typical plot for the period.  Sir Geoffrey Radcliffe is set to hang for killing his brother—they own a coal mine.  Dr. Frank Griffin, a friend of the family and brother of the original Invisible Man, believes him innocent and makes Radcliffe invisible so that he can escape the gallows.  As we all know, the problem with the invisibility drug—here duocaine rather than monocaine—is that it causes insanity.  Radcliffe discovers the real murderer before going insane, all the while being chased by police.

These “invisible” films demonstrated what special effects could become.  Shot in black-and-white, “black screen” technology was used to make Radcliffe appear headless and handless.  In fact, this movie received an Oscar nomination for the effects.  It’s not a scary film, but it’s a reasonably told story.  And the special effects really were cutting edge for 1940.  Probably somewhat scandalous for the time, Radcliffe has to undress in front of his fiancée at one point, leading the men who discovered her fainted to suppose that seeing a naked, if invisible, man could do it.  There is a subtle humor here.  Other films followed but they veered into the comedy realm.  Until the recent remake.  I guess I’ll need to add that one to my ever-growing list of must-see movies.


Discovering Ordinary

I wasn’t quite sure what sense of ordinariness to expect from Robert J. Wicks’ The Tao of Ordinariness.  I would say as a whole it is about becoming ordinary you.  I found the whole interesting, but it was chapter four that really caught my attention.  It’s here that Wicks starts to address those whose damaged childhoods have created a false (and frequently re-affirmed) sense of our ordinary selves.  I’ve always known I have issues—it’s pretty obvious that I’m not quite like other people I know.  I often lack confidence and, thanks to my career and publishing history, have had that sense pounded in even as an adult.  (Poundedness is not a protected category, however, and it won’t get you any special consideration.)  Up until that chapter I was thinking, “This is nice, but it just doesn’t match my experience of things.”  Then I learned why.

It is possible to change your outlook, of course.  It’s not an easy thing to do.  Our culture isn’t set up to allow for it, what with 9-2-5s and all that.  You see, my personality really fit the teaching mode and lifestyle.  I loved the work, although it was hard.  And I loved the fact that if you had free time during the day you could, if you needed to, run an errand or two.  I guess I’ve never been one to invest in that capitalistic idea that your employer is buying your time.  For some jobs, yes.  In fact, my first employment experiences were of that sort.  I started at nine, did physical work until five, with a lunch break in the middle.  Now work begins early and doesn’t really end.  Days off are few and they fly by quickly.  Changing your outlook requires time to think.  That, it seems, is what’s missing.  It makes it difficult to find out what my ordinary is.

Wicks’ book is a hopeful one.  His optimism comes through page after page.  He gives practical advice.  The subtitle reveals why the book is important: Humility and Simplicity in a Narcissistic Age.  (That last adjective is so common now that spell-check completes it automatically.)  Politicians have frequently been narcissists, but Trump has made it into a high art—care only for yourself and tell people the lies they want to hear.  You can see the calculating cynicism in every glance and gesture.  And yet, here we are.  Books like this are important.  We need to be told that there’s another way.  If only it were also possible to get your horse to drink.


Two-Eyed Cyclops

You can probably tell, if you read me regularly, that I’ve been going through an older movie kick.  A lot of these are easier to find for free on streaming services, so that’s been the path of least resistance.  So it was that I came to watch Doctor Cyclops.  I’d completely forgotten that I’d watched it about fourteen years ago.  In any case, a kind of precursor to The Incredible Shrinking Man, it’s the story of the deliberate shrinking of five people by a mad scientist with an endless supply of radium at hand.  The movie made a splash because of the use of Technicolor in a horror film (with no blood, however).  The story is a touch dull and the shrunken people (three scientists among them) spend most of their down time running around and saying very little.  They do face an alligator, which is kind of fun, and the big hand that holds the pompous Dr. Bulfinch is distinctly unnerving.  The movie received an Oscar nomination for visual effects.

There’s something distinctly enjoyable about these early sci-fi horror films that don’t explain much but nevertheless manage to employ some impressive cinematography.  The use of oversized props and forced perspective make much of this possible, perhaps making up for the simplicity of the tale.  Even by 1940 the “scientist goes mad and must be stopped” narrative was getting old.  The Second World War was underway but nuclear power wasn’t yet harnessed either for bombs or energy.  Interestingly, the source of the mad doctor’s radium is pitchblende, which one of the characters notes, is a source of uranium.  Of course, many movies were to follow where radiation mutated life forms in various ways, including shrinking them.

Coincidentally—it was a rainy Sunday afternoon—I watched the Twilight Zone episode “The Little People” later in the day.  Here was another story about the large oppressing the small.  This one, however, has a stranded astronaut who discovers the little people thinking that he is their god because he has the power to harm them.  The message here is much more profound, even if told with more brevity.  No clear motive is given for Dr. Cyclops’ work beyond his interest in pure science.  By the way, his real name isn’t “Cyclops.”  That refers to his being a giant with one eye—the latter because one of his glasses lenses gets broken.  Don’t worry, the shrunken people learn that the effect is temporary—their brush with radioactivity leaves no lasting harm.  There is, however, a decided danger to desiring to return to a “simpler time,” as Mr. Serling steps in to remind us.


Sun Day

Two holidays in a row!  Although today nobody gets off work because, well, two holidays in a row is too much.  People might come to expect a little more time off.  If you’re like most people, the summer solstice creeps up on you.  Its more somber sibling, six months from now, is more anticipated.  In December we’re light deprived (here in the northern hemisphere) but we’ve been soaking in the sun for some time already now.  Besides, nobody gets the four turns of the year off work.  Christmas is a gimme, but it comes three or four days after the solstice.  We figure Labor Day is close enough the the autumnal equinox, and thank God Easter is a Sunday, at least in the years when it’s near the vernal equinox, so nobody complains.  I feel at my most pagan these days.  Why not celebrate the turning of the wheel?

The other day I was catching up on the Vlog Brothers—John and Hank Green.  Last week they were talking about “Beef Days,” or how to reduce the amount of red meat they eat.  They proposed doing it by setting aside a few holidays a year where they would have it.  Their reason?  The biggest environmental threat to our planet is our dependence on beef.  It’s the reason rainforests are being clear cut.  It is a huge source of greenhouse gasses.  The one thing they didn’t mention, however, is the suffering of the animals themselves.  Industrial farming leads to horrible lives being raised to be consumed.  The conditions in which animals are kept is so bad that it is illegal in some states to reveal the conditions to the public.  You hide things that you’re ashamed of.  I became a vegetarian a quarter century ago, and a vegan coming up on a decade now.   I can’t live being the cause of the suffering of others.

Why not use the ancient holidays as days of some kind of indulgence?  I don’t recommend eating red meat—in fact, I agree with my Edinburgh friend that if you want to eat meat you should be required to kill it yourself.  (He’s not a vegetarian, note, but a wise man.)  In any case, although you may be stuck behind a desk at work, take a moment to ponder that light will be slowly fading from this day on until we reach that other pole that turns another year.  And we can dream of shortened work weeks, although that’s about as likely as being given the summer solstice off as a matter of course.  Speaking of which, work calls.


The Teenth of June

It’s only really when they have no choice.  The Wednesday holiday, that is.  No convenient weekend a day away.  So Juneteenth is actually celebrated on Juneteenth.  I believe in holidays.  I think they’re more than just time off work, and Juneteenth celebrates freedom.  And it reminds us that our African-American siblings aren’t yet truly free.  We still have much to learn and having a holiday to underscore that is important.  Capitalism does a good job of disguising freedom, of course.  Your worth is weighed by how much value you add to the company.  Taking a day off from that is an opportunity to reflect on how daily living could be improved for all.  Juneteenth is a necessary holiday.  We need constant reminding.

I don’t see many African-Americans flying flags on their houses declaring themselves “not woke.”  We prefer to believe we’ve reached perfection already.  Capitalism is great at spreading myths like that.  The basic premise behind it is greed, and people are easily divided into groups because of skin tone.  It’s a dangerous combination.  Somewhere along the way, “justice” came to be a swear word.  Particularly among one political party that has decided power, at any cost, is the sine qua non of human existence.  If that means oppressing others systemically, or if it means invading a neighboring sovereign state because you have nukes with which to threaten the rest of the world, it’s all the same.  Power is far more addictive than any opiate, but we  don’t have any laws preventing those unsuited to holding it from doing so.  Juneteenth uncovers a host of problems still to address. 

Slavery was hard to let go because it cut into profits.  Human beings love wealth more than each other.  Ironically, without others to compare with, wealth means nothing.  If money makes someone happy I have no problem with that, but it has to come with responsibility.  One way to handle it responsibly is to insist that only so much can be had before the surplus goes to insure that all people have enough.  Of course, where Supreme Court justices openly accept bribes we can’t wonder that there are legal loopholes to help the wealthy circumvent their civic duty.  We need constant reminders.  We need holidays like Juneteenth.  We need to give our African-American siblings the same rights and privileges all people should have.  It’s appropriate to celebrate small steps in that direction.  Even if it means giving a Wednesday off of work.


History Lesson

This blog, which has come to define me in many ways, wasn’t my idea.  A niece started it for me when Neal Stephenson suggested I should have a place for podcasting.  I still have ideas for podcasts, but finding the time to put them together (and a place to host them) has proven quite challenging.  In any case, the title, “Sects and Violence in the Ancient World,” reflected where I was at the time.  I started posting when I was 46, and now I’m over 60.  Things are bound to change a little.  From the start, I wrote about books.  Indeed, for things I’ve read since summer of 2009, I check the blog to find out when.  I also noted significant movies.  In the early days I tried to limit the posts to religion-themed topics since, well, I have three degrees in the field.

As I gradually grew comfortable discussing pop culture (generally horror), I gradually addressed movies and books without a religious bent.  It could be that I didn’t record everything I read or watched here, and that makes things before 2009 kind of a muddle.  While the muddle really began before 2005—my last year at Nashotah House.  That period was a kind of maelstrom of desperation to find a job, teaching classes, pretending to be an editor, making my way in a world unfamiliar to me and certainly unchosen.  Eventually this blog came to focus on horror movies more than religion.  Now, like my life, it’s a jumble of conflicting impulses trying to make sense of the world as an existentialist with a bit of faith.  I’m still aspiring to that mustard seed.

I’m not sure when it was that I began commenting on most movies I watched.  I’ve used movies as therapy since 2005—for some reason horror made me feel better.  Even now, when I want to remember when I saw a movie I check this blog.  Or if I want to know when I read a book.  My wife pointed Goodreads out to me in 2013, and that became another place to post on books, even if they didn’t qualify for “Sects and Violence.”  But that slushy period between 2005 and 2013 was full of books, I know.  In addition to movies, I read incessantly.  If I want to remember when I read what, however, I’ve only got the last decade really covered.  Goodreads says I’ve read about a thousand books since 2013.  For movies, I have no way of knowing how many I’ve seen.  Or where, for the most part.  Maybe I need to start keeping a proper diary.  Maybe one with a lock and a key.


Under Bite

Religion and horror have long been bedfellows.  And quite companionable ones at that.  I’ve written a longer piece that I’ve not yet managed to wedge into a book about how the earliest Universal monster movies all involve religion in some way.  Maybe some day it will come out into the light.  In the meantime, I submit, for your consideration, The Cult of the Cobra.  This 1955 horror film was one of a series of movies about shapeshifting.  We’ve recently seen The Leopard Man on this blog, and before that Cat PeopleCult of the Cobra, set in amorphous “Asia” to start, involves the invented religion of the Lamians.  A group of US Airmen pay a Lamian to watch a woman transform into a cobra in an “Asian” ritual.  They’re revealed by trying to take a photograph—they’d been warned that if they were discovered the cobra would hunt them down and kill them.

Convinced this is all superstition, despite one of them dying the next night from a cobra bite, they return to New York City and civilian life.  The cobra woman follows them to carry out her mission.  She’s killed, however, before getting the last two.  What’s so interesting here is the discussion of belief that takes place throughout the movie.  Americans can’t believe in some “cult”—it’s clear from the start that anything not western is cult—but none of them show any inclination to church, or crosses, or even references to God or the Bible.  The only religion shown is that of the Lamians.  The cobra woman falls in love with one of the Airmen and tries to explain that she’s coming to doubt something she’s believed all her life.  She’s caught between religious duty and the experience of falling in love.

The movie failed to impress critics and was largely dismissed as a knock-off of Cat People.  There’s too quick a judgment here, however.  One of Universal’s earlier monsters had encountered a non-western religion but became much more famous for it.  The Mummy was based on “ancient Egyptian” religion.  Indeed, the whole story is premised on it.  The Cult of the Cobra, however, engages with the religion.  As jingoistic as it is, it nevertheless tries to represent “the cult” as a religion taken seriously by an exotic group of believers.  “Lamians” seems to have been borrowed from Greek mythology, however, where lamia were demon-like devourers of children.  I write about them in Nightmares with the Bible.  This isn’t a great movie by any stretch, but it shouldn’t be dismissed either.  It’s an important piece of the puzzle of how religion and horror interact in film.


Empowerment

Recommended as a worthwhile contemporary gothic novel, Alix E. Harrow’s The Once and Future Witches is a feminist tour de force.  Set in a world similar, or perhaps parallel, to ours, it follows three witch sisters in 1893.  The sisters are estranged, having been raised by an abusive father, and each has found her own way to New Salem.  The old Salem had been destroyed after the witch trials.  The three find their lives drawn together, not even knowing the others are there.  But there are also still witch hunters.  None worse than Gideon Hill, the leading candidate for mayor.  I’ve long known that books written after Trump are often fairly obvious for the hatred that oozes from political leaders.  This is one such case.  The story is one of female empowerment in the face of constant male opposition.  It goes fairly quickly for a book its size.

It’s an enjoyable read but it grows, well, harrowing towards the end.  You come to like these three very different sisters and appreciate the gifts they offer to their world.  Men, however, make the rules and often they feel that women have no place in making decisions for the public good.  I’m amazed at the number of people who still believe this.  It makes novels such as this so important.  Women with power are crucial examples to present.  The three sisters may cause mayhem, but it is generally good for the city.  When men are in charge, things tend to get repressive.  Sound familiar?

Conveying the gist of a 500-page novel isn’t a simple task so I’ll simply say that this isn’t a conventional witch story.  There’s never a question that witches are good, but capable of doing bad things.  In other words, they are pretty much like all of us.  That’s not to deny that some people become evil and that such people will gain ardent, blind followers.  The characters are memorable and likable in their very humanness.  As far as genre goes, this is a magical realism novel.  As you get drawn into Harrow’s world it becomes believable.  It’s a book that should be widely read and its plea for tolerance must be heard.  I can think of other comparisons—others have also conveyed that an unquestioning religion may become evil unintentionally.  Such conversions aren’t the kind publicly discussed, but they do fit with human experience.  I’ve intentionally left out spoilers since I want to encourage readers.  It certainly has left me thoughtful.