More Rats

I’ve asked other survivors of the 1970s if they knew that the Michael Jackson hit “Ben” (his first solo number one recording) was written about a rat.  Most had no idea.  The song is the theme for the sequel to Willard, namely, Ben.  Now, I have a soft spot for seventies horror movies.  Before the days of streaming I repeatedly looked for Willard in DVD stores and never did find it.  I eventually found it on a streaming service and even wrote a Horror Homeroom piece on it.  One winter’s weekend with not much going on, I finally got around to seeing Ben.  Neither are great movies, but I’ll give them this—people in my small hometown knew about them.  Everyone I grew up around knew that “Ben” was a song from a horror movie.  In case you’re part of the majority, Ben is the chief of the intelligent rats who turns on Willard at the end of his movie.

An incompetent police department and other civil authorities can’t seem to figure out how to exterminate rats when they begin attacking people.  A little boy, Danny, has no friends.  He is apparently from an upper-middle class family, and he has a heart condition.  Ben finds him and the two become friends.  Danny tries to get Ben to lead his “millions” of rats away from a coming onslaught, but for some reason Ben decides to stick around and nearly get killed.  In the end, badly injured, Ben finds his way back to Danny.  Cue Michael Jackson.  It really isn’t that great of a movie—the number of scenes reused during the tedious combat scene alone belies the pacing of a good horror flick.  I felt that I should see it for the sake of completion.  Check that box off.

It’s a strange movie that ends up with viewers feeling bad for the rats.  They’re not evil, just hungry.  They do kill a few people (poor actors, mostly) but it’s often in self defense.  The best part is really the song, and the premise behind it—boy meets rat, boy falls in love with rat; you know how it goes.  Michael Jackson famously loved horror movies, and as many of us have come to realize there’s not much not to like.  This movie is pretty cheesy (with the rats attacking a cheese shop, but only after an unintentionally hilarious spa scene) but it has heart.  And it has a fair bit of nostalgia for those of us who grew up in the seventies.


Rats

Small town living had its benefits but one of them wasn’t seeing movies.  In the seventies, before the local mall came in, there were scattered movie theaters about.  You could sometimes see reruns on television, if you were free and awake when they were aired.  VCRs weren’t widespread and DVDs and streaming were decades away.  One horror film I very much wanted to see was Willard.  Released in 1971, it did quite well at the box office.  I was only 9 at the time so I never saw it and by the time I became aware of it theaters had long lost interest.  Kids were still talking about it years later, probably from television showings.  When my second resurgence of interest in horror came around, it was still difficult to find.  The DVD wasn’t available and it took some time for it to appear on a streaming service to which I subscribe.

I have to wonder how we got through the seventies, but I finally had a chance to stream it.  The story, since there was a new millennium remake, is probably familiar.  A young man (the eponymous Willard) who doesn’t fit in eventually befriends some rats in the run-down property of his once opulent home.  He teaches them to understand him and eventually has a virtual army of rodents.  He’s a good lad, however, and only uses the rats to redress social inequities.  His boss, a real old school bad guy, stole the steel mill from his father and is trying to drive Willard out.  You can see the boss’s fate coming from afar.  It’s not much of a horror film by present-day standards, but it does have its moments.  It would likely have more impact had I seen it fifty years ago.

The theme song from the sequel, “Ben” (also the title of the next movie), performed by Michael Jackson, rose to number 1 on the charts.  Those of us in the seventies knew it was a song about a rat.  Well, at least some of us knew.  Horror, despite its detractors, often influences mainstream culture.  Indeed, Willard seems to have had some lasting knock-on effects, including the remake just into the new millennium.  Movies from the seventies, although some are excellent, often bear the brunt of the malaise of that period.  Did we ever think big, boxy cars were attractive?  Were men really such chauvinistic pigs?  Still, the story is a good one.  I wasn’t really interested in the 2007 reboot, but having seen the original I’m now curious.  It is, at least, fairly easy to find.