Talking Tolkien

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I read The Hobbit and The Lord of the Rings back in college.  Although I enjoyed them a great deal, they weren’t enough to swing me into high fantasy.  I do sometimes think I should go back and re-read them, but with so many books on my to read list, it’s a matter of time.  In any case, I’d read that the movie Tolkien was a good example of dark academia, cinema-style, so I finally got around to seeing it.  Although I learned quite a bit about Tolkien’s life from it, as a movie it really never soars.  The academia part is pretty straightforward as King Edward’s School and Oxford University play a large role in Tolkien’s life, and in the movie.  As does World War I, which is where the darkness comes from.  That, and being an orphan.  And also a guardian priest who prevents you from being with the girl you love.  The movie stays with Tolkien until he begins writing The Hobbit.

The difficulty with biopics of writers is that trying to portray where they get their ideas is a fraught business.  Those of us who write fiction know that inspiration comes in many forms, from dreams, to real life events, to the visit of an unusual shop.  Travel, intriguing people, and ideas out of the blue can all trigger a story or novel.  How do you capture inspiration on film?  A love story is, believe it or not, somewhat easier.  The film portrays Tolkien’s early fascination with Edith Bratt, whom he would eventually marry.  One thing that I’ve learned from psychology and those who teach storytelling is that certain narratives more or less play automatically in people’s minds.  Now, this cannot be asserted universally, but if you introduce a young woman and a young man in a story, many people’s minds naturally begin to bring them together romantically.  Showing how a writer goes about their craft is different.

Many biopics of writers are considered examples of dark academia.  Probably one of the reasons is that no lives are lived without loss and trauma.  People handled traumatic events differently.  Many writers use their art as a coping mechanism.  I can’t know, but I suspect that such things often lead people to become writers.  Poe, for example, keenly felt the loss of his mother at a young age, a trauma that would lead to a lifetime of writing.  I hadn’t known, until watching this movie, that Tolkien had become an orphan.  I knew little of his life; I’d read his books, and even walked by his house in Oxford, but this movie did provide a bit of context.  I’m glad, for that reason, to have seen it.

Preserving Culture

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When I travel (remember travel?) I try to visit the places of famous writers.  It doesn’t matter much whether I’ve read a lot of their material; I know kindred spirits when I feel them.  Last summer—the one before the pandemic—I had to make a business trip to Oxford.  Now Oxford has a long, long list of literary illuminati, and I didn’t have much free time.  My hotel, however, turned out to be just a couple of blocks from the house of J. R. R. Tolkien.  One patch between meetings, I wandered over to the house.  It’s behind a high wall, so you can’t see much.  Like most European private homes, it isn’t ostentatious—over here we like to make it obvious when we’re wealthy.  In any case, I stood as long as a stranger can comfortably stand outside someone else’s house and tried to commune with the spirit of the former occupant.

Just the other day I noticed a New York Times headline that stated a movement is afoot in merry old England to purchase Tolkien’s house to make it a museum.  Although there’s no scientific way to prove it, people are somehow connected to the places they live.  There’s no other sensation like returning to your home town.  If, for some strange reason, anyone wishes to recall me after I’m gone (perhaps my pen name will take off someday), they’ll find precious little.  Not one of my pre-college homes still stands.  Not that that’s that unusual in the low rent district.  Still, when I visit my hometown, small as it is, almost nothing of me remains but it still feels like I belong.

I can’t say that I felt much other than my own awe at standing outside Tolkien’s house.  It’s on a residential street, and people were driving and walking by.  I was the only one who seemed to be hanging about.  Probably a bit suspicious-looking wearing a tweed jacket and in general appearing like a displaced academic.  Much of the tourism industry, however, is based on the draw of certain locations because someone famous lived there.  We want to be in touch with them.  Show our respects, perhaps.  If visiting Oxford weren’t always a work occasion for me, I could quite enjoy wandering its literary haunts and ending up for a leisurely afternoon spent in Blackwells.  We congregate in such places for a reason.  I’ve lost track of all the authors’ homes I’ve visited over the years.  Each time, I’m compelled to say, I’m glad someone thought to preserve them.

Fantasy Land

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As a naive kid with a solid master’s degree, I was accepted for doctoral work at Aberdeen, St Andrews, Oxford, and Cambridge.  Only Edinburgh, however, was able to come up with some funding that made it possible for me to matriculate.  I’ve always been particularly grateful to Edinburgh since otherwise I would never have made it that far.  Oxford was, also, a little confusing what with all its different colleges and specializations.  As an American in the pre-internet age it wasn’t easy to learn about such things and academic advisors in the US didn’t have much helpful input to offer.  Like Harvard, however, Oxford is the single university that opens career doors for academics in my field.  I didn’t know that, of course.  Still, Oxford is a fine place to explore and despite my grousing about being made to travel, I was pleasantly surprised by the opportunity to partake of a high table dinner in Christ Church Hall.

I’d been far too busy to plan this trip, and I didn’t realize the significance of this dinner until I walked into the hall, and suddenly realized—as everyone else in my party already knew—that this was the Hogwarts Hall from the Harry Potter movies.  There’s an air of ancient tradition here, and it’s clear that my employer is held in very high regard in this particular shire.  I wasn’t aware that this would be part of the meeting I was here to attend, but I did wonder again at just how much popular culture drives our awareness and perception of ancient things.  Even my own reaction of recognizing this as the hall in Hogwarts was instructive.  Had I not seen the early movies of that series I’d likely have been simply impressed by the grandeur of the place itself.  My most recent books explore this same phenomenon, but in a different key.

Between gawking at J. R. R. Tolkien’s house that morning and ending the day at Christ Church, there was an element of fantasy to this trip for which I was simply unprepared.  Of course, it was a business trip, and I have trouble planning to have any fun on such occasions.  I take work far too seriously to let down and enjoy, unless I’m instructed to do so.  As I ran a couple of other small errands in Oxford, I realized there’s much yet to explore about the city.  I spent over three years in Edinburgh and didn’t see everything there by a long stretch.  And I doff my cap to Scotland still, for had my alma mater not made this possible I wouldn’t have had dinner among the Potter fans at all.  If movies didn’t tell us what to think, it would be just another old building in an ancient college defined by tradition.

In Middle Earth

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I try to make the best of business travel.  I had all-day obligations this time around, but fortunately my hotel was next to a place of some renown.  The house where J. R. R. Tolkien lived was practically right next door.  This is the place where the Lord of the Rings came into the world.  I have always tried to visit sites of literary significance when in new places.  When we were more able to do so, my family would take such literary pilgrimages annually, especially in the autumn.  Being a believer in the confluence of science and spirit, I can’t help but think there’s something sacred about the place where great literature was born.  Of course, in Oxford you can find sites for Lewis Carroll and C. S. Lewis, as well, among many others.  These days everyone seems to associate the place with Harry Potter, although J. K. Rowling started that particular series in Edinburgh.

Tolkien has become a deity in his own right, I suspect, for creating an entire world to which millions of fantasy fans come.  His actual house, however, is privately owned.  Besides, I’m here on business.  Still, falling asleep so close to where Tolkien dreamed his Middle Earth dreams is akin to inspiration.  Writing as an avocation makes such encounters almost worshipful.  I read the Ring trilogy and The Hobbit many years ago.  I haven’t seen any of the movies, however, since my own imagination seems sufficient for me.  Tolkien took me, for many hours, into another world.  Somewhat like work has done this week, I guess.  Were it not for business, Oxford could be a magical place.  Living in a location where imagination is valued and encouraged makes a huge difference, I expect.

Years ago, Edinburgh was an inspirational place to reside.  Although my main writing output at the time was a 300-page doctoral dissertation, it was a place that has inspired much of my fiction.  Tolkien, in truth, was just as human as the rest of us.  His work was largely based on ancient Germanic traditions that were also reflected in Wagner’s Ring cycle.  We are all borrowers, in some sense.  Adapters.  Oxford is one of those places with a long sense of continuity with the past, in a singular tradition.  It has become modern in parts, but with medieval streets.  There are cars parked along Northmoor Road, and nobody else seems to be here for a pilgrimage today.  Perhaps it’s for the best; how could the workaday world possibly improve for the use of imagination?

Remembering Catherine

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Literature has been on my mind lately. Although I’ve not read all of Charles Dickens’ oeuvre, he’s been in my consciousness what with the new movie and somewhat older book, The Man Who Invented Christmas. Those who analyze literature sometimes claim Dickens invented the modern novel. In my unprofessional opinion, however, the roots go back a bit further than Boz. Still, it’s an enviable position to hold, even if it’s just in the minds of admirers. Dickens came back to me yesterday in one of those apparently random emails from WikiTree. WikiTree is a genealogy website to which I’ve contributed from time to time. I have no famous ancestors, so WikiTree sometimes helps me borrow them. Turns out I’m 28-degrees separated from Charles Dickens.

Perhaps their algorithms are getting better, or perhaps one of their robots is reading my blog (goodness knows few actual people do!) but the connections are getting closer. I posted earlier that I’m 37-degrees separated from Bob Dylan and 43-degrees from J. R. R. Tolkien. I’m closer to Dickens than to either of these famous individuals. This is the beguiling aspect of genealogy—it shows how unexpected connections can be part of our unknown background. The maze back to Dickens is through my grandmother on the Tauberschmidt line. This is the one of the four grandparental lines for which I have the least information. Nobody in my family even knows my great-grandmother’s name. She died young and, as with women in that era, was known in census records only by her husband’s surname. I may never learn who she was.

Although the reason for women changing surnames makes sense in its historical context, it is one of the great injustices of both gender equality and history. Signs are indicating that society is finally waking up on this point: women are half of the human story. As a dabbler in fiction writing, knowing that half the story is untold is a troubling phenomenon. Reading about Dickens I learned that he left the wife of his youth for a younger woman. Although such things are common, my reaction was to wonder who Catherine Thomson Hogarth might’ve become, had women had the opportunities they’re starting to have today. She was, after all, from Edinburgh. She has biographies, but not nearly as many as her feted husband. And if my math’s correct, I’m only 29-degrees separated from her. And this may well be the more important connection; the story untold.

Fame and Fortune

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I was that awkward introvert in high school. Actually, I’m still that awkward introvert now, as easily talked over in editorial board meetings as I always have been at the lunchroom table. As a consequence I’ll gladly take any help I can get on my street cred. No doubt it will have to come from others. I get rejection emails from agents saying I’m just not famous enough to merit attention, so I guess I’ll have to bask in the glory of strangers. I do have a famous brother-in-law. It also turns out that I’m also only 43-degrees separated from J. R. R. Tolkien. I’ll take it!

One of the beauties of genealogy is that we learn we’re all connected. As much as we might want to distance ourselves from any unsightly Trumps in the family tree, we are all, at some remove, related. J. R. R., as those of us in the fam like to call him, had a common great uncle who had some descendants who by marriage became connected to the obscure Tauberschmidt family, of which I’m a member. I posted some time back on my degrees of separation from Bob Dylan, but the closest near miss to fame in my background is Melvin Purvis, “the man who shot Dillinger.” Even he’s only related by marriage. Still, I can’t help but wonder if we all took our relations seriously if it might not help to understand that when we oppress anyone we’re actually violating our own family. Makes you think.

Wiki-Tree is a great place for finding connections. Unfortunately I don’t have much time for genealogy anymore. I used to spend quite a bit of time at it and now I can’t even find my paper files. Those of us on the obscure end of the human continuum have to take whatever jobs we’re offered, even if it means moving so many times that those family tree files from pre-electronic days get buried in the back of some attic crawl space in your rental. So it goes. I’m sure J. R. R. had his own rough times. At least he doesn’t have to try to get published in today’s market. I suspect that if the Inklings were to meet today they’d all be chatting about the merits of self-publishing on Amazon. In ebook form. Publishing’s not for the feint-hearted. So as I open yet another pinhead email, I think of my 43rd cousin and smile.

Oxford Haunts

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When I travel, when I have time to plan, I like to visit the haunts of literary figures. It would be difficult to think of two more influential (or abbreviation-ridden) English writers than J. R. R. Tolkien and C. S. Lewis. Both Oxford men, they liked to drink, I believe, at the Lamb and Flag. I stopped by to see, but just in case it was actually the Eagle and Child, I back-tracked to see it as well. Post-war Oxford was a place for an academic to write, and C. S. Lewis has influenced an entire generation of evangelical fans who overlook his penchant for drinking, and J. R. R. Tolkien seems to have invented the perfect fodder for CGI animators. Perhaps there was something in the air. Although no less of a literary talent, it may be less common to hear Thomas Hardy’s name. He is rumored to have written Jude the Obscure, appropriately, mostly in this pub. Good to know there’s someone else so obscure, by definition. It’s hard not to feel scholarly in Oxford.

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I have to confess, I dressed the part. I wore my Harris Tweed jacket and my Edinburgh school tie. It was a beautiful spring day, the like of which were extremely rare in Scotland some two decades ago. Not knowing that my business trip would offer the opportunities to explore the city a little, I hadn’t done much homework. A colleague suggested I stop into St. John’s College to look at the gardens. They’re only open from 1 to 5, and I timed it right to get there shortly before closing. Students wandering out in jeans, staring at their smartphones, could have been students at any number of universities I’ve known. The setting was, however, quite beautiful. There seems to be evidence that they don’t walk on the lawn. Tradition is treated with considerable respect here. Although, upon closer look, graffiti does make an appearance now and again.

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As I was stepping out the door of St. John’s, a family from eastern Asia was coming in. It was near closing time. The father asked me if this was Oxford University. I explained that it was part of Oxford University, but that the university was quite large and was all around the town. As he pressed me for more information, I wondered why he was asking an American who’d only been to Oxford once before about the place; I hadn’t done my homework, after all. Then it occurred to me. I was dressed rather like a prototypical professor. The tweed, the beard, the glasses, the consistently confused look on my face—I’d been mistaken for an university professor. I stepped outside and looked around. In a different time, perhaps it would have been true. And maybe Tolkien and Lewis would have lifted a warm pint in a cold pub and we all might have learned something.

Twilight Zones

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It was twilight last night when I drove into Binghamton. My thoughts naturally turned to The Twilight Zone since one of my childhood heroes, Rod Serling, had grown up here. Binghamton University was also the professional home of novelist John Gardner, of Grendel fame. Seeing the colorful leaves fading to the gray of a falling evening, I thought of how evocative a word “twilight” is. We are creatures with an in-born fear of the dark and twilight is our last hope of light before the night settles in. Maybe it was having just so recently read Grendel, but twilight and gods together brought “the twilight of the gods” to mind (it might have helped that a sudden thunderstorm broke out at the moment). When I first saw the word Götterdämmerung, in junior high school, I thought it must be a potent swear word, what with all those doubled letters and umlauts. My German teacher calmly explained that it was the fourth and final cycle of Richard Wagner’s opera, Der Ring des Nibelungen and it translated to Twilight of the Gods. It is itself a translation of the Norse word Ragnarök, with its single umlaut. Even though it wasn’t swearing, the concept sent a shiver through me anyhow.

I’ve never sat through a performance of The Ring, but I have heard the music with its famous Ride of the Valkyries. Based on Norse and Germanic mythologies, The Ring has deep roots in a pagan mythology where night plays a prominent role. Although J. R. R. Tolkien denied having been inspired by Wagner’s work (there was a certain political incorrectness to it, along about the early-to-mid-1940s), both four-part cycles draw on the Norse mythology that continues to fascinate us with movies like Thor and The Avengers. What impacted my young mind the most, however, was the very concept that the gods could be defeated. How was such a thing even possible? We were raised to believe good conquers evil. How can the gods—even pagan ones—lose? It was a world-distorting concept for someone yet to face high school.

Last night I was literally in the twilight zone. Having driven through the Endless Mountains region where autumn’s reds and yellows inspired me with just how colorful death can be (a European friend once confessed to me that driving along a wooded road in Pennsylvania his first autumn here he had to pull over and weep for the beauty), twilight was already on my mind. October fades into the twilight of the year. The mythologies of the northern races, the Norse and the Celts, seem almost obsessed with the ominous, growing darkness. There is a beauty to it, but also an abiding fear. Are the gods powerful enough? It was a question first raised when my eye fell on that striking word Götterdämmerung that somehow became a part of me.

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