Indigenous Gods

Engulfed by capitalism, it is too easy to ignore the indigenous population of this country.  I grew up thinking, in some way, that American Indians were extinct (this was small town America, after all).  Then we visited a place—in upstate New York, I think, but the recollection’s hazy—where there were real Indians.  This was before exoticism was a bad word, and I thought them quite exotic.  Maybe it was the way I was raised, but I’ve never thought of myself as better than anybody else.  Certainly not on the basis of race or gender, or even personal worth.  In any case, there were still Indians.  I’ve always been an admirer of their culture.  Jennifer Graber’s The Gods of Indian Country is an informative monograph on, as the subtitle says, Religion and the Struggle for the American West.

My interest in American history is relatively recent.  Growing up, I always found European history of greater interest, and then, for many years, the ancient history of the states along the eastern coast of the Mediterranean.  It was the antiquity of it all.  History feels safer when it’s at a great distance.  American history is not old.  When hearing that some of the events discussed by Graber took place in the 1910s, I kept thinking, “were we really that naive just over a century ago?”  Or was our nation willfully blind to the plight of the people who lived here before the Europeans arrived?  The narrative has changed.  And if it hasn’t, it must.  How would we like it if, say, aliens landed and assumed the right to take over capitalistic America?  It’s only our arrogance that prevents us from treating Indians better.

Religion, particularly Christianity, fueled many interactions with the Indians, as Graber ably demonstrates.  The assumption was that Indians had to assimilate to capitalistically-fueled Christianity.  Private ownership.  Free trade.  Otherwise the cultures could not share the land.  Treaties were broken because the “Christian” rules of the new overlords demanded it.  Graber also explores some Native American religious practices as well, chiefly among the Kiowa.  Since the book is fairly brief, it doesn’t include any kind of comprehensive coverage of Indian religion, nor, of course, of early American settler religion.  What happened is that religion and politics joined forces to justify stealing what belonged to someone else.  Those who study the history of religion recognize this pattern.  It isn’t a rarity, unfortunately.  Although my interest in American history is recent, it is growing.  What happened in your own backyard determines so much of how we’ve become who we are.


Borrowed Land

The thing about local attractions is that residents seldom have time to visit them.  Weekends are busy with the tasks you can’t accomplish otherwise with a 9-2-5 and being a “homeowner” is more like being owned.  Nevertheless, one Sunday afternoon we ventured to The Museum of Indian Culture, just south of Allentown.  I’d known about it for a few years, but wasn’t sure what to expect.  Occupying the house built by the Bieber family (not the singer, but the local bus-owning company that died during the pandemic) way back, the museum is small, but intimate.    The docents are unstinting with their time.  This is Lenape tribal land and the museum houses some local, and some national, pieces.  It also has a very extensive library.  

Often it’s difficult to feel proud of being of European extraction.  So many crimes were committed during the period of colonialism (and are still being perpetrated) that you just want to apologize over and over when you meet an American Indian.  The thing is, every native American I’ve met has been gracious and kind.  They still feel connected to the land in a way that seems foreign to Europeans.  Colonialists (and present-day capitalists) saw (see) the land as for exploitation.  We are slowly, hopefully, coming to realize that the indigenous way of living with the land is far more sustainable than the conquering attitude that metal smelting and gunpowder gave.  I kept thinking, what would it be like if people we didn’t even know existed showed up and just started taking everything for their own?  And claiming an all-powerful deity had given it to them?  Wouldn’t we fight back, just as the first Americans did?

I was especially hit by the hypocrisy of it all.  The code talkers helped win the Second World War.  As our docent said, at the Carlisle Indian School Indians were severely punished for speaking their native language.  They were being Christianized, of course.  Then, during the War the military realized we have a treasure-trove of languages that nobody else in the world speaks.  Suddenly their languages were an asset to be exploited.  Native Americans proudly served (and serve) in the military.  It is actually their land they’re defending.  We spent an educational hour in the small museum not far from property we “own,” according to a law code of “right behavior” drafted by others.  You might be able to leave places like this small museum, but they don’t leave you.


Bears Repeating

I read Robert C. Wilson’s Crooked Tree before I began this blog, I guess.  I remembered it being better than it seemed this time around, but it works as a horror novel.  In fact, the first third or so was quite unnerving, although I’d read it before.  After that the plot tends to require greater suspension of belief.  But then again, American Indian horror has come a long way since then.  Wilson, according to the limited information about him online, isn’t an Indian.  These days publishers are very concerned with appropriation—something that wasn’t an issue back in 1980.  And these days the work of Stephen Graham Jones, who is both a Blackfoot and an excellent horror writer, raises the bar considerably.  But Wilson is honest about the situation in his laying out of the novel.

Axel Michelson is a lawyer and he’s working to preserve the fictional Crooked Tree State Forest and prevent development.  Many of his colleagues and neighbors in Michigan are Indians, and so is his wife.  Axel’s efforts are hampered by a sudden onslaught of black bear attacks.  The description of the first three or four are scary enough to dissuade you from ever going camping again.  Axel’s assistant is an Ottawa and and he and his family suspect a bearwalk is involved.  This is the reason I read the novel the first time.  As a Native American folkloric monster, the bearwalk is difficult to uncover.  There are a couple more novels—one of them hard to find—that feature the tales, and there’s a university press book on folklore that has some accounts.  Not much more is out there that I can locate.

A bearwalk is a kind of shape-shifter.  A spirit that can control bears, in this case.  Axel becomes the white savior who uncovers the ancient ritual to stop the bearwalk, which has taken control of his wife—his main motivation for stopping it—while the Indians can’t figure out what to do about it.  They do tell him about the ritual, but mourning the loss of their culture, they fear it’s gone forever.  Meanwhile the bear attacks continue but once the shock of the first few attacks has worn off, they don’t scare so much.  There’s also a lot of supernatural involved, mostly drawn from native traditions.  It seems clear that, like Axel, Wilson did quite a bit of research on American Indian folklore.  He treats the Ottawa culture with respect and wrote a novel that might’ve had more influence than it seems. It’s well worth the read the first time around.


Ending Worlds

It takes a kind of talent to write a long novel where I don’t have any feelings for any of the characters.  I’ve studied writing enough to know that “Mary Sues”—characters who have no flaws—are to be avoided.  Yet, writing so that no characters over a span of about 300 years seem to be able to garner at least pity (and my therapist tells me I a very sympathetic person) is a feat.  All of which is to say I didn’t much enjoy the award-winning World’s End by T. C. Boyle.  This novel is set in the Hudson Valley, which is one of my current obsessions, and I thought the sense of place would draw me in.  Stories where everyone drinks all the time, and mostly they get high after that, and then wonder why tragic things happen when they drive, really aren’t for me.  I accept and admit that the onus is on me. (I freely confess to preferring speculative fiction.)

Successfully writing a novel that ties several families together over the generations is, however, an achievement of literary architecture.  It’s just that not all novels work for everyone.  There is a sense of maybe a little cosmic justice at the end, but it feels at times almost as if the side that’s being cheered on is the wealthy one.  Maybe it’s reflecting the way life works.  Or maybe I’m not a subtle enough of a reader to understand.  For whatever reason, it really didn’t speak to me.  It could also be that I need to reflect on it more.  Growing up poor with an alcoholic father and seeing firsthand the entrenched ways of the wealthy and how they effectively keep other people down, such tales tend to set me off.  None of this is to gainsay the artistry since it clearly condemns the land theft from American Indians and unrepentant wealth.  

It’s this last point from which the novel really takes its strength—ownership of the land.  As mortal creatures we have a strange idea that we can own something that will outlast us.  In the novel’s resolution that ownership shifts, unbeknownst to the wealthy, back to the original owners through an illegitimate child.  There may be some social commentary intended here and this makes the story less of a justification of white ownership.  I guess many of us are very sensitive to fascist characters since the Trump administration.  Perhaps had I read the novel in the late eighties, when it was first published, this would’ve seemed less troubling because we would’ve thought then that such a thing could never happen.  But three centuries is a long time and we simply can’t tell, although World’s End suggests justice might be served in the long term.


Monsters in Common

The thing about monsters is once they’re released they go wild.  Antlers is sometimes criticized for cultural appropriation—it takes the wendigo, an American Indian monster, and uses it in an Anglo story.  There’s perhaps some truth to that, but the wendigo is the perfect monster for the social commentary the film makes about the poor.  Those who’ve never been poor can’t really understand, and I can’t blame them for it.  Pointing fingers at symptoms like drug abuse is pretty typical.  It’s not directing the extinguisher at the base of the fire, but at the dancing flames that keep shifting as the base consumes.  In short, I found it a powerful movie, and one that is beautifully filmed.  Yes, it does lift an American Indian monster, but that monster was released long ago.

The wendigo was addressed by Algernon Blackwood in his 1910 story that goes by that name.  It has appeared in other horror venues as well.  Antlers is the first full-fledged horror movie I’ve seen to use it and it builds the story up nicely.  And it does so by tying religion into the narrative.  In brief, Lucas Weaver, a twelve-year old, is protecting his father and younger brother.  After being attacked by a wendigo, his father has become one.  Lucas’ teacher, Julia Meadows, was abused as a child and recognizes it in Lucas.  She become determined to care for him but his father has given over to the spirit of starvation that inhabits him.  

I could’ve used this in Holy Horror because when Julia is searching Lucas’ desk at school she finds, among other things, a Bible.  At one point Lucas’ brother asks if God is dead.  His father has told him that he is.  And when the police are trying to determine what they’re up against, the former sheriff, an American Indian, tells them about the wendigo.  Native beliefs are treated as superstitions, of course.  The wendigo is brought out because of cannibalism.  The use of a native monster and the role of the landscape in the film make this a fine example of folk horror.  And it’s a cautionary tale about the dangers of abandoning the poor.  Those who criticize the film for that have perhaps lost sight of the monster.  Monsters belong to everyone.  The golem, the wendigo, the mummy—these all play a role in someone’s religion and culture.  They also serve to haunt anyone who’s concerned with fairness and justice.  And that’s why we must chase any monster that roams free.


Fictional Truth

In honor of Banned Book Week I read Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian.  Funny and poignant, it tells the story of Arnold Spirit Junior, a Spokane tribe boy on the reservation.  Born with a disability, he nevertheless overcomes adversity to become both a good student and excellent basketball player.  I suppose you’d classify this as young adult literature since the protagonist is a teen and many of the issues are those of kids in that age group.  Although it’s funny, and the illustrations underscore this, there’s a realism that account for various people wishing to ban it.  First of all, it reminds readers that white men put Indians on reservations and, despite our national guilt about this, we still refuse to do anything to try to lift them out of poverty.  And, like most boys his age, Junior likes to talk about sex once in a while.

Fiction can be the most nonfictional form of writing.  Junior describes the realities of reservation life.  Alcoholism, poverty, and violence are part of his everyday experience.  He attends far more funerals than his white counterparts.  This particular point gave me pause.  A New York Times article that appeared pointed out, statistically, that American Indians had much higher death rates from Covid than many other demographics.  It was like the genocidal introduction of European diseases during the “age of discovery.”  I suppose people would’ve grown curious and explored their world, regardless of the distorted Christian belief that they were to take it over.  At least we could’ve treated those we met with respect, as equals.

I think about the missionary mandate quite a lot.  Based on an undying literalism, it became an excuse for behaviors explicitly condemned by Scripture itself.  There’s a real danger when conviction comes with guns.  At least modern-day missionaries try to help those they’re attempting to convert with hospitals and medical care.  Still, that doesn’t help the American Indians.  They still struggle and our policies still ignore their problems.  Their plight stands in the way of capitalistic exploitation.  And when an Indian writes a fun book, honest about the experience of his people white critics begin to raise their voices to ban it.  How do we think the situation of the Indians will ever improve if we refuse to listen?  And what better time to get people to listen but when they’re young enough not to have been corrupted by our system of entrenched unfair treatment?


July Forth

Independence Day.  What does it mean in a nation on the verge of a fascist takeover?  Supreme Court justices, themselves appointed by crooked but technically legal politics, have just struck down the independence of half the people in this country.  Independence Day for whom?  Originally a celebration of freedom from monarchy, one of our political parties has opted for authoritarianism—the objection to which was the very reason the Revolutionary War was fought.  The colonists wanted religious freedom, but now we find religiously motivated politics driving the bus off the cliff.  If you’re not a white evangelical these rulings are not for you.  Your religious freedom has been compromised by politics.  So we gather in grassy places to watch fireworks.    We celebrate the independence of the wealthy.  Those who can break the law and buy the results they want with lawyers without scruples.

I think of Independence Day from the perspective of our Black siblings.  Freedom to be shot for a traffic stop or to be publicly strangled to death for petty crime.  To be redlined and kept in poverty.  Independence from literal chains only to be shackled in bureaucratic ones.  Being sentenced to prison for things a white can easily afford to pay off.  Independence Day in a nation with over 40 million people in poverty and where just three white men own more than the bottom fifty percent of Americans.  Give them fireworks and firearms and let the bottom half work it out for themselves.  When is the last time a Supreme Court justice had to worry about having enough for both rent and food?  Freedom, those on the top tell us, is not free.  Watch the pretty lights.  Hear the loud booms.

What of American Indians, still awaiting freedom?  What is Independence Day to them?  Kept out of sight and in poverty, we don’t want to be reminded.  No, we only want freedom to get more for the white man.  As a child in the sixties I had some hope that we might be making progress.  Freedom and protest were in the air.  There was at least hope for some justice.  The privileged white leaders now give us a day off work.  The wealth can still flow upward, even if we take a brief hiatus from labor.  Women, Blacks, the poor, American Indians, and many others who make America what it is are nevertheless denied basic freedoms.  This loss of independence at least comes with a light show.  Just watch it and be grateful.


Walking Bear

Indigenous peoples have been on my mind over the past several months.  Indeed, I read books by American Indian authors with awe.  In this darkening time of the year the Indian monsters join those of European descent in my imagination.  The wendigo has become somewhat popular in recent years but the bearwalk, or bearwalker, remains obscure.  Although a novel for young readers, Joseph Bruchac’s Bearwalker is a genuine horror story and the author is of American Indian descent.  It took someone giving it to me as a present (mainly because it was for young readers) to get me to pick it up.  I’m glad I did.

As might be expected for young readers there’s some blood but not gratuitous violence.  There are skillful twists in the novel and Bruchac knows how to put his protagonist on a cliff, as the old adage goes, then throw stones at him.  In this case, Baron, a thirteen-year-old Mohawk boy, is tormented by the bullies at his school.  Befriended by a respected teacher, he attends a three-day camping trip to the Adirondacks where a family dispute has led to a plan to terrorize the camp and force its sale.  The plan is to make it the scene of a mass murder with the school children present.  It’s here that Baron is able to demonstrate his worth to his classmates by escaping from the would-be killers and bringing help.

Throughout the story bears feature.  There’s some question as to whether there is a real bearwalker present, but the idea is there.  As with literature for young readers there’s some protective layering—no sex or strong language, for instance—but violence, at least in intent, is clearly there.  It is a very good story with suspense and excitement enough to keep even an adult horror fan going.  The main reason I’d had my eye on the book was to learn how the bearwalker might appear in it.  And also to see the story told from a First Nations’ point of view.  Like Baron in the story, American Indians I read aren’t aggressively angry about the way their people have been treated (which they certainly have a right to be).  There’s nevertheless a sadness and inevitability there.  Still, there’s also a pride in being part of an ancient and surviving culture.  There’s also quite a bit of symbolism in the story; Baron’s parents both proudly serve in the military, despite what the nation has done to their people.  And more subtle indications occur here and there that mainly adults would notice.  Although for young readers this is a real horror story, but one with a conscience.


Fear of the Other

Two things: I’ve been reading about and materials by American Indians lately, and I learned about Stephen Graham Jones through a video of him reading one of his stories.  I was immediately hooked.  It seems to me that those of us who’ve gone through trauma—either personally or ethnically—are disproportionately represented among those who like horror.  I’m not suggesting a simple equation, but simply noticing a trend.  Jones has been winning awards as a horror writer and I was anxious to get started.  Night of the Mannequins didn’t disappoint.  Jones is a member of the Blackfeet nation and, according to the author bio, a real slasher fan.  This story isn’t really a slasher but it is an exploration of what happens when an idea takes over someone’s life.

More about growing up in Texas than being First Nations, it follows a group of teens who find an abandoned mannequin and a practical joke that goes terribly wrong.  It’s a story will a real feel for what it means to grow up beneath the middle class.  The realities for those who do are somehow quite different than from those who can take some measure of financial security for granted.  It also makes a good setting for horror stories as the protagonist tries to figure out what’s going on without the aid of authorities and adults.  It makes for a compelling read.  Jones’ no-nonsense style draws you in and it doesn’t let you go.

The book is fairly recent and I don’t want to give too much away.  I do often think about how a writer’s personal experience leads to the books s/he writes.  The horror genre is wide-ranging and can be deep and intelligent.  Despite its brief extent, there’s a lot of depth here.  The straightforward writing style gives the book verisimilitude.  You could see this actually happening.  Monsters, after all, are frequently in our minds.  That doesn’t make them any less real.  Mannequins tend to inhabit the uncanny valley—they’re human and yet, at the same time they’re not.  There are aspects of growing up in “white” culture that must suggest the same to those who’ve been and who continue to be, oppressed by that culture.  There is a real fear to being controlled by others whose intentions, it must be clear by now, are to make themselves rich.  The world is a richer place, however, for having books by Stephen Graham Jones in it.  I’ll be coming back for more.


Freedom of Religion

One of the highly touted liberties in the United States is freedom of religion.  It’s easy to believe this is true when you can walk down any “Church Street” in many mid-size towns and go shopping for a theology that fits your outlook.  What remains hidden here, however, is that the freedom is largely restricted to the “Judeo-Christian” tradition.  (Yes, I know “Judeo-Christian is a disputed category, but it classifies several belief systems that share a basis in the Bible.)  For religions that don’t necessarily agree with the premises of the biblical religions the story is quite different.  That’s because, at least in part, our culture is based on the Bible and its limited worldview.  Colonists, convinced by centuries of Christian hegemony, had assumed the rightness of the Christian outlook.  The indigenous religions they encountered were, from their point of view, heathen.

The word “heathen” covers basically the same territory as “pagan.”  Both mean a religion outside Christianity (and, grudgingly, Judaism).  I’ve recently read that the etymology of heathen goes back to those who live in the heath, or country dwellers.  Although this etymology is uncertain, it does make a great deal of sense.  Christianity became an urban religion fairly early on.  Not only that, it shook hands with empire and became the basis for capitalism.  So much so that the two are now teased apart only with great difficulty.  This also means that indigenous religions have never really had a place at the table.  Especially when they challenged the dictates of the capitalistic outlook.

American Indian religion is closely tied to the land.  As Vine Deloria made abundantly clear in God Is Red, any religion committed to ideas outside those of Christianity will lose when the two come into contact.  One of the reasons is that secular science is based on a Christian worldview.  Indians believe in sacred land.  Since “objective” science is based on the Christian doctrines of creation, there can be no holy land apart from “the holy land.”  At its very root the basic ideas of other religions are dismissed and therefore treated as if they aren’t religions at all.  The Supreme Court continues to make decisions that violate the free practice of Indian religion.  The recent fiasco with the Trump administration should show just how dangerous such thinking is.  Like it or not, religious liberty means you have (for the time being) the right to be the brand of Christian you wish.  Beyond that freedom has a very different meaning.


Looking to the Stars

American Indian culture fascinates me.  As my usual readers know, so does the unusual.  A few years back I read Ardy Sixkiller Clarke’s Encounters with Star People.  Clarke is an American Indian who holds a Ph.D. and had several years of university teaching and administration to her credit.  She has degrees in psychology and education.  In other words, she’s credible.  Being American Indian she’s also aware of the cultural belief in star people.  Those of European descent, often expressing their self-supposed superiority, deny such things exist.  Interestingly the mainstream media seems to have taken an interest in the subject of UFOs lately, and that is also the phenomenon that Clarke investigates in her books.  Her follow-up More Encounters with Star People: Urban American Indians Tell Their Stories is another compelling glimpse into a different way of looking at the world.

The book consists of contextualized interviews with people of American Indian ancestry, and, as Clarke points out, with nothing to gain by telling their stories.  They don’t want their names or locations to be revealed.  They don’t want money.  Many of them don’t even want to be mentioned in a book.  These stories will take you into very strange places.  Places without the filters most of Anglo culture puts before anything that might hint at the paranormal.  I’m intrigued by the nearly universal (outside a narrow European outlook) belief that the world is not as it seems.  Because European-based cultures developed the most sophisticated weaponry and an economic system that takes no prisoners, its view, by default is considered the accurate one.  Time may tell on that.

I read quite frequently about indigenous cultures.  Often widely separated and not in any direct contact, such groups often drew very similar conclusions about the world.  These views are actually shared by those of European stock, but only when carefully labeled as fiction: fantasy, science fiction, speculative stories of any sort.  All of these are widely consumed.  They are also safely considered “not real.”  I’ve been rewatching The X-Files over the past several months.  Its success and its continuing fan base show that as long as we can agree that we’re watching something not true, we enjoy monsters and aliens.  And besides, Halloween wasn’t that long ago.  Still, I wonder if we’re missing out on things we might learn if we’d be willing to consider what the original inhabitants of this continent have believed.  It would take us to some strange places, but we might just emerge wiser.


True Natives

StarPeopleI have long been fascinated by American Indian folklore. In fact, the first book I read this year was a set of Indian tales. Just this week I finished a most unusual book by Ardy Sixkiller Clarke entitled Encounters with Star People: Untold Stories of American Indians. Clarke, who is herself Indian, taught at Montana State University and collected stories from various tribes concerning Star People. Mainstream western science has already made up its mind that Homo sapiens are the most advanced species ever to grace this universe, and so any discussion of visiting non-terrestrials is off the table. What Clarke shows us, however, is that just because there’s no such thing doesn’t mean that all worldviews agree on that point. In many interviews with indigenous peoples of the Americas, belief in Star People emerges as perfectly normal. As does not talking about it because white people will ridicule and belittle anything that doesn’t fit into their limited cosmos of technology and money.

Reading these stories felt like absorbing wisdom from those who observe nature more carefully than those of us of European stock are inclined to do. With eyes pressed to microscopes and telescopes, it is sometimes possible to miss the big picture. We crowd into cities and have no idea how to live under the stars. We can’t even see the stars most of the time. Have we lost our ability to wonder?

Purely from an academic point of view, I wonder why aliens can’t be taken seriously. I try to think of other topics that are simply laughed out of discussion before examining the evidence. To me it seems that human pride is at stake in this case. We are a very proud species, enamored of our own accomplishments. If we can’t reach the stars, nobody else can. This to me is troubling. Aliens, after all, don’t fall into the category of “supernatural” unless we mythologize them into yesteryear’s angels. If they are real, they are as natural as we are. They would have a technology that we haven’t replicated yet, and anyone who doubts interstellar flight should consider the impossibility of carrying a computer around in your pocket or on your wrist only thirty years ago. No, if there are Star People, they are natural. Whether or not they might exist is simply a matter of belief.