Spliced

Predictably, I watched Splice again after reading the novelization by Claire Donner.  It is, as I indicated in my post on the book, a sad story.  During this rewatch, a few things stood out.  First and foremost, how many times you must rewatch a film to pull off writing the novel.  Either that, or hit the pause button constantly.  When I was writing Holy Horror I did both of those things quite a lot.  A detail you want to catch, and you have to see what’s on the screen.  I’d pause a scene and put my face right next to the screen, seeing individual pixels.  You have to know your stuff.  Another factor is that actors really do have influence on your understanding of character motivation.  An ambiguous look for the camera comes away pregnant with meaning in the novelization.

The emotional life of the characters is really filled in, in print.  The movie felt like it was going too fast.  That’s a finger on the pulse of reading a book versus watching a movie.  For a writer a movie deal can be a real boon but often you read about how they dislike the results.  That’s really no surprise.  A book takes time to read and you reflect as you go.  Movies hit you with constantly shifting images.  Both can be powerful media, but in different ways.  Another thing I noticed (I hadn’t seen the movie for thirteen years before reading the book) is that the mental image I’d formed of the characters was quite different from what the actors looked like.  

In the introduction to the novelization, screenwriter and director Vincenzo Natali notes that he likes how Donner explores Dren’s inner life.  Dren, in case you’ve not read or watched, is the hybrid.  Indeed, that is an element largely missing from the movie.  Some critics suggested that it should’ve explored that more.  For many of us, emotion is a major motivating factor of life.  We are frequently driven by our feelings, and, despite what AI says, they are integral in our thought process.  What was going through the mind of a creature, part human, with no parents?  I know that having grown up not really knowing my father left deep impressions, voids, in my life.  The novelization explores these kinds of things for all the main principals.  In my opinion, reading the book enhances watching the movie.  Of course, I’ve always been on the book side of the equation to begin with.  


Novelization

I watched the sci-fi horror film Splice a few years ago.  Long enough that I don’t recall many details.  When Claire Donner, a friend of mine from Miskatonic Institute of Horror Studies, told me she’d written a novelization of Splice, I knew I had to read it.  If you’ve seen the movie then you know the story.  If you haven’t, you can read it in her book.  I don’t often read novelizations—I read the one for Tim Burton’s Sleepy Hollow, and as a young person read the original three Star Wars novelizations.  Such books really only apply to movies not already based on a novel, of course.  They give the reader a path into the inner lives of the characters.  Naturally, now I have to watch Splice again to see it through Donner’s lens.  The basic idea, if you want some encouragement, is that a couple of scientists add some human DNA into a gene-spliced animal being lab grown for enzymes to fight disease.

In the rawest sense, this is the story of Frankenstein for a more technological crowd.  Like Frankenstein, it is a sad story.  And like said sad story, it involves reproduction without two human parents.  The real builder this time, however, is Elsa and Donner gives considerable development to her motivations and thought process.  (I’m very curious to know if I can see that in the movie or not.)  Clive, her partner, isn’t aware of the source of the human DNA.  The spliced creature grows into the passably human Dren, who finds herself asking the questions Frankenstein’s creature asked about his own existence.  Like said creature, Dren has to be hidden away, and controlled.  At the same time, she is evolutionarily superior to her maker.  There’s a lot to see here, folks!

Having written a fair bit of fiction in my time, I do wonder what it might be like to do a novelization.  I suspect most of us, if a movie is well made, decide on the motivations of characters but how often do we delve into their inner lives?  I’m not sure that I do that most of the time.  When I write fiction I do it all the time.  I want to know my characters and why they are the way they are.  Sometimes they remain mysteries to me, but that doesn’t prevent me from trying.  This novelization is deftly done, and approved by the screenwriter/director.  And the deep motivations make the scenario plausible.  If you haven’t seen Splice you might enjoy doing so.  And then read the novel.  Or the other way around.


Freedom

This year has been marked by small clusters of holidays.  I wrote about Friday the 13th, St. Valentine’s Day, and President’s Day occurring the same weekend back in February.  Then in March, I noted we had a second Friday the 13th, the weekend before St. Patrick’s Day.  Here in June we find another cluster as today is Juneteenth—an important holiday finally recognized—and Sunday is both the summer solstice and Father’s Day.  Now, Father’s Day is always a conflicted day for me.  My father was largely absentee, and an alcoholic when present and accounted for.  For many of my childhood years we didn’t know where he was.  I always have difficulty feeling mad at him, though, because his self-sabotage wasn’t malicious in any way.  He was a man overwhelmed by what life threw at him.  Besides, mothers, it seems to me, give a lot more of themselves than fathers do.  But today’s Juneteenth.

Photo by Zulmaury Saavedra on Unsplash

Those with skin darker than pink folk have a more difficult time in the society we’ve built.  With open racism in the White House the struggle has been set back many years.  One thing I sometimes feel personally, having grown up poor, is that disadvantage of any kind is difficult to overcome.  Who, after all, seeks to make friends with someone who’s poor?  What’s the advantage in that?  Sometimes capitalism seems to be the ultimate evil where even people are commodities to be sold.  Human Resources, we call it.  Human capital.  Human assets.  Meanwhile our economic system has birthed us all a new trillionaire just a few days ago.  Juneteenth is an important reminder.  Human beings are not chattels to be bought and sold.  How people who’d ever read the gospels could allow that, I simply can’t fathom.

These holiday clusters occur now and again, like the alignment of the planets along the ecliptic.  They give us time to pause and ponder.  Are we really going the right direction?  Are we lost and unwilling to admit it?  Deep down, all but sociopaths know that all people deserve fair treatment.  Some people are unable to take care of themselves.  Juneteenth reminds us that simply seeing them as some “other,” some “not me,” and steeling ourselves against their needs is a high moral infraction.  It’s close kin to murder.  We are the ones who built this system.  We have the power to change it.  Juneteenth reminds us that anyone who openly, or even discreetly, believes that one race is better than another has no business telling others what to do.  The longest day is coming, if only we’d use it to consider what we’re doing.


Forever Young

It’s strange.  People my age (and younger) are retiring.  It’s strange because in my head I’m still a teenager.  The mirror lies to me when I glance at it.  I’m not a guy old enough to have colleagues I’ve known for thirty years retiring.  Not me.  This hit me kind of suddenly at work.  One of the things an editor has to do is arrange for peer reviews.  One of my usual sources for reviewers has been showing names I don’t recognize, as of late.  Look, I was never some super-professor, but I knew quite a few of those who worked in biblical studies.  The same names would come around year after year at conferences.  They would age, but I would not.  I was still the same guy, teaching at Nashotah House, publishing articles, chatting with friends.  Where have they gone?

I recently saw a survey to which some colleagues I know and trust had responded.  They listed themselves as “late career.”  How is that possible?  I still work 9-2-5 and likely will until I die.  Who are these young people taking their places at the table?  Our minds, it seems, are as Bob Dylan termed it, forever young.  We remember, however imperfectly, our younger selves as we discover our lives entangled in work and other complications, and our bodies aging.  Me, I’m still trying to get through each day, just like I was in college.  Just like I was in high school.  Awaiting some ill defined destination where I might be able to relax for a while.  Like I could when I was young.  Before capitalism got its hooks in me.  Before AI.

Consciousness is a strange thing.  Our thought processes are formed by early experiences in our lives and we spend most of the rest of our time on earth reacting to them.  Our brains evolved to help us survive.  We do this communally (which is why Trumpism, tearing communities apart, is so dangerous).  I couldn’t survive with my desk job if many people—most of them younger than me these days—didn’t contribute to this experiment we call society.  I sometimes see people born the same year that I was and think, “they’re old.”  Why doesn’t that apply to me?  It’s not that I want to feel old, but rather that I’m still looking for the things I was seeking as a young person.  Financial security, books, love and acceptance.  And trying to avoid tedious tasks—there do seem to be more and more of those as you age.  I’ll have to ask some people who are old if that’s true.


Shocking Development

With life being lived on the internet, electricity is now as important as food and shelter.  We bought our house going on eight years ago.  The former owner claimed to be an electrician and, based on his mail that we’re still receiving, has his own electrical business.  First-time buyers, we didn’t know to be skeptical.  It didn’t help that the home inspector we’d hired bowed out a week in advance of closing and we had to hire someone with no recommendation on the fly.  He said nothing about the electrical box (and many other flaws that should’ve been spotted and reported).  We started having some electrical issues soon after moving in.  We found a local electrician (not the former owner) who was friendly and once saved us by returning to the house as night was falling and hooking up the power so we could have heat (this was in a November).

Before picture

When the power went out completely in April, and the electric company said there were no issues on their end, we decided we’d better have the whole system checked out.  We hired from a larger, regional company.  These guys were good.  After being here for only half an hour they’d found the problem, and it was a big one.  The mast, or conduit, on the side of the house hadn’t been properly installed.  Water had been seeping into the breaker box and several of the breakers had rusted.  The repair cost was mighty, but it would be done correctly.  This led to a chilly April day without heat, but they did supply a line that let us work by powering the router, and kept the fridge cold.  They were here for ten hours.  For the first time since moving in, we have an uncompromised electrical system.

What makes all of this so strange is that we had been trusting of the seller that he knew what he was doing electrically.  As laypeople, we had no way to assess this, and the inspector apparently didn’t as well.  The good electricians (the most recent) suggested that our former electrician was afraid to tell us the real cost of doing the job right, and had decided to cut corners.  He may have been acting out of kindness.  Or he may not have been able to see the problem from a larger view.  So we’re poorer, but wiser.  And we have power.  As long as the electric company can be trusted to keep up its end of the deal, we shouldn’t run into internet access problems.  And that’s life itself.


Facing Identity Crisis

It was one of those periods when time fails to work properly to keep major events spaced out.  We had three major economic events hit us simultaneously and unexpectedly.  Two of them required financing and yet a third involved the government and trying to get our taxes filed.  In any case, I tend to need chronological space to keep these things discrete and make sure I can pay them.  After all of this was done I realized that “secure” information is being collected by all kinds of places these days.  The thing that really got me was that two of them, including the federal government, involved facial recognition software.  In order to confirm my identity I had to hold up my phone and smile pretty for the camera.  Since I can’t speak for the experience of others, I had to wonder if maybe this was because I filed a report of a major scam last year.

I don’t trust AI at all (sorry Al), and governments that collect facial recognition data scare me.  I couldn’t complete my taxes without doing it, though.  A few years ago when I was volunteering for an organization (I can’t recall which one) I had to have my fingerprints put on record.  I thought that was pretty invasive.  I’ve never committed a crime (at least that I’m aware of) and I’ve never been arrested.  Having your fingerprints on record, and your face imprinted in databases certainly makes it feel like it.  Especially since doppelgängers do exist.  On my first visit to Kentucky in the 1980s to help a friend move, the local people all insisted that I was John’s son, a spitting image.  Would Al know the difference?

Once, at Nashotah House, during an accrediting team visit, I was struck by the fact that one of the assessors was a near-perfect doppelgänger of myself.  So much so that when I showed my young daughter a picture I found of him on the nascent web and asked her “Who’s that?” she replied without hesitation “Daddy.”  The facial recognition capacity of kids is pretty keen.  I don’t put a ton of trust in technology.  Of course, the software is probably measuring things like pore depth and nostril hairs.  In neither case did I have the chance to comb my hair and make sure nothing green was stuck in my teeth.  Besides, my face is in a number of spots on this blog.  It doesn’t get as many hits as our finances took in that period when time broke down, but I guess my face is now officially recognized.


Things Lost

Here’s an honest question, and if anyone can answer, please do. Why is it that software can’t keep track of the latest version of anything? Let me put some legs on that. I recently backed up my files to “the Cloud.” When I went to open one of them, the version that was backed up was several months old, not the one I’d worked on (and backed up) that very day.  I looked on my back-up hard drive, likewise backed up that day.  Both only showed files from several months ago.  This was for an app that doesn’t even have a “save” option because it saves automatically.  How can this happen?  I’m having trouble understanding.  Do I leave my files open too long?  (It takes quite some time to write a book.)

Then someone in my family used my laptop for a minute and closed my browser with all my tabs open.  No problem.  I went to “restore all tabs from last session.”  The tabs that appeared were over a month old.  No record anywhere of the tabs I’d kept open as reminders more recently.  What is it about software that makes this so very hard to do?  My laptop’s losing data like a sieve.  To make matters interesting, in a different context after all this, someone had moved and renamed a folder I’d created on a shared drive.  They didn’t bother telling me this, so to all appearances, the folder had been deleted.  I even did a windows search, and nothing showed up with the folder name at all.  I had to get IT involved.  While they were investigating someone finally (at my prompting) admitted that the file had been moved and renamed.  This, on top of my losing my own data at home was a lot for a single day.  (Of course, even bigger issues were about to show up that I had no idea were coming.  Expensive issues.)

Whatever my mental condition is (I don’t have an official label for it), I tend to get overwhelmed when I can’t find something.  My memory isn’t that of a thirty-year-old but I have excellent recall as to where I store important things (like my writing).  Not being able to find it drives me frantic.  I’m not wealthy and the only real asset I have is my mind and I write things down so that thoughts that mind has won’t get lost.  The Cloud seems pretty good at doing that for me.  I’m a believer in backing things up.  Data loss can be devastating.  I just wish I knew how to avoid it.

Photo by Markus Spiske on Unsplash

Access Denied

We like to pride ourselves on our levels of knowledge obtained.  But access to it is limited to the club.  I’ve run into this several times since being booted from academia.  I still research and write books.  They sell like academic books (not well), but I am blocked from academic resources.  I was attempting to access an article in a book from an academic press, named here nevermore, only to find every path blocked.  I had to verify that I was human a time or two, but being human isn’t enough.  You need to be a wealthy human.  I went to Academia.edu.  The author hadn’t posted the chapter.  It was posted on Research Gate, but to request a PDF I had to have an institutional email, which I do not.  I tried Internet Archive, which has saved me many times.  They didn’t have a full view and the link to the book told me I could purchase for a mere $150.

I know other academic presses that do this.  Limit the knowledge to those in institutions that can pay such high fees.  Academia is becoming more and more privileged all the time.  I get it.  You can’t just give the stuff away.  Whenever possible I post my articles for free on Academia.  I wrote them to be read, not to be tucked away and inaccessible as the world made love to the electronic revolution.  Not all scholars think that way.  And academic presses charge prices that can only be described as exploitative.  It’s as if they think we’re all paid like professors are.  Privileged.  And this pains me.  As a former professor I know that not all academics are paid well.  We’re in it for the knowledge.  But once you lose that academic email, it’s access denied for you.

Sadly, I’m not the only one in this category.  There’s an entire generation of us who’ve been thrown from the ivory tower.  Here’s the thing: your curiosity doesn’t die just because you’re not called “Professor” any more.  Maybe this is why I enjoy dark academia so much.  The truth is that there is something very wrong with our higher educational system.  University presses, stressed to make money when everyone just asks some AI that was never human and has no knowledge for an answer to a difficult question.  There used to be a way to find that answer through the hard work of research.  And when you were done you had the pride of accomplishment.  Now all that we have is access denied.


Medical Emergency

Fire drills.  We’ve all been through them.  When an alarm goes off legitimately, people don’t know what to do.  At least not at first.  I was accompanying my wife for a routine colonoscopy.  We were in the recovery room, and she was still coming out of anesthesia when I thought I smelled something chemical-like, almost the caustic kind of petroleum-product smell with none of the sweet undertones.  Now, I have no idea what they use in facilities like that, so I said nothing.  About fifteen minutes later the fire alarm went off.  My wife had already gotten dressed, thank goodness.  The staff was all walking around, apologizing to everyone for the noise.  After about five minutes, the surgeon came over and said, “We have to go outside.  Let me go over this briefly.”  He did and I helped my wife down the stairs and outside.  Firetrucks came.

This was something new in my experience.  Hospitals and clinics are buildings, with all the usual limitations of physical structures with complex machinery in them.  I’d never been in one when an alarm went off before.  There’s always a period of disbelief among staff as well as patients.  I wondered what they did with those in the midst of a colonoscopy.  They’re in a somewhat delicate condition to be rolled outside (and it was none too warm that day).  I can imagine how I might’ve panicked had my wife not yet been in recovery.  As it was, we thought we were clear to leave, so we just came home as others less fortunate stood outside awaiting the all clear.

Image credit: Jason Lawrence,  Creative Commons Attribution 2.0 Generic license, via Wikimedia Commons

After a medical procedure we’re used to being able to ask questions.  Take your time.  Come out of anesthesia.  After we got home I could find nothing online about the incident.  It did seem to have “news story” written all over it.  Or “horror story.”  I’ve watched enough MASH to know that doctors sometimes work in less than ideal conditions.  And there must certainly be standard procedures for what to do when the unexpected happens.  Colonoscopies are one of those highly recommended procedures that compromise dignity like few others.  As such, being interrupted by a fire drill puts this particular procedure into a class of its own.  I never look forward to them (few do) but now it seems I have a new worry to add.  What was really missing was a sense of closure.  Too often these days transactions of all kinds are left open-ended.  As the firetrucks came we asked ourselves, is it okay to go?


Field Hockey

Friends recommended We Ride Upon Sticks by Quan Barry.  I’m glad they did.  A woman-empowering novel, it ties together so many important things: what it’s like to grow up as a girl, what it means to trust other people, and the importance of believing in yourself.  My experience of reading it as a man at times made me want to apologize for my sex.  So many guys have trouble reining it in and that leads many women to feeling uncomfortable, or even threatened.  The book’s also a great story of awakening to who you really are.  Set in Danvers, Massachusetts in the late 1980s, it’s the tale of the girl’s field hockey team and their “deal with the devil” to win the state championship after being a team having a reputation for losing.  The eleven players on the team are sketched so wonderfully that you get a good idea of that many distinct protagonists.

There is a tie-in with the Salem Witch Trials—much of which actually played out in Danvers.  Although the assumed implication is that the girls begin winning because they’ve made a pact with the darkness, the story doesn’t give it up that easily.  There’s a subtlety at play here and even if you’ve never been on a sports team, the sense of camaraderie is palpable.  The real magic comes in believing in yourself.  Barry is eloquent about such life and how it can change you during the difficult period of adolescence.  I’m always impressed with adult writers who can capture so well what coming-of-age feels like.  For many of us, I expect, there is a trauma associated with it.  Cultural expectations on young women are burdensome in so many ways.  At the same time this story is so well written that you hesitate to put it down.

While I never participated in high school or collegiate sports—I have no particular gifts in that regard—regular readers may find it difficult to believe that I played on the Nashotah House football team for a couple of years.  Lest you get the wrong idea, the seminary played one annual game of flag football against Seabury-Western Seminary in Chicago, styled as conservative vs. liberals.  I was younger, and in better physical shape than many of my students, so I made a team effort for a couple of years.  Still, the team spirit demonstrated in We Ride Upon Sticks is of an altogether different sort.  Fun and thoughtful at the same time.  It’s the kind of book I’m glad to have pointed out to me.


Note to Myself

A note to myself (perhaps the best title for this blog) in a forgotten book.  Well, not exactly forgotten, else the post unwritten would remain.  In a book I’d been gifted at twenty-one.  I was working that summer as an intern in a church in Pittsburgh where my duties included visiting parishioners.  One of them was an elderly scientist that everyone mentioned with awe because he’d written a book.  In the eighties, writing a book still meant something.  He gave me a copy.  I could tell, even at that tender age, that the publisher was a vanity press.  Part of the satisfaction of “traditional” publishing is knowing that you’ve convinced at least a handful of people that your writing is worth publishing.  Vanity presses take your money and produce your words with wanton abandon.  Still, I read the book.

This was during those heady college years when I annotated everything.  So many books later, annotation is rare for me now.  Other people will want these books when I’m gone.  Then, I critiqued as well.  You see, the scientist (with a master’s degree) had undertaken a theological topic, trying to explain God with science.  I’m sure he died long ago and now knows more than I.  Still I had to express myself.  That’s what those of us who write do.  Here’s an image of my summary.  It took me a while to figure out the symbols the younger me made up.  One looks like a capital K with the lower diagonal ending in an arrow.  What did that mean four decades ago?  Context gave me the answer: “off the wall.”  Why not write it out?  Perhaps I was afraid someone would find the note to myself.  This is the danger of writing things down.

Another symbol gave me pause.  A circle with a stretched capital H in it within a cube.  Ah, a capital theta, my usual shorthand for God.  In a box.  I flipped through the pages.  Yes, some of his suggestions definitely put God in a box.  Did I ever discuss this book with anyone?  It occurs to me that since my teaching career tanked, I’ve discussed very few of the books I’ve read with anyone, except readers of this blog.  We who write know there’s always the danger that someone else will read our thoughts.  In my experience, putting them in book form is about the best way to ensure that nobody will.  Still, for anybody who’s written a book, if you google them, their tome will be the first thing that shows up.  That’s true of the scientist who died, I’m pretty sure, before the new millennium.  When, as it turned out, that writing a book would become as common as starting a website with a catchy title.


Story Book

Book people, ironically, often don’t know much about how publishing works.  That’s not a condemnation; I was the same way before I took up a job in editing.  “I’ll write a book and let someone else handle the details,” was pretty much the thought process.  Now I find the whole enterprise fascinating.  The Untold Story of Books by Michael Castleman is an important book.  It is one of the most clear-eyed accounts of publishing that I’ve encountered in my long years at this practice.  There are many myths busted here.  Most—the vast majority of—writers make very little money from books.  Most never become famous.  Publishing is a low margin business.  We see the Stephen Kings and Dan Browns and say, “that could be me!”  Dreams are fine and good and sometimes come true, but writers write because that’s who we are.

As someone historically inclined, I was primarily interested in the storied days of early publishing.  This is what Castleman calls the first book business.  You didn’t expect to make much money from publishing in those days; you usually had to pay for the privilege.  Then publishing became a business.  I found this part of the story utterly fascinating.  Publishers and authors have often been at loggerheads.  Authors tend to come out on the short end of the stick (don’t quit your day job!) and Castleman doesn’t pull any punches here.  This is valuable information.  It also helped me understand why it seems that so few people in the publishing industry are authors.  I know a few besides myself, but not many.  There are reasons for that, and this book helps the curious to explore them.

Publishers began mergers for practical, if capitalistic, reasons.  Among presses that sell primarily fiction (or trade nonfiction) there are two main sources of income: bestsellers and backlist.  The backlist is the unsung bank of many publishers.  Bestsellers may be stocks, but the backlist is bonds.  Balancing these, publishers get by.  And of course, many are bought out by bigger companies.  As I mentioned here before, there are really only five big publishing houses in the English-language market.  They own most of all the publishers that may be household names.  Castleman also goes into the third book business, which covers publishing in the electronic era.  I love his sense of optimism.  Books are durable and people do enjoy reading.  Castleman has had more success with his writing than I’ll ever have, but reading him is like meeting a friend who understands what compels you to write.  Even if the devil is in the details.


Books Left out

I’m still working on my bibliography of this blog.  It’s going to take some time yet to finish it.  One of the things that has surprised me already, though, is the number of books I read but didn’t discuss here.  In the first five-plus years of this blog I tried to tie every post in to religion.  A friend had told me that staying on topic would get me more readers and I think he was right.  I now discuss many subjects and my readership has fallen off.  But my writing in general has moved away from all religion all the time.  The real loss, however, is that many very interesting books didn’t get discussed here.  Were I to want to do so I’d have to go back and re-read them.  And I don’t have time for the reading of the books required for my current book project.

Books have defined my life since I got past that stage of eating candy and running around to burn off the energy.  I began early with the Bible but started reading seriously when I was a tween.  And I haven’t stopped.  My bibliography, and this is just a guess, has about 600 books on it so far.  These are books that I’ve discussed on this blog.  Goodreads shows me I read far more than that since 2013 (this blog began four years earlier than that).  I don’t regret being a bookworm.  The neighbors might be out mowing the grass, but I’m behind a book living in a different world.  Maybe for a future project I’ll take the books from Goodreads that didn’t make it to the blog and give them their own post.  It might cause red cheeks because I remember that some of them I didn’t post on because I was embarrassed for having read them.

You see, to publish fiction you’re often told to read books from the independent publishing houses to which you’re pitching.  That accounts for several of the no shows.  Early in my blogging life I avoided posting on the paranormal (I like weird things—they help with writing), those books didn’t show up here either.  Others simply weren’t religiony enough.  Or I couldn’t think of anything to say about them.  Still, it might be interesting sometime.  Goodreads has my list at over 1,100 books at the moment.  I’ll be curious to see how many have shown up here.  I was in my late forties in 2009, when this blog began.  I’d been reading for some three decades before that.  How many books?  Well, the bibliography won’t be half the story.


Spiraling

I’m not the world’s biggest manga fan, so when I post about it it’s a safe bet a friend lent me a book.  This happened a few years back with Kouta Hirano’s Hellsing series I blogged my way through.  (I don’t own the books so please don’t come knocking at my door.)  Another friend recently let me Junji Ito’s Uzumaki.  I lack the finer points of manga (or anime, for that matter) interpretation, but I see the appeal.  Both of these series are horror, and my friends know that I read and watch horror.  Uzumaki is fascinating in the sheer number of ways it involves both body horror and folk horror.  There will likely be spoilers here, so be warned.  It’s all about spirals.  At first I had difficulty seeing how they could be made scary, but there are some seriously disturbing images in this work, if you read through the entire collection.

The story follows Kirie Goshima and her boyfriend Shuichi Saito and their life in Kurouzu-Cho, a town infested with spirals.  The spirals become the vehicle of horror as some people go insane because of them, but others twist into spirals, or have spirals cut into their bodies, or become jack-in-the-boxes, or grow into snails with spirals on their backs, or turn into vampires because of umbilical cords.  The town is plagued with hurricanes and tornadoes.  The ancient lighthouse’s beam becomes an incinerating spiral.  There’s no way out of the town because all exits spiral back into it.  People who stay in the old houses in town twist into each other’s spiral bodies.  That kind of thing.  Kirie (and her family) and Shuichi try to escape but end up surviving until it becomes clear that an ancient spiral culture still has a grip on the town and it will never let go.

As a kid, much to my mother’s chagrin, I used to read American horror comics.  Some of them contained images frightening to a child.  I really wasn’t expecting that this could be replicated on an adult level, but I’m willing to admit I was wrong.  Uzumaki  is compelling as horror.  Creative and bizarre, the comic shows what can be done with a concept that is pressed for more and more ways of developing fear from something otherwise quite benign.  Junji Ito has an eye for horror and my limited exposure to manga makes me think I’d be open to borrowing more of it.  If I can fit it into my spiraling schedule.


Stone Children

I’m indebted to a friend for pointing out the folk horror nature of the 1977 UK children’s television series Children of the Stones, broadcast on ITV.  Folk horror is firmly tied to place and often involves ancient religions clashing with modern ones.  The term was coined to describe three horror movies of the late sixties and early seventies: Witchfinder General, The Blood on Satan’s Claw, and The Wicker Man.  Most discussions don’t go as far as to include children’s programming, but they should.  Children of the Stones consists of seven half-hour episodes which can be, thankfully, found freely on the internet.  Set in the fictional Milbury, but filmed in the actual Avebury, the story revolves around the famous stone circle located there.  Astrophysics Professor Adam Blake and his teenage son Matthew travel to Milbury for research but soon find themselves in a disturbing scenario.

Nearly all of the villagers are incapable of experiencing negative emotions.  What’s more, they can never leave the stone circle.  The stones possess a great energy and Matthew is psychometric—he can sense accurate knowledge of a place or time by touching an object associated with a person at that place and time.  His father, naturally, is skeptical, but when Matthew and his new friend Sandra realize their friend Kevin has changed—he is one of the Happy Ones and suddenly very good at higher mathematics—they piece together a cosmic mystery that involves the stone circle, an ancient religion, and astronomical events from long ago.  There are many horror elements along the way.  People are turned to stone.  Villagers are brainwashed.  Nobody can leave.  The soundtrack was deliberately disturbing as well.  The solution ends up involving time loops as well, so this is heady stuff.

Since the series clocks in at three-and-a-half hours, it really doesn’t fit movie length.  At least not comfortably.  And it contains fairly disturbing themes for children.  Then again, children tend to like scary things; parents are the ones to object to it.  Building on the mythology of the druids and the megalithic structures in and around Avebury, the series maintains a fascination for adults, even if the action is set at kid level.  I was able to get it watched in a week since the episodes allowed for natural breaks in the story.  If my friend hadn’t pointed it out to me, I’d probably never have discovered it on my own.  It’s a pity it isn’t discussed more by those who analyze folk horror.  It is, after all, fun for kids of all ages.