I really don’t spend much time on social media. It’s literally just a few minutes a day, half an hour at most. I’m too busy to spend more. I tend not to join groups because, well, I don’t spend time there. One group I did join on Facebook is for Halloween fans. I believe that’s where I heard about the movie Halloweentown. I was surprised that, as a fan of Halloween for pretty much all of my life, I’d not known about this 1998 movie. Watching it, it became clear why not. It is a Disney television movie. In the nineties we didn’t have television (a few channels from a snowy aerial at Nashotah House) and certainly didn’t subscribe to the Disney channel. While the movie failed to penetrate my consciousness, it went on to start a franchise. Once I heard of it, I decided I should see it because I’m interested in the darker side of Disney.
Television movies, with their comparatively small budgets and limited viewerships, don’t have the finished feel that theatrical films possess. This is the story of a family of witches, three kids and a mother, living in the human world. The children don’t know they’re witches. Then when their grandmother visits on Halloween, they sneak into the eponymous Halloweentown with her. This is where witches and other monsters live because humans fear them. The “monsters” mostly consist of obvious humans wearing masks and makeup. There are a few mildly frightening moments as the evil Kalabar tries to take over the human world by persuading his fellow monsters to join him. But this is Disney where threats are gentle and good fairly easily defeats evil. While the movie isn’t even as scary as Hocus Pocus, some people watch it to get in the Halloween mood.
One thing that I’ve noticed about many movies that try to capture the autumnal feeling while being shot in California, is that they miss the more dramatic temperate shift in seasons. This annual outdoors Götterdämmerung resulting in the colorful dying of leaves and the surrender of summer to the inevitable chill to follow is integral to my experience of Halloween. In fact, one of the few criticisms I’d make to John Carpenter’s Halloween is that Haddonfield, Illinois was shot in Southern California. Other movies make a similar gaff. I’m always on the lookout for movies that manage to emulate that Halloween feel. The film that perhaps does this best, in my experience, is The Little Girl Who Lives Down the Lane, shot in Canada and Maine. I’m still searching, however, for my own Halloweentown.














