Strange coincidences transpire. In 2007, just after the professor in my discipline at Rutgers University retired, I showed up in the Religion Department seeking adjunct work. With the vicissitudes of “full-time” employment, at times my part-time stint at Rutgers is all I have. While covering the book of Exodus my first year there, students began asking me what I thought of The Reaping. I hadn’t seen the movie, which had been released on Good Friday of that year, but I promised my charges that I would. Still on my Hollyptic kick, I decided to rewatch it last night. The script was handled much better than that of Lost Souls, although the movie as a whole lacks credibility. It is, however, an example of how the Bible mystique continues to pulse through Hollywood’s veins.
The concept of bringing the plagues against Egypt into the bayou was a fresh one, but the satanic cult aspect has been overdone. A strong female lead in the role of a disenchanted former clergy-woman was a nice touch, and although the premise of her back-story was contrived, it was also decidedly eerie. The element of the movie that students wanted professional comment upon, however, was Katherine’s scientific assessment of the plagues of Egypt. This idea has a comparatively long history. Since critical biblical scholarship began, naturalistic suggestions for the non-historical plagues have been offered. Strangely, these offerings are intended to buttress an historical event that the theories themselves undermine. There is no archaeological or historical evidence for the exodus. Why then, are scientific explanations of the plagues necessary?
The story of the exodus is liberating; slaves liberated by a loving God forms a back-story that most oppressed people want to be true. The sad fact is that religion is more often used to repress than to liberate. Somewhere along the trajectory of human social evolution, religion became a key element in the control of the masses. This becomes clear from the merest glimpse at religion as it existed in ancient Egypt itself, or any of the other cultures contributing to Israel’s religious tradition. The Reaping, like so many films that springboard from the Bible, offers a conflicted worldview where nobody really knows who is in charge of the universe. In that aspect, it mirrors human religious experience.

