United Hates of America

horrorfilmHorror comes in many forms. Some people may wonder why I watch horror movies and read scary stories. The election results tell the story. As we descend into four years of horror, I was reading Peter Hutchings’ The Horror Film. At least I feel somewhat prepared. Or course, I’m still in shock. So I turn to horror shows. One of the things I found in Hutchings’ book was the idea that this kind of movie is a collective nightmare. The thing about nightmares is that sometimes reality is even worse.

It’s difficult to think straight sometimes. When I was a child I was taught that hatred was evil. Hate itself was a bad word, close to, maybe even worse than, swearing. What horror shows us clearly is that hatred leads to results we’ll only regret. Being bullied because you’re a little guy, or because you’re female, or because your sexual orientation is different, is something far too common. It seems it may be institutionalized now. No wonder so many horror movies take place in insane asylums.

Don’t mind me, I barely slept. I woke up in a country I no longer recognize. Or maybe recognize a little too well. The thing is, I feel sorry for Peter Hutchings’ The Horror Film. It is a worthy little book. I learned a lot from reading it. In fact, some of what I learned may come in very handy in the next few years. Zombies, after all, are called the walking dead. And I can’t really see the future at all. Maybe I’m just waiting for the curtain to part. Maybe I’m still asleep. I’ve seen enough horror movies to know how that scenario ends.


Daily Bread Plus

I have a confession to make. I’m not a foodie. These days such an admission is tantamount to a venial sin, but the fact is I’m one of those who eats to live, not lives to eat. Still, like many people I’m concerned about whence my food comes. I can’t grow my own and just about all of it comes wrapped in plastic. Thus I found a BBC article my wife sent me to be of great interest: “An uncanny mixture: God, alcohol and even cannabis” by Kait Bolongaro. Focusing on monasteries and their brewing and distilling traditions, Bolongaro uses the foodie angle well. People want to know where their grub comes from, and the current interest in knowing the location of the source plays well into this. European monasteries have long been known for their production of alcohol. Even Jesus drank wine.

I’m no connoisseur of spiritous liquors, but the story is quite interesting. Many people don’t realize that monastic orders, in addition to praying and not having sex, also support themselves through industry. Many make goods to sell. Those in this article make booze. As Bolongaro points out, the fermentation and distillation process is an exacting one. In fact, it is a science. In the case of Chartreuse only three monks know the secret formula. They control the temperatures and conditions remotely, by computer. And I thought Bible Gateway was the only place the religious spent their time.

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Science and religion actually have a very long history of cooperation. Gregor Mendel, whose work gave Darwin’s theory of evolution by natural selection its actual mechanism, was a monk. Other religious have been close observers of nature and processes. There is no commandment against good beer, as many Teutonic brothers would no doubt point out. But to get it right you have to know your chemistry. As the article says, some things can’t be rushed and monastic life lends itself to such slow processes. The rest of us in our secular pursuits rush through life far too fast for religion or science. Contemplation requires “down time.” Time off the clock. The kind of time, we’re told, that simply doesn’t exist any more. The story, after all, appears in BBC Business. I’m no foodie, but I have to confess that the cheese and pretzels purchased from the Amish in Lancaster do tend to taste better than those that come wrapped in plastic. There may be a religion to science after all.


Tis a Season

halloweenI always seem to be running late. Still, I wanted to be reading a book about Halloween on Halloween. If I might be pardoned for bleeding over into All Saints’ Day, I’ll share some thoughts this November on Nicholas Rogers’ Halloween: From Pagan Ritual to Party Night. Academic treatments of holidays, I fear, often suffer because of dispassion. Academics tend to emulate Spock in their writing, and I think that those who write about Halloween should really “get” Halloween. Oh, one can discourse about its quaint history in this ever so rational world, but one might just miss what the whole thing is about. To be fair, Rogers was writing his book during the trauma of 9/11. He wonders if Halloween may be fading. Nashotah House was suffering under an evangelical administration at that time, and the usual Halloween spirit was muted. Some fifteen years on it seems that Halloween earns yet more money and people admit that it’s hip to be scared.

Rogers gives a brief treatment of the early, but hidden, history of the holiday. The Celts weren’t much into writing about their festivals and invaders didn’t think much of their quotidian life to begin with. Trying to understand Halloween from modern times, piecing the puzzle together back over time, doesn’t really help much either. Treating the day in its British context, then in its American context, Rogers favors a thematic approach. His section on Halloween movies is interesting. Like most modern treatments of the holiday, his book makes comparison with el Dia de los Muertos, and the usual complaints of cultural imperialism. Maybe Halloween is just too much fun to pass up. It also means this post isn’t that outdated.

Nobody owns Halloween. It is taken as a serious holiday by some Wiccans, but liturgical Christians are far more intense about today, All Saints’ Day. It isn’t a national holiday and no national government decides the correct day for trick-or-treating. Perhaps prophetically Chris Christie cancelled Halloween the year of Hurricane Sandy, but did he really? Sitting in the dark for a few days with evenings lit by candles—some of them in Halloween holders—felt pretty spooky to me. Halloween may be a source of intellectual curiosity, but it is a holiday you either get or you don’t. October is its prelude, November is its aftermath. It is, as the Celts used to believe, when cold weather seriously begins to take over and light is a rapidly vanishing commodity. I may be a day late, but Halloween isn’t quite over yet.


Hallow’s Eve

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Halloween is finally here, and I’m on my way to work. Over the weekend I noticed youngsters about in costume, heading to a local business that was holding, apparently, some kind of ghostly do. For me it’s just another day—Halloween isn’t an official holiday in any government’s book. Business as usual. Still, I can’t think of Halloween without recalling Nashotah House. I began, and effectively ended, my academic career at Nashotah. Idyllically located in the woods, it was a seminary that knew how to celebrate Halloween well. We were expected—required, actually—to be in church for a good part of the next two days for All Saints’ and All Souls’ days. But Halloween night we were allowed to be afraid.

Gothic writers often used to focus on places like monasteries and churches for moody frights. Nashotah began its life as a monastery, but soon turned into a seminary. The stone buildings were old—for this country—and gothic in design. We had an on-campus cemetery with a bona fide black monk. Students reported seeing ghosts, and with such a small population of religiously devoted people the imagination grew like toadstools. One morning at around 5 a.m. the door handle to my apartment rattled loudly. I’m sure it was just someone trying to get into a forbidden chapel whose only access was through my rooms. Thunderstorms echoing through the kettle moraines that surrounded the Wisconsin campus could be impressive indeed. On Halloween the maintenance man drove a hayride through harvested corn fields and the cemetery where opportunistic ghouls would pop out to frighten the slow-moving, exposed riders.

Since those days Halloween has instead become just a day of work. No more the grandeur of All Saints’ Day being an actual holiday, holy day, followed closely by All Souls’. This is just another day except for the kids who can come around and get some candy if I’m not too tired to hand it out later. I suspect this is why I spend so much of October reading about monsters and ghosts and scary movies. I no longer have a Halloween to focus my energies. So here it is Halloween. It’s dark outside and I’ll be standing in that dark, waiting for a bus. When I climb off at the end of the day, I’ll be sharing the nighttime streets with children who are perhaps the only ones who celebrate holidays as they should be commemorated. Already a month ago I began noticing the Christmas displays in local stores. It was my first real scare this season.


Paying off College

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“Want College to Pay off?” the headline asks. It depresses me. I’m an unapologetic idealist. Cost-benefit analysis has its place, but that’s not all there is to education. Or better yet, cost-benefit analysis isn’t just about money. The article has suggestions for finding good paying jobs, which is what higher education is all about these days. Getting an education to increase knowledge and to benefit society in that way has become the mark of true naivety. We tell our kids not to study the arts, humanities, or literature since there are no jobs in these fields. We want them to be able to survive in a culture that has cool devices but which has lost its soul. Pretty strange for an institution (or “industry”) that began primarily to study theology.

The earliest universities focused on the then-related fields of law and theology. Since people took religion seriously, this was not the mere diversion that it is today. There are those counter-cultural warriors who study theology to take parishes to combat their increasing irrelevance, but really, the study of law and theology parted ways long ago. Neither one guarantees the return on investment that they used to. Society’s interests are in racing ahead with technology—discovering even faster ways to text while driving, or better ways to ignore those walking down the street with you. Or making money so you can build large towers in major cities and name them after yourself. We call that success. Thinking deeply about an issue, looking at it from multiple angles, and critically assessing it, these are “luxuries” that aren’t “worth” studying. College must, as the headlines say, pay off.

The rapidity with which this has transpired is truly amazing. We allow electronics to drive our culture. Who has time to keep up with all the posts, tweets, and grams that populate every second of every hour? We crowd-sourced knowledge into some great wikipedia of human experience that substitutes for taking time to look closely and think through the implications. It’s not that I despise technology—I use it quite happily daily—it’s just that I think there’s something more. I studied ancient religions and I see many of those archaic patterns beginning to repeat themselves in electronic format. It’s as if by replacing theology with technology we’ve lost sight of just a piece of what kept progress moving forward. Maybe I need to go back to college. I’m just not sure of the cost-benefit analysis.


Silence Fright

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One of my first publications was a letter to the editor. The newspaper was The Scotsman, Edinburgh’s daily. We’d been hearing on the BBC that a new movie, The Silence of the Lambs, had inspired Milwaukee serial killer Jeffrey Dahmer in his gruesome habit of cannibalism. For whatever reason, the Dahmer case had a real fascination for the British. My letter, a rather young attempt to promote an important cause, suggested that such movies could be very dangerous. In the many years since then I’ve read quite a bit about horror films and their effects on people and have come to the conclusion that they don’t cause the crimes. The reasons are much more complex than simply watching a movie since most people who see them don’t “go and do likewise.” When I told friends in Edinburgh that I’d found a teaching job in Wisconsin they said “hopefully not near where that cannibal lived.” Of course Nashotah House is not far from Milwaukee.

My personal embargo of The Silence of the Lambs ran up against my current research project, which involves horror movies. Thinking it over in what I hope is a rational way, I decided that I needed to see my bête noire. Besides, while living in Wisconsin I had learned about Ed Gein, the local serial killer who’d inspired Psycho, a movie I had seen with no ill effects while in college. Movies are as much a part of life as cars and taxes and all kinds of things that impact our ways of thinking. I was surprised at how well done Silence is and the number of references it had spawned that I had missed for the past couple of decades. It won’t be my favorite film, but I’m not afraid of it any more.

The concept of relying on a criminal to catch a criminal is a classic theme, of course. And since the release of this movie some which are much worse have come across the silver screen. We play our anxieties out for all to see. Hannibal Lecter, the cultured killer, is an ambivalent character—a savior criminal. There’s a strange comfort in knowing he has the knowledge to save lives as much as he has the desire to take them. In fact, there’s an element of the divine in that. The capricious nature of a power that has the ability to give and to take is one with which religions constantly deal. Yes, The Silence of the Lambs is a scary movie. The reasons, however, lie more with implications than with imitations.


The Grammar of Evil

I stepped into a devil of a situation. Elevators are strange spaces. Given the choice, I’ll take the stairs any time. At work, however, as one of the many quirks of Manhattan, our elevators only stop on certain floors and we’re not able to use the stairs unless it’s an emergency. After a meeting on a floor where the only option was to elevate out, I stepped into a crowded elevator where a conversation was going. “You always capitalize Satan,” someone was saying. The usual questions among non-religion editorial staff ensued. Why is that? What about “devil”? “It’s never capitalized,” came the reply. My profile at work is about the same as it is on the streets of New York. Not many people know who I am or what I do. Although I’ve struggled with this very issue before, on a professional level, I kept silence and waited for my floor.

So, was the elevator authority right? “Satan” has become a name, rather along the lines of “Christ.” Both started out as titles. In the Hebrew Bible “satan” is “the satan.” The accuser, or the prosecuting attorney—something like that. As one of the council of gods, the satan’s job was to make sure the guilty were charged of their crimes. Diabolical work, but not evil. By the time of early Christianity, however, Satan had evolved into a name. It is therefore capitalized. It was specifically the name of another title, “the Devil.” Or is it “the devil?” Do we capitalize titles?

The Devil wears underpants.

The Devil wears underpants.

In seminary and college the received wisdom among those of my specialization was that there is only one Devil and the title should be capitalized. My elevator colleagues were discussing the number of devils when I stepped out. Traditional theology says there’s only one. Not that the Bible has much to say about the Devil—he’s surprisingly spare in sacred writ. Demons, however, are plentiful. Some people call demons devils, just as many believe that when good people die they become angels. The mythology behind demons seems to be pretty well developed in the biblical world, but again the Bible says little. Demons can be fallen angels or they can be malign spirits who cause illness. Either way they’re on the Devil’s side. But should we capitalize his title? The Oxford English Dictionary doesn’t help, giving examples of both minuscule and uncial. I suppose that’s the thing about the Devil; you never really know where you stand.


Scary Thoughts

rockoffThose who know me personally—and not just through the internet—sometimes are surprised to learn that I watch horror movies. After all, I’m a pacifist, vegetarian, and a very caring person. Plus I’m squeamish and I eschew violence. Why, then, do I watch such things? I don’t have a good answer for that, but I might be a bit closer now that I’ve read Adam Rockoff’s The Horror of It All: One Moviegoer’s Love Affair with Masked Maniacs, Frightened Virgins, and the Living Dead. Now, I’ve never met Mr. Rockoff, but from reading his book I get the impression that he’s a descent human being and fun to hang out with. He’s also a family man and a sympathetic individual. The Horror of It All is an extended discussion of that troublesome question: why do some of us watch movies of this kind?

It’s pretty clear from this book that Rockoff is way ahead of me in the number of horror movies seen. I’m sure he doesn’t mention all of those he’s watched, but there are some I’ve seen that didn’t make this book and, in my own way, I hope, show that I’m no slouch when it comes to the genre. I’m not in the media like he is and those of us trying to be respectable ex-academics have to read weighty tomes to keep any street cred at all on campus. That having been said, it was fascinating to read how many of the same triggers are at work in not just Rockoff and myself, but in other horror watchers he’s known and interviewed. These films are, for the most part, not just degenerate trash. Many of them have redeeming value and an unexpected profundity. Academics and other society people don’t like to get caught watching what hoi polloi do, but just take a look at the box office take and you’ll see that horror sells. We are not alone.

Ultimately every horror viewer has to struggle with this monster him or herself. Why do we watch? While in grad school I had a sociology doctoral candidate interview me to explore just that question. Why? At the time, admittedly, I had seen only a fraction of the films that I’ve moved on to see since then. One thing I can definitively say—I’m looking for something. Life is plenty scary as it is. A world where a good job can be yanked away from you at will and the specter of a life on the streets leers, can be an intimidating place. In the horror movie you see how it could be even worse. So as my waking hours are increasingly spent in the dark, as if the sun itself is afraid, I see books like Rockoff’s as a kind of flashlight through this forest. If I run into monsters, I want to have prepared myself.


Only October

trickortreatComfort may be a strange word to describe Halloween, but it is accurate. I’m no specialist on the holiday, although I’ve read a few books on it—most recently Lisa Morton’s Trick or Treat: A History of Halloween. Growing up in what felt to me like an uncertain environment, holidays—and especially Halloween—have left me with positive impressions. Morton’s book explores this strange combination of fear and fun and suggests that many people of my generation do find comfort in its celebration. I grew up without a father in a conservatively religious home. Yet I loved the escape of putting on a mask and being someone else. Coming home with a bag of candy was a bit like that dream I still have of finding a penny on the ground and then realizing there are thousands of them just beneath the surface. There’s a security in that dream and I always find a tear in my eye when I awake from it.

Halloween is, appropriately, a chimera of holidays. It is solidly pagan. It is equally solidly Christian (specifically Catholic). Perhaps to placate those troublesome Celts, the Roman Church moved its commemoration of All Saints and All Souls to November 1 and 2, allowing for the Eve of what used to be called “All Hallows” as a holdover of Hibernian lore. Morton goes beyond the northern European fascination with the darkening of the year to explore other regions and how they mark the season. The southern hemisphere, obviously, doesn’t have the same pattern of autumn and spring, and the holiday has had less success there. The threat of the light never returning has to be real to make the fear stick. The warmest memories of my childhood seem to come from the days artificially lengthened by electric lights and the holidays they spawned: Halloween, Thanksgiving, Christmas. Comfort.

The air has begun to turn chilly around here. I’ve found myself shivering a morning or two while waiting for the bus. As I pull on my coat and step out into the pre-dawn dark, a stop sign creaks eerily on the deserted street. I’m headed to a long day in a city of stone and glass and warmth will be difficult to find. Halloween decorations get lost in the enormity of New York City and its constant quest for money. So I recall Halloweens of my small-town childhood. I tend not to go out at night, but I haven’t always been this way. When there was an unspoken comfort awaiting at home, no matter how frightening it could be at times, I would brave the dark and ask strangers for candy. Is it any wonder that Halloween still glows in a world somehow grown too cold?


October Weekend

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Bright orange pumpkins under a cloudy gray sky. October is surely here. But this is an urban area of the kind in which northeast New Jersey specializes. As I approach I see that it’s a church. A church that has made a truce with Halloween. Judging from the number of people here, it’s a cordial detente. So much of American society lies mired in contradiction that I have to ponder this. Halloween in an age of nones may be simply fun. An opportunity to spend money on pumpkins that won’t be eaten and gourds that can’t be. Decorations for a mildly scary night that somehow makes us feel comfortable and snug at home. October is like that.

Churches have been struggling to maintain active memberships. And although the antagonism has been overblown, Halloween has been an uneasy part of the church calendar. It has, however, become a major commercial opportunity. Depending on the commodity, only Christmas or Easter will draw more lucre from people. The devils and demons and ghosts of Halloween sit awkwardly in the pew next to the victory over death that is the main draw to traditional Christianity. But people will predictably spend their cash for the privilege of carving a pumpkin. Just the memory of the scent, the feel, the contentment of creating a jack-o-lantern makes me want to stop and support whatever denomination this might be.

It is a weekend, however, and I have many errands yet to do. I content myself knowing there are happy people in this temporary pumpkin-patch. The faith of Linus is a powerful thing. To get ready for the week ahead in which I’ll have time only for working, commuting, and sleeping, I keep moving. The orange fades from sight. The cheerful memories of childhood pass. I go on to my next stop. My first errand began at 6 a.m.this morning. Noon is fast approaching. I need a tiny piece of hardware that can only be found in a big box store. I prefer to support the local economy but that shop is all the way across town. Inside the Depot plastic Christmas trees of every description fill the front of the store with winter dreams of even more spending. I forget what I came in here for.


Silverbacks

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It’s been decades since I’ve seen the original King Kong. A none-too-subtle racist and sexist flick it may be, but it stands as one of the original “horror” films of the early thirties and it has had a profound influence on movies ever since. King Kong wasn’t very nice to Fay Wray, and had to be euthanized by biplane, if I recall correctly. I work one block from the Empire State Building, and sometimes I subtly glance up, looking for the giant ape. There are more fearful sorts in New York these days. I can see Trump Tower, for instance, from the pantry at work where I keep my lunch. But I digress. For its day, King Kong was a violent movie. Like many films, however, it is also a parable.

Recent studies have shown that some 98 percent of mass murderers are male. Men deal out, by far, more than their share of death to others. Some have suggested that when women experience failure they look internally, blaming themselves. Men, on the other hand, go postal. They seek someone else to blame. In our culture—maybe in all “western” cultures—man are acculturated to think of themselves in terms of success. Quite often this means business success—affluence and its discontents. Do you have more money than your neighbors? Good for you! You have succeeded, and, for some warped perspectives, God has blessed you. In reality, the system we’ve constructed has set many people up for failure. This is no excuse, but men who have no other way of measuring self-worth may find comfort in firearms. After all, it’s society that should take the blame. Right?

Gun lobbies claim that collecting firearms is a harmless hobby. Like collecting stamps, only a little louder. A bit of psychology might go a long way here. Might we not stop and think what happens when you give arsonists matches to play with? I suppose if we took away these toys, boys would use baseball bats, or rocks, to take out their aggression. I can’t help but wonder, however, if the problem might not be the system that measures a man by his money. Could there be a better way? There have been those throughout history who’ve made such a claim. They often die violent deaths. Once King Kong has begun his ascent with lust and violence in his eyes, we should all cast a wary eye on the Empire State Building and wonder what it all means.


Colorful States

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Kevin Smith is one of New Jersey’s own. I’ve always considered it one of life’s great ironies that Loki and Bartleby, the fallen angels in Dogma, move from Wisconsin to New Jersey, the exact same route my career took. (Feel free to read into this.) I was therefore curious when I heard, a few years back now, that Smith had come out with a horror movie. Now I’m not a fan of horror for its own sake as my sensibilities are more towards the ambiguities of gothic, but I finally decided to view Red State. I had no prior idea what the movie was about, but it speaks volumes that the title suggests quite a bit with just a simple adjective and noun. If there’s anyone out there even slower in getting to movies than me, and who is hoping to watch Red State, consider this a spoiler alert. Read further at your own risk.

Red State deals with religious fundamentalists—the Five Points Trinity Church, to be exact. The group is loosely based on the Fred Phelps gang, and the film actually makes reference to Phelps to say that Abin Cooper’s group is even worse. They’re weaponized. You’re probably starting to get the picture already. Cooper’s congregation is his extended family, and they’ve been protesting against homosexuality and other forms of what they consider immorality, but in an extreme way. They lure sinners into one of their sting operations, incapacitate them, and then murder them during church ceremonies. When the Feds discover evidence of a murder, a Waco-like Branch Davidian stand-off occurs with the predictably bloody gun fight that follows. There are moments of humor, but it is a bleak parable—yes, there is a wholesome message here—that speaks loudly about intolerance.

Analysts, well actually just some analysts, have realized that horror movies and religion are very close compatriots indeed. Reading the Bible may be a little easier on the eyes, but even some parts of the Good Book can inspire nightmares. Indeed, as Adin Cooper’s sermon emphasizes, fear of God is very important. As is fear of fear of God. The regression can go back as far as you wish. Religions develop in response to fears. Not only in response to fears, but clearly this is part of the mix. Horror movies show us what we fear the most. Is it any wonder that they cross paths with religion so often? The only unusual aspect for Red State is that it is so explicit about it. It is a traumatizing film in many ways. Maybe because (spoiler alert) the one who concocts the whole religion is alive and well at the end and is the last character that we see. Such are parables.


A Dusty Return

dustreturnedThe fiction author who had the most influence over my formative years was Ray Bradbury. Wait—let me qualify that a bit. I read of number of series aimed at juvenile, male interest (Doc Savage, Dark Shadows, and such) but these weren’t really intended as “literature.” I also read quite a bit of Poe, and his influence may certainly have rivaled Bradbury. The thing was the latter was still alive and producing books, mostly of short stories that tickled my imagination. Despite my reluctance to let books go, there have been several periods in my life where I’ve had to sell off my collection (this is the mindset of the non-affluent) and all of these childhood collections went, except for Poe. Now that I’m a more reflective adult, so I’m told, I have found a renewed interest in some childhood classics, and Ray Bradbury books are seldom expensive. When I found From the Dust Returned in a used book shop for a steal, I said “why not?”

This particular book came from long after I’d sold my Bradbury collection. I had never seen nor heard of it before. As an adult, interestingly, Bradbury doesn’t seem scary at all. From the Dust Returned, like many other Bradbury collections, is a somewhat novelized set of stories. This one is set in a haunted house where, in his usual descriptive style the storyteller offers artful prose and painterly writing, but no real scares. As we are coming upon Banned Book Week, however, I did note one of Bradbury’s common themes—the lack of belief leads to the death of characters. I’d read some of his stories where this took place before. Still, this time he goes a bit further. Tapping into things just ahead of the rest of us, as he had a talent for doing, one of his characters laments the loss of belief in religion as well as creepy, Addams-esque characters. People are no longer believing and it causes ghosts pain.

Part of Bradbury’s appeal is clearly to the young imagination. I’ve promiscuously read hundreds of authors since my last Bradbury book. My tastes have evolved. I find the same is true when I go back to the Dark Shadows books that were so cheaply had at my neighborhood Goodwill. I still go back to these early writers, however, and there is a kind of innocence about them. These were stories I’d read before I’d learned that Poe was certainly not as macabre as real life could be. “Marilyn Ross,” “Kenneth Robeson,” Edgar Allan Poe, and Ray Bradbury may not feature of lists of banned authors. Some of them aren’t even whom they seem to be. They did instill a childlike belief in reading, in my case. Even if they’re now on the bargain shelf they will still receive my admiration for starting a lifetime of reading.


Thinking about Feeling

There’s a scene in Shrek where Lord Farquaad tells Princess Fiona “You don’t have to waste good manners on the ogre. It’s not like it has feelings.” That scene came to mind recently as I was pondering how we often use feelings—emotions—to claim superiority over others. During a course on Howard Thurman in seminary, we watched a video where he retold a story that appears in his autobiography With Head and Heart, where a young white girl was sticking an African American with pins because she believed they didn’t have feelings. Although it may be dangerous to attribute motive—let me call it interpretation then—Shrek is a movie about prejudice. Ogres are misunderstood. It’s a parable, if you will. Unfortunately there are people who still believe those not like themselves lack feelings.

This is a particularly disturbing idea for many reasons. Not only does it keep alive the unacceptable social situation where African Americans are shot when unarmed, and frequently in non-criminal situations, it perpetuates the idea that others are different in a way that makes them less than human. We can take this even further since one of the mainstays of science has been to deny feelings to animals, claiming that you need rationality to experience pain. Or at least suffering. Ironically, it’s the “reptilian brain” that provides us with emotions, and rationalists are quick to downplay emotions as a form of thinking. It’s easier just to kill a snake and ask questions later.

We deny others feelings as an excuse to mistreat them. Then we deny that feelings are important at all. Even Mr. Spock got angry once in a while. In a society that regiments an economic system that really benefits only a very few, we daily bask in the midst of this paradox. It’s clear that all it takes to have presidential aspirations threaten reality is money. Spend enough and anyone will believe whatever lies you happen to trumpet. After all, that feeling of superiority that fascism promotes is exactly the way to win a mass following. You’ll have to excuse me if I’m feeling just a bit out of sorts. It’s only a feeling, and it will pass. Unless we pay close attention to our emotions, however, we will never realize justice. We know that Shrek does indeed have feelings. It’s just that we’ve forgotten how to interpret parables.

Think about it.

Think about it.


Scary Pictures

monstershowThroughout its history, until quite recently, one of the most serious natural enemies to the horror movie was the religious establishment. At times this antagonism seems well placed as horror films often take theological concepts and stand them on their heads. Within the last few years, however, thinkers of religious thoughts have come to an uneasy accord with some horror movies as vehicles for the kind of thinking promoted by traditional religions. The first half of this dynamic appears clearly in David J. Skal’s The Monster Show. Written before any kind of detente had been reached, his book chronicles skirmishes between the Production Code, religious groups, and even women’s collectives, against what was considered indecent and degrading. We have come to realize, however, that we are the monsters. We are the degraded. And seeing these films can lead to a strange sort of solidarity.

Most classic monsters, after all, have their origins in religions. Even the most recent of the lasting undead—Frankenstein’s monster and zombies—have origins in religious thought. Mary Shelley’s novel was subtitled The New Prometheus, a reference that anyone in the early nineteenth century would have understood. Zombies, on the other hand, are a product of vodou. Religion can’t get along very well without its monsters, and despite their less-than-stellar looks, their screen appeal is undeniable. Maybe it’s just we don’t like our dirty liturgical laundry being hung out where anyone might see it.

Skal’s treatment doesn’t stop at the cinema. He has a chapter on modern vampires, and Stephen King has earned his own chapter (or at least most of one) as the poet laureate of the novelistic form of the genre. More often than religion, Skal traces what’s happening in the monster world to the larger social issues of the day. Quite rightly so, as scary movies go nowhere without a receptive viewership. Looking around these days it’s easy to be scared. Even what was once a grand occasion of debate over higher principles as we ponder our next leader has become a farce in one of the parties that could make its own horror movie. Hitler, it is said, was a huge fan of King Kong. Large apes manhandling women never seem to go out of style. Some call it horror. Others try to get away with saying it’s politics. While the daily commute grows more and more dangerous, and the rhetoric grows even worse, is it any wonder we like to dim down the lights and watch monsters that we know really can’t get us at all?