Sacred Sartorialism

Proselytizing comes in many forms. It can be what you say to people, or how you treat them. It can even come down to what you wear. Every year I’m struck at the AAR/SBL annual meeting some attendees wear religious garb. I’m not criticizing it, please understand, simply observing. This is an academic gathering. Participants represent many different religions, and few, I suspect, are here to outright convert others. Seeing clerical collars and Buddhist robes, however, it becomes clear that what we wear says quite a bit about what we believe. Most attend this gathering vested in mufti. Should anyone in the tweed industry be reading this, I would humbly suggest not having a booth here is a missed opportunity. You are what you eat. You are also what you wear.

I was thinking just the other day how people used to be recognized by their clothes. In the days before consumerism, it wasn’t unusual for people to have just one or two sets of clothes. You knew who was coming, it seems from reading these older accounts, by recognizing the clothes before the face. Religious vestments are a signaling device somewhat akin to animal breeding displays, I suspect. The priest dresses differently to let you know that this person can be approached for true spiritual advice and consolation. Did your paper not receive the accolades you expected? Is there a clergy-person in the house? For sure there is. You’re never far from a practitioner here. As one of those who is unaffiliated, perhaps I’m just jealous.

What do my togs say about me? I tend to wear the same old clothes here year after year. Tucked somewhere in the furthest reaches of my closet are those duds not touched since last year. Publishing, for those who only see it in movies, is a very casual business. We don’t dress up, and I have to stop a moment before the mirror to remember how a half-Windsor goes. I’m guilty of donning aforementioned tweed from my teaching days. Students used to say I dressed like it was the 1970s. I didn’t have the heart to tell them that the clothes were often of precisely that vintage. Long after I’m gone, and AAR/SBL carries on without me, I wonder who might bear the uniform of this peculiar office I occupy? Not priest. Not professor. Not mere participant either. The name tag may say “Exhibitor” and that’s only part of the story, but it’s the pectoral cross I wear.


Turning Brown to Green

Dan Brown’s The Lost Symbol comes out tomorrow, and I, for one, will not be standing in line to purchase a copy. I actually read his previous two Langdon stories in the correct sequence — Angels and Demons then The DaVinci Code — and what immediately struck me was their similarity of plot and lack of historical veracity. Perhaps as a sometime writer who has had difficulty finding publishers I am just jealous, but the stories to me seem to draw on tired theories of some great conspiracy in antiquity that involved Jesus and Mary Magdalene eloping to France after the crucifixion where they happily raised a family only to be forgotten by history while he was off becoming a deity some thousands of miles away.

I read an interview with Dan Brown about his new book in which he confesses that he’s not a believer in conspiracy theories. To me some of the Area 51 stories sound more convincing than the trite material from Holy Blood, Holy Grail that has been recycled into a fictitious field of academics — symbology — and given a fake pedigree by placing Langdon at Harvard. I was in college when Holy Blood, Holy Grail came out and my literature prof told our class that the work was revolutionary and would restructure modern society. The only restructuring I’ve seen is the planet tipping a little towards Brown’s bank account trying to readjust to all the cash rushing in.

Perhaps my real frustration is with the fact that the ancient world is already fascinating without requiring fictionalization, yet those who actually do know something about it experience difficult times finding non-fictional university posts. Meanwhile average citizens will swirl around bookstores like the insects in an Indiana Jones movie waiting to purchase a copy of a book that fictitiously recreates that ancient world. If Harris tweeds are as miraculous as they seem to be in Brown’s books, maybe I should click my elbows together and say three times, “There’s no place like Rutgers” and I’ll end up in a fulltime professor of Symbology instead of teaching Ancient Near Eastern Religions as a mere adjunct tonight.

An authentic Harris tweed in its native Scottish environment

An authentic Harris tweed in its native Scottish environment