Heaven Unawares

UninvitedIn order to have this book fit my blog, I’ll begin with a spoiler alert. If you plan to read Cat Winters’ The Uninvited, I will be giving away information below. Please believe me when I say it’s not intended to be persnickety by this preface, but I know what it’s like to enter a book knowing too much.

When autumn comes around I like to find a ghost story or two to read, to settle into what seems to be a primal urge connecting harvest with death. Sometimes the books I find are advertised in places like the Library Journal, or Publishers Weekly (which I see more like biannually). More often than not, however, they are books that I spy at a store. The Uninvited stared at me from a table. I picked it up, read the blurbs, and put it back. A week later I stopped in again and picked it up. It is a moody tale set during the First World War and the influenza epidemic. That was a time, I suspect, of great fear. And many ghosts. It’s easy to see why Winters chose such a time to set a tale. Still, the narrative is gentle and despite the places where the language sounds too modern, it is artfully told. Like most ghost stories it is a love story. Seriously folks, here come some spoilers!

The protagonist, Ivy, falls in love with Daniel, a German immigrant living in Buchanan, Illinois during the war. Germans have been under suspicion and lynchings have occurred. We come to learn, as in many ghost stories, that the protagonist and her lover were both victims—he of a lynching, she of the flu. He’s aware they’re dead, she’s not. The novel is one of Ivy’s growing self-realization that she’s deceased. While avoiding those who spy on Germans, she discovers the joys of an interracial, prohibition-free (being prior to prohibition, of course, but the idea was in the air) club where jazz is played all night long. She wants to bring her lover to the club, which is just across the street from his apartment, but he is German and feels he would not be welcome. The reader at this point doesn’t realize the two are dead. Once Ivy discovers the truth, she realizes that the club is actually Heaven. The reluctant ghosts, lost, stay away. She tries to convince them to come.

Heaven has been portrayed in many ways in literature. Although I find jazz very difficult to bear (it is like being inside a beehive without a bee suit, to me) the idea that Heaven is complete and utter acceptance of who we are is a compelling one. Religions are often all about change—how we must alter who we are to merit Heaven or Nirvana or whatever might await us at the end. Winters suggests that it is a place where people can be who they are and nobody will try to make you be any different than you were created. It is a comforting idea. It is my personal hope, however, that there might be a few different clubs in town and that some of them might be playing music other than jazz.


Disconnect the Dots

In the on-going loss of touch between academia and the world outside, we forever hear of the triumphal march of secularism. Academics are often loath to see the habits of the laity as being of much significance. In the book industry, however, publishers have to pay attention to what the public reads. This is one reason, I’m discovering, that some academics find it difficult to publish. Some research topics just don’t reach the wider readership’s interest. It’s an editor’s job to try to match readers with books. Among the tools we use are magazines such as Publisher’s Weekly and the Library Journal. Although it is impossible to say what people are actually reading, these periodicals trace buying and checking-out habits. And it doesn’t take a genius to see that books somehow tied to religion are frequently at the top of the list. One of the great industry trackers, Bowker, even has three distinct databases for book sales: children’s, academic, and Christian. Religion, in other words, is of tremendous interest.

IMG_1279In the January issue of the Library Journal, for instance, there is the list of top books checked out of libraries since the last reporting period. Topping the non-fiction lists? The top four spots are occupied by books tied in some way to religion: David and Goliath, Killing Jesus, I Am Malala, and Zealot. People want to know about religion. Academics just don’t want to hear it. As a perpetual bride’s maid, metaphorically speaking, of the higher education that jilted me almost a decade ago, I hopefully watch hiring trends as the rejection letters pile up in my inbox. It is a diminishing pool. Look at the industry reporting tools: religion is irrelevant at best, puerile or worse when it comes to measuring maturity. People are dying over it, but we’d rather just not know. No wonder they call it the ivory tower—spotless as, well, a bride.

It is often a surprise to many academics how few people buy their books. As someone who had written a couple of academic tomes, I know how I daydream that my work on some obscure topic will take off and suddenly appear in the Library Journal, or Publisher’s Weekly. In actuality, the reading public will decide on the basis of what publishers make available. A writer such as myself, an independent scholar, lacks credibility and is not asked to write books. And universities aren’t hiring scholars of religion much any more. Some seminaries have even moved more toward the secular in their hiring practices, since, universities tell them, that’s the direction things are going. Those who buy books, or check them out from libraries, however, are telling a much different story. But we are much too sophisticated to look for signs among the laity. The more we progress in knowledge, the less we really know.