Friendly Fear

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I opened my book Holy Horror with an epigraph taken from Apocalypse Now, a movie I recently watched again.  That quote was from Col. Kurtz: “It’s impossible for words to describe what is necessary to those who do not know what horror means. Horror… Horror has a face… and you must make a friend of horror. Horror and moral terror are your friends. If they are not, then they are enemies to be feared.”  I’ve been thinking quite a lot about how you can make any progress in a discussion with anyone who’s already made up his or her mind (i.e., no matter what you say to them they will not take it seriously.  Think your favorite Trump supporter).  People far smarter than I have noted that the only way to combat this unthinking adherence is to get people to think critically.  That may be correct, but to preserve democracy we need a more assured method in the short term.  That of Col. Kurtz.

Apocalypse Now was based on Joseph Conrad’s The Heart of Darkness.  Both contain a vital truth—fear motivates people.  Democrats have been forward-looking in recent decades, but Republicans run on that fear playbook and it’s very difficult to defeat.  That’s because people are afraid.  It’s important to face fears, but to win elections, you need to seed them.  I know whereof I speak when it comes to phobias.  I was so riddled with fear as a young person that at times I could not leave the house.  At other times even the house didn’t feel safe to me.  I had multiple phobias and difficulty talking to other people.  I’ve grown out of many of these fears, but if I’m honest, I know they’re still with me.  I suspect many other people are also afraid.

Strong men (even if personally weak) appeal to the afraid.  They want someone who can protect them.  I tend to think Democrats think many Americans are better adjusted than they actually are.  You want their votes?  Make them afraid.  I’ve been writing books on fear and its many cinematic manifestations for several years now.  I grew up being afraid of everything.  I don’t advocate creating fear, but when a nation decides Hitler would be better than letting young people read, it’s reached a crisis point.  I do wish progressive political leaders would consider my humble observations.  When afraid people herd together and become the mob with torches.  And just such a mob became the mindless followers of Col. Kurtz.  Just saying.

Eschew Stupidity

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Dietrich Bonhoeffer was a certified evangelical Christian.  His theology often feels a bit pat to some of us who work in religious studies, but there’s no doubt that Bonhoeffer was a brilliant man.   Bonhoeffer believed in Jesus but resisted Hitler.  In fact, that resistance cost him his life.  My brother recently sent me a Facebook Reels video on Bonhoeffer’s observations about stupidity, which Bonhoeffer believed was far more dangerous than evil.  I shared that video in my feed on Facebook yesterday, and it is well worth listening to.  Stupidity isn’t a badge most people would wear proudly.  We all do wear it from time to time since we’re only human.  The real problem, according to Bonhoeffer, is when crowds start becoming stupid.  We’ve seen it time and again.  We’re living in such a time right now.  The antics coming out of DC right now have thinking people everywhere wondering how this is even possible.  Listen to Bonhoeffer.

Photo source: Bundesarchiv, Bild 183-R0211-316 / CC-BY-SA 3.0, Wikimedia Commons

I don’t take Bonhoeffer uncritically.  Some of us—generally without tons of friends—think critically by default.  (The women in college all broke up with me because “You’re too intense.”  I credit my wife with sticking with me, although she tells me they were right.)  Anyone can learn critical thinking.  The problem is, keeping the skill is hard work.  And the internet doesn’t help.  Whenever anyone makes a claim, personally, my default response is “How do they know?”  Yes, I do look up references.  With my particular brand of neurodivergence, I seldom trust other people to know something unless they’re experts.  (This is something the current administration is a bit shy on.)  I even question experts if their conclusions look suspect.  “Nullius in verba” is written in my academic notebooks.  Something, however, is obviously clear.  Bonhoeffer was right about stupidity.

I’m not sure what an unfluencer like myself hopes to gain by discussing this.  I do hope that folks will listen to Bonhoeffer if they have concerns about my thought process.  My deeper concern is that the church often encourages stupidity.  Unquestioning adherence to something the facts expose as untrue is often lauded.  It makes some people saints.  Churches require followers and often distrust critical thinkers.  That once cost me my job, sending my career into a tailspin.  This was well pre-Trump, but some in authority didn’t appreciate critical thinking on the part of faculty.  (Ahem, that’s what we’re paid to do).  I’m not anti-belief.  Anyone who really knows me knows that I believe very deeply in the immaterial world.  And I know that Bonhoeffer did too, right up to the gallows.

Peace

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Mother’s Day should be a time for peace.  In these days when misogyny is in style, it’s an especially important holiday.  The one holiday to explicitly honor women, it’s always been an occasion for reflection for me.  We have 364 days of warring and hatred, and one dedicated to the givers of unconditional love.  I can imagine a different world.  One in which women don’t have to become alt-right to gain positions of authority.  Where compassion and humane treatment would be world priorities.  I can imagine.  Although fathers are necessary too, we have no shortage of men pushing forward their personal agendas.  None of them would be where they are without mothers.  And women are the ones who give us care.  I can imagine a world where Mother’s Day wouldn’t have to feel so politicized, almost polemical.

With all eyes on Pope Leo, I can’t help but think how many treat Mother’s Day like an indulgence.  You know you want to get back to your vices, so why not pay for them in advance?  Celebrate mothers today so we can get back to business as usual tomorrow.  I don’t believe that we’ve lost the ability for transformation.  We can make the world a better place.  Think what it would be like if, before undertaking some cruel action, a person stopped to imagine their mother watching them do it.  Would not the world start to improve?  It is a world where we seem to prefer guns to roses, but it’s also a world with an unwritten future.  Pay attention to your mother.  Maybe things will start to get better.

I believe in the transformative potential of holidays.  We have to take their lessons seriously.  I’m sure I’m not the only working stiff who lives life anticipating the next holiday when things might change for the better.  We have to remember, however, what the holidays teach us.  Not treat them as simply facile days of obligation.  Think of Mom and then get back to the grind.  It doesn’t need to be a grind.  We can learn to cooperate and get along, just like Mom told us to.  Instead of isolating such thoughts to a single day, we could repeat them like a mantra.  I don’t know about you, but looking at the headlines, I could do with a bit of peace and love.  And I still believe that things can, and likely will get better.  And I give the credit to our mothers.

Father of Yeti

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“Always steals women.”  So Subra mutters high in the Himalayas.  Perhaps one of the most unintentionally funny bad movies, The Snow Creature does hold a place in history.  It was the first abominable snowman, or yeti, movie made.  It’s also incredibly cheaply made with a costume that most twelve-year-olds could’ve fabricated better.  As the antepenultimate movie in the “Beast Collection,” I felt obligated to watch it one snowy weekend.  Spouting colonialist and sexist values like a Republican, the story is tedious even at eighty minutes.  But funny at times also.  So a botanist travels to the Himalayas to study plants at 10,000 feet.  His fun is interrupted when a yeti kidnaps the head sherpa’s wife, causing the sherpa to take charge and start to hunt the beast.

The American scientist decides to capture the yeti instead so that he’ll have something to give the foundation sponsoring the expedition.  Leaving behind a female and baby yeti, both killed, he drugs the snowman until a special refrigerated container can be built—gee whiz, Americans can do anything!—to bring the beast back.  And they fly west from Bombay to California, where, when they land the beast is held up in customs (I kid you not).  There’s a debate about whether he’s human or animal and while the debate goes on, the creature escapes.  The hapless police can’t find a seven-foot tall yeti wandering around Los Angeles at night, harassing the women.  Finally they figure he’s using the storm sewers.  They trap him but, alas, have to shoot him.  At this point they completely lose interest in the corpse and exchange meaningless banter as they drive off.

This movie seems to be what the Trump administration wants America to revert to.  Bossing around BIPOC people in their own countries, women being helpless without men to rescue them, and corporations buying what is arguably a human being.  Sounds like a playbook to me.  Also, it was extremely cheap.  What amazed me is that United Artists distributed it.  People must’ve been pretty hungry for entertainment back in 1954.  Having said that, it is worth watching for a laugh.  Now that streaming exists, you can find this free on various services.  If you like very wooden acting, and superior Americans having their way in Asia just because they’re, well, Americans, you might find this a passable way to spend a snowy weekend (wait til winter to watch it; it’ll keep).  Only a word of advice: be sure to lock up your women before you do, because the beast always steals women.

Making More Monsters

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It’s endlessly frustrating, being a big picture thinker.  This runs in families, so there may be something genetic about it.  Those who say, “Let’s step back a minute and think about this” are considered drags on progress (from both left and right), but would, perhaps, help avoid disaster.  In my working life of nearly half-a-century I’ve never had an employer who appreciated this.  That’s because small-picture thinkers often control the wealth and therefore have greater influence.  They can do what they want, consequences be damned.  These thoughts came to me reading Martin Tropp’s Mary Shelley’s Monster: The Story of Frankenstein.  I picked this up at a book sale once upon a time and reading it, have discovered that he was doing what I’m trying with “The Legend of Sleepy Hollow” in my most recent book.  Tropp traces some of the history and characters, but then the afterlives of Frankenstein’s monster.  (He had a publisher with more influence, so his book will be more widely known.)

This book, although dated, has a great deal of insight into the story of Frankenstein and his creature.  But also, insight into Mary Shelley.  Her tale has an organic connection to its creator as well.  Tropp quite frequently points out the warning of those who have more confidence than real intelligence, and how they forge ahead even when they know failure can have catastrophic consequences for all.  I couldn’t help but to think how the current development of AI is the telling of a story we’ve all heard before.  And how those who insist on running for office to stoke their egos also play into this same sad tale.  Perhaps a bit too Freudian for some, Tropp nevertheless anticipates much of what I’ve read in other books about Frankenstein, written in more recent days.

Some scientists are now at last admitting that there are limits to human knowledge.  (That should’ve been obvious.)  Meanwhile those with the smaller picture in mind forge ahead with AI, not really caring about the very real dangers it poses to a world happily wedded to its screens.  Cozying up to politicians who think only of themselves, well, we need a big picture thinker like Mary Shelley to guide us.  I can’t help but think big picture thinking has something to do with neurodivergence.  Those who think this way recognize, often from childhood, that other people don’t think like they do.  And that, lest they end up like Frankenstein’s monster, hounded to death by angry mobs, it’s better simply to address the smaller picture.  Or at least pretend to.

Telling Vision

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My wife and I don’t watch much television.  In fact, we had very poor television reception from about 1988 (when we married), until we moved into this house in 2018.  That’s three decades without really watching the tube.  As we’ve been streaming/DVDing some of the series that have made a splash in those three decades, I’ve discovered (I can’t speak for her) that there were some great strides made in quality.  We began with The X-Files, then moved on to Lost.  We viewed Twin Peaks and started to watch Picket Fences, but the digital rights have expired so we never did finish out that series.  (Don’t get me started on digital rights management—the air will quickly turn blue, I assure you.)  Of course, we did manage to see Northern Exposure when it aired, but it should be mentioned for the sake of completion.  These were all exceptional programs.

Netflix (in particular) upped the game.  We watched the first three seasons of Stranger Things (and I’d still like to go back and pick up the more recent ones we’ve missed), and I watched the first episode of The Fall of the House of Usher (I didn’t realize until writing this up that it was only one season, so maybe I should go back and finish that one out too) and was very impressed.  Since we couldn’t finish Picket Fences, we turned to Wednesday.  Now, I was only ever a middling fan of The Addams Family.  I watched it as a kid because it had monsters, as I did The Munsters, but neither one really appealed to me.  Wednesday’s cut from a different cloth.  In these days when escapism is necessary, this can be a good thing.

Photo credit: Smithsonian Institution

Like most late boomers, I grew up watching television.  In my early memories, it’s pretty much ubiquitous.  We were poor, and our sets were black-and-white, but remembering my childhood without TV is impossible.  It was simply there.  The shows I watched formed me.  Now that I’m perhaps beyond excessive reforming (although I’m not opposed to the idea), I’m looking for brief snippets of something intelligent to wind up the day before I reboot to start this all over again.  We save movies for weekends, but an entire workweek without a break in nonfictional reality seems overwhelming on a Sunday evening.  It seems that I may be warming up to my childhood chum again.  This time, without network schedules, and limited time to spend doing it, we just may be in a golden age for the tube.

Belting Beltane

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Things have been so busy that I forgot that today is Beltane.  That’s all the more ironic because yesterday I’d been on a panel to address the British Association of Film, Television and Screen Studies special interest group on Horror Studies, about The Wicker Man.  Lest you get the wrong idea, BAFTSS did not approach me to talk about my book (which has largely disappeared, as far as I can tell), but another recent Devil’s Advocate author approached them about having a panel featuring recent titles.  This special interest group has a program called Weekday Night Bites where they gather virtually to have speakers talk about horror.  Yesterday there were seven of us, discussing five books, one of which was The Wicker Man.

The theme of the panel was No Safe Space, about place and space in horror.  This meant I spoke briefly about The Wicker Man as folk horror.  As I told the assembled group, I actually interpret Wicker Man as holiday horror—it’s based on May Day, and I didn’t even think to mention that it was today—instead of folk horror.  One of the the hallmarks of the Devil’s Advocates series is that it tries to approach horror films from unexpected angles.  When I first contacted the editor who started the series at Auteur (who has, unfortunately left), he told me that they didn’t have a Wicker Man volume because everyone was pitching it as folk horror.  He wanted to see a different interpretation.  I’d been writing a book about folk horror and decided to give that a try.  The critics liked it, and thus my book was born.  And here it is, May Day, and I’d forgotten all about it.

There was a reasonably sized group present for the discussion and it was a lot of fun.  It reminded me of my Miskatonic Institute for Horror Studies course on Sleepy Hollow two years ago.  Both of these were efforts to stir some interest in my books.  Horror and religion is a new avenue of approach and there are a handful of us working in this area.  The others, it seems, have a knack for getting their books published in places where you don’t have to take out a mortgage to afford them.  I’m more in the group whose books are relegated to the Summerisle of sales.  Either that, or I’m actually Sergeant Howie, unwittingly flying there to help someone I think is in trouble. Who knows?  Anything’s possible on Beltane. 

Saint Francis

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With the death of the most saint-like Pope in living memory, it feels a little like fate that I’d seen Conclave just three days before.  Francis was the only Pope I’ve seen, and am likely to see.  He cared for people more than dusty doctrines that still repress.  He laid hands on the sick and genuinely loved human beings.  Given the reactionary world of politics, I suspect his successor will be conservative, but I would be glad to be wrong.  All this seesawing on the way to progress makes me a bit seasick.  And Francis was a man who, from a humble background, understood the necessity of moving forward rather than pretending things always stay the same.  I already miss him.

It was on the rare occasion of being invited to a New York City church to offer a program that I saw him.  Since I’d be staying a couple nights in Manhattan, my wife joined me.  On the way to meet her after work on that Friday, I saw large crowds along 34th Street in Herald Square.  The buzz indicated that the Pope would be going this way on his way out of town.  The police refused to confirm that, but it seemed like a good bet.  I asked Kay, “Do you want to see the Pope?”  We found a place in the crowd (this was pre-pandemic, of course) where we had a good view of the street and eventually the motorcade rolled through, Pope Francis in his trademark Fiat, the window down, waving at the crowd.  And then he was gone.  

In New York City you see motorcades.  I’d seen President Obama’s go by once, on the way to the United Nations, I think it was.  But still, seeing the Pope was incredible.  Not shielded behind bulletproof glass, his care for the nameless crowds felt genuine.  I empathize with those raised in humble circumstances who manage just to survive, let alone become the head of the largest branch of Christianity.  I like to think he was a reluctant Cardinal, and a reluctant Pope.  Conclave is fiction, of course, but the idea of choosing someone who really doesn’t want the job is immensely appealing.  How different from world leaders we’re now burdened with!  Men (almost always) who see themselves as God’s gift to us, clawing at power.  At the same time, Francis, who was a divine gift, actually remembered what Jesus said and did.  The world is poorer for his death but richer for the lessons he taught by example.

Easter Gathering

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On Easter I’m thinking of Conclave.  My wife had been wanting to see it and we watched it on Good Friday—a work day, of course, in this “Christian” nation.  In any case, it’s fascinating for a couple of reasons.  One is that, as a drama surrounding the election of a new pope, it draws you in.  The politics and intrigue are, I assure you, quite real within in the church.  People are, in seems, incurably political.  Conclave is fiction, of course.  And in reality, very few people are ever admitted to the chambers where a world leader is elected by those priests who’ve risen to the highest levels of church hierarchy.  This fictional reconstruction may give a window into that.  The other reason that I found it so fascinating is that it was quite a box office success for being a movie about a religious subject that isn’t biblical.  Appropriate viewing for Easter weekend.

There were a few striking scenes.  Here’s the outline, though: a pope has died and Cardinal Lawrence is the deacon in charge of the conclave to elect a new one.  Four main candidates exist—one a staunch traditionalist, one a liberal, one an African who is conservative, and the last a moderate American who has a past.  The pope had appointed a new cardinal shortly before his death and some people think he’d make a good pope, despite his relative youth.  One of the striking scenes is Cardinal Lawrence’s homily to open the conclave.  He preaches against certainty.  Not only is this a powerful scene, for some of us watching he is absolutely correct.  Certainty is the death of faith.  That scene alone is worth watching the movie for.  Go ahead, it’s Easter.

The other striking scene is the twist ending, which I won’t reveal here.  Anyone who’s honest and who’s lived long enough to become a pope has secrets.  Not all of them reach to the level of scandal, but the movie also emphasizes that the pope is also a sinner but must be willing to seek forgiveness.  Indeed and amen.  The problem we face today is that, even and perhaps especially in Protestantism, many people look to condemn sinners without realizing their own faults.  The movie points out that even the holiest acknowledged person within Christendom can’t make any claims to perfection.  If we’d all admit that we’re doing the best we can not to offend deity or fellow human being, perhaps there really would be cause to celebrate this Easter.  Even without a conclave.

Space Rocks

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The thing from another world.  No, not the movie, but an artifact.  My recent post about the asteroid sent me looking for something.  When we lived in Wisconsin, we purchased a small piece of a meteorite while on a visit to the Yerkes Observatory.  It is, quite literally, a thing from another world.  The problem is, I can’t find it.  Our house isn’t that big but the fragment is quite small.  I’ve been told our house is like a museum—there are curios pretty much everywhere, and they each have some significance.  But the meteorite: where could it be?  I find that moving is one of the most disruptive activities known to those of us in the “developed” world.  As much as I wanted an organized move, the fact is that you can’t have such a move without taking at least a month off work in advance.

There are things (from this world) that I haven’t found in the six-plus years in this house.  Most often they’re like the meteorite in that I don’t think of them often, and when I do I wonder where I might’ve packed them.  Knowing where they might’ve been packed gives a clue to where they might’ve been unpacked.  And no matter what, some things get lost on every move.  There’s a book I had in New Jersey that is simply not here in Pennsylvania.  I’m sure I packed all our books.  One, at least, did not make it over the Delaware.   The fragment of meteorite, which is unique, is only about the size of a small ladybug.  Where might I have put it?  

That small fragment of rock traveled through the solar system.  It likely came from distances no human has ever gone.  Unimaginable distances.  Only to get lost in a house in Pennsylvania.  If it’s here at all.  Back when it was legal to pick up petrified wood, a family friend gave us two chunks from the petrified forest (for now, a National Park in Arizona).  One of them came to me and I treasured it for years.  I haven’t seen it since we moved to Pennsylvania.  There are boxes that haven’t been fully unpacked.  The squirrels make a mess of the garage every winter and I can’t go in there without feeling I should clean things up first, before emptying out the remaining boxes.  To a squirrel the thing from another world is just one more thing to ignore.  It has no value except for to an aging guy who remembers buying it at the very spot where Edwin Hubble worked and Albert Einstein visited.  Only to mislay it when moving fifty miles from state to state.

Not my meteorite. Image credit: Meteoritekid under the GNU Free Documentation License, via Wikimedia Commons

Mass Market

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The mass market paperback.  This may very well be one of the best symbols of my younger years.  One of the largest distributors of mass market paperbacks (Readerlink) has announced that it will no longer distribute them.  It seems that the writing, instead of in readers’ hands, is on the wall.  Mass market paperbacks are the least expensive formats of books to buy.  Publishers have increasingly been tending to push trade size (about 6-by-9 inches)—they can charge more for them.  They don’t fit easily in your pocket, however, and well, they cost more.  Often, as someone who reads in public, I find myself wishing more literary fiction was still produced in mass market form.  Only the best selling authors ever make it down to that size.  I miss being able to stick a book in my pocket.  

The mass market paperback’s story began with railroad books, once innovated by my erstwhile employer, Routledge.  The form we recognize today only really took off in 1935.  When I was growing up, I considered all other formats somehow too big.  My book collection and reading habits began with mass market size.  When we moved to our house a few years back, I repurposed an old dresser as a bookshelf.  The top drawer slots were just tall enough for mass market books.  I discovered that I really didn’t have enough of them to fill that shelf.  Books have grown bigger.  Now, working in publishing I realize profit margins are thin in this industry.  Many publishers need the big sellers to help make up for disappointing sales of other titles.  (You have to have thick skin to be an author, I know from experience.)  They need to stay solvent.

But still, this feels like the end of an era.  Books in this format have been around really only less than a century.  Literacy—reading for pleasure—among the masses hasn’t been around much longer.  Books were expensive and were afforded by the elite, then cheaper forms and formats became available.  The electronic revolution has made much of life more convenient but some of us miss the challenge of having to fold a road map and never really knowing, for sure, where we are.  We’re also the ones who likely have a book in the car.  On the occasions when I don’t, I often regret it.  And one of the ways to encourage people to take books with them is to make them of a size that would sell thousands.  So many, in fact, that they would be given the title “mass market.”

Going Viral

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Okay, so there are some pretty big plot holes, but Viral is nevertheless an effective horror film.  The “virus” is actually a parasite spread by blood, which carriers cough in your face, if they don’t kill you first in a fit of parasite-induced rage.  The really scary thing is that this movie was produced before Covid-19 and the government response, as presented in the movie, is somewhat believable.  Nevertheless, it retains its ability to be a story about family and loyalty.  There are some missed opportunities in that regard, but overall it’s fairly well done.  It certainly keeps the tension going and I feel some spoilers coming on so I’ll warn you here.  A Blumhouse production, it seems to have had a reasonable budget.  And there’s a solid attempt to have a storyline with characters you care about.

Sisters Stacy and Emma are trying to adjust to a new school system as news reports increasingly focus on a new, and lethal, virus.  Their California community is the site of the first U.S. outbreak and the initial panic isn’t unlike what happened in 2019.  I’m a little surprised that, given that development, the movie didn’t gain more residual watching.  In any case, a quarantine and curfew are set up, but the teens of the housing development decide to have a party.  Kids will be kids, after all.  Of course, an infected guy is there and Stacy, the older sister, gets infected.  Their parents were caught outside the quarantine zone, so they have to try to survive on their own.  Emma has a new boyfriend—the guy next door—and he urges Emma to leave her sister, but she won’t.  Martial law is declared and “nests” of the infected are being bombed by the government.  Emma and boyfriend manage to survive, but the rest of the town’s a wasteland.

As I say, the implications are the really scary part.  Governments have the mandate to protect the greatest number of people—isn’t that utilitarianism, by default?—and decide to cut their losses and destroy infected communities because there’s no stopping the disease.  Even as the gaps in the story kept coming up, I was asking myself would our government do such a thing.  I could find nothing to dissuade me that it would.  Self-preservation is human nature.  As is might makes right.  Our government, for my entire life, has consisted of the wealthy and one thing we know about those with money is that they’ll do whatever they can to protect their interests.  Oh, and there are a number of effective jump startles as well. But they’re not as scary as the government.

Fabric of Time

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I’m not a sewer.  I mean, a person who sews.  I know people who are, though, who are quite distressed that JoAnn Fabrics is going out of business.  In an effort to console such folk, I indulged in an online search for fabric shops that led to a couple of conclusions.  One is that the internet is lousy at clean-up, and the second is that big box stores have ruined the ability to find things, funneling all purchasing to Amazon.  Let’s take these one at a time. 

If you’ve ever searched for a physical store (fabric or otherwise) online, you know that sites like Yelp are full of artifacts.  Stores that closed a long time ago and have never been removed.  In fact, when I commuted to New York City I sometimes walked several blocks on my lunchtime, looking for a store only to learn that it had closed five or ten years ago.  It still beamed happily on the web, though.  I have driven to bookstores that no longer exist, based on their location being proclaimed loudly online.  Regarding fabric, I located directories for Enright’s Fabric Warehouse, in nearby Bethlehem.  Nothing online indicated that they were long out of business.  I street-leveled the address on Google Maps and found a building I’d driven past many times; I’d actually driven by it the day before.  It obviously was a large factory-like building, but it hadn’t been a fabric store in the seven years I’ve lived in the Lehigh Valley.  This isn’t the only time I’ve searched specifically for a company/store with the query word “bankrupt” or “out of business” to find Hal-9000 saying, “I can’t let you do that, Steve.”

The second point.  Big box stories come to town, drive smaller stores out of business, then fold themselves, leaving us all poorer for it.  As big boxes go, I liked JoAnn’s.  Probably because they were failing, they had lots of things besides fabrics that I could look at on family outings.  But the fact is smaller fabric stores (which still appear online as existing) went out of business when JoAnn came to town.  There were two JoAnn stores in the Lehigh Valley.  Smaller places closed, and now we’ll be running around naked before we can find a fabric store willing to sell.  I’ve seen this happen with other industries as well.  There was a fine office supply store in Oconomowoc, Wisconsin when I was at Nashotah House.  Staples came to town and closed them down.  If you’ve been in a Staples lately, you know the writing’s on the wall.  I know we’re stuck with big boxes.  More often we turn to Amazon where a few keystrokes will get you what you need.  Check and mate.

Think

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Those of us who write books have been victims of theft.  One of the culprits is Meta, owner of Facebook.  The Atlantic recently released a tool that allows authors to check if LibGen, a pirated book site used by Meta and others, has their work in its system.  Considering that I have yet to earn enough on my writing to pay even one month’s rent/mortgage, you get a little touchy about being stolen from by corporate giants.  Three of my books (A Reassessment of Asherah, Weathering the Psalms, and Nightmares with the Bible) are in LibGen’s collection.  To put it plainly, they have been stolen.  Now the first thing I noticed was that my McFarland books weren’t listed (Holy Horror and Sleepy Hollow as American Myth, of course, the latter is not yet published).  I also know that McFarland, unlike many other publishers, proactively lets authors know when they are discussing AI use of their content, and informing us that if deals are made we will be compensated.

I dislike nearly everything about AI, but especially its hubris.  Machines can’t think like biological organisms can and biological organisms that they can teach machines to “think” have another think coming.  Is it mere coincidence that this kind of thing happens at the same time reading the classics, with their pointed lessons about hubris, has declined?  I think not.  The humanities education teaches you something you can’t get at your local tech training school—how to think.  And I mean actually think.  Not parrot what you see on the news or social media, but to use your brain to do the hard work of thinking.  Programmers program, they don’t teach thinking.

Meanwhile, programmers have made theft easy but difficult to prosecute.  Companies like Meta feel entitled to use stolen goods so their programmers can make you think your machine can think.  Think about it!  Have we really become this stupid as a society that we can’t see how all of this is simply the rich using their influence to steal from the poor?  LibGen, and similar sites, flaunt copyright laws because they can.  In general, I think knowledge should be freely shared—there’s never been a paywall for this blog, for instance.  But I also know that when I sit down to write a book, and spend years doing so, I hope to be paid something for doing so.  And I don’t appreciate social media companies that have enough money to buy the moon stealing from me.  There’s a reason my social media use is minimal.  I’d rather think.

Release Date

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July 16.  That’s the release date for Sleepy Hollow as American Myth.  If you’re so inclined, preordering helps to earn a book attention.  (I know it’s pricey, but thanks for considering it for a second.)  This book has been, like most books, a long time in the making.  As my wife will attest, reading the proofs nearly sent me into a spiral this time around.  It wasn’t because they were bad (I only found 7 mistakes) but it was because of my own doubt about how well I’d done this one.  I found myself between elation at some parts, and dread at others.  I really like this book but I spent my proofreading journey anticipating what critics would say.  I do take a few chances in this one and it has what I believe to be an important message.

Writing books is like walking into a library naked.  There may not be many people there, but those who are can see more than you want them to.  I love the Legend of Sleepy Hollow.  I learned a lot about Washington Irving doing this research.  I learned a lot about Halloween—that’s one of my favorite chapters.  I also like the conceit I applied to the book itself as a labyrinth.  And I’m already looking forward to reading more renditions of the myth once the dust settles a little.  Reading the proofs took a good portion of the weekend, as well as after-work time the previous week.  I could focus on little else.  Books, you see, are parts of their authors.  I feel a little bit crazy for even writing them in the first place.

That having been said, I’m chuffed with a July publication date.  The best time for Halloween books to be available is the summer.  My last two Halloween titles (Holy Horror and Nightmares with the Bible) both came out in November or December.  Not that there were angry mobs at Barnes & Noble demanding them at the end of October.  The other deadline I’d set myself was to have this published before Lindsey Beer’s reboot of Sleepy Hollow hit theaters.  I seem to have managed that one by quite a margin; there’s still been no release date announced.  For her, that is.  I just received mine yesterday.  I guess it’s time to start touching base with those good folks in the Hudson Valley who expressed an interest in the project when I first told them about it.  I’m anticipating Halloween already.