Dying for Religion

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devotedtodeathReligions never lose their ability to surprise. This entire concept of belief is one with which I am intimately familiar but about which I’m completely puzzled. If we’re honest, we don’t know from whence belief comes or why it is so effective in keeping people balanced. (There are fanatics for rationalism just as surely as there are for religious faith.) When I saw R. Andrew Chestnut’s Devoted to Death: Santa Muerte, The Skeleton Saint, I figured it would be a good read for October, when Halloween comes so readily to mind. Although I’ve studied religions all my life, I’d never heard of Santa Muerte, “Saint Death.” Probably this is because, as a representative of folk religion, Santa Muerte is not an “official” religious figure. Folk religions are what the faithful actually believe, rather than what the religious officials declare that they will believe. Many a deluded bishop would learn to his chagrin, if he deigned to speak with mere laity, that his platitudes count only in the high court of theological heaven. Saint Death is more like the experience of the rest of us.

Chestnut, a scholar of Mexican religions, discovered Santa Meurte while living in Houston. His book is a narrative introduction to the background and history of the religion, its beliefs and practices, and a consideration of what the skeleton saint offers so many Latinos. Although the news in the northern reaches of America often does not bear it, Santa Meurte has regularly made the headlines in southern climes. As a symbol of death, and therefore potential protection from death, Santa Meurte has gained notoriety by her worship being taken up by drug runners and convicts. Mexico’s regrettably long struggle with poverty and sometimes corrupt governments has led to a society in which death is very familiar. As Chestnut demonstrates, Santa Meurte likely has her roots in the Grim Reaperess of plague-ridden medieval Spain, and she has been a somewhat hidden figure in Mexican Catholicism for at least a century or two. Her first public exposure came in 2001, and since then her association with the criminal element has been repeatedly highlighted in the media.

Santa Meurte, however, is a source of consolation for those who have little in life to anticipate but death. Often, in societies driven by the acquisition of wealth, plutocrats forget that justice comes in the guise of the Reaper. To the believer, Santa Meurte is not evil. She is a natural offshoot of the Catholic veneration of saints in a culture where human aspiration is quickly and unfeelingly snuffed out. Those in positions of power claim the Santa is Satan, but they may be looking in the wrong place for evil. Pointing to the Gospel statements that death will be overcome, they overlook the passages that insist on giving away all that you have will make you ready for the kingdom of heaven. Death, even if trumped at the final trump, will greet us all by and by. Santa Meurte is a very practical saint. Chestnut’s book is a good choice to read when the chilly wind shakes the trees for their particular October rattle of dry, lifeless leaves.

Shopping for Fear

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So I decided to visit a Halloween store. These have been showing up with metronomic regularity in September for several years now and are usually good for a cheap thrill. My personal preference for Halloween is more somber than garish, but the affirmation that other people enjoy a safe scare has a way of drawing me in. Those who read this blog on a regular basis know that I frequently point out commonalities between fear and religion. They both seem to hover around the same orbit in the brain, and, in some accidentals are very similar. Horror films therefore often indulge in religious imagery, and monsters do not infrequently partake of the divine. So it is no surprise to see my thesis borne out in shops intending to capitalize on fear.

I will freely admit that there may be cultural references that I’m missing here. A movie that I’ve neglected, or some television show or graphic novel may be informing some of the images in ways I can’t comprehend. Nevertheless, we all know of the power of the crucifix when it comes to vampires. I wasn’t aware that the cross had horrific effects on other species of monsters as well. Take this guy here. I’m not sure what he’s supposed to be—perhaps a zombie? It seems a little too corporeal to be a demon. The teeth just don’t look right for a vampire. In any case, he seems to have an extreme reaction to religion, with the cross melting right into his skull. Is there a conversion message hidden here somewhere? Of course it could be just a chinzy attempt to scare a real religiophobe. The cross has become the backup weapon against all supernatural evil.

The use of a grim-reaperish ghoul rising from the grave to illustrate The Rapture was a new one on me. Last I heard only the squeaky clean and friends of the Tea Party got to go on the Rapture. (Well, the latter category might explain it.) The idea of the Rapture, as it was fabricated late in the nineteenth century, involved the chance for all the good Christians to escape before things really got rough down here for us normal folk. I would’ve thought that scary guys like this joining the heavenly crusade might take a little bit of the joy out of the occasion. Or maybe they’re being left here to haunt the rest of us. In either case it is clear that consumers respond to religious sounding language and symbolism when looking for a scare. Obviously there is plenty in the store with no religious significance at all, but finding hints of religion scattered in with the plastic scares does show a kind of Frankenstein’s monster of human sentiments and emotions. It’s only appropriate when the nights are now longer than the days.

Black Monks and Grim Reapers

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Last night I assisted my daughter with a stint of volunteering at the local community “haunted house” for charity. This is one of the high points of October, so I was glad to be asked. I reprised my role that I developed for Nashotah House: in that context the character was called “the Black Monk,” based on a local ghost story. While I was on the faculty of Nashotah there were plenty of students who swore the Black Monk story was true, the actual event involved an early student who drowned while trying to walk across water (something many students think they are capable of) – this was actually during the winter, however, and Upper Nashotah Lake is not always as thickly frozen as people assume. The poor student broke through and is buried in the cemetery on campus. Halloween was a major event at that Gothic location until a new, evangelical administration came along. During a haunted hayride, the kids of the community lumbered along on a hay-wagon while costumed students jumped out to scare them. I played along in a costume my wife made where my face was invisible and the flowing black robes eerily blended into the night.

In my current secular context, of course, I was simply The Grim Reaper. This character has a very ancient pedigree. Religions from the earliest times have personified Death as a character that all people inevitably meet. The Mesopotamians had Ereshkigal, the Queen of the Underworld, the Ugaritians had Mot, the god whose name is “Death,” and the Hebrew Bible has “the Angel of Death.” We are often not given a physical description of this baleful but sometimes beneficent supernatural entity. When Revelation was finally penned, Death is one of the four horsemen, and he rides a pale horse, but we do not find many physical details. In the fifteenth century Death was pictured as a skeleton, often with a scythe. His role is that of the classical psychopomp, or guide to the next world. He is not evil, but when the doorbell rings you’d rather hope it had been Avon calling rather than the G.R.

Carlos Schwabe, Death of the Undertaker

Appealing to the fear of the unknown, I lurked last night in the shadows, face completely obscured, not speaking, stepping out to reminded holiday revelers that what is really scary is that which we can not define. When playing the silent ghoul, sudden movements are not necessary to frighten, shouts and screams are unimportant. The simple reminder of mortality and the unspoken question “is he here for me?” are sufficiently frightening on their own. Whether the Black Monk or the Grim Reaper, this character has a natural place on the chilly nights of October. And sometimes it seems there is just not enough October to keep all of us in line.