The Romantics

It takes one to know one—or so they used to say.  My current preoccupation has me learning about the Romantics.  This isn’t the same as “romance,” although both words derive from the Old French for “verse narrative.”  Novel, in German, is Roman.  In any case, Sir Walter Scott cordially embraced Washington Irving when the latter arrived unannounced at Abbotsford.  Reading the account in Irving’s own words, it sounds like a bromance, and some modern interpreters—inclined as they are to look for genital contact—have suggested Irving, a lifelong bachelor, might’ve been a homosexual.  Although there’s nothing wrong with that, I do wonder if it misunderstands the language of the Romantics.  To borrow a sentence from Andrew Burstein (more to come anon): “This had to do with intimacy, not sex as we understand it.”

I recently gave a talk about Herman Melville’s spiritual orientation.  I mentioned his close friendship with Nathaniel Hawthorne.  During the discussion period the question of whether they might’ve been lovers was raised.  I’d read this before.  I don’t know what went on in Melville’s bedroom—it’s none of my business—but I think the Romantics were all about intimacy.  We’re now familiar with the genre of bromance.  Guys, usually two, pairing off for pursuits of significance to both of them.  Or two women. I think of all the great same-sex pairings throughout literary history and wonder where we’d be without them.  Since our culture has long demonized sex, our mind is constantly creeping between the sheets.  Who touched whom?  Where and when?  Isn’t intimacy enough any more?  Where’s the Romance?  I’m no prude, but I wonder if we misread sex and the Romantics.

Louis Janmot, Poem of the Soul – On the mountain, public domain (via Wikimedia Commons)

The Romantic Movement produced the culture I taught myself living in a run-down house with no spending money.  I borrowed recordings—actual records—of Beethoven symphonies from the library that I had to listen to with headphones because nobody else wanted to hear that kind of thing.  I read Poe.  I read about Poe.  Gothic, a subset of Romanticism, became my muse.  I had no intimate friends with which to share this.  Not until seminary—that place where such unusual, unspoken things occur.  Of course I was in Boston, the most Romantic of American cities with New Bedford to the south and Salem to the north.  To the east the boundless ocean.  We still read the Romantics.  We still read about them.  I can’t help but think we might misunderstand them.  Yes, Irving and Scott were together “from morning to night,” but thinking back to my own Romantic ideals as a teenager, I suspect they just talked.  Intimately.


WWW

With a few exceptions I think we’ve lived beyond the time when a single name could spawn an industry.  I used to watch re-runs (itself an arcane concept) of The Twilight Zone when I was a kid.  These weird stories drew me in, and, it seems clear, not only me.  Rod Serling’s brainchild led to an industry and “twilight zone” became a household concept.  Lots of little books were written bearing Serling’s name in some way.  One of those paperbacks was Rod Serling’s Triple W: Witches, Warlocks and Werewolves.  I can’t remember where I picked it up, but it was a used book and it had Rod Serling’s name right there on the cover.  Going over my books to find unread gems, I picked up Triple W and sat down to find out what it was like.

None of the stories are by Serling himself.  He’s listed as the editor and he wrote a very nice little introduction.  The tales here reflect, as the subtitle indicates, witches, warlocks, and werewolves.  Some are old stories and some are fairly recent for a book published early in the 1960s.  Descriptive writing does tend to evoke a scene, but I’m often amazed at just how dated it can make a story seem.  What struck writers from the 1940s and ’50s as huge sums of money are likely less than we pay for our monthly internet bill.  Men all try to act tough and the ladies prepare dinner.  Stereotypes.  That’s somehow appropriate for this collection since most of the stories have to do with witches.  Serling was well aware of the tragedies of history, and these tales are told mostly for fun.  The scariest characters are the witch hunters (generally men).

Serling’s famed conscience shows in the choice of the final piece.  Not a story, not even fiction, Charles Mackay’s “Witch Trials and the Law” is an essay about the horrors of witch hunting.  It’s a rather sober piece with which to end a book of speculative fiction, but then Serling was always known for his impatience with injustice.  Also included is Nathaniel Hawthorne’s “Young Goodman Brown,” which I’ve been wanting to read for some time.  Given his shame at the Salem trials and his own ancestor’s part in them, it was mildly surprising that Hawthorne’s story seems to presuppose the reality of witches.  Of course, it condemns the respectable folk who, in reality, all participate in the ills of the society in which they find themselves.  In all, this collection made me think.  Not bad for an impulse purchase on what was probably a rainy afternoon.