Dead Sea Souls

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The Dead Sea Scrolls are coming to Times Square. Times Square is the kind of place where you know your being sworn at, but you’re never really sure in what language. It is a place of the people. So the sacred meets the profane. Mircea Eliade would be scratching his great head with his pipe firmly in hand. The Dead Sea Scrolls are the sexiest of ancient documents. Their story has it all: mystery, intrigue, conspiracy, romance—well, maybe not romance. A chance discovery by dirt-poor Bedouin in a desert, ads being taken out in the Wall Street Journal, clandestine meetings with ancient texts being viewed through a hurricane fence in a forbidden zone. And do those scrolls ever get around! I first saw them (those that are accessible to the public) in Jerusalem. The next time was in the Field Museum in Chicago. Now I’m feeling a bit blasé about the whole thing.

Those of use who’ve spent much time (too much time) with ancient documents relating to the Bible know that the Dead Sea Scrolls require no introduction. The far more interesting (and sexy–yes, literally sexy) Ugaritic tablets still receive slack-jawed stares of unrecognition, despite their importance. Those who read the stories of Baal, Anat, El and Asherah wonder why the “Classics” only begin with Homer. People have been creative with the gods since writing began. The theme of the human race might be summed up as, “if the gods are so powerful, what am I doing in a dump like this?” Fill in the blanks—that’s religion. From the beginning, once we’d come up with gods, we began to wonder why they treat us so. People are on the receiving end and so many things can put gods into a bad mood. It’s your basic dysfunctional family.

No doubt the Dead Sea Scrolls are important. We have learned much about the context of early Christianities from them. They provide the earliest manuscript evidence for the Hebrew Bible. And they’ve got that Dead Sea mystique. When I read the story of their discovery, I understand why crowds will flock into a tight room to stare through the glass at a bit of shriveled parchment that most of them cannot read. It’s like standing next to someone famous and powerful; maybe Moses or King David. Or more famous and powerful, like George W. Bush. I know, that was the last administration. But the Scrolls come from an even earlier one. I just hope somebody will give me a call when they find one that tells what happens when Baal meets Astarte. That will be worth the price of admission! And, who knows? It might even fit in with the spirit of Times Square (pre-Disney, of course.)

The Gospel According to Caulfield

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When one is asked to cite her or his favorite theologian, J. D. Salinger isn’t likely to be in the running. He might not even make the top ten. My personal introduction to Salinger, however, took place in a theological context. While in a Cambridge (Massachusetts) bookshop with a grad school buddy, I pointed out Mircea Eliade’s classic The Sacred and the Profane, insisting that my friend read it. Never to be outdone, Dave pointed at Salinger’s Franny and Zooey and said if I bought and read it he would do the same with Eliade. The Catcher in the Rye had not been part of my high school curriculum, so I was curious what all the fuss was about. I took him up on his dare. I’m not sure Dave ever read Eliade, but I read Salinger. My first impression was, “I don’t get it.”

Now my daughter’s school does require The Catcher in the Rye, and I’ve always tried (not always successfully) to keep up with her required reading. It gives us something to talk about – I’ve read several great books I’d otherwise have missed by this exercise. So I picked up the Catcher and plowed through. Salinger, I’m sure, requires no introduction. What is noteworthy, however, is that Holden Caulfield, while avowing himself an atheist, does make subtle but pointed comments about religion. (One of the occupational hazards of being a religionist is a constantly humming radar looking for any god-talk that might otherwise blend into the haze.) Holden, in chapter 14, points out the idiotic behavior of the disciples while Jesus was alive. He admits to thinking Jesus is okay, but his favorite character is the demon-possessed man who lives among the tombs. “I like him ten times as much as the Disciples, that poor bastard,” he says.

Who is as honest as Holden?

There is true religion in this statement. The “lunatic” running about in the tombs, rejected by society and even as far from God as you can get (demon possessed), is an image of humanity. Living a life of desperate alienation, the man in the tombs appeals to angst-ridden teenagers and displaced adults alike. He is likeable because he is like us. Holden scores bonus points on that observation!

With Salinger’s recent death, a renewed interest has sprung up about his novels – books that have changed the literary landscape. I read Catcher with more inherent appreciation than I did Franny and Zooey, but I’ve grown up a little since then. As an adult I can better appreciate the honest appraisals of Holden Caulfield.