Black Monks and Grim Reapers

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Last night I assisted my daughter with a stint of volunteering at the local community “haunted house” for charity. This is one of the high points of October, so I was glad to be asked. I reprised my role that I developed for Nashotah House: in that context the character was called “the Black Monk,” based on a local ghost story. While I was on the faculty of Nashotah there were plenty of students who swore the Black Monk story was true, the actual event involved an early student who drowned while trying to walk across water (something many students think they are capable of) – this was actually during the winter, however, and Upper Nashotah Lake is not always as thickly frozen as people assume. The poor student broke through and is buried in the cemetery on campus. Halloween was a major event at that Gothic location until a new, evangelical administration came along. During a haunted hayride, the kids of the community lumbered along on a hay-wagon while costumed students jumped out to scare them. I played along in a costume my wife made where my face was invisible and the flowing black robes eerily blended into the night.

In my current secular context, of course, I was simply The Grim Reaper. This character has a very ancient pedigree. Religions from the earliest times have personified Death as a character that all people inevitably meet. The Mesopotamians had Ereshkigal, the Queen of the Underworld, the Ugaritians had Mot, the god whose name is “Death,” and the Hebrew Bible has “the Angel of Death.” We are often not given a physical description of this baleful but sometimes beneficent supernatural entity. When Revelation was finally penned, Death is one of the four horsemen, and he rides a pale horse, but we do not find many physical details. In the fifteenth century Death was pictured as a skeleton, often with a scythe. His role is that of the classical psychopomp, or guide to the next world. He is not evil, but when the doorbell rings you’d rather hope it had been Avon calling rather than the G.R.

Carlos Schwabe, Death of the Undertaker

Appealing to the fear of the unknown, I lurked last night in the shadows, face completely obscured, not speaking, stepping out to reminded holiday revelers that what is really scary is that which we can not define. When playing the silent ghoul, sudden movements are not necessary to frighten, shouts and screams are unimportant. The simple reminder of mortality and the unspoken question “is he here for me?” are sufficiently frightening on their own. Whether the Black Monk or the Grim Reaper, this character has a natural place on the chilly nights of October. And sometimes it seems there is just not enough October to keep all of us in line.

Ghosts of Nashotah House

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A recent search for “Nashotah House” + ghost (not unsurprisingly) brought up my blog. Perhaps I was being bated, but I’ll bite anyway. Who can resist a good ghost story?

A wee history lesson will help to set the scene. Nashotah House is/was a seminary of the Episcopal Church nestled in the woods of what had been the frontier in Wisconsin. Established in 1842, it was originally conceived of as a monastery — an ethos it has tried to maintain ever since. It is a residential campus with both students and faculty required to live on the school grounds. I taught there from 1992 to 2005, long enough to see some strange things.

I admit up-front that I don’t know what to believe about ghosts. Very nearly ubiquitous as a cultural phenomenon (and firmly related to religion), ghosts permeate the human imagination. It is not at all unusual that ghost stories should thrive in a gothic setting like Nashotah; a simple web search will bring out the traditional hauntings of the place, especially those of the black monk. When I made my first visit to campus there were some distinctly creepy vibes that I wrote up as being non-priestly jitters amid the secretive life of the black-robed clergy. For my first two years I would be there for just part of the week, so instead of the usual faculty house to reside in, I was assigned to live in an apartment in Webb Hall. Known simply as “the Fort” for the solidity of its limestone block construction, Webb Hall had been built for a former dean, Rev. Dr. Azel Cole, as a grand three-story residence for the priest and his wife, Betsy. (Episcopal priests can marry, creating a steady siphoning of Roman Catholic priests who love both the liturgy and the ladies.) My apartment was on the third floor of the Fort, the highest point on campus. As the living dean showed me around, I had that oppressive, “something’s not right” feeling, despite the fact that the living room had been newly furnished and had a spectacular view across campus.

The dean pointed out the amenities of the spacious apartment, but when we reached the kitchen/dining area, we found something unusual. In the very center of the floor was a single dining plate, shattered. The dean muttered something about how the cleaning lady must have missed it on her rounds when she had prepared the apartment for my arrival. Otherwise the apartment was spotless. There was a door leading to a private chapel that Dean Cole had constructed. I was told it was no longer used since the only access was through the apartment, but the dean supposed I would be interested in seeing it. We stepped inside and it was coated with cobwebs and a thick layer of dead black-flies covered the floor, especially near the windows. The dean informed me that it was kept locked to prevent clandestine, unapproved Masses from being performed there by renegade priests on the faculty.

The creepiest room, however, was my bedroom. A spare room (for sleeping only, no doubt), furnished with only a new bed and side-table, it nevertheless felt crowded. When something finally did happen in that room it was after I had moved to a regular faculty residence.

[For the rest of the story please see the Full Essays page]