Gallows Hill

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Over the past couple of weeks it has been in the news that the site of the “witch” hangings in Salem, Massachusetts has been identified. The actual site had long been suspected, and it was only recently confirmed by a group of historians using the empirical evidence available to historians. Although my interest in the Salem trials pre-dated my wife, nothing brings you so close to history as being a part of it. Descended from the brother of three of the women accused of being witches at Salem, my wife brings a sense of reality to the tragic accusations of three centuries ago. Although toyed about in the media (an episode of Sleepy Hollow, “Spellcaster,” in season two, featured an actual Salem witch) the fact is that nineteen innocent people were executed for a fanciful belief that the Devil was roaming about New England, and when you can’t catch the Devil, you have to use a scapegoat.

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One of those investigating the location of Gallows Hill was Benjamin Ray of the University of Virginia. I’m sure Professor Ray wouldn’t remember me, but one day as I was doing a campus visit for Routledge, I had taken AmTrak to Charlottesville to visit the religion department. Many of the faculty declined to see me, and as I sat on a bench in the hall (one of my academic dates had stood me up), Dr. Ray walked up to me and asked me if he could help. I explained who I was and he invited me to his office where we talked about Salem. I told him was wife was related to Rebecca Nurse, Mary Eastey and Sarah Cloyce, the two former, as he knew, executed for an imaginary crime, and the third accused. A strange quiet settled over the office. He told me his interest began because he too had descended from a Salem family. His ancestor, however, had been an accuser rather than a victim. It was a strange rapprochement. Opposite sides brought together in scholarship.

What truly frightens me about Salem is that we have not outgrown it. Presidential hopefuls spew the same fear and hatred toward Muslims, the hispanic immigrants who make our economy possible, and women (this should sound familiar) trying to “take the place of” men. And the crowds cheer, as crowds will do. Even though Donald Trump cussed twice in his Liberty University speech (an infraction for which a student would have to pay), President Jerry Falwell, Jr. (typing that makes me shudder) shrugged it off saying that we’re all sinners. Some sinners, however, carry a wicked, knotted rope with them while other sinners try to eke out a living in a nation where some can get rich by owning casinos while others frantically spend their inadequate cash hoping to win Powerball. We now know where innocent people accused of witchcraft died, but have we learned anything from it over these past three centuries?

Fear and Dissembling

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The ConjuringLast year, when The Conjuring was released, it quickly became one of the (if not the) top earning horror films of all time at the box office. Based on a “true case” of Ed and Lorraine Warren—real life paranormal investigators—the film is a demonic possession movie that ties in the Warren’s most notorious case of a haunted (or possessed) doll, with a haunting of the Perron family of Rhode Island. (The Warrens were also known as the investigators behind the Lutz family in the case of the “Amityville Horror,” showing their pedigree in the field.) Given that Halloween has been in the air, I decided to give it a viewing. As with most horror movies, the events have to be dramatized in order to fit cinematographic expectations. Apparently the Warrens did believe the Perron house was possessed by a witch. In the film this became somewhat personal as the dialogue tied her in with Mary Eastey, who was hanged as a witch at Salem (and who was a great-great (and a few more greats) aunt of my wife). Bringing this cheap shot into the film immediately made the remainder of it seem like fiction of a baser sort.

Witches may be standard Halloween fare, but when innocent women executed for the religious imagination are brought into it, justice demands separating fact from fiction. Writers of all sorts have toyed with the idea of real witches in Salem—it was a trope H. P. Lovecraft explored freely—but there is no pretense of misappropriation here. Lovecraft did not believe in witchcraft and made no attempt to present those tragically murdered as what the religious imagination made them out to be. The Conjuring could have done better here. It reminds me of Mr. Ullman having to drop the line about the Overlook Hotel being built on an Indian burial ground. Was that really necessary? (Well, Room 237 has those who suggest it is, in all fairness.) The actual past of oppressed peoples is scary enough without putting it behind horror entertainment.

A doctoral student in sociology interviewed me while I was at Boston University. She’d put an ad in the paper (there was no public internet those days) for students who watched horror movies. I was a bit surprised when I realized that I did. I had avoided the demonic ones, but I had been in the theatre the opening week of A Nightmare on Elm Street (on a date, no less) and things had grown from there. I recall my answer to her question of why I thought I did it: it is better to feel scared than to feel nothing at all. Thinking over the oppressed groups that have lived in fear, in reality, I have been reassessing that statement. What do you really know when you’re a student? As I’ve watched horror movies over the years, I have come to realize that the fantasy world they represent is an escape from a reality which, if viewed directly, may be far more scary than conjured ghosts.