2013 in Books

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According to goodreads.com, I read 83 books in 2013. The beginning of a new year seems a good time to assess what is memorable among the reading material of the previous twelve months. I am an eclectic reader: this informed my research when I was teaching in higher education—nobody can know everything, and it doesn’t hurt to keep an eye on what fellow researchers in “unrelated” areas are doing. I always throw in a healthy dose of novels as well. Among the novels, some of the most profound were those written for younger readers (each of the books discussed here, by the way, can be found discussed in more detail by selecting the category “books” at the right on this blog). Neil Gaiman’s The Graveyard Book, Ransom Rigg’s Miss Peregrine’s Home for Peculiar Children, Suzanne Collins’ The Hunger Games, and Markus Zusak’s The Book Thief all stand out as particularly profound. They are all, as young adult books tend to be, stories about coming to terms with the adult world. The theme of death weighs heavily in all of them. In none do the children take refuge in religion.

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Among the non-fiction offerings, revisiting my most memorable also reveals trends, I think, in how religion might be usefully applied to an increasingly secular culture. It is no easy task to choose favorites, but I see that I read three books about comic books: Mike Madrid’s The Supergirls and Divas, Dames, and Daredevils, and Christopher Knowles’ Our Gods Wear Spandex. The work of Jeffrey Kripal started me on the quest of taking superheroes seriously as sublimated religious figures. Clearly that is the case, as has become increasingly apparent in top-grossing movies. Another set of books (Thomas Nagel’s Mind and Cosmos, John Angell and Tony Marzluff’s Gifts of the Crow, and Curtis White’s The Science Delusion) highlighted some of the deeply rooted flaws of a materialist reading of the world, whether they intended to or not. Robin Coleman’s Horror Noire, and Susan Hitchcock’s Frankenstein indicated that monsters are among the most eloquent of social critics, even when they have little to say. I would recommend any of these books without hesitation.

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Some of my reading was on specific religious traditions. Maren Cardin’s Oneida, Hugh Urban’s The Church of Scientology, Sean McCloud’s Making the American Religious Fringe, and Andrew Chestnut’s Devoted to Death each showcased either a single or several traditions that have emerged in the last century or two that have had a striking impact on America’s religious morphology. Katie Edward’s Admen and Eve is a great example of how businesses have figured out that a religiously hungry society will buy, if marketing pays attention to religion. Among the most powerful books I read were Susan Cain’s Quiet and Jonathan Gottschall’s The Storytelling Animal. Being human is, after all, the most religious of experiences. Starting with fiction, I’ll end with fiction. The novels for adults I remember most vividly are those with strong female protagonists: Sheri Holman’s Witches on the Road Tonight, Piper Bayard’s Firelands, and Elizabeth Kostova’s The Historian.

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This blog offers me a chance to give brief sketches of books that have much more to say than a few words might summarize. The fact that religious ideas and themes might be found in such a range of books underlines once again that we live in a religious milieu, whether we want to admit it or not. Read on!

Almost Heaven

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OneidaUtopia. Sounds like a good idea—what’s not to like? There have been a number of attempts to form utopias in this sad, violent, and secular world, and although none have succeeded, it is difficult not to admire their spirit. The Oneida Community has long been a source of personal fascination. In that region of New York where spirituality was so urgent that many people crowded to the purveyors of new salvation, the Perfectionist sect of John Humphrey Noyes eventually settled down. Oneida: Utopian Community to Modern Corporation, by Maren Lockwood Carden, was written in the late 1960s as a sociological study of the followers of Noyes. Although the data are dated, it is a respectful, careful study of an unconventional group of utopians who managed to keep a dream of sorts alive for three decades in the latter half of the nineteenth century. If we known anything of the Victorian Era, it is that sexuality was handled with extreme delicacy and reticence. Most people would not have survived half an hour of Fox’s standard evening programming. Beneath social convention, however, they were as hot blooded as people have always been.

John Humphrey Noyes was a troubled soul. Like many institutors of religions, he was a seeker who knew what felt right but never believed he could find it. He studied theology at Yale Divinity School, and he had been profoundly moved by the Perfectionist movement. Perfectionism traces its roots to John Wesley and his perpetual need for assurance of salvation. Indeed, Noyes appears to have picked up the ideals of Perfectionism from Wesleyan theologians of the day. Noyes, however, believed that perfection on earth meant sharing everything. Well, nearly everything. Having been chased from a location or two for his radical ideas, Noyes and his followers eventually settled in Oneida, where they could practice “complex marriage” in peace. While few people remember the other doctrines of the Oneida Community, complex marriage is one from which even sociologists can’t keep their eyes. All adult members of the community were expected to love each other fully. While avoiding incestuous unions, all adults were married to all others. By practicing male continence, they kept the birth rate down, and, to the surprise of many visitors, seemed the most civil and sophisticated people around.

The Oneida Community, however, outlasted John Humphrey Noyes only by becoming a corporation. As most couples registering for their weddings even now know, Oneida tableware is considered of very high quality. The company, at least until the 1960s when Carden’s book was published, was under the leadership of one of Noyes’ descendants. Carden’s book delves into the running of the corporation as much as into complex marriage, and points out the very real impact the Oneida Community has had on America. I also think of it as a paradigm. It began as a Perfectionist utopia, a religion of (free) love and concern for all others, and ended up as a business corporation. Any number of other churches might fit into that same pattern—they begin as idealistic enterprises and end up as businesses. Perhaps this is the truly fallen state of humanity. We start out spiritual, but end up sadly entrepreneurial.