Phoenix Rising

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As a bird with the incredible gift of resurrection, the Phoenix is one of the most enduring symbols of Greek mythology. We, as people, are pretty accustomed to messing things up and the hope of renewal is something we earnestly crave. The Phoenix, when its long life is over, goes up in a burst of flames only to be reborn from its own ashes. Christians early latched onto this poignant symbol, as have many other religions. In origin the Phoenix is likely related to the sun mythos. Isn’t there always a small shadow of fear that somehow it might fail to rise tomorrow morning, plunging us all into interminable darkness? The Phoenix is a harbinger of hope. These are my thoughts as I soar, birdlike, toward Phoenix, Arizona. A city named after the resurrecting bird. I’m not certain what awaits me here—I’ve never been to Arizona before, but I do know it is desert, and that life in the desert is always precarious. I’m glad to have brought my mythology with me.

Phoenix was, appropriately enough for October, first named Pumpkinville. It is difficult to imagine this sixth most populous city in the United States coming to prominence under that moniker. Since it is October, however, there is an aptness to such history. My trip, as most of my travel, relates to business rather than pleasure—there is a kind of hope in resurrection here as well. As a city in the desert, resurrection would seem to be central to those millions who call Phoenix home. Indeed, the concept of the gods as we know them seems to have been conceived and born in the harsh environment of desiccated lands. Some suggest the Phoenix was originally taken from Egyptian lore. Egypt was, outside the Nile delta, a nation only a few miles wide, snaking alongside a life-giving river in the wilderness.

Phoenix

What is it about deserts that brings the spiritual to mind? It always seemed to me that it was an issue of utter dependence. People living in a harsh environment need all the help they can get. It is difficult to suppose that harsh deities might arise in perfect circumstances. Today Phoenix depends more on engineering and control of the environment than on providence. The gods of the desert nevertheless find a home here. Even if they have adapted to an affluent lifestyle. As go the experiences of people, so go the fortune of the gods. And resurrecting birds.

What’s a Sukkot?

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It’s not every day you see a lulav and etrog, even in Manhattan. You can tell life’s too busy when you miss that it’s sukkot. Not that I’m Jewish, but I have been invited to sukkot a time or two by a friend, and it was always a fun, relaxed occasion. A festive little booth in the back yard, sweet wine and cookies. Running the rat race in New York City it is sometimes easy to forget. On my hurried footrace to some place or another, I noticed a group of Orthodox Jews standing along East 42nd Street with lulav and etrogs in hand. So distracted was I that I only vaguely wondered, “why are they holding those at this time of year?” Several blocks later, entering the Port Authority Bus Terminal I saw a man just standing as the crowds parted around him like the Red Sea. In his hands lulav and etrog. Finally it dawned on me: sukkot. It is fall, the time of year when I used to be able to enjoy the bounty of nature and the good-natured holidays. A time before when.

800px-EtrogC

The Hebrew Bible prescribes a set of three pilgrimage holidays: sukkot, shavuot (pentecost to the Greek, or Christian), and passover. Of the three, all associated with the exodus from Egypt in some traditional way, sukkot is the most lighthearted. The command to live in booths is said to be a reminder of the dwelling in tents during the wilderness wandering. Anthropologically speaking, it probably goes back to an ancient tradition of living in huts during the harvest when you don’t always have time to go home and tuck yourself comfortably in every night. Combines hadn’t been invented, and harvesters had to work long hours to ensure that the crop was gathered in. Eventually it became a celebratory occasion. Nice of Moses to allow a bit of festivity here.

Back while at a certain seminary in Wisconsin, a local Jewish friend used to invite my Hebrew Bible class to sukkot. Numbers were small, and invariably wary—were they going to be proselytized by the other? No, but they were invited to shake the lulav and etrog, sip a little wine, and chat about Leonard Cohen. A bit of a cultural exchange in the midst of prolonged indoctrination. I often wonder if my friend continued the tradition after I was asked to leave. The Christian school never made any reciprocal invitations, of course. Ecumenism is often a one-way street. So I stopped a moment at smiled at the stranger in the bus station, solemnly holding lulav and etrog aloft. Life is a bit too busy when we can’t even take a moment to consider all the things we take for granted every day.

Divine Sex Change

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One of the greatest problems in reconstructing ancient religions is the ambiguity of the evidence.  Most ancient artifacts are not labeled (they probably didn’t need to be for the original viewers) and few have textual materials explaining them.  This became clear to me when studying the famed inscription found at Kuntillet Ajrud in the mid-1970s.  The most (in)famous aspect of this artifact was that an inscription overlapped a doodle, and due to the urgent desire to interpret the inscription a particular way, the line drawing was supposed to be an illustration of the inscription.  The inscription is commonly translated as something along the lines of “I bless you by Yahweh of Teman and his asherah.”  Many scholars took asherah to mean Asherah, the goddess, despite no evidence for pronominal suffixes on personal names in classical Hebrew.  The doodle shows three figures, perhaps related, of which two were said to be Yahweh and Asherah.  Despite the very clear resemblance to the Egyptian dwarf-god Bes (Kuntillet Ajrud is between Israel and Egypt), it was argued that the figures in the “foreground” should be considered Yahweh and his main squeeze, Asherah.

KuntilletAjrud

The artistic analysis of these doodles has always been torturous. Tiny, perhaps insignificant, details were ascribed great importance—particularly those indicating the gender of the figures.  For the Yahweh-Asherah connection to work, one had to be male and the other female (with the male preferably in front).  The problem was that both figures seemed to have penises (in keeping with Bes’s typical representation).  In order to make it clear that the right-hand figure was female it was claimed that she was wearing a lion skin and the “penis” was literally a tail, the leopard’s tail, seen between “her” legs. The problem seemed to be a possible scrotum appeared to be present.  The left-hand figure, larger (therefore, in front) had a clear scrotum, and that sealed the case, in a manner of speaking.  Little chestal circles were said to be breasts on the right-hand figure, but male nipples on the left-hand figure were lacking.  Oh, and they were dancing, as shown by the woman playing the harp in the “background.”  Believe it or not, seriously scholarly debate raged over this—nothing short of the discovery of Yahweh’s wife seemed to be at stake!  A colleague recently emailed me to tell me the final report of the archaeologists concludes that the “scrotum” on the right-hand figure was a mere dust smudge and so, aha!, she is a female after all!


I argued years ago that this drawing was clearly a representation of Bes. The connection with the inscription is accidental (the jug on which the inscription occurs is full of doodles); if someone wanted to illustrate an inscription, they would not draw figures that actually obliterate part of the caption. Assumption is built on assumption here, however, making for a very shaky foundation indeed. Don’t get me wrong: I would like to see Yahweh as happily married as the next deity. It is not good for the god to be alone. Still, it is going to take more than a divine sex-change operation to transform Bes into Asherah. If nothing else this divine gender-bender ought to serve as a cautionary tale for scholars, yet somehow I doubt that it will. We see what we want to see.

Pope Springs Eternal

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All channels lead to Rome. In a world where Christians lament their public influence, we can’t seem to get enough of the pageantry, the mystery, and the stylish drama of electing a pope. The secrecy is key. If cardinal debates were held in an open forum, by cardinals in business suits, the media would have trouble covering its yawns. In a conclave deep within the classical architecture of Rome, privileged men in expensive gowns meet and whisper in hushed tones until a puff of smoke rises though a sacred chimney and the world either hitches its collective breath or sighs in deep contentment. No wonder the election of a pope is such a big deal for Protestant and Catholic alike.

We would be mistaken, however, to limit such docu-drama to Rome. Religions, from the earliest institutionalization of their practices, used drama and showmanship to add to the draw of the sacred. Ancient Mesopotamians and Egyptians kept statues of deities hidden away in the deepest recesses of temples, and brought them out periodically to great public fanfare. The laity would watch in astonishment as an actual god was paraded among them—the popemobile had yet to be invented—and lapse back into ordinary time as the sacred statue was swallowed once again in the darkness of its great house. Even the aniconic Israelites maintained ceremony and mystery, for they had an invisible god who raised all kinds of questions in the naturally curious human mind.

The papacy is, after all, a recognized authority structure. Some nations recognize the Vatican as a sovereign state, a little bit of the City of God among the Rome of Humanity. For the time being at least, the Roman Catholics outnumber any other branch of Christianity. It is the most successful trader in the marketplace of religious commodities among Christian consumers. Its draw has always been tied closely to a sense of mystery and awe. There is a magic to the mass that the televangelist sermon splashed on the big screen somehow lacks. It is old and arcane. Few believe in its literal transubstantiation, and yet it stands as the outward and visible sign of a deeply occluded reality that takes place behind closed doors. Men in red, debating on the virtues of a new CEO for the vicar of Christ. No wonder all channels are tuned to Rome.

From presidencia.gov.ar, via Wikimedia Commons

From presidencia.gov.ar, via Wikimedia Commons

True Heroes

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supergirls As a guy with a healthy sense of the weird,it strikes me as odd that rational people can suppose that we’ve solved all of life’s great mysteries. As a student of biology, chemistry, and physics in high school—and a reader of non-technical aspects of the same throughout my adulthood—it always seemed that there was an undefinable “something more.” Reading Jeffrey Kripal’s Mutants and Mystics led me to an interest in comic books. As a child I did not have many of them since we didn’t have much money to spend on luxuries. The few I had, however, were read and reread and reread, assaulting my imagination with endless possibilities, many of which defied everything I was to learn of biology, chemistry, and physics. My interest in feminism and new-found appreciation of the proto-graphic novel, led me to read Mike Madrid’s The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines. As a boy surrounded with brothers, I clearly knew which comic books were for males. Madrid’s book delves into this super-hero world with the question of why females have always struggled to be taken seriously in this fantasy land.

Many of the characters explored in Supergirls were heroines I’d never encountered before. Madrid’s analysis often appears spot-on as he traces their histories through the decades as they mirror, and occasionally lead, society’s expectations of what women should be. The one that I had no trouble recognizing was Wonder Woman. And the reason for that was she used to have a TV show. Not mentioned by Madrid was the mighty Isis, also a heroine from television. She began as a character opposite Captain Marvel, and did not have her origin in a comic book. Isis was, of course, an ancient goddess, and as I learned from Supergirls, Wonder Woman was not far behind. The way that women could be as strong as men was to be divine. For human females, life was much rougher.

Wonder Woman, Madrid notes, was one of the Trinity of early, lasting comic book heroes. Superman, Batman, and Wonder Woman are cast as the Father, Son, and Holy Ghost, respectively. Like her theological counterpart, Wonder Woman is the most amorphous, least understood of the three. Her career and persona change over time, almost losing any kind of supernatural ability. Her origin story, however, began as a helper of oppressed women everywhere. Today we see Superman and Batman on the big screen, but Wonder Woman has fallen behind. Despite great strides, our society still isn’t ready to accept rescue of men at the hands of a woman. More’s the pity, because we clearly see the mess that masculine leadership has spawned. Mike Madrid has discovered a secret identity for our old foe, sexism. And it might take the world of comic books to help us see clearly that which mainstream analysis still denies.

Leggo My Congo

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When I first saw the trailer for Congo, back in 1995, I was a new father and my interest in talking apes understandably took a back seat. While the movie sat back there like a quiet child, it was slowly forgotten. Something prompted my memory over the weekend, so I finally watched it. Now, I had plenty of time to read the negative reviews, but I have a soft spot for both talking apes and bad movies. The really fascinating aspect of Congo, however, was the fantastic liberties it takes with the ancient world, particularly the kingdom of Solomon. Solomon has been under investigation over the past few decades. Archaeologists have not found evidence of the biblical opulence concerning both his wealth and fame. It seems likely that he was an actual king, but the king of a small nation that did not have quite the pull that later tradition granted to it. Still, Solomon has become a cultural trope for great wealth and splendor, and if a movie-maker wants an easy frame of reference, well, some people will recognize old Sol. Those who do recognize Solomon probably won’t have a ready inventory of his assets to interrupt their enjoyment (that presumes a lot) of the movie.

The motive factor that brings our unlikely traveling companions together in Congo, are the fabricatedly mythical diamond mines of King Solomon, located in the Congo. A self-styled archaeologist and professional con-man from Romania assists to finance a flight to Africa to help return a homesick gorilla (Amy) who also, by the way, talks. The only realistic aspect of the heroes is that the university professors are the ones who are completely broke and have to rely on corporate funding to get their monkey off their back (well, actually she’s an ape). And then there is the huge communications giant (TraviCom) that needs the diamonds for their communications equipment. And a bunch of Africans who just want to stay alive (most don’t succeed). Solomon was never really associated with diamonds in the Bible. His wealth is described in terms of gold, silver, bronze, peacocks, and suprizingly, apes. Why and how he would have managed a mine in central Africa when even the Egyptians didn’t travel there is never explained.

Well, I shouldn’t be so hasty about the Egyptians. Our Romanian con-man is also able to translate Egyptian heiroglyphics, liberally scribbled on the walls of the fortress surrounding Solomon’s mine. These preserve the story of the “myth of the killing apes” that generated an honest-to-god guffaw from my cynical self. New mythology and corny characters aside, the movie didn’t fail to reach me. I’m always a sucker for talking apes and under-funded education, both of which represent a kind of extinction. If Solomon really had a reach all the way to the Congo, and if he extracted the huge diamonds the movie showed scattered around on the surface of the ground and if universities could actually get media attention for causes other than the shortcomings of their football programs, there could be cause for hope. In what is a bit of probably unintended social commentary, after the mine is destroyed in a volcanic eruption, only one diamond remains. And that diamond benefits neither the single surviving African nor the underfunded university professor. It becomes a weapon in the hands of a large, private corporation.

Egyptian Afterlife

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The day after Maurice Sendak died, Google’s doodle celebrated Howard Carter’s 138th birthday. Although Howard Carter’s name may not immediately ring a bell, his work still affects all of us in the western world in profound ways. An inspiration for both Indiana Jones and Lara Croft, Carter is best remembering for discovering the intact tomb of King Tutankhamen in the Valley of the Kings. This discovery generated a neo-Egyptian revival in western culture, notable in the Art Deco movement and the Egyptianizing architecture it inspired. As Google’s doodle shows, we are still reaching back to ancient Egypt to find some kind of meaning for ourselves today. In a world of gadgets and hi-tech baubles, we still cast an envious eye towards the dwellers along the Nile.

It is difficult to assess why the Egyptians are so enduring. They were, after all, polytheists and occupied a country that is now part of the “Middle East.” It is, however, a mystique that they held even in antiquity. Raiders and invaders who came to Egypt ended up trying to walk like the Egyptians rather than attempting to force them to follow foreign ways. The ideal in ancient Egypt was a stable cosmos. In a perfect world Egypt would be an island of calm and tranquility. For this they had their strong kings to thank, and they spared little expense to build him tombs that would remain the largest buildings on earth until Eiffel began to tinker with steel.

Perhaps the characteristic we most admire about the Egyptians is their unshaken confidence. Assured that they were in the favor of the gods, they took that assurance to the grave. Even as the neighboring Israelites still confined the dead to a gloomy underworld, the Egyptians were constructing an afterlife that would keep the good times rolling as long as time itself survived. A great deal of effort was expended on the pampering of the dead. Funnily enough, in our Christianized nation the confidence of divine pleasure only seems to be enacted in the limiting of the rights of others. And when it is all over, the righteous still fear death. Google has an almost unlimited choice of inspirations for its doodles, but Howard Carter seems especially appropriate on a day when we remember those who are willing to go to dangerous places where the wild things might lurk yet.

As on Earth

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Today’s version of the afterlife requires simple assent to a belief system, at least according to prominent interpretations of some religions. Belief alone is enough to ensure an eternal reward. The ancient Egyptians, however, considered the path longer and more torturous. Anticipating modern GOP ideals, they believed that only the wealthiest deserved a place in the beautiful west, while the poor and struggling should just fade away with the sunset. At an even earlier period the afterlife was reserved for the king alone. Even he didn’t have an easy time of it, however. To get to the afterlife you had to face many perils and trials. To help him along, as a royal crib-sheet, many kings had the requisite spells inscribed on the inside walls of their pyramids. After time these “pyramid texts” were copied by the wealthy and inscribed inside their coffins. These “coffin texts” allowed the rich potentially to buy their way into eternity.

Eventually the afterlife became democratized. The spells were inscribed on scrolls and sold to those who could afford them. This final development gives us our “Book of the Dead.” Egyptians had an organic view of death as a continuation of life itself into the inevitable future. That future offered a continuation of the prejudices of the present. Kings continued to reign, peasants worked the fields of Osiris. It may have been work, but it was better than the alternative. Christianity’s version of the afterlife was strikingly fair. At first.

At first simply being resurrected was gift enough. After all, otherwise standing in line for martyrdom at an obscenely young age utter madness. Before long, however, like the Egyptians Christians began to create Heaven in their own image. Mary inherited the heathen title Queen of Heaven. When Heaven grew too crowded with questionable types, Purgatory was invented. Social stratification became a hallmark even among the clouds. Perhaps it is our primate biology, but we humans just can’t seem to accept and promote true equality. In that respect the Bible has become a kind of Christian book of the dead. Even eternal life seems to have its drawbacks.

Pharaohs of Stonehenge

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Stonehenge on Easter Sunday is a remarkably popular place. Tourists from all over the world crowd the pathway around those ancient stones as if they hide some arcane secret in their tumbled, massive form. Stonehenge may be the most iconic location in Britain, surpassing even such modern structures as Westminster Abbey and St. Paul’s Cathedral. Far pre-dating the art of writing, the purpose and nature of Stonehenge involve considerable speculation, but given the unquestionably costly years of labor required to plan, dig, transport, and align the monument, it stands to reason that it must have been religious in nature. One of the standard—perhaps even hackneyed—critiques of archaeological interpretation proves true in this case: if you can find no sensible reason for it, it must be religious.

The main phase of Stonehenge, the one that incorporates the iconic monoliths instantly recognizable today, came under construction some six hundred years after the pyramids of Egypt. In the case of the latter we know their language and we know the motivation behind the structures. More than just buildings to demonstrate the power of the king, they were celestially aligned portals to the afterlife. Although the Egyptians had no word for religion, the pyramids were as religious as the great temples that would soon surpass them in the energy consumption of the empire. In England of the time, we know no names, nor even an accurate assessment of the “nationality” of the inhabitants. Even nations, as we know them, did not yet exist. The builders of Stonehenge surely had something close to our concept of religion in mind. Otherwise, like the great cathedrals of millennia later, it would have been simply a waste of time and resources.

Wiltshire Downs on the Salisbury Plains is studded with ancient locations of significance. On the near horizon, among the eternal green of the English countryside, are dozens of barrows where people of unknown significance are buried. In that respect Stonehenge is emblematic of the individual struggle for eternal recognition. The name Menkaure stirs instant recognition among few. His pyramids stand as eternal monuments to a decidedly faded greatness. Stonehenge and its environs hold the remains of unknown numbers of unknown nationality bearing unknown names. It symbolizes the fate of us all. Yet on Easter, many believers in resurrection crowd in and gaze in awe at a pagan monument to human striving that no one truly understands.

Cemeteries and Certainties

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A visit to Highgate Cemetery is a reminder of a different way of life. Built as a fashionable burial ground for an overcrowded London of the Victorian Era, the cemetery demonstrates a closeness of life and death that we have very much sublimated in the twenty-first century, as if by avoiding the topic we might make death go away. As a tour guide led us through the overgrown, moody grounds with ivy-covered tombstones and doleful trees, she explained how those of just over a century ago wove death and life into a continuous fabric with elaborate rituals of mourning and a sure sense of the afterlife. Monuments commissioned by the families of the departed used symbols from a variety of traditions syncretized to assure the survivors that death was not the final word. The departed, one presumes, had little concern in the matter.

Symbols from the newly discovered wonderland of ancient Egypt combined with classical symbols of Greco-Roman antiquity and Gothic revival combined to assure the living that death was not really the end after all. How easy it is to forget that death, for most of human history, was very near at hand. Only with our recent medical innovations and concern not to overpopulate our environment have developed nations (something certain religious sects blithely overlook in their enthusiasm to conquer the world by dint of numbers) been able to shove death into the dark corners of our minds. Unless inspired by ghost hunters, we seldom linger in cemeteries. We separate ourselves from the dying as if the inevitable were some disease we dread catching. We can’t reconcile ourselves with the most biological aspect of our lives.

The Egyptians did believe in an afterlife, but at first it was not a democratic one. Kings and courtiers might live forever but the common person was only accorded a brief time in this world. The idea that death could be cheated by religion eventually grew, and Christianity came to accept such assurances as a hallmark of faith. The symbols for that faith figured prominently in Highgate Cemetery. As we came out from the tour, I was reminded that the radical Karl Marx, champion of the proletariat, was buried just yards away. Even those we today recognize as having borne immortal ideas still rest in the same chilly ground. Is the hope that binds them with the heavens an illusion left over from ancient times or is resurrection an idea from which we just can’t escape?

Instruction, through Film

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In an increasingly technological world, the acquisition of knowledge often seems like a moving target. For thousands of years the process of research meant lifting yourself out of the chair, or couch, or log, and going to where the written collection of human knowledge resided—the library. Assurbanipal, emperor of Assyria, assembled a great library in antiquity, as did the sages of Alexandria, Egypt. From those days until my own lifetime, if you wanted to learn something you went to where the books resided. The birth of the Internet has changed knowledge storage considerably, but not completely. You might find bits of Assurbanipal’s Akkadian wisdom online (Alexandria’s, unfortunately, didn’t survive antiquity), next to thousands of e-books, blogs, and tweets. And of course, videos. Although many of my blog posts refer to horror movies, one of my favorite sources of information has always been the documentary. Despite the fact that it’s spoon-fed knowledge, there’s nothing quite like watching the experts tell you what you need to know on this or that topic.

Assurbanipal, lion hunter, emperor, librarian.

I was, naturally, pleased to learn of documentary-log.com. The folks from the site were kind enough to contact me since they offer many religion documentaries for free. I suspect that most readers of this blog have some interest in religion since I seldom write about anything else. Documentary-log.com currently has over thirty professionally made documentaries from various producers (including the History channel) available for viewing. Just sit back, click, and learn. I added to my own knowledge-base yesterday. This is particularly nice for those of us who can’t really afford the constantly increasing expense of buying access to television service. If your interests are greater than religion, they have many other categories of documentaries available as well. There are much worse ways to spend an afternoon.

One of the questions that arises in my conversations these days is whether all of the material online is changing knowledge itself. There’s no question that it’s a time saver. Prof. J. C. L. Gibson once remarked, while looking for a passage in class at Edinburgh, “So much of scholarship is turning pages.” He was a man who still did not use a typewriter, up to the day of his death. There is something to the old form of knowledge that stays with me as I watch the world inexorably change around me. There was a thrill to finding a book from 1516 on the open shelves at the New College library of Edinburgh University, to touching its centuries-old pages and marveling. Sitting in John Gibson’s office as he puffed on his pipe and trying to defend my new ideas against his old ones, I felt that knowledge was being hammered into me. There is an arcane knowledge to starting every day with a wee dram and a prayer that the World Wide Web just hasn’t managed to capture yet.

Facebook Apocalypse

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Facebook can be a fickle friend. Oh yes, there are rules that we know everyone doesn’t quite obey. You are not allowed to falsify evidence about yourself on the great FB, although characters like Jesus have their own pages. The Chronicle of Higher Education this week followed the efforts of a University of Nevada at Reno librarian who tried to use Facebook for educational purposes. Donnelyn Curtis had set up Facebook accounts for two students early in the twentieth century to give current students an idea of how times had changed. The pages were summarily removed by Facebook staff, leading to the unfortunate second deaths of Joe McDonald and Leola Lewis. Second deaths always get me thinking about the book of Revelation. After all, we are now into the fatal year of 2012.

My Mayan Calendar

Few events elicit religious fervor like the end of the world. In the most highly touted end-of-the-world scenario since 2000, 2012 has emerged as the great contender for wrapping up the show we call life on earth. When I spotted a calendar to prepare the user for the end of the world, well, how could I resist? Each month on this terminal calendar features facts pointing to the culmination of this strange experiment that evolution hath wrought. If we can’t pull off a good, old-fashioned Evangelical rapture (sorry Rev. Camping), maybe the Maya can get the job done. They certainly managed to pull off an impressive vanishing act a few centuries back. Or did they? Despite the overrunning of enthusiastically avaricious Christian invaders, the Maya accommodated themselves to less-than-ideal circumstances and survived. They are still among us. Their culture, however, didn’t fare so well at the hand of the church. Nobody’s asking them about any of this.

Apocalyses occur all the time. When religions meet, one inevitably tries to vanquish the other. No one walks out of that arena without a limp. And the winners look over their shoulders for ever after. To prepare for this apocalypse, the January on my new calendar narrates how the Mayans and Egyptians shared some cultural secrets—such as how to build pyramids. How did they know about one another? My calendar says they could have walked across Atlantis, or they might have been carried by giant, domesticated condors. Either alternative seems as likely as the other. Either alternative seems about as likely as the world ending this year. But then again, already in 2012 a couple of promising young people have already been kicked off of Facebook for being dead. I think I feel the apocalypse beginning already.

Close Commandments

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Okay, so I’ll admit that Jeffrey Kripal’s Authors of the Impossible put me in the mood for Close Encounters of the Third Kind. Watching this movie always calls for an investment of time and some emotional energy since it does drag a bit and there are some ponderously majestic scenes that simply make me want to scream. As I powered up the old DVD player this weekend, however, I received an epiphany while watching the movie for the first time in years. Early on during Richard Dreyfuss’s breakdown, the kids (incongruously) gather around the television with excitement to watch the Ten Commandments. The reason, clearly, is that they want to stay up late, and even having to watch Cecil B. DeMille’s warhorse is an adequate excuse. I’ll admit that it was one of my motivations for watching the lush, but equally dull, Ten Commandments as a child. Yes, I took it to be a pious attempt to render God’s literally true memoirs into celluloid, but its 4-hour running time did promise to keep me out of bed until after ten.

Young Moses experiences a theophany.

As my wife and I watched Close Encounters over the weekend, I realized for the first time that much of the cinematography is based on the Ten Commandments. Dreyfuss is a visionary, a prophet, if you will. He is drawn to a sacred mountain (Devil’s Tower) where, like Moses, he makes his way up and down, unable to decide whether to enter the divine presence or not. One of the pacing problems in the book of Exodus is the mental image of an 80 year-old Moses laboriously making his way up and down Sinai as God sends him on various errands. I imagine the children of Israel having time to cast a whole herd of golden cattle. As the UFOs make their grand appearance somewhat near the end of Close Encounters Roy Neary (Dreyfuss) and Jillian Guiler climb the mountain, see the theophanic display, and start back down. Only to go up again. On their way to Devil’s Tower they drive by several dead animals, like those struck down in the fifth plague of Exodus. The army forcing the people out of the area is itself an exodus. The return of those kidnapped by the aliens is a kind of letting go of those held captive. Apparently the Egyptians and aliens have a long history anyway.

I have no idea if Steven Spielberg was intentionally modeling Close Encounters on the Ten Commandments, but corollaries are clearly there. 1977 had not yet witnessed the decline of Erich von Däniken’s star, catapulted into orbit by Chariots of the Gods? where once again we find God driving spaceships and giving the Egyptians a hand with those pesky pyramids. Even the surnames of the characters seem to be a play on their biblical roles. Roy Neary, the one who draws near to God, the only one selected to literally ascend to heaven at the end, and Jillian Guiler, whose suspicion keeps her earthbound with her son Barry, who bears an eerie resemblance to the childlike aliens whom he befriends. Berry is the movie’s Joshua, the one who will keep the faith alive for the next generation. The story came to Spielberg, according to the media, when he saw a meteor shower in New Jersey as a youth. I missed last week’s meteor shower in New Jersey, and my baby ark on the Nile never sailed.

Cthulhu’s Revenge

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H. P. Lovecraft. Monsters. Aliens. UFOs. Ancient Egyptians. Sumerians. Is there nothing this book doesn’t have? Having read many of H. P. Lovecraft’s stories over the years, I have always been taken by how, as a writer, Lovecraft disappeared from public attention only to spring back in the 1990s. I discovered Lovecraft while doing research on Dagon, the putative “fish god” of the “Philistines.” Every time I typed the name of the deity into Google, I came up with pages and pages of Lovecraft. In my lonely room on a gray Wisconsin campus, I began to read his stories and shiver with fear as I walked across a dark parking lot to my car. Jason Colavito obviously has a great appreciation for Lovecraft as well, and his book The Cult of Alien Gods: H. P. Lovecraft and Extraterrestrial Pop Culture is a fun read for a November night. Colavito suggests that the “ancient astronaut” craze that has informed many a young mind stems back to Lovecraft’s fiction. Cthulhu and his ilk.

I’m not sure that Colavito convinced me that the ideas of ancient aliens began with Lovecraft, but he does an excellent job of exposing the foibles of many theorists who build houses of cards on shifting sand. One of the most interesting connections Colavito makes is that Creationism and Ancient Astronaut-ism are not dissimilar. “Both are, in essence, a concession that science is the ultimate arbiter of truth, and both seek to (mis)use science to give absolute authority to their beliefs” (331-2). This is an aspect of Creationism I hadn’t considered before. In the uncompromising desire for scientific respectability, the only option open is to bend science to the will of religion. This distortion must be carefully executed, convincing the followers that true science has validated a religious ideal. Rhetoric and occluding argumentation must be utilized carefully here. It seems Cthulhu has world domination in his squishy mind again.

Lovecraft famously gave us fantasy worlds where ancient space creatures left their impressions as gods upon a vulnerable humanity. Mysteries of the past—and Colavito doesn’t deny there are mysteries—are so easily explained by dei ex machina, and working with fantasy is so much easier than working with physics. To approach the mysteries with an answer already in hand, however, is to deny science its glory. As a civilization we owe much to a scientific understanding of the universe we inhabit.

Declining Prophets

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Prophets aren’t what they used to be. Was a time when you had to be real to make an impression on the world. The historical evidence for Moses is slim. So slim, in fact, that it can’t be seen. As a child learning that the Bible contained no mistakes (it does) and no contradictions (too many to count), there was never any doubt of Moses’ historicity. Charlton Heston’s iconic portrayal of the man who wouldn’t be king left little room for doubt in pliable young minds. Not bad for a man who probably never lived.

I finally got around to reading Bruce Feiler’s America’s Prophet: How the Story of Moses Shaped America. Initially I found the book difficult because I started it the day after finishing Kent Nerburn’s The Wolf at Twilight. There seemed a disingenuousness to America’s development that had been built on oppression. The retelling of sacred histories can be quite diverse. Nevertheless, Feiler’s book is well researched and compellingly written. Beginning with Columbus and coming up through the first years of the twenty-first century, Feiler shows again and again how Moses is lurking in the shadows of some of America’s grandest monuments to self.

Moses is the liberator who lays down the law. As such, nearly all the great political leaders in America’s Bible-saturated history have been compared to him. The funny thing about the actual Moses is that history’s chroniclers somehow failed to mention him. He does not appear in the annals of Egypt, where, according to Exodus, he was the near equal of Ramesses II. He is not mentioned by the political watchers among the other great powers of ancient western Asia. The Bible is all he’s got. Political commentators in early America, however, were not worried about whether he existed or not. The Bible says he did and that’s good enough.

Feiler builds a compelling case for Moses standing behind American figures and institutions. He also seems to be aware that Moses may never have walked the earth. An avenue he doesn’t explore is how entire national identities can be built on myths. Mythology gives us the meaning by which we live. Some times that mythology will include historical personages. Other times the myth must stand on its own. Moses may be one of the latter. Does it matter that Moses does not appear in history? No. He has already left his imprint, as Feiler ably demonstrates, on Columbus, the Pilgrims, George Washington, the Liberty Bell, Abraham Lincoln, the Underground Railroad, the Statue of Liberty, Martin Luther King, Jr., and even—God help us!—George W. Bush. Anyone capable of pounding a Bible loudly enough will eventually make the ranks, it seems. Ahistorical Moses has accomplished in his sleep more than historical people can ever attain. Amazing what you can achieve, real or not, with mythology on your side.