The Fires of Bureaucratic Porn

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My hopeless naivety must show through on this blog from time to time. I mean, I once walked into a Fossil store expecting to find impressions of dead animals instead of trendy accessories. Maybe it is because I grew up in a small town, without cable, with a regular regimen of church attendance and associated activities. Being working class often means taking things at face value. You learn pretty quickly that you don’t have much control over the things around you—someone else signs the checks, and if you don’t do what they say, the checks don’t get signed. I grew up in a refinery town doing lots of dirty jobs. “Excuse me sir, but do you have any trilobites?” There’s one born every minute. Well, more frequently than that, actually.

Thus it was with a certain wonder that I first learned about another small, Pennsylvania town with an unearthly problem. David DeKok’s Fire Underground: The Ongoing Tragedy of the Centralia Mine Fire is an unsensationalized ride through the reality of bureaucratic lack of heart and the weighing of peoples’ lives in the scales of cost effectiveness. The Centralia mine fire began the year I was born (1962). It still burns today and has enough fuel, some reports suggest, to last for a thousand years. This is a hellish millennium. Accounts of elderly citizens awaking in the middle of the night with carbon monoxide clouds in their basements, ground temperatures hot enough to melt blacktop, bore-hole readings of over 800 degrees. Under what’s left of the town of Centralia, the heart of the fire is hotter than the surface of the planet Mercury. What DeKok provides is a step-by-step analysis of political side-stepping. Realizing how expensive it had become to fight this fire underground, state officials were repeatedly caught with their skirts over their heads, claiming that they were wearing full-body armor underneath. During the height of the crisis, in the Reagan and Thornburg years, cutbacks in vital services left the working people of this town in an impossible predicament. Those in positions of power would not even change their vacation plans to try to save a thousand lives. When the smoke clears, after a millennium, if there’s anyone left to write histories, we will see where unchecked greed and ambition lead. It is the only hope we have. The book reads like porn for bureaucrats.

In my hometown we worried about refinery fires when I was growing up. As a child I saw such a fire from a distance; it looked like an entire hillside (a mountain in my naive eyes) was aflame. My brothers and I went outside to gather ashes as large as dinner plates that were floating through the sky, falling like demonic snow. (We doubtless would have kept them, alongside our fossils, had my mother not sensibly put down her foot.) Later, when we drove out that way, we saw the great steel vats that held 260,000 gallons of petroleum products bent and folded over like the hem of God’s great robe in the temple. Over forty years later the image is still vivid in my mind. Those who’ve lived with fire know the danger better than plutocratic oligarchs who view human lives in terms of the bottom line. One truth of physics may come to our aid, eventually; heat does rise. Whether it will ever reach the level of those in power, however, will only be answered when I find that trilobite I’m seeking amid the expensive watches and wallets of the Fossil crowd. I’ll find one too, before the Centralia mine fire burns itself out.

Gothic Mother’s Day

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What does Mother’s Day have to do with horror films and religion? I serendipitously discovered last night. I generally run a few years behind the media, reading books after they come out in paperback and watching movies when I find a copy of the DVD. Last night as a family we watched The Sound of Music. I’d never seen this show until after I was married – musicals were not popular in my blue collar neighborhood growing up. Of course, I am now a veteran viewer. Last night, during mother’s choice evening, I noticed that if the music were removed (itself a weird concept) The Sound of Music is actually quite gothic. The interior settings, the use of shadow, the dark, Nazi threat, the stonework of the gloomy abbey – all of these things add up to a disturbing collage. In the mood for something more baldly gothic, I stayed up to watch Silent Hill.

I tend not to research movies before watching them since it reduces the visual impact. For those films based on books, I generally read the book afterward to see what was “really going on.” Silent Hill, of course, is based on a video game. I do not play video or computer games; “Pong” may have been my last serious attempt at doing so. Silent Hill, therefore, was a complete unknown. The gothic element did not disappoint, and as Sharon, the adopted orphan, began her sleepwalking scenes being shown beneath a lighted cross in the night, I knew that religion and horror were once again coming together. Indeed, the driving force behind the gruesome story is a religious cult on a witch-hunt that is set in a village based on Centralia, Pennsylvania. The cult, believing those who are different are witches, seems to enjoy the medieval pastime of barbecuing them. Centralia’s ongoing mine-fire was used to great effect. Rose, Sharon’s devoted adoptive mother, of course, rescues her daughter. The line in the film is “Mother is God in the eyes of a child.” (There is the Mother’s Day tie-in.)

Having been invited to present an adult forum to a local church on Christian themes in popular cinema, I have been recharging my attempts to test my hypothesis that what truly frightens people is religion. Silent Hill would support this hypothesis. I did not miss the significance of the names: “Rose of Sharon” is a popular biblical trope. The impotent father is named Christopher. Centralia’s predicament is often vividly compared to arcane ideas of Hell. And mother’s are, in the eyes of many children, saviors. Perhaps that last point is why we celebrate Mother’s Day on a Sunday. Although films such as Silent Hill may not make the best family viewing, even here where religion destroys, the divinity of motherhood is underscored.

Hell on Earth, Part 2

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Some time back I wrote a post on the Peshtigo, Wisconsin fire of 1871. That fire, one of the worst natural disasters on American soil, must have seemed like Hell to the residents of the small frontier town. Peshtigo regrew after the fire and is a thriving community today. On the way to a family wedding in Ohio, we stopped in Centralia, Pennsylvania yesterday. Centralia is its own variety of Hell on Earth. In 1962, a fire in a trash heap set an exposed coal seam on fire. The fire spread into a coal mine and has proved impossible to extinguish. The fire burns deep underground today, nearly fifty years after it started. Some analysts suggest that there is enough fuel in this anthracite-rich area to keep the fire burning for a thousand years.

Today Centralia is a ghost town. Toxic fumes, sinkholes, and at times unbearable ground temperatures have driven many away. The federal government bought out the remainder; however, fewer than ten people still live here, refusing to leave their homes. When I learned that we’d be stopping in a nearby town for the night, I diverted our route to Centralia. There is really nothing to see. Two houses were all that I counted, and abandoned roads run into the untrimmed bushes like Life After People. While I attempted to get a feel for the place, my family spotted another car cautiously driving the abandoned roadways, looking for some ineffable handle on this man-made natural disaster. While not to the scale of the Deepwater Horizon spill, it is another example of the lust for fossil fuels and what might go wrong when these volatile substances accidentally escape human control.

Centralia, Pennsylvania

I couldn’t find the perfect picture of Centralia. There is no perfect picture here. Wary of sinkholes and reports of hostile locals, I pulled aside to take in the overall scene. On a hillside not far away, giant wind turbines lazily spun in the summer air. This clean energy alternative felt almost like an apology for setting the earth aflame below the feet of a town inhabited by mostly ghosts and less than a dozen living souls. In my head I knew that the temperature was 1000 degrees Fahrenheit well below, that 1000 people had been relocated, and 1000 years from now the fire may still be burning. Who needs a metaphorical Hell when human beings are so good at creating their own physical perditions?