Speaking of The Wicker Man

The TheoFantastique website is older than my blog and, I suspect, has more followers.  I was immediately struck when I first found it in my early days of blogging.  Seeing that the fantastic—genres that include sci-fi, horror, and some adventure material—often comments on and often uses religion as its milieu, the site features many posts about topics I find compelling.  Over the years I’ve had the opportunity to get to know John Morehead, the creator and builder of the site and he has kindly agreed to interview me about each of my books that deal with these topics.  The links to those interviews (which can all be found on YouTube) are on the “Social Media & Interviews” page of this blog.  Just yesterday John recorded and posted an interview on The Wicker Man.

There is a small community of us that explore these connections between religion and pop culture.  My interests, as careful readers will know, is really with monsters but I’m still learning how to write about such things and, more importantly, to do so with limited resources.  That often means analyzing films because they are accessible whereas research trips to libraries and locations that monsters dwell isn’t really conducive to a 9-2-5 job with no sabbaticals or even summer or holiday breaks (capitalism is relentless).  I can take in a movie or two over a weekend without leaving home and I can use my writing time to explore them.  Thus Holy Horror, Nightmares with the Bible, and The Wicker Man were born.  And interviews about them can all be found on TheoFantastique as well.  There’s also much, much more there.

By the way, John is also quite a capable author and editor.  He’s got wonderful books to his credit as well.  Some of them appear on this website and the others I haven’t got around to reading yet.  (My “to read” list is about as long as the Burj Khalifa is high.)  I often think that being a full-time reader should be a job.  It is, I guess, if your own books sell well enough.  Otherwise you need to work around the long days at the office to make ends meet.  But I digress.  In this era of information via recorded media, online interviews are key to getting word out about your book.  Coincidentally, quite unexpectedly a single hardback copy of The Wicker Man arrived just yesterday as well.  That always helps when it comes to bookends.  But it may help to watch the interview before just diving in.


More about Nightmares

I became aware of TheoFantastique many years ago.  Being new to social media myself, I was impressed at how professional and intelligent the site was.  Eventually I decided to introduce myself to John Morehead, the creator behind it.  (It is possible to be shy on the internet, so this took a few years.)  When Holy Horror came out I asked if TheoFantastique would post a review of it and got an even better response with an interview.  Now that Nightmares with the Bible is out the tradition has been kept going.  If you’d like to see an interview on the book take a look here.  One of the topics that comes up in discussion is how popular culture—TheoFantastique is cleverly named in that regard—influences the way we think about religion.

Religious studies was, not so long ago, a growing field.  Many of us have been trying to understand why interest began to sag, somewhat abruptly, and came to the point that it now feels like an endangered species.  Two of the consequences of this are important: one is that we don’t invest in studying what motivates just about everything in American politics and society, and the second is that the average person gets her or his information about religion from popular culture.  Movies, for example, are impactful, brief, and entertaining.  Humans are visual learners and although books punch above their weight in the learning division, having someone show you something is faster and requires less commitment than reading.  Academics, most of whom love reading, have been very slow to cotton onto this fact.  Society learns by looking.

That observation stands behind both Holy Horror and Nightmares with the Bible.  Both of these explorations look at how people come to understand two aspects of religion: the Bible and demons.  Instead of attempting to tackle all of religious studies (nobody can) or all of cinema (ditto), these books look at the horror genre to see how fans come to understand the Good Book.  As the interview explores, other scholars—mostly younger ones—are beginning to realize this is where people live.  It’s rare to find someone who commits to reading an academic monograph unless they’re in the academy.  Even academics, however, watch movies.  When the locus of information shifts to popular culture we need to start taking seriously what popular culture says.  More people will watch The Exorcist than will ever read an academic monograph about demons.  If we want to understand how people understand religion—what religion is—we need to pay attention.  And TheoFantastique is a great place to start.