Dystopian Dreams

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Hunger_gamesOne of the most terrible stories in the Bible is the slaying of the firstborn of Egypt. Of course, depending on your point of view, this was either a necessary evil or an act of wanton cruelty by a deity with anger issues. Still, it ends with a bunch of dead children. Then, as if that weren’t enough, a horrible reprisal comes at the birth of the child of the main character, with Herod slaughtering the innocents in Israel. And let’s not forget the very source of Kierkegaardian angst, the knife poised above a bound Isaac by his completely believing father. More recent, less literary examples could add poignancy and reduce the distance: Columbine, Newtown, Virginia Tech—the murder of children is beyond the farthest reaches of perversion into a realm that no longer classifies as human. I think the Bible might agree with me there. So it was with some trepidation that I read Suzanne Collins’ The Hunger Games, at the urging of my daughter.

Although written for a young adult readership, The Hunger Games is a classic dystopia with a dark future and repressive government mandating the killing of twenty-three children every year, just to make a point. Deftly combining teenage angst with the bleakness that just about any future-based novel seems to hold, Collins spins a sad but engrossing tail. Dystopias have grown in popularity since some of the earlier, Cold War exemplars such as 1984 and Fahrenheit 451. The number of dystopian novels grows every year. I suppose if I were an elected official I might cast a worried eye towards the increasing number of exposés of a society where consumers read so many books of the future gone awry. I know many intelligent, sober people who seriously wonder if we’ve already shifted onto that track. Tomorrow is only an extension of today.

Dystopias are among the most biblical of literary genres. The Bible itself is a bit of a dystopia. Consider the framing of a perfect world ending up with the original apocalyptic tale, the Apocalypse, or Revelation. It only ends well for 144,000. In-between there are pages and pages, chapters and chapters of oppression, violence, and suffering. Paradise gone bad. That’s the essence of the dystopia. Although Collins doesn’t make any overt biblical or religious references in The Hunger Games, the very genre she chose can’t escape the biblical bounds laid out for it. And besides, long before the year both Collins and I were born, the Bible had already set its vision for our society. And that vision, to our everlasting trembling, includes the massacre of innocents.

2014

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New York City, in a public place—I dare not say where—I see this sign. A certain Orwellian chill shivers my mind as I think back to 1984. Posters everywhere; you are being watched. If you see something, say something. NYPD Security Camera in Area. We have let our fear drive us into the arms of Big Brother. The problem with principle is that it requires a fair amount of spine. Who can stand in the face of possible, if remote, terrorist attack? Is it not the large, amorphous, faceless government that we, along with millions of strangers, have elected? I’ve read about their behavior; I’m not sure I want them watching me.

We have let fear define us. How far we have come from FDR’s admonition that the only thing we have to fear is freedom itself. Don’t get me wrong—I don’t approve of terrorists or any other cowards. If our response, however, is to cower in the many corners of our crowded cities while our own military patrols the parameter, well, the last place I recall like that was my visit to Jerusalem just months before the First Intifada. Even the bus drivers wore pistols. The heat from that burning car beside the road was worse than anything the Judaean Wilderness could throw at you. And still they long for peace.

Differing political and social outlooks need not come to blows. I’ll admit to being a shameless idealist if you’ll lay down your guns. Even if you won’t. It seems to me that we’ve forged ourselves a chain that reinforces outmoded associations. We can create the most intelligent weapons imaginable, but we can’t figure out how to cut a simple chain. Yes, I eye each jet flying a little too low with suspicion, and sometimes I walk a little too swiftly through the crowds at Times Square. I’d like to pretend I’m free, but ever since I read 1984—and it was close to that time—I’ve noticed that Big Brother looms taller than any tower in a world where inequality persists.

Sutton Courtenay

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Sutton Courtenay lies sleepily outside the bustling business complex known as Milton Park. Over my work time at Routledge in the United Kingdom, I have been immersed in the frenetic world of academic publishing. Putting a book together and selling it may seem a simple prospect, but in reality it involves many people at multiple stages who specialize in everything from writing content to ensuring that the four-color print of the cover looks just right. Sometimes working in publishing one can get so close to the trees that the forest really does become invisible. So it was that a friend of mine took me to Sutton Courtenay over lunch one day. The hamlet was very quiet. Next to the clattering pub—the only real sign of life here in midday—stood the gateway to an abbey long decayed to dust. Iconic thatched roofs and brilliant grassy greens make this place seem very far indeed from the negotiations and dealing that take place just down the road in Milton Park.

In a silent cemetery dotted with yew trees just behind the twelfth-century Norman All Saints’ church, rest a couple of very influential people. Lord Asquith, sometime Prime Minister, holds the most prominent place. A few paces away in an unassuming grave are the remains of Eric Arthur Blair. Unless you knew his penname, you wouldn’t be aware that you were in the presence of George Orwell. Orwell never lived in Sutton Courtenay. When he died in 1950, requesting to be buried nearest where he died, there was no room in the interment grounds. Millions of people live in London and millions have died there. The image conjured in the mind is distinctly Orwellian. Sonia Brownell, his widow, with the help of David Astor, found a resting place in Sutton Courtenay.

Today one would be hard-pressed to find a school child in Britain or the United States who has not been assigned to read one or both of Orwell’s prescient novels. Orwell’s anti-fascist views were often eerily prophetic. In 1949 1984 seemed a long way off. As the latter year came and went, some heaved a sigh of relief that Big Brother never arrived. Those who labor away in busy office parks, those who attempt to board a commercial airliner, those who live in cardboard boxes on busy city streets, and those who pay taxes so that the wealthy won’t have to, however, know that Big Brother is indeed alive. He has grown crafty with age and is well adapted to camouflage. He is known by many names: Free Market, Laissea Faire, Unrestrained Capitalism. One place he is not to be found is in a quiet churchyard in Sutton Courtenay contemplating a simple stone to a man named Eric Arthur Blair.

No Sanctuary, No Renewal

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My penchant for dystopias won out over what many would suggest is good sense and I rewatched Logan’s Run for the first time since the 1970s this weekend. Dystopias, of course, are the antonyms to the religio-political utopias that seemed possible to dreamers of the Enlightenment. Since those optimistic times power structures in society have grown ossified and privilege has been entrapped in enclaves of excess wealth, both religious and secular. Seeing the film as a teenager I am certain I missed the savage social commentary in Logan’s Run. Despite its weaknesses, the movie still carries an unexpected punch, given subsequent developments. The premise, for those unfamiliar, is that in the twenty-third century life is ease and hedonism until you reach thirty. To control overpopulation those losing the bloom of youth are euthanized in a religious ceremony to be “renewed.” Logan discovers there is no renewal and, the mythology fractured beyond repair, begins his eponymous run.

In a society just beginning to come to the realization that population trends were leading toward the elderly outnumbering the young, film-makers and novelists were trying to predict where human nature might lead. Movies like Soylent Green, Rollerball, and even The Stepford Wives dealt with issues of potential population pressures. One thing they share in common: the prognosis isn’t positive. 1984 came and went, and savvy politicians learned that control may easily be blended with religious sensibilities. Hot-button issues that have little to do with government (defining marriage, deciding which gender has the right of self-determination, declaring biologists in default of creationist fantasies) easily deflect attention from the serious issues of ensuring a healthy economy and providing reasonable care for those who are actually now alive. Spending too much time gazing into the future can be counterproductive.

Logan heard rumors of a place called “sanctuary” where the aging are free from the draconian enforcements of society. He takes his lady (dystopias are nothing without a love interest) and flees to discover this idealistic place. There is no sanctuary. Outside the safe, hermetically sealed domes of society is a ruined civilization. It is a world full of possibilities, but practically devoid of people. Finding only one survivor, the only option is to convince the police state he fled that all of this is a lie. Religions too, often rely on offers of sanctuary. Some who believe may find it while others will not. Logan’s Run (now being remade) may not have been the most convincing dystopia, but in bringing ethic and myth together in a world of unheard suffering, it may have read the pulse of society better than several of its more fondly received exemplars.

Monsters Are Due on Elm Street

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November 1984. George Orwell’s dark vision had not fully emerged, but the veneer had worn off of the fairy-tale world promoted by the evangelical, free-market professors at Grove City College. As a blue-collar kid in a blue-blood institution, I was out of place. The campus was buzzing, however, about a new movie—A Nightmare on Elm Street—for which I finally plucked up the courage to ask a cute coed for a date. I’d never seen a slasher movie before, having sampled mostly traditional monster-flick fare as a child. I felt a sense of accomplishment since some of my college friends had to leave the theater for fear. On the big screen, with no previous knowledge of the plot, the film worked for me on many levels. Last night I decided to watch it again.

My first reaction was a sense of surprise at how much of the movie I still recalled with pristine clarity. For having been nearly thirty years ago, such clarity is a rare phenomenon for many details of life, often reserved for memories of early girlfriends. A second reaction was noticing how religion featured in the film. The girls skipping rope chant, “One, two, Freddy’s coming for you / Three, four, better lock your door / Five, six, grab your crucifix.” Indeed, the crucifix features in several scenes as an ineffectual weapon against Freddie Krueger. The days of defying vampires are over when your own subconscious turns on you. In one of the early chase sequences, Freddie, raising his infamous glove, says, “This is God!” Religion and its overarching concerns with death and suffering come together with horror in that one moment. The traditional power structures of religion have lost their power to defend the troubled teenagers. The only one well adjusted is, ironically, Johnny Depp’s Glen. Even he falls victim to the revenge sought by Krueger.

Surprisingly, the scene I had most trouble recalling was the end. I recollected the bright, hazy sunshine, but couldn’t remember how Wes Craven released his audience from the drama. Of course, there is no end. Freddie came back in countless sequels, none of which I ever watched. Although I wouldn’t know it at the time, Robert Englund based the screen presence of Freddie on Klaus Kinski’s Nosferatu in Werner Herzog’s classic remake of that silent gem. Freddie is the vampire that defies religious cures. Movie villains are among the most adept practitioners of resurrection on the silver screen. The occasional E.T., Neo, or Spock will come back from the dead, but those who repeatedly return are the denizens of our nightmares. As Orwell’s vision continues to unfold in subtle ways, 1984 looks like an age of innocence before the ineffectual god worshipped by the establishment became self-image, writ large, on Elm Street.

Tax Dollar Peep Shows

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Yesterday’s New Jersey Star-Ledger ran a column by Paul Mulshine entitled “It may be 2010, but it sure feels like 1984.” The topic, of course, is the increasingly invasive procedures that TSA officers have been granted. For a guy who “held it in” every day for the six years of middle and high school because of bashful bladder syndrome, the airport has begun to feel like the shower room after gym class. Having been raised with the idea that certain body parts were to be viewed by God alone (and the occasional physician), being undressed in front of others was a nightmare scenario. I still avoid public restrooms when at all feasible. Now TSA officials have tickets to a free “scope and grope” fest whenever you want to fly. I say the terrorists have already won.

Perhaps by coincidence, in trying to keep up with my daughter’s reading assignments, I have started to reread Aldous Huxley’s Brave New World. The grandson of Thomas Huxley, Darwin’s bulldog, Aldous had written a foreword in 1946 that was affixed to the front of my college edition of his novel. In it he states his bleak vision of a future where governments have all become totalitarian and control vast numbers of slaves made willing by apathy (read “world-wide web” or “Internet”). Showing your private parts to a total stranger who then gets to grope you later? This is freedom? Abandon hope all ye who enter here.

Have these TSA officials been trained, seriously trained, to deal with the fact that they see what many people would pay good money to glimpse? (Well, not in my case, but you get the picture.) Where are their credentials? No, wait, don’t show me that! If I decide to display myself in public, I could easily be arrested for indecent exposure, but if a pervert wants a free look, all s/he has to do is apply to TSA. What will it take for Americans to shake off their electronically induced haze and say “No more!”? Perhaps I am alone in feeling vulnerable naked before strangers. Perhaps others enjoy giving it all away. Is it not better to survive that flight so that another stranger gets a gander at the jewels when you fly back home? You can kiss my arse goodbye and call it government work. 1984? Brave New World? I think Silence of the Lambs might be a better paradigm.