Casing the Promised Land

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In one of the great ironies of the English language “flammable” and “inflammable” mean the same thing. Sometimes an extra syllable can make all the difference. “Ideas are incombustible,” wrote Ellen Hopkins in the final stanza of “Manifesto.” Unlike inflammable, that which is incombustible can’t be burned away. Most literally expressed in Ray Bradbury’s Fahrenheit 451, ideas are, however, endangered in a culture that claims to support them while secretly allowing them to be banned. Orwell called it doublespeak, and we all owe it to our heirs to fight it wherever we can. Sometimes the promised land may not be all that it seems. Can the brave truly be this afraid? Some politicians think “Born in the USA” is a complimentary song. Never has there been a better case for emphasizing literacy.

We fear the ideas our children might encounter, making them into the people they are meant to be. I’d like to return to an idea I broached at the beginning of this year’s Banned Book Week—the Bible has been a banned book. According to the antics of various preachers and vigilantes, so have been the Quran and the Book of Mormon. Destroying books or their authors, however, only creates martyrs. Until the world begins to understand that memes are more durable than genes we will fight our futile wars to drive the thoughts away. Azar Nafisi in Reading Lolita in Tehran tells of how some regimes want to control even our dreams. As if cutting the wings from angels were even possible. How do you physically cut an incorporeal being? Some may need to look “incorporeal” up in a dictionary.

I can’t remember when I started to read for fun, but I do know I haven’t been able to stop since. I have no idea how many books I’ve read, but it certainly comes out to more than the money I’ve ever been able to save. I write this with not an iota of regret. In my humble opinion people are products of the books they read, the songs they hear, the movies they watch. Ideas. Ideas permeate us and we, like sponges, absorb our nutrients from them. Inevitably we come to resemble the concepts we ingest. Ingesting concepts is perhaps the best way to think of Banned Book Week. Inflammable and flammable mean the same thing. Incombustible, however, is something completely different.

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Academic Freedom

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Azusa Pacific University, 2013. Emmanuel Christian Seminary, 2012. Interdenominational Theological Center, 2012. University of Illinois, 2010. Carroll College, 2005. Nashotah House Episcopal Seminary, 2005. Unfortunately the list could go on and on. Academic institutions in the land of the free and the home of the brave dismissing faculty for saying or writing something that offended their doctrines. This is the land of my birth, and yet I’m still rocked by its permissiveness. That’s not permissiveness in that sense. I was latterly working on a paper called “the myth of academic freedom.” I know too many people for whom that myth has become a reality and all the while the governments, state and national, try to decide on more important issues such as whether or not to give children equal opportunity, our institutions crumble for petty points of pretentious pugilistic piety. Not only books may be banned, but those who potentially write them as well.

“You say you’re afraid for America,” Ellen Hopkins’s “Manifesto” suggests. Academics, of all people, should be afraid. Our society asks us to borrow thousands and thousands of dollars to become experts in some obscure topic only to release us from any possibility of finding employment that allows us to pay off said debt. “I don’t need no arms around me,” but I sure could use a podium in front of me. I am afraid for America. I am afraid for a nation that doesn’t defend its thinkers, instead following the wealthy to the peak of an unscalable Everest.

Academic freedom was once the guarantee that no question was disallowed, no thought anathema. We live in a time of pronounced conservative pushback, where those who feel threatened by knowledge persecute those who dare to think. Ironically in this situation many academics have become complacent. Having a place of your own, and the compunction not to make waves in this bathtub will allow your toy boat to float for many a year. Long enough to reach safe harbor. Beneath the surface shipwrecks lurk and books will never be written. Banned books are easiest to engineer at the aborted career stage. Even a pro-lifer knows that.

They don't write 'em like that anymore...

They don’t write ’em like that anymore…

Lola Lolita

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LolitaAs a father, Vladimir Nabokov’s Lolita is difficult to read. With Banned Book Week upon us, however, and with my wife suggesting I read Reading Lolita in Tehran, I figured I’d better read Lolita in New Jersey first. It’s not the kind of book you want to be seen reading on the bus. As is well known, the novel is written from the sympathetic point of view of a pedophile. It is distinctly creepy and yet also strangely sincere. Effacing the distinctions between love and lust and healthy and ill psyches, the story draws you into the life of a single-minded Humbert Humbert and his twelve-year-old obsession. I had been prepared for the end of the story, having seen Stanley Kubrick’s cinematic version some years ago, still, this tale distresses. Banned books take us to places we’d rather not be, and cause us to linger there. This is part of their secret appeal. These authors are honest enough to make us question assumptions. You have floated out of sight of land.

Lolita, through euphony, if not something more, reminds me of “Lola.” The Kink’s hit. I first heard “Lola” while I was in seminary, although it had been released a decade and a half earlier (I tend to run a little behind the times). When I listen to songs I pay attention to the lyrics, and I was disturbed to find that “Lola” was a catchy tune with a (to me, at the time) disturbing message. I confessed to a friend that I liked the song, but wasn’t sure that I should. We ban songs just as we ban books, because they bring us to a place where we question what we thought we knew. In my case, it often doesn’t take much. My friend Dave gave sage advice not to overthink the whole thing. If you like a song, you like a song. Let the music play on.

“You say you’re afraid for children,” Ellen Hopkins’s second stanza of “Manifesto” begins. (I confess to following a different scansion of the poem, call it poetic license.) I believe, however, our fear is for ourselves. We know that we could have a monster lurking inside. Lolita does not encourage pedophilia. Like many social crimes, pedophilia is the manifestation of an illness that some people, like sociopaths, unfortunately suffer. The lack of empathy for others is a frightening thing indeed. It makes for some of the scariest movies, and headlines, that I have ever seen. We do ourselves no favors, however, by pretending it doesn’t exist. I know little of the life of Nabokov, but I know that he died in Montreux. I know that he could afford to live there at least in part because of the royalties from Lolita, a novel whose manuscript he had once attempted to burn. And I know that in Montreux “some stupid with a flare gun,” well, you know the rest.

Acts of Apostles

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“Manifesto,” the poem that launched Banned Book Week 2010, was written by banned author Ellen Hopkins. As a perspicacious undergraduate I know pointed out, each stanza of this poem addresses an aspect of that strange cultural fear known as Banned Book Week. Her line, “false
patriots who live in fear of discourse,” in stanza one makes me tremble each time. You see, it is easy to believe that censorship applies only to Nazis goose-stepping around bonfires with books flying through the air like a Steven Spielberg movie, or even, more recently, The Book Thief (the book is better than the movie), or godless Communists. That fear, however, travels both forward and backward in time. The Patriot Act has been at work effacing liberty for several years now, and people too fond of fear are unwilling to withdraw it. The world of frightening ideas in which we live, however, is nothing new. Literary artists bring us to uncomfortable places. That’s why we read them.

If we turn history’s pages back to the Nazis, we find ourselves sitting in judgment over their cowardly act of book burning. Those who never read of the phoenix are swift to recreate the myth. But we do history a disservice if we stop there. I was recently reminded that burning books has a biblical precedent. According to Acts 19.19, while Paul was performing miracles in Ephesus, those who were converted brought out their books of magic and burned them, to the approval of the nascent Christian movement. A Bible that advocates the burning of books is ironic, for the Bible itself has been banned in parts of the world. What greater crime against humanity can there be than the deliberate destruction of its own cultural heritage? We don’t believe in magic any more, but we still burn books.

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Owen Davies, in his book Grimoires, shows that the practice goes back even further, with Romans burning books of magic as early as 186 B.C.E. There is a perverse symbolism at work here. As someone who admires, but can’t afford, antique books, the thought of ancient documents intentionally destroyed appears as one of the most easily preventable of cultural crimes. Sometimes as I hurry through the Port Authority Bus Terminal to reach my gate, I see the military guards with machine guns and full combat fatigues and I hope that they don’t stop me to search my bag. The only thing I’m carrying is books. Books, however, convey ideas. Banned Book Week reminds us each year that ideas are essential to the life of the mind. They may be burned or banned, but they will live on. The cost, however, may never be fully recovered by the society that permits its ideas to be incinerated.