Spiraling

I’m not the world’s biggest manga fan, so when I post about it it’s a safe bet a friend lent me a book.  This happened a few years back with Kouta Hirano’s Hellsing series I blogged my way through.  (I don’t own the books so please don’t come knocking at my door.)  Another friend recently let me Junji Ito’s Uzumaki.  I lack the finer points of manga (or anime, for that matter) interpretation, but I see the appeal.  Both of these series are horror, and my friends know that I read and watch horror.  Uzumaki is fascinating in the sheer number of ways it involves both body horror and folk horror.  There will likely be spoilers here, so be warned.  It’s all about spirals.  At first I had difficulty seeing how they could be made scary, but there are some seriously disturbing images in this work, if you read through the entire collection.

The story follows Kirie Goshima and her boyfriend Shuichi Saito and their life in Kurouzu-Cho, a town infested with spirals.  The spirals become the vehicle of horror as some people go insane because of them, but others twist into spirals, or have spirals cut into their bodies, or become jack-in-the-boxes, or grow into snails with spirals on their backs, or turn into vampires because of umbilical cords.  The town is plagued with hurricanes and tornadoes.  The ancient lighthouse’s beam becomes an incinerating spiral.  There’s no way out of the town because all exits spiral back into it.  People who stay in the old houses in town twist into each other’s spiral bodies.  That kind of thing.  Kirie (and her family) and Shuichi try to escape but end up surviving until it becomes clear that an ancient spiral culture still has a grip on the town and it will never let go.

As a kid, much to my mother’s chagrin, I used to read American horror comics.  Some of them contained images frightening to a child.  I really wasn’t expecting that this could be replicated on an adult level, but I’m willing to admit I was wrong.  Uzumaki  is compelling as horror.  Creative and bizarre, the comic shows what can be done with a concept that is pressed for more and more ways of developing fear from something otherwise quite benign.  Junji Ito has an eye for horror and my limited exposure to manga makes me think I’d be open to borrowing more of it.  If I can fit it into my spiraling schedule.


Stone Children

I’m indebted to a friend for pointing out the folk horror nature of the 1977 UK children’s television series Children of the Stones, broadcast on ITV.  Folk horror is firmly tied to place and often involves ancient religions clashing with modern ones.  The term was coined to describe three horror movies of the late sixties and early seventies: Witchfinder General, The Blood on Satan’s Claw, and The Wicker Man.  Most discussions don’t go as far as to include children’s programming, but they should.  Children of the Stones consists of seven half-hour episodes which can be, thankfully, found freely on the internet.  Set in the fictional Milbury, but filmed in the actual Avebury, the story revolves around the famous stone circle located there.  Astrophysics Professor Adam Blake and his teenage son Matthew travel to Milbury for research but soon find themselves in a disturbing scenario.

Nearly all of the villagers are incapable of experiencing negative emotions.  What’s more, they can never leave the stone circle.  The stones possess a great energy and Matthew is psychometric—he can sense accurate knowledge of a place or time by touching an object associated with a person at that place and time.  His father, naturally, is skeptical, but when Matthew and his new friend Sandra realize their friend Kevin has changed—he is one of the Happy Ones and suddenly very good at higher mathematics—they piece together a cosmic mystery that involves the stone circle, an ancient religion, and astronomical events from long ago.  There are many horror elements along the way.  People are turned to stone.  Villagers are brainwashed.  Nobody can leave.  The soundtrack was deliberately disturbing as well.  The solution ends up involving time loops as well, so this is heady stuff.

Since the series clocks in at three-and-a-half hours, it really doesn’t fit movie length.  At least not comfortably.  And it contains fairly disturbing themes for children.  Then again, children tend to like scary things; parents are the ones to object to it.  Building on the mythology of the druids and the megalithic structures in and around Avebury, the series maintains a fascination for adults, even if the action is set at kid level.  I was able to get it watched in a week since the episodes allowed for natural breaks in the story.  If my friend hadn’t pointed it out to me, I’d probably never have discovered it on my own.  It’s a pity it isn’t discussed more by those who analyze folk horror.  It is, after all, fun for kids of all ages.


A Matter of Trust

I used to write everything by hand.  We bought a used typewriter when I was in high school, and when I was in seminary I graduated to one of those strange devices that would print, like a typewriter, but had an LCD on the keyboard so that you could back up several characters before it printed.  This let you proofread while on the go.  I write a lot.  It may be a form of sickness, but I have hundreds of story ideas and little time to develop them.  Now I write on a computer but I’ve begun to lose trust.  It’s not just the whole AI debacle.  No, it’s that even with frequent backups, computers just lose things.  After having my hard drive wiped following a scam last year, I began work on some documents that I had to back up to the Cloud when the USB C ports on my laptop went bad.

After the repair was done I could download my files and pick up where I left off.  In theory.  I was working away on a new story and thought that I might be able to connect it to an earlier story I’d started.  Looking at the file, I remembered that the tale was much further along when I’d left off.  Where was it?  I looked on the Cloud version and it was the same as the one on my hard drive.  Then a larger project came along.  I went to start it again and discovered many, many pages missing.  Again, the Cloud shrugged its nebulus shoulders saying “I dunno…”. I pulled out my back-up disc.  (This was in April.)  I tried going back to January.  Same thing.  December.  Ditto.  Finally, my last backup in November had the full files.  Why these files didn’t backup to the Cloud, when done by a professional at the Apple Store, I can’t fathom.

What was especially disturbing is that one of the files (which I duplicated and put back on my hard drive, where they belong) showed that I’d completely reorganized things in a much clearer way.  After the laptop came home from the hospital, I’d forgotten (I’m not young and I’d been using a borrowed device for a few days).  I’d probably just picked up a story and, with my usual tunnel vision, began writing.  Not unrelatedly, I’ve been going through a spate of printing out any stories far enough along to warrant such treatment.  From what I’ve seen of the housekeeping on the Cloud, I’m glad I’ve been doing so.  I miss writing by hand.


Jurassic Horror

We recently decided to watch Jurassic Park again.  When I was younger, I often wondered why Stephen Spielberg was passed over for academy awards.  His movies always seem to be popular and they’re well made.  I think now that I’m starting to get a better sense of the subtleties that award juries use.  In any case, Jurassic Park still holds up remarkably well.  The reason I raise it here, however, is that I was wondering if it could be considered a horror movie.  Casting about for weekend viewing, I see that various streaming services list the available Jurassic franchise films as horror.  And there are certainly horror elements to the original.  Dinosaurs in a modern setting have been used as a horror formula before, and a PG rating isn’t sufficient to disqualify a film as horror.  Is Jurassic Park horror?

It certainly has the Frankensteinian mad scientist element.  The decision to clone dinosaurs without sufficient consideration of how they might interact with/destroy modern humans and ecosystems has horror undertones.  More directly, a t-rex, and in the movie, velociraptors, are portrayed as monsters.  Don’t dinosaurs qualify as monsters, almost by definition?  The scenes of them stalking and pursuing kids, as well as adults, and the fear reaction shots suggest we’re going for the horror aspect of movies.  The film includes dismemberment, dark corners, and screams.  Typically it’s considered an adventure film, or science fiction.  The science in it, however, isn’t too far advanced from where things stood in the nineties.  Horror is a genre with indistinct borders.  Even as an adult who’s seen it several times, Jurassic Park still scares me.

The point of horror need not be to scare, of course.  I keep coming back to Edgar Allan Poe’s idea of effect.  It’s mood that makes horror, in my opinion.  One of those moods may be fear, but it isn’t necessarily the main, or even primary effect sought.  Believability is another of the moods.  I’m sure we’ve all seen movies that we simply can’t accept and that makes them less of whatever genre they happen to be.  Jurassic Park, apart from the usual leaps in any speculative story, is believable.  People do try to game the system.  As both the internet and AI teach us, people do release untested inventions on the public, sometimes with tragic results.  And while cloning remains controversial, is it difficult to believe that there might be scientists somewhere who wouldn’t love to clone dinosaurs, if they could actually get viable DNA?  To me this all says horror.


Old Passion

Something I find inherently fascinating revolves around used books.  I buy used books and I always examine the overlooked scraps of paper that get left between the pages.  Mostly it’s random ephemera, but it is the window into a stranger’s life.  They had this bit of paper lying around to mark their place.  Had I the time I’d piece together the puzzle.  Recently, while preparing to donate some books to the local AAUW book sale, I found a scrap of paper in one of my own books.  This was from the Milwaukee Journal-Sentinel, based on the date in my wife’s handwriting: 3-19-04.  It’s an Associated Press story from Statesboro, Georgia, involving a dust-up between a married couple after watching The Passion of the Christ.  That makes it interesting in its own right, but what’s especially striking is the couple battled, including a pair of scissors, over whether “God the Father in the Holy Trinity was human or symbolic.”  Things got out of hand.

For context, I was still teaching at Nashotah House at the time.  Theological debates, sometimes heated, took place there on a regular basis.  People get very fired up over what they believe.  This may set our species apart from other thinking animals, or perhaps it’s part of the price we pay for abstract thought.  You almost want to step between the warring spouses and say, “let us handle this, we’re professionals.”  Of course, the species of specialist that has studied theology is dying out.  Universities are cutting religious studies departments.  Churches are losing members.  Better hide the scissors.

“Passion” is the operative word here.  We get quite attached to our views.  So much so that no amount of logic or rational discourse can dislodge them.  We see this with the utter devotion to political leaders and on-screen personalities as well as to religious beliefs.  Some of us were curious enough to study where these ideas came from and how we know that they’re “true.”  This is not for the faint of heart.  Testing your core assumptions can lead you into some very unfamiliar, unmapped territories.  And since religion deals with ultimate concerns, the stakes couldn’t be higher.  Our couple felt silly after the police had been called and the bail paid.  Passion is very much what drives our species, and perhaps others as well.  We feel we need what we believe to be true, and we’re willing to fight for it.  Even if it means, as the chief sheriff’s deputy remarked, they seem to have missed the point of religion in the first place.


Failed Horror

In general I’m not one for stopping a movie, even if it makes me uncomfortable.  I have what is perhaps a bad habit of not reading about movies before watching them, and occasionally that leads to problems.  Combined with my interest in watching films that I don’t have to pay for (i.e. they stream on services I use, or commercial sites like Tubi) this sometimes leads to bad choices.  I started watching Maniac (2012—more than one movie has this title), but stopped about halfway through.  It wasn’t because I was too scared, but rather what I was watching simply wasn’t what I watch horror for.  I’ve long preferred supernatural themes to mere slashers.  Some slashers with that supernatural element (the biggies: Halloween, Friday the 13th, and Nightmare on Elm Street) still have an appeal, but for the most part more recent bloodbaths don’t really do much for me.

A few weeks after I attempted Maniac, I tried to watch Freaks.  This is an early film that I’d read about many times and didn’t really want to watch, but it was “free.”  In this case, part of a collection of movies I’d purchased on DVD some years back.  It turned out that the disc was damaged and got stuck in my player.  Now, weekends are a precious commodity.  I hate wasting time.  My wife was still asleep so I tried watching High Tension (2003).  I stopped about halfway.  One of the more extreme slashers, it also is a home invasion story, which I dislike.  It was predictable up to the point where I left off.  Then I decided to read a synopsis and learned it has a twist ending that may have made it worth finishing.  I’m no fan of torture porn, however.

By this point it was too late to start yet another movie.  It was light already and we had to go get groceries soon.  Finding time to watch horror movies, even on weekends, has been really tricky.  And I’m getting to the point where I may have to start reading about films before I invest time in starting them.  The problem is I prefer for movies to reveal themselves.  It doesn’t take a genius to know that “free” movies are often free for a reason.  Perhaps it’s time to start specifying “monster movies” for what I want to see.  Horror has wrongly been associated with mainly slashers for many years now.  Some of us prefer monsters, and preferably ones that won’t cost us an arm and a leg.

Photo by Stefano Pollio on Unsplash

Made In

This blog, like drain clog remover, is something I do frequently and then move onto other things.  Once in a while you stop to think, “Hey, the water’s draining well today,” but most days you don’t.  It’s just one of those things.  Which is a long-winded way of saying I don’t pay much attention to stats on this blog.  I’ve accepted my place as a middling muddler, with a constantly shifting, but small number of followers.  But WordPress likes bloggers (paying customers such as yours truly) to feel good about their investment, so they send occasional notices when you reach milestones.  Recently I received such a notice telling me that I’d topped 150 countries for visitors (welcome all!).  Curious, I went to the stats page and soon found that my largest viewership is now China.  Hmm.  As in so many other areas China surpasses the United States.

I’m not sure what I’ve written that would be of much interest to Chinese readers.  I like to think they still have a kind of reverence for older individuals, but it’s probably some robotic, AI-ish thing, in reality.  When you write, you do so aware that your chances of a large readership are slim.  I’ve been told many times that nobody reads blogs anymore.  They prefer podcasts and videos.  But the form of post I attempt—the five-minute or less read—is intended, I suppose, for busy people like myself.  With things spinning all the time, when I finally do get a day off, such as today, I spend the first several waking minutes confused.  What do I do with so much time?  There’s been so much I’ve been neglecting because of work.  And other people probably have maybe five minutes to read a post.

I don’t know what things are like in China.  I’ve never been there, but I hear people—some academic specialists—reporting about it.  I fear authoritarian governments, but it seems we’ve got ourselves one of those too.  And I suspect most people in China, like most of us, are just trying to get by.  As with most things tech, however, there’s no peeking behind the curtain.  Besides, China’s all about big numbers.  I’m glad that they’ve chosen to share some of those with me.  I try not to focus too much on this blog itself in my posts (that’s too meta) but I think about the whole enterprise daily.  If you keep doing something long enough, someone might end up paying attention.  Why they do I haven’t a clue.  I pour it in and hope it works.


New York Scent

I recently had to go into New York City for work.  Now, I haven’t been to Manhattan for at least six years.  It’s like riding a bike, though.  For seven years I commuted there daily and I know my part of Midtown tolerably well.  There were a few things I noticed after my absence.  Despite the rumors that the pandemic had depopulated the City, it was plenty crowded on a Wednesday in May.  And I noticed how much had changed.  Manhattan is so large and complex that nobody can know it all.  Still, as I walked through parts of it I’d been through many times before I found no stores that I remembered.  I’m sure there are some that have remained unchanged, but New York is a city that is constantly reinventing itself.  Change may take place slowly, but six years accumulate small things.  Overall, however, the experience remains the same.

Like many visitors to the Big Apple, I sometimes think it might be fun to live there.  At least for a bit.  I’m not the biggest NYC fan, but once in a while it seems like it’s worth spending unrushed time in the City.  It’s iconic.  Being at work and seeing the Empire State Building, or the Chrysler Building, out the window has its distractions.  Walking down streets you’ve seen in many movies.  Encountering many thousands of people in the same day.  Heady stuff.  This time I took the train and I emerged into a Penn Station I didn’t recognize and in which I got lost.  It’d changed so much that I wasn’t sure I’d be able to find my way back when it was time to go home.  The workings of New Jersey Transit were comforting in their familiarity.

The commuting life is something I never craved and which I don’t miss.  I can dedicate more time to my job as a remote worker.  I’m sure the culture of Manhattan has changed a bit in the years since it was a daily practice for me.  It’s a place that inspires stories, regardless.  On the way home, now beyond the end of the line, I did feel a little sad that I couldn’t spend a bit more time there.  New York is funny that way.  I arrived home in time for a late supper and bed, but I noticed that my clothes smelled like the Manhattan I remembered as I undressed.  It was a scent I’d almost forgotten.  Although much has changed since last I’d been there, it was pleasing to know that some things always stay the same in the midst of constant change.


Sleepy Thoughts

It happens as you age.  Sleep patterns get disrupted.  This is normal and expected by all.  Except work.  That 9-2-5 has no sympathy for the sometimes days in a row when you awake looking forward only to going back to bed.  The day stretches out so long before you, many weary hours through which to slog, where younger employees wonder at your lack of energy.  A good night’s sleep is a gift.  One of the things I’ve observed about this is that poor sleep tends to occur in runs.  Overall, I don’t have much trouble sleeping.  I’m not in control of the quality of it, however.  And that’s what makes all the difference.  The mere handful of sick days won’t cover the inherent ageism of the few days off policy when poor sleep is the culprit.  In the non-profit world early retirement isn’t really an option, so lots of yawns it is.

It’s amazing how much we take youth for granted.  We could pull all-nighters in college and recover quickly.  Eight or nine hours hardly seemed like anything for work.  Then those hours begin to show their weight.  You have a vast gulf of meetings and self-starter projects stretching in front of you even until supper time, let alone the chance to redeem that previous night’s poor slumber.  I stopped caffeinating myself years ago.  I reasoned that I didn’t need chemical assistance to remain awake.  Was that self on coffee the same self as undrugged me?  And besides, you can save a lot of money by not buying coffee (which is now a luxury item).  So we pray to Morpheus and open our laptops.

The demand to be “on” for eight or nine hours a day, pretty much unbroken, for five successive days each week, wears a soul down.  And a body.  How I long to take a walk on a lovely spring day, only to be reminded that my lack of engagement online is noted.  I even receive work emails after 5 p.m. telling me something has to be done that night.  What I plan to do that night is sleep.  Make up for lost time.  Be human in an aging body.  The thirty-something that sent that email will understand.  Some day.  Age used to be equated with wisdom.  Now, it seems, it is considered lack of productivity.  It comes for everyone, if they survive that long.   No, I’m not ready for the ice floe just yet.  A good night’s sleep will set me straight.

Photo by No Revisions on Unsplash

In the Genes

One of the easiest rabbit holes for me to trip into is genealogy.  Now, I know that other people’s ancestry quickly gets boring, so I’m not going to write about that.  But I will note some things that among the few real benefits of our electronic life—how the web has made the search much easier.  I have the advantage of having unusual ancestral names (back a few generations some Smiths enter in, but before that none of them are terribly common).  I first fell for genealogy in high school.  For a class project I had to sketch out a family tree, on paper.  I still prefer to look at them this way but you need a very large sheet.  The work was all done prior to computers (at least affordable ones).  My uncle had a copy of information my grandfather gathered and sent me a copy.  Then, when teaching full-time at Nashotah House, I’d occasionally make trips to Madison, Wisconsin to use the resources at the university library.  I wrote letters, met distant relatives, on paper.  Or microfiche.

About three years back, when my daughter was home for the holidays, we got to talking about family.  I’d searched for years for my maternal great-grandfather’s wife.  She died young and nobody in the family even knew her name.  While chatting, I logged in and was surprised to find that by using Find A Grave, I could quickly answer that question.  I’d been seeking that answer for decades, and there it was.  By that time I’d graduated to Reunion software.  The problem is, you have to keep rebuying it every time computer systems reach a certain upgrade-level.  We’ve purchased it at least three times, which seems predatory to me.  Time to put it all on paper again!  In any case, while reading about German immigration recently, I got curious.  I’d found that same great-grandfather’s parents’ names, but could go no further back without going to Germany.

I’m astonished at the work the Mormons have been doing behind the scenes for the past several years.  In seconds I was able, without paying, to get my ancestry back four generations further than ever before.  I know that Latter-day Saints have a theological motivation for what they do, but it is a real service for anyone interested in where they came from.  I’ve often heard that genealogy is a retiree’s habit.  I’m not sure I’ll ever be able to retire, but if I could, I could see how I would spend hours forgetting to eat or sleep, tracing roots, exploring rabbit holes.  I’ll need a very large sheet of paper, though.


Paper Writer Back

We need to push back against the technocrats a bit more.  A story in Publishers Weekly recently affirmed what many of us know—people prefer books in print.  Ebooks have been shoved at us for years now and in academic publishing there’s been a trend away from print to electrons.  It was cheering to see in the same issue of PW that some British publishers are actually listening to readers and starting to release paperbacks first.  Imagine that.  People will read if they can afford to do so, and they do buy books.  And when I say books, I mean objects made of paper.  I don’t have a paper phobia.  I enjoy holding and reading books.  The only ebooks I’ve ever read were those I couldn’t access in print.  When I sit down to write a book, I have an image of a specific object in mind.

Technocrats are fond of telling us what we should prefer.  I wonder who died and made them king.  Or God.  If I recall correctly the latter preferred to write on stone.  That might create a few storage issues, but at least it was physical.  Consciousness, which we’re still a long, long way from adequately defining, can’t be captured in electronic form.  AI can pretend to be human, but it isn’t.  Nuance, subtlety, and embodiment are all missing.  We need to say that they need to stop telling us what to do.  Even as I was writing this post my laptop showed signed of requiring replacement.  To me, five years is a bit young to consider something old aged, but that’s what our tech masters tell us.  Thinking back over my laptop history, my previous computer lasted, let’s see, about five years.  It happens that this is a bad time for an expensive, unplanned purchase.  The tech lords have made the alternative unthinkable.

By my count, I’ve purchased six laptops over the course of my life, all primarily in the service of writing.  And they average out, it seems, on about five years.  This blog was started three laptops ago.  And the years seem to be going faster and faster.  I do most of my writing in a room filled with printed books.  I spend a lot of time in this room reading said books.  Tech has me caught between two worlds.  I’m trying to reconcile myself to spending a large amount of money after being scammed (by people using tech) last year.  If only I had a book to help me decide what to do.


Thorough

It was a warm summer’s day, sometime in the mid-eighties.  I was living in Boston and some friends asked if I’d like to go to Walden Pond, outside Concord.  I’d read Henry David Thoreau’s Walden, so yes, please.  I knew Thoreau was an early Massachusetts Transcendentalist, mystic, and nature lover.  That particular day we were the only ones at the site where his cabin in the woods once stood.  I suspect that, being there with friends, it wasn’t as contemplative a trip as it would’ve been had I made it alone.  Still, here we were, nearing a century-and-a-half after his death, remembering him.  My wife and I recently watched the PBS three-part documentary on Thoreau, and I learned a lot about him.  He was admirable in a way that few public figures are today.  What’s more, it’s clear that he’s widely appreciated as a visionary and believer in freedom.

Image credit: Benjamin D. Maxham, public domain (via Wikimedia Commons)

Writing in the nineteenth century, it seems, got you noticed much more than it does now.  Thoreau had profound things to say.  He had strong convictions about abolition and being shuffled into an existence of work, forced from being free.  He was able to live the way he did largely because he didn’t need many things.  He also had famous friends, Ralph Waldo Emerson, for one, who gave him a place to stay when he had none of his own.  The documentary makes the point that, despite being a hero to many, we’ve gone ahead and built the world Thoreau most feared.  Few, or at least a few of us, find that work doesn’t define us.  Writing, it seems, still helps with that.  Those of us born to write do so, and long days “in the office” must be endured to come to life when writing is again possible.

If you think deeply about it you start to realize that we’ve allowed ourselves to be hoodwinked by economics.  If you have a mortgage you know this to be true.  Or if you have a medical condition—you can’t afford not to have a job without insurance.  Thoreau, it seems, lived with the tuberculosis that ultimately killed him pretty much all of his life.  And he died too young, we feel, because he had so much to say.  So much to say that was worth listening to.  Such writers are rare today because, like everything else, writing has become a business and some readers even prefer things “written” by AI.  And yet I remember that warm summer’s day and think of a placid time still earlier when one might’ve met Henry David Thoreau in the woods.


An Education

The point of education is to improve life for people.  Reading and studying and listening, we learn.  Travel is often an educational experience.  We gain knowledge, but it does no good if we hoard it.  That’s why some become teachers.  In a society that undervalues education, a self-fulfilling prophecy sets in.  Just look around you.  The usual path into becoming a teacher is education in education.  You can major in it.  You don’t have to be wise necessarily, since, like all things capitalistic, choice of career is economic.  You pick something for which you feel suited.  If you’re lucky, you get a job doing it.  For “higher education” it’s a bit different.  First of all, you need not study education at all.  You choose a field in which to become a specialist and, if you’re lucky, get a job teaching it.  And those jobs are dependent on, of course, the dismal science.

This is one of the main reasons I write.  When your intention is to be a lifelong learner, you know that if you don’t share what you’ve picked up over the years, it will simply be lost.  As a society, we really don’t encourage sages.  The motivation is to make money, to look out for yourself.  Education becomes a means for self-promotion rather than for sharing what you’ve learned.  In my case, I sometimes feel guilty for writing about horror.  Is it really helping anyone?  I have to believe that it might be.  A certain segment of the population finds horror therapeutic.  Psychologists are starting to explore how it’s actually good for your mentality.  I can only hope that if it means something to me, it will mean something to some others.  And I want to share it.

Religion, at least among the non-cynical, is meant to improve people’s lives.  There is a reason that I wanted to be a religion professor, as I was for a few short years.  My circumstances steered me toward horror as a form of self-care, and I think there’s something much deeper here that has to be mined.  Writing the books I do is more like speculating or prospecting rather than staking a claim and digging tunnels.  If they were causing more harm than good I wouldn’t publish them (or try to).  Life is an educational opportunity.  And if we learn from those who care for other people we might have a chance of improving the lot of many.  Look around you.  Is that where we are today?


Walking Sleep

It has been suggested to me that I might try screenwriting.  I’ve always resisted this, even though some of my fiction may be movie-worthy (one editor told me it was, but then I have a huge stack of rejections from others).  In any case, I had high hopes for Sleepwalkers.  I’d never heard of it before, but I saw that it was Stephen King’s screenwriting debut.  Not all novelists can, or should be screenwriters.  I like King’s novels.  The only one that really didn’t wow me was The Tommyknockers, and even it was well written.  This movie struggles.  Part of the reason is, undoubtedly, that directors depart from the script sometimes.  And the budget doesn’t seem to pay off its estimated 15 million.  For one thing, it’s set in Indiana but the scenery is clearly, clearly California.  They didn’t even try to make this look like the Midwest.  And the acting isn’t great.  The little jokes fall flat.  Something’s wrong in Kansas.

The story seems promising enough.  Sleepwalkers are shapeshifting cat people.  They’re also psychic vampires, drawing their energy from virginal girls.  So far so good.  Then it gets weird.  They transfer energy to each other through incest.  And they can turn invisible.  And turn cars invisible, even at a distance.  They’re super strong and can survive gunshots.  You can kill one by poking its eyes out, however.  And cats are their natural enemies, setting them on fire if they scratch them.  Slow down—there’s too much going on!  And there’s a quasi-comedic tone that prevents this movie from ever really feeling like a Stephen King novel.

A couple of things: those of us who write horror often find humor in our stories.  Sometimes we just can’t avoid it.  And the other thing is writers are often typecast.  For example, we think of Edgar Allan Poe as a horror writer because his best known stories are the scary ones.  Poe wrote funny, however.  And what we’d call, for lack of a better word, literary fiction.  Writers write.  Other people categorize.  In the case of Sleepwalkers, however, it does seem that it was intended as (it was certainly advertised as) horror.  And it has horror moments.  It also has quite a bit of sympathy for the monsters, which isn’t a bad thing.  Predators have to feed—that’s the way of nature.  The sleepwalkers are, to all outward appearances, human.  And they have human emotions.  Stephen King’s first screenplay wasn’t his best work, but we all have to start somewhere.


Blog Reading

I’ve been at this blog for about seventeen years now.  During those years of daily posts, WordPress still has trouble recognizing me.  I try not to take this personally, but when people I know (and follow) post on WordPress I don’t always get notifications.  When I want to comment on said posts, I have to sign in.  Sometimes twice.  All of which is to say that a recent post on a friend’s blog made me thoughtful.  I met Jeff Hora through my wife, so I’ve known about him for going on forty years now.  We’ve become friends in our own right, mostly online.  I want to reflect on one of Jeff’s recent posts, “Solid Ambiguity.”  Before I do, however, a brief lament.  I used to read a number of blogs daily, including that of the recently mentioned Dan McClellan.  I had a whole set of blog buddies.  Then blogs began to decline in popularity and, more to the point, I took uber-capitalist jobs in New York City, robbing me of time.  Now I only read them when I get email notices.

Okay, so solid ambiguity.  The basic idea is that we like to grasp onto the things we can count on.  Things that don’t change.  That’s the “solid” part.  At the same time we need to be aware that change is endemic to life.  In fact, the post mentions Buddhism.  Like Shakers, Buddhists have been part (long past) of my religious training.  I specialized in “western religions,” but I’ve recently been reflecting quite a lot on the fact that in East Asian thought, especially, change is the only thing that’s permanent.  I know I’ve posted about this before, but that was probably years ago as well.  We know that things constantly change.  In the few brief minutes it would take you to read this post, you have changed.  So has the world around you.

We want solidity most of the time.  A house we can reliably come back to.  People we love to always be there.  Keep the possessions we worked so hard to earn.  None of this is permanent.  We know that at some level.  For many of us it’s deeply troubling.  I’m no expert in Buddhism, but I do know that one of its basic tenets is not being attached to things as they are.  Life is full of ambiguity.  We don’t tend to like it, really, as Jeff points out.  But we do need to learn to live with it.  One of the changes with which I have to cope is the loss of time for reading friends’ blogs.  It’s good to be reminded that it is a rewarding experience when I finally do it.  Now, if only I had more time…