The human psyche is a fascinating study. As an undergrad I stopped just shy of a psychology minor (partially this was due to the place, but also to a haunting feeling that psychologists are often attempting to resolve their own problems). Even as an armchair psychologist there are plenty of human tendencies to note. One that I occasionally mention in this blog is pareidolia, the attribution of significance to random information. Pareidolia often comes in the form of seeing faces, entire people, or even animals, where they don’t actually exist. This has been proffered as the source of belief in everything from ghosts and aliens to God himself. No doubt pareidolia is a strong tendency in the human mind. When my family recently saw Mummenschanz this was again confirmed.
This Swiss mime troupe – pioneers in experimental theater – makes simple objects come to life. The illusion works because of pareidolia. When we saw the show, even the youngest audience members could be heard exclaiming what obviously non-human tubes, slinky-like characters, and shapeless blobs were trying to do. “It wants the balloon!” “It likes that other one!” “It feels sad.” As the various abstract pieces moved about the stage, a laugh was guaranteed if they flashed a simple round orifice at the audience that clearly perceived it as an eye. We attribute intentionality and purpose to objects unvivified without the soul of Mummenschanz inside them.
Prior to the current tour, the last time my wife and I saw Mummenschanz was about two decades ago in Edinburgh. This was long before I’d been introduced to the concept of pareidolia, and, although I enjoyed the show, the more recent experience was more profound for it. Some of the adults present without children left at intermission, perhaps not finding the abstract personalities engaging. Children, however, seemed to comprehend what was going on. This does lend credence to the power of pareidolia to make sense of a bewildering world. When faced with the unfamiliar, we put a human face on it, ascribe it intention, and call it either a deity or Mummenschanz.
