Seeing God

My daughter reminded me that one further aspect that stood out at the Red Mill Museum in Clinton was the persistence of pareidolia. Pareidolia, or matrixing, is the tendency to interpret “random” data as meaningful. More specifically, it is often used to refer to seeing a person (or entity) where it is not. As I wrote in an earlier entry, it has been suggested that pareidolia is the ultimate origin of religion.

For my purposes here, however, I wonder if the sheer amount of false faces we encountered while at the Red Mill might have some connection with the idea that the property is haunted. Somewhat of a skeptic, I am somewhat swayed by ghost accounts since they are so plentiful and since many of those who report them are reputable persons with good observation skills. Ghosts are, however, impossible to separate from some form of religious thought since they are the ultimate examples of the intangible, unmeasurable phenomenon. If there are ghosts in the laboratory, they haven’t been quantified yet.

Old buildings, which abound at sites like the Red Mill, are full of knotholes or other apertures whose original hardware has long since disappeared. Round holes, or spots, as many insects and fish “know” are easily interpreted as eyes. Add a horizontal line beneath your “eyes” and you have a basic face.

Perhaps my favorite example of pareidolia at Red Mill is an old sycamore tree. A large burl on the trunk bears a striking resemblance to a human profile. This is more easily seen in real life where the mind more easily filters out the distracting coloration and focuses on the shape. Since pareidolia is such a fascinating aspect of the human experience of the world, and since it might, conveniently, be tied to religion, this seemed to be as appropriate a venue as any other to share some great examples.


Which Way is Up?

In an article full of rare academic tropes and staid paronomasia, MSNBC announced yesterday, through LiveScience, that what appears to be an ancient “sex toy” has been found in Sweden. The object, of uncertain utility, is made of antler and dates to the Mesolithic era in that region. What has surprised the archaeologists is that the artifact apparently represents a male, rather than the more usual female, image. Two common ambiguities of antiquity come together in such a find: the sacredness with which the ancients seems to have held reproduction, and the fact that the way you look at an artifact is certain to express interpretations in line with the assessor’s.

Scholars of religion have long had to roll their eyes as archaeologists, particularly in Israel and “biblical” regions, unearth artifacts of uncertain function. Not knowing what this item might be, it is common for a find to be labeled as “religious.” This is perhaps a larger issue in “biblical” regions since so many archaeologist, particularly the influential ones of late last century, began their careers as biblical scholars or potential clergy. In the days when academic career mobility still actually existed, they could easily make the jump to archaeology, caring all their biblical baggage with them. Efforts to bolster the historicity of the Bible provide a special impetus to see objects as religious. Their actual function remains lost to history.

Even scholars see what they wish to see. It is a form of pareidolia, the finding of significance in what might otherwise be random noise. Is the Stone Age Swedish antler really a phallus or not? It is unlikely that the answer will ever be known. The context is ambiguous and the object itself is open to interpretation. Modern humans, with our own issues about sexuality, are inclined to snap suggestive objects right into that pattern. Even the specialists admit that maybe it is an object to knap flint, a common use of bone and antler material in ancient times. Or maybe it was intended as a thank you to the gods. Its interpretation may depend on which way you look at it.

Ambiguous artifacts abound


Random Faces

A friend recently sent me an issue of the Annals of Improbable Research that featured an instance of pareidolia on the back cover. Pareidolia, or the brain’s tendency to read patterns in random input – especially faces or human forms, has been a subject addressed on this blog before. Nevertheless, the phenomenon has continued to find wider exposure on the internet, and its implications continue to grow. The Cheezburger folks who brought us LOL Cats now have a site dedicated to pareidolia entitled “Happy Chair is Happy.” The question is not so much why we see faces everywhere, but what do we do about it.

Photo credit: C. Vittore, K. Tribble and D. Savala, Ann. Improbable Research

Perhaps the most prevalent uses of pareidolia in natural phenomena (human-made objects are often funny or uncanny, but the faces may be there by intentional design) revolve around the supernatural. Would-be ghost hunters find what looks like a face in a window or shadowy corner and interpret it as a disembodied spirit. Religious believers of various faiths find the faces of their founders or leaders in natural noise. A tract I saw as a child told the heart-wrenching story of a woman who’d given up hope. She randomly took a photograph of her garden and when she developed it (this was back when film was actually still in use), she found the face of Jesus in among the leaves. Her angst alleviated, she went on to face life with a fresh sense of possibilities.

We often see what is not really there. On a visit to my niece last year, while waiting in the car outside her dorm, I saw a shadow on the wall that looked exactly like the recently deceased Michael Jackson. The shadow was cast by security lights through a bush, but the face was unmistakable. To test my observation, I asked my niece – who knew nothing of the fleeting rock star on the side of her building – if she could see it. Immediately it became obvious to her. An epiphany of Michael Jackson may be a religious event, or at least a supernatural one, to some. In reality it was a temporary arrangement of leaves aligned just right to catch a security light to form a public icon. Putting faith in pareidolia is a very haphazard source of security. However, if it helps someone deal with the stresses and strains of life, what harm is there in seeing Jesus (or Michael Jackson) where he really isn’t present?


Changing Faces of the Divine

One of the most intriguing books I’ve read on the origin of religion in the past few months has been Stewart Guthrie’s Faces in the Clouds (Oxford, 1993). Guthrie offers the suggestion that our in-born, evolutionarily driven need to see people or faces, even where these are false positives, may have led to the concept of god/s. As a respectable academic, I am obligated never to agree completely with anyone, but Guthrie seems to be onto something here. When I’m jogging in the pre-dawn hours it is amazing how many people are about — that is, until I get close enough to see that they are a small tree or a tall newspaper stand. We do see what we consider important everywhere.

The picture says it all.

The picture says it all.

Having recently stumbled upon “Ghost Hunters,” I am amazed at how quickly some people (with the obvious exception of Jason, Grant, and the TAPS team) are inclined to claim a human shape to be a supernatural entity. This phenomenon is ubiquitous. On the web, while looking to find a good example of pareidolia to present to my class, I found an image of Michael Jackson’s face seared onto a piece of toast. If ever a divine sign was needed, here it is indeed! A more prosaic example was a natural water-stain I found on a saucepan in my own kitchen. I picked it up and asked my wife what she saw, just to assure myself I alone wasn’t crazy. Take a look and see what you see!

It looks like an oriental man reclining to me; perhaps an oriental Jesus?

It looks like an eastern Asian man reclining to me; perhaps an oriental Jesus?

Ancient religions were quick to put human forms on dangerous, threatening, or awe-inspiring phenomena. Lightning and thunder became the purview of Baal. It is a natural defense mechanism: you can pray to or offer a tasty animal sacrifice to Baal and the terrible storm will stop. Of course, in time nature itself would take care of it too. One summer at Nashotah House, however, the storms kept on coming. It was termed a “recurrent mesoscale convective system” by the meteorologists, but to the Baal worshiper it would seem that nothing could assuage the divine anger. Baal kept coming back at you. I have a photo in a shoebox somewhere of me standing nearly up to my knees in the icy rain water. Better to consider it human than to face unfeeling nature.

Today people still look for faces in the clouds to allay their fears. But we also have a rudimentary understanding of the physics of our universe. When people are forced to choose between facts and faces, when fear or extreme desire comes into the equation, the safe odds are always on the faces.