Gothic South

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Southern gothic has a certain appeal even to northerners.  Casting about for a weekend movie included in one of our streaming services, A House on the Bayou suggested itself.  I hadn’t heard of it before, but it bore the Blumhouse brand, so I gave it a try.  In this age of digital production, it is the equivalent of a “straight to video” release.  The story is a bit confusing but the atmosphere is creepy and most of the acting is good.  Spoilers may arise from this point on.  John is having an affair with a younger woman and Jessica has found out.  She insists that if John wants to save their marriage he has to agree to a vacation with her and their daughter Anna.  Down on the bayou.  Once they get there both Jessica and John’s passive aggression towards each other is on show.

A couple of locals, eighteen-year-old Isaac and his Grandpappy, stop over.  It’s pretty obvious from the beginning that there’s something off about the pair.  Isaac clearly has supernatural powers and soon begins to threaten the family.  It turns out that John, knowing Jessica would insist on coming to this house, had pre-hired Isaac and Grandpappy to kill Jessica and make it look like a robbery.  Thing is, Isaac and Grandpappy have moral fibre.  They lock John in a hidden room with a demonic coyote that eats him.  And they burn his lover to death.  Jessica and Anna, who still love John, want to save him and after Jessica kills Grandpappy and Isaac, goes to the police.  It turns out that there is no house on the bayou and they all know about Isaac and Grandpappy, who are still alive, because they’re beings who kill evil-doers.

While not a great movie, this is one that’s heavily invested in religion and horror.  Morality is defined, according to Isaac and Grandpappy, by the Bible.  There is some confusion in the plot, however, when Grandpappy denies Isaac is his grandson and the locals seem to say he is.  Isaac implies that he’s the son of the Devil.  Grandpappy says Isaac never ages, but he tells John he’s 21 and has been in the Army (he tells Anna he’s 18).  Although he protects morality, Isaac attempts to abduct Anna to “marry” her, although she’s only 14.  There’s a good attempt to integrate religion into this horror, but as often happens, the religion is inconsistent with what it claims to be.  I’m not sure how many viewers pay attention to such things, but some of us do write books about it.  Overall, it is passable southern gothic for a rainy afternoon.

Rocky Ground

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When I begin to lose my sense of wonder, the natural world grounds me.  I’ve been an amateur rockhound for many years and I sometimes wonder if it’s because I grew up poor.  The idea that you can just pick up something valuable on the ground has a treasure-hunting aspect to it.  Movers, I’ve discovered, dislike rock collectors.  My collection is quite small, and most of it not on display.  The danger is that I’ll be wanting to pick up more interesting rocks.  Like much of nature, rocks are amazing if you look closely at them.  And when the mania hits, it takes all my attention.  We all know that gemstones tend to be small, but perhaps it’s the fact that they look very little like their finished state in the wild makes them intriguing.

This interest was recently rekindled by a visit to the Lehigh Valley’s local cave, The Lost River Canyon.  As with most local attractions, it takes some time to get around to them.  We decided to go during the recent heat wave since caves maintain a constant temperature, generally in the fifties, and during the height of the wave the outside air temperature was double that of the cave thermometer.  Caves often have rock shops associated with them because being in a cave will trigger the rock-hounding gene.  And I suspect I’m not the only one to whom this happens.  Like many preserved caves, Lost River Canyon was an accidental discovery and was later purchased by a family that has been running it as a tourist attraction ever since.  I left inspired to find my rock tumbler and get it rolling again.

It’s difficult to say when or how such obsessions originate.  When my daughter was really into dinosaurs I started looking into geology.  The next thing I knew I was a member of the Wisconsin Geological Society and was going on field trips to collect.  When I lost my job at Nashotah House I seriously considered enrolling in a geology degree program, put off by the fact that calculus and chemistry were pre-requisites.  I was a hopeless humanities major and advanced math just doesn’t psit well in my psyche.  Part of me wonders if the fascination doesn’t go back to Genesis.  Geology was the science that tolled the death knell for any kind of literal six-day creation.  When this rock madness hits other interests can, if I’m not careful, be shunted aside.  It’s important to feel grounded.

Made to Order

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Like those who’ve commented on IMDb, I watched Tiago Teixeira’s Custom because of its brief 77-minute showtime and its horror label.  An artsy film, it feels kind of unfinished.  It’s clearly a movie about demons, but it doesn’t give enough to really figure it out.  Jasper and Harriet are young artists who are having a difficult go of making a living (something we all recognize as true).  They decide to try making custom erotic films for the internet and this brings them to the attention of a mysterious benefactor who pays them 10,000 pounds for each film made to his specs.  They have to shoot on VHS, and once the film begins rolling, and a strange chanting starts, they fall into a trance and don’t recall what they did.  They’re instructed never to watch the tapes, but when they do what they find disturbs them.  Jasper tries to find out something about the purpose of the films (they’re not posted anywhere) only to discover that they are somehow laced with the Key of Solomon.  In case you haven’t read Holy Horror, the Key of Solomon is a grimoire for summoning demons.

At one point, the friend who brings them this gig asks Jasper what his idea of Hell is.  Jasper says being stuck, not able to move forward.  Towards the end of this short movie, Jasper is shown being stabbed by Harriet, something he experienced at the beginning of the film (without showing who’d stabbed him).  The implication is clearly that he’s stuck in a loop.  He’s reliving being attacked—maybe fatally wounded—by his girlfriend.  At one point their patron asks him if he knows who Harriet’s sleeping with when she’s not home.  It seems, between the demons and the nightmare scenario, that Jasper is in Hell.

This strange, little film engages religion and horror.  At one point, the friend who brings Jasper this job, says that the saints were the original perverts.  He mentions some mutilations in the lives of a few saints, including St. Lucy of Syracuse, who is often shown carrying her own gouged-out eyes.  This brought to mind The Nun II, a film released some six months earlier, that also involves the same eyeless saint.  There’s no doubt that the stories of the saints are good fodder for horror.  It seems that one of the reasons such stories were told was to evoke just that feeling.  So Custom is a film that engages religion and horror.  The connection with demons isn’t made clear, but they’re obviously part of the story of one artist’s personal Hell.

Siesta

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“Lazy” isn’t an adjective that most people who know me would apply.  I tend to be fidgety and can’t really sit still at work.  I have a body and I want to move it.  I have an active mind and I need to keep it stimulated.  The recent heatwave over the long Fourth of July weekend, though, enforced laziness.  We don’t have central air conditioning.  Some kind family members bought us a couple floor units for our bedrooms so sleep is technically possible when our bedroom nears 100 degrees in the late afternoon.  But during such sweltering conditions, we spend the day trying to move as little as possible.  Even stepping into a cold shower is difficult when the pipes have warmed up so that tepid is the best you can hope for.  I’ve got a lot of writing projects going, but quality work is difficult to do when the air is so hot.

I see the wisdom of the siesta.  When I volunteered on the archaeological dig at Tel Dor back in 1987, the digging ceased around noon.  Afternoons were too hot for physical labor.  Most people napped.  In hot climates around the world the siesta is necessary as well as practical.  Late capitalism assumes everyone’s in air conditioned offices and has abolished the idea.  It’s the kind of enforced laziness, however, that descended on me during the heat wave.  I’d be reading my book or watching a movie when I’d wake up to find the story quite different from what’d been filtering through my mind.  Or the movie having something going on that seemed to have no precedent.  It was okay for a day or two, but I started to grow restless.  There’s still lots of stuff to get done.

Weather extremes, meteorologists tell us, will only continue because we refuse to curb carbon emissions.  I do remember hot summers from when I was a kid, but the thermometer climbing up into high fever range for days at a time never happened.  Given my age, one thought that recurred during life under the heat dome was that perhaps this is what retirement (not in the cards) must be like.  Retired friends tell me that they’re busier than when they worked, but I do have to wonder if the timing is a bit more open.  The 9-2-5 relaxed a bit more.  It’s not that I’m lazy, but sitting in front of a computer all day earning money for someone else means the siesta’s not permitted.  And when it’s so hot out, it should be.  Otherwise fevered decisions follow.

Photo by Florian Siedl on Unsplash

Sun Shines

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The world is a much stranger place than we are taught in school.  Even as a kid I was drawn to the weird and uncanny.  Yes, I was teased by others.  The mocking response is one that is intended to bring outsiders to conformity.  Nobody likes being shunned.  A friend, knowing my continued interest in the unusual, sent me a piece that mentioned, among other things, the Marian apparitions at Conyers, Georgia.  On October 13, 1998, while I was ensconced at Nashotah House, an event took place of which I’d never heard.  It was similar to the “miracle of the sun,” known worldwide as part of the phenomenon witnessed by between 50,000 and 70,000 people at Fátima, Portugal.  Both events included several solar anomalies.  The Catholic Church, always reticent toward modern miracles, didn’t claim Fatima as an official one.  In 1998, on the farm of Nancy Fowler in Conyers, the phenomenon was repeated in front of 100,000 witnesses.  Interestingly, the Wikipedia page on the apparitions doesn’t mention this.

News reels and Polaroid photographs (which can’t be tampered with) show something clearly unusual happening with the sun.  There are videos on YouTube that present these.  I’m always a bit skeptical of any modern videos, however, since so much can be faked.  There is no source whence the curious might go to find a rational, but not debunking, description.  Mainstream science dismisses such things out of hand—they can’t happen, so they don’t.  Faith-based treatments are also suspect.  The fascinating thing, to me, is that I was at a religious, quasi-Catholic institution at the time and heard nothing of it.  Television reception at the seminary was notoriously poor, and although the internet existed, the seminary had not yet jumped on the bandwagon.  At least not to the point of say, getting news online.

The article my friend sent was making the point that when large crowds of credible witnesses see something we should pay attention.  With events that don’t regularly repeat—the problem of occasional phenomena—setting up scientific observation doesn’t work.  For instance, ghosts tend not to show up when actual scientists (not those who play them on television) set up equipment.  One conclusion is “that’s because ghosts don’t exist.”  Another, however, is that they don’t act on cue.  And scientific experiments take both time and money and aren’t wasted on things that have a high probability of not showing up.  Our world is full of weird things like this.  All of us have had something we’ve brushed off as “just one of those things.”  But when 100,000 people see something, I’m curious as to what it was.

Sluggish

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If you enter into it with the spirit of the thing, Slugs is actually better than you might expect.  You have to expect that it’s going to be hokey and outlandish, with bad acting.  With all of that in the assumed category, it’s a passable horror film.  I was surprised to learn, in the opening credits, that it was based on a novel.  That makes me almost curious enough to read it.  Set in a small town in upstate New York (Ashton), the movie is about carnivorous slugs.  There’s an incipient humor about the idea and although no planned laugh-out loud moments permeate this film, there are plenty of incredulous snort opportunities.  The local health inspector is the first to cotton onto the fact that the slugs are attacking, but even he doesn’t believe his own wife at times when she points out their unusual behavior.

There’s a lot of running about and trying to get officials to do something about it, but who takes slugs seriously?  Meanwhile the gastropods eat the town drunk, a gardener, a young couple making out when the parents are gone, and are responsible for the death of a local developer.  That leads to the gore required by the tale.  Finally the health inspector teams up with the local sewage inspectors and a high school science teacher who figures out a way to blow up the slugs.  In some respects the movie resembles Evolution at this point—using a pumping truck to spray the invaders with a chemical solution that saves the day.  The best friend of the protagonist does get eaten by the slugs while trying to save the town, but otherwise there’s a happy ending.

This is a bad movie but it’s better than many “so bad it’s good” features.  Some competent work is done with special effects and the story itself is laughable (I don’t know about the original story).  I have a weakness for innocuous creatures turning dangerous—it’s one of the more interesting applications of existential horror in a world full of different types of animals, plants, and fungi.  (And occasionally even minerals can attack, cue The Monolith Monsters.)  As a kid these were the kinds of movies, in addition to the usual vampires, werewolves, and mummies, that helped me cope with an uncertain world.  There are those who find Slugs profoundly bad, but I’m not among them.  Is it great?  Not by any stretch.  Is it worth watching for free when you have a spare moment?  Certainly.  If you get into the spirit of the thing.

Scary Scripture

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The question’s not as simple as whether chocolate and peanut butter go together.  What is it with horror and the Bible?  A number of us have explored that question in book form, but probably the most prolific is Brandon R. Grafius.  His Scared by the Bible is a mapping through terrain that will feel foreign to some: if you live for the beach in summer, why would you fly to Antarctica to visit the South Pole instead?  Part of the reason is clearly that the Bible isn’t the rainbow-and-unicorn book that it’s often made out to be.  Some parts—not a few—are pretty scary.  That’s Grafius’ entry point into how horror and the Bible are surprisingly compatible.  Interestingly, we had similar starts down this path.  A Bible given to us by a grandmother when we were a child, and the determination to read it.  My world was a bit more hellfire and brimstone than Grafius’ but we’ve ended up near the same place.

Often I thought, as I was reading it, “Are people going to get both these references?” (i.e., both the biblical story and the horror movie being cited).  After all, many Christian denominations still teach that horror is not helpful at best, and satanic at worst.  I just wonder how many of us there are who never found watching horror a spiritual problem.  I grew up thinking about death a lot.  Part of this was because Evangelical children’s literature raised the question of where would you spend eternity if you died today.  Seriously, some of the stories I read, along with Dick and Jane, still scare me today.  Religion often uses fear for its own purposes.  So does the Bible.  Grafius comes down to this at the end, asking if it’s intentional on the Bible’s part.

It seems to me that this is an important question to explore.  Religion has been weaponized through fear since at least the Reagan years.  More recently it has been aimed specifically at us “evil” liberals and our “culture of death” even as conservatives rain bombs on Iran.  We desperately need to understand religion’s now very intentional use of fear to retain power.  People are afraid.  They have reason to be.  Generally it’s not the emotional issues politicians hand-pick to garner votes.  Yes, the Bible is a source of fear.  Horror films are often also a source of scary thoughts.  They do have a lot in common.  We just need someone to come along with an open jar of peanut butter to run into someone eating a chocolate bar.

250 Years

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America doesn’t seem to be in a partying mood.  With more than the usual inanity coming from Foggy Bottom, and hot air being added to this heat dome, well, it might just be best to keep it simple.  Algae will grow, no matter what the self-appointed-divine say.  I remember a half century ago.  America seemed optimistic at its bicentennial.  Nixon was safely gone and Reagan hadn’t reared his fanged head yet.  It seemed like the country had a future.  These days, with more than regressive rhetoric, when emails from the Social Security Administration go out of their way to say how great Trump is, well, I think I’ll just stay home and watch a horror movie.  It’s less traumatic.

For me, as a kid, the Fourth of July was all about sparklers, black snakes, smoke bombs, and staying up late for fireworks.  Black snakes were these black discs about the size of a button coin battery that you lit with a match and the ash would fizz out the top into a “snake.”  It was an ephemeral thrill.  What we called “smoke bombs” were small colorful spheres that gushed colored smoke when you lit them.  We never played with anything explosive, but even the thought of these simple pleasures still brings a smile.  I haven’t seen anything like these trinkets (except sparklers) for many decades now.  I see from YouTube that they’re still being sold.  Almost as if the past fifty years never happened.  And staying up late to see fireworks only means being excessively sleepy at work on Monday morning.

I won’t be around for the tricentennial, presuming we survive what the Republican Party has up its sleeves.  I do hope things are more optimistic then.  I’ve been around long enough to notice the distinct difference in national outlook a mere fifty years can make.  I was born less than twenty years after the Second World War when everyone knew fascists were an evil to be avoided.  In just the last decade that has done a 180.  And we see what it’s like.  Our grocery bills are double what they were before our fearless leader took his post, claiming to make things better.  If I’m to believe the propaganda from the Social Security Administration things would be just rosy, could I afford to retire.  So our social experiment in democracy seems to have lasted only about two-hundred and fifty years.  Hopefully in another fifty what’s left of the United States will have come back to its senses or will have come up with something better than we have today.

Hopeful Weeds

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Our approach to our front garden has been to buy the perennials we can afford and hope the beauty of nature does the rest.  Nature, we quickly learned, loves weeds.  Tough, tenacious, even if not always pleasing to the eye, weeds may be the ultimate symbol of hope.  A friend of mine, now departed, used to say that a weed was just a plant where we didn’t want it to be.  To put a more lexical sounding spin on it, a weed is “a plant considered undesirable in a particular situation” (according to Wikipedia).  Opportunistic plants, but those with a strong desire to survive.  I have noticed, in our eight years in this house, that each year different weeds predominate.  We have a front lawn that is difficult to finagle a mower onto, so we put down ground cover and mulch and planted several store-purchased non-weeds.

Some of these survived, and others haven’t.  Some hung on for a few years and then died.  It’s difficult to say if we just don’t have green thumbs or if the brutal, full summer sun did them in.  Weeds, however, thrive no matter what.  And they find any location with the smallest bit of promise.  Tired of wrestling the lawn mower down the front steps, a couple years back I put weed-blocking ground cover on the verge.  I went to the hardware store and bought many bags of sand and gravel and some paving stones.  First the sand on top of the ground cover.  Then the heavy paving blocks.  The gravel covered the sand, and I pushed it off the paving blocks to make a somewhat pleasing, if simple hop-scotch track.  (I’m delighted whenever I see kids using it that way.)  I hadn’t realized that weeds don’t mind sand.

That first year was good.  The second summer, however, weeds had begun to sprout and grow, tenaciously.  Instead of mowing, I was now kneeling on paving blocks and pulling weeds.  Mowing took less time.  Still, the weeding can be done every few weeks rather than the weekly ritual with the mower.  I decided for our front garden that any non-spiky plant that was shorter than what we’d planted would be left alone.  There aren’t enough hours in a weekend—even a three-day one—to weed properly, not with books to write and a 9-2-5 breathing down my neck all the other days.  Not to mention the mowing and grocery shopping and other errands that eat up weekends like popcorn.  Still, fresh in from pulling the latest batch of weeks I have to confess that they give me hope.  All it takes is a place to settle down, no matter how marginal, and the will to survive.

Remembering Downtown

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Monroeville Mall.  Even those who’ve never been to Pittsburgh may recognize it as the site of George Romero’s Dawn of the Dead.  I have to confess that, although living in Pittsburgh for a little while I never got there myself.  It has nevertheless been a pilgrimage site for fans of the movie, but, according to the New York Times, the mall has been purchased by Walmart.  Their plans?  Tear it down.  No empathy.  No sense of decorum.  Just cheap prices and sub-par goods.  I recently had to go to a Walmart.  It had literally been perhaps a decade since I entered one.  I dislike their business practices and they have ruined many a small town downtown area as well as many a mall.  In fact, the one I’d be in prior to this recent trip was the store located in Seneca, Pennsylvania.

Across from that giant Walmart stands the husk of the once trendy Cranberry Mall.  Not far away is the struggling downtown of Oil City.  My aging mother lived in Seneca—had once worked in the mall—but getting down the hill into Oil City was more difficult than nipping over to the super Walmart for groceries or other necessities.  Prices were cheap and she wasn’t flush with cash.    The same applied to many of her neighbors.  Walmart exploits such situations, becoming the only show in town.  Mom and pop stores can’t compete with their prices.  Malls, although many affluent specimens still exist, have struggled in working-class areas.  They served for more than shopping, however.  They were meeting places.  They too contributed to the troubles downtown.

Monroeville Mall never went upscale enough to survive.  Ironically, it was the message that shopping had become a source of meaning that was critiqued by Romero’s movie.  It’s that same corporate greed for more and more market share that will be the eventual death-knell of capitalism.  Any system founded on greed is the same thing as “might makes right.”  We’re seeing that in the politics of our own day.  The paradox of this ouroboros will become clear eventually, if our species survives long enough to observe.  We become attached to places.  While not all movie props can be preserved, we’re compelled toward pilgrimage, and Pittsburgh is the home of the modern zombie.  A message that may not always come through in Dawn of the Dead is that all of us are being made into zombies.  Not by some satellite picking up something in space and then returning to earth, but by good old capitalism.

Horror for Folk

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I’ve been following a few auteurs these days, and I discovered  Damian McCarthy somewhat accidentally.  Wanting to watch a movie and relying on the two streaming services I can choose from, I watched and enjoyed Oddity.  A bit of Celtic folk horror, its story is disturbing rather than the kind of thing that destroys you psychologically.  A friend then told me that he’d directed only one other movie, Caveat, which I also watched.  Hokum is the third and most recent of the folk horror trilogy and is a movie I’m glad to have seen.  It follows an acerbic American writer, Ohm Bauman, who goes to Ireland to scatter his parents’ ashes at a place they enjoyed.  He arrives at Halloween and finds the hotel owner frightening two young boys with stories of the Cailleach, a witch associated with the coming of winter.

Bauman treats everyone poorly except Fiona, the one woman on the staff.  He hangs himself after disposing of the ashes but is rescued by Fiona and the single bellhop.  After he’s released from the hospital, Bauman finds the hotel closing for the season and Fiona missing.  He suspects she’s in the forbidden honeymoon suite and Mal, the front desk clerk, reluctantly allows him to explore it.  Bauman finds Fiona’s body and learns that Mal murdered her because he got her pregnant.  I’m leaving out a lot, but the movie’s worth watching.  The witch, in the film’s scariest scene, circles Bauman as he hides in the curtained four-poster bed while trapped in the honeymoon suite.  Mal realizes that his only option is to kill Bauman and the two end up in the hotel basement where Mal is caught by the witch.  Bauman, we learn, was playing with a gun as a boy and accidentally shot and killed his mother, thus his guilt and depression.

A little research after watching Hokum revealed some of the subtlety of the film.  The Cailleach, who drags away the murderous Mal, is associated with winter.  In Celtic timekeeping, Halloween is the onset of winter and the murder that leads to Mal’s demise took place on Halloween.  It’s even shown with a carved turnip jack-o-lantern.  Holiday horror, anyone?  Another aspect that comes out is that the witch’s minions strip off body parts as the unwary are dragged away.  The owner frightens the boys at the start by implying the witch will take their private parts.  Mal is guilty of murdering Fiona because he impregnated her.  Subtle, but effective.  There’s more to the film than I can summarize in the brief space here, but it is another example of sophisticated folk horror from Damian McCarthy.  He is an auteur worth following.

Fictional Dreams

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It’s difficult to be discreet when you feel like shouting.  My first novel has been accepted for publication.  Since my fiction is published under a pseudonym I can’t tell you the title, but I’m very excited.  Chuffed, even.  It’s no secret that I’ve been publishing short fiction for years.  Even this novel was initially finished when I was in my forties.  Publishing is a slow business.  Although I could interest no agents (not for lack of trying), a couple said it was good.  Another publisher had decided, after accepting it, to pass on it anyway.  Mostly I’ve tried small, independent publishers.  Editors, however, are people with personal tastes and aligning your vision with theirs is half the trick.  If not three-quarters.

I’ve avoided self-publishing not because of the stigma—traditional publishing is devilishly hard to break into—but because of the effort involved.  Yes, you can price your books in the affordable range, but you have to arrange for printing and design.  Distribution can be a nightmare.  Also, it’s difficult to do with a nom de guerre.  Pen names are about as early as fiction writing itself, and unless you’re a major name, the title’s more likely to sell your book than your name is.  As more than one editor has told me, “It’s the writing that counts.”  Using a pseudonym comes naturally enough when you have a professional standing in a “serious” business.  Somehow we tend to think fiction writers can’t be serious people.  If they are they may have trouble finding a publisher.

Recently I’ve spoken to a couple of people who’d like to get published as a way of making money.  I try not to discourage such folk, but it’s important to keep in mind that making significant money from publishing is very rare.  You need to keep your day job.  I certainly wouldn’t complain if most royalties checks were actually over thirty dollars (which is very seldom, and since royalties come maybe once or twice a year, don’t base your mortgage on your wordsmithing).  Those of us who persist in writing tend to do so because we have no choice.  I can’t not write.  The forthcoming novel is, I think, fairly well written.  Some of the stories I had published, in retrospect, weren’t.  (Others very much were.)  At the time they seemed pretty good.  Although written over a decade ago, this novel seems to have held up over time.  At least I hope it has.  When it comes out it’ll be mixed in here amid the other books I discuss, I expect.  If I don’t end up shouting too loud, and spilling the beans, first.

Survival Writing

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Word of mouth tends to be remote these days.  I suspect local readers of this blog are quite few.  I work remotely and, like many Americans, have trouble getting to know people in the town where I live.  Still, I use this blog instead of my mouth.  Elizabeth Rosen used to write for Nickelodeon, which I find highly impressive.  As someone who has found venues to publish my fiction as common as oases in the Sahara, anyone who’s made a few bucks off their work makes me want to stand up and salute as if a general just walked into the room.  I just read Rosen’s chapbook Survival Skills and thought I’d talk about it.  (As an aside, I always thought “chapbook” referred to chapters, which confused me because most books have chapters.  The term probably derives from “chapman,” a kind of traveling salesperson who used to include these kinds of small books among the wares they sold.)

The seven stories in Survival Skills are short—Rosen tends toward flash fiction.  I’m impressed with how effective she is at it.  I’ve tried to write flash fiction and have found I need more narrative space that it allows.  Chapbooks are easily read in an hour or so, if you’re the kind to rush through things, but these tales left me thoughtful.  You get a sense from these brief accounts that people often do nasty things to one another, or to animals, and that sometimes we really should stop and think about what we’re doing.  At other times we have to realize that we’re animals too.  We forget that at our own peril.

As much as I like reading short stories, books of such are always difficult to summarize.  Going through Survival Skills, the stories do seem organically connected.  This is something that has prevented me from trying too hard to publish collections of my stories.  Like my mind, they’re all over the place.  I’ve attempted, from time to time, to approach my short story writing thematically but it has only resulted in a few tales of each subject.  I’d never considered a chapbook approach.  Even Edgar Allan Poe made his mark in the literary world with short stories.  Washington Irving published his Sketch Book in fascicles.  Publishing exists in many forms for those with stories to tell.  I’m glad to have found Rosen’s little book.  It has spurred me on to reading more short stories, which I should be doing as a matter of course.

Shy Incubus

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Shelby Oaks is one of those horror films that benefits from more explanation than the camera gives.  Or maybe I just missed some things.  Yet another religion and horror movie that utilizes demons, which are legion these days—paging Nightmares with the Bible—it goes like this: Riley, along with three friends, is a YouTuber.  (I sincerely think my life would’ve been different if that were a career option when I was in high school.)  They run a channel under the name Paranormal Paranoids.  While investigating the Ohio ghost town of Shelby Oaks, they disappear.  Many think it’s a publicity stunt, but the three friends are found murdered and Riley is still missing.  Her sister Mia can’t rest not knowing the fate of her sister.  She’s interviewed by other YouTubers, but after a man (Wilson Miles)  shoots himself in the head at her front door, she becomes an investigator herself.  Her husband is less enthused by the idea.  There will be spoilers below.

Throughout, it becomes clear that Mia and Riley were close and that Riley, and once Mia, saw a demon looking through her second-floor bedroom window at night when she was a child.  The demon, Tarion, it turns out, is an incubus.  The man who killed himself was Riley’s kidnapper/rapist.  It turns out that Tarion, unlike the usual incubus, doesn’t perform the sex himself.  Mia finds Riley alive, but her child is dedicated to Tarion—a step removed from Rosemary, whom the Devil himself raped—and Riley tries to kill the boy.  Mia accidentally knocks Riley through a window where hellhounds consume her.  Tarion had planned, since childhood, that Mia would watch his progeny that Riley would bear.

There are some creepy things here.  The use of Wilson Miles’ initials to form the sigil for Tarion brings Blair Witch elements to she story.  The use of the sisters’ initials to show their connection was a nice touch.  And the found footage aspects are done pretty well—the camera doesn’t move excessively, making viewers ill.  Overall, however, the movie has trouble hanging together.  This is a demon without a Bible, a shy incubus who sends others to do his work.  Ideas aren’t fully developed, leading viewers to wonder a number of things—why didn’t Mia wash the blood off herself until after watching the video Wilson had in his hands?  Why did Wilson kill himself in the first place?  This isn’t a bad horror film, but the religion in it could be further developed.  The two naturally go together.

Re-Telling Poe

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Retelling stories is a very old tradition.  Fiction writers often do it.  Some even argue there are no new stories (I tend to disagree with that).  In any case, T. Kingfisher decided to try retelling my favorite short story, Edgar Allan Poe’s, “The Fall of the House of Usher.”  What Moves the Dead has Roderick and Madeline Usher and their creepy house but the story revolves around the narrator, Easton.  (There’s a helpful author’s note at the end that discusses this.)  As Kingfisher notes, the narrative warps around fully-formed new characters and the question is whether that works or not.  Anyone who’s spent much time on this blog will know that I’m a diehard Poe fan.  It takes a lot to convince me that anyone has done him justice.  What Moves the Dead is a quick read, but perhaps unsurprisingly I had trouble accepting Easton as the interloper to the story.  

One of the most compelling aspects of Poe’s tale is the point of view of his unnamed narrator.  He expresses his horror at what happens but manages to keep himself out of the spotlight.  Easton intrudes a bit too much in the narrative.  And other characters also tend to overshadow the Ushers.  The main thing that is missing, however, is Poe’s unity of effect.  There is a dread running throughout Poe’s “Usher,” and analysts have suggested that every detail of the story is relevant.  There’s a reason it’s my favorite short story—it is just so good!  So good that the few times I’ve ridden on a horse in my life, the first thought that always comes to mind is the opening of Poe’s story.

If you’re looking for a quick horror book to read, which has a bit of humor to it, What Moves the Dead isn’t bad.  Kingfisher is a talented writer and her characters are creative.  It’s just that they muddy the waters, as it were, of Poe’s masterpiece.  Ironically, I think the story would’ve been much more compelling without the Poe tie-in.  The idea of infecting mushrooms (she also discusses this in the author’s note) can be a really compelling tactic.  In fact, it is used quite a lot in horror these days (and I completely understand Kingfisher picking up another book that does what you’re trying to do when you’re in the middle of a project—that has happened to me more than once).  For me, Poe’s story is pretty much perfect and it’s difficult to improve on perfection.