Downtowns

Leave a comment

I recently wrote about the movie Peeping Tom.  I mentioned a scene, particularly creepy, where a news agent sells a girl a candy bar after selling an older man pornography.  Writing about this reminded me of my own youth.  After we’d moved to Rouseville, the nearest town with shops in western Pennsylvania was Oil City.  It had a reasonable downtown then—a couple of blocks with a Woolworth’s, Thrift Drugs, a movie theater (the lamented, lost Drake), stationary stores, and the like.  By the time I was in fifth grade I’d begun to discover books.  (Ours was not a reading family, being much more of the television crowd.)  Finding books in Oil City was a bit of a challenge.  There wasn’t a bookstore.  The nearest regular bookshop was all the way over in Meadville, and Mom didn’t want to drive that far too often.

I’ve noted before that I bought used books at the Goodwill up in Seneca (where we bought clothes and household items as well).  If you stayed downtown in Oil City, though, you could find books for less than a dollar in a bin at Woolworth’s.  (I still have a few of those cheaply printed and bound “Easy Eye” editions on my shelf.)  There was, however, just a door or two down, a mysterious shop where I’d spied a rotating wire rack of paperbacks.  I was curious and although Mom never forbade us to go in, she certainly didn’t encourage it.  I was a tween ravenous for new reading material.  This shop also sold magazines and tobacco products.  Some of the magazines had their covers obscured, and although on the cusp of puberty, I was really only after books.

One time I went in to give the wire rack a whirl.  I seem to recall that the owner gave a rather wry look when a minor, myopically focused on books, wandered in.  The fare there was not what I was used to.  There was a novel about Bigfoot, I recall.  I thought maybe that would be of interest, but I didn’t buy it.  When I walked out, I had that creepy feeling that seedy places seem to leave palpably on your skin.  I guess it might’ve been the feeling of that innocent little girl wandering into a shop selling nudie pictures to buy a candy bar—probably because it was the closest shop to home.  Such downtowns, and undoubtedly, such stores still exist.  They’ve become rare.  Downtown Oil City is no longer recognizable when I go there.  Now, it seems, there’s nowhere to buy books at all.

Not a Peep

1 Comment

Time changes everything.  Peeping Tom, which has been on my list for some years, was castigated when it was released in 1960.  Now it’s considered a classic.  Indeed, it’s frequently discussed in books analyzing horror films, and it had a bit of influence on Alfred Hitchcock.  Films like this must be watched as period pieces, of course, but there’s so much psychology here to unpack that I wonder if it’s used in mental health courses.  Mark Lewis is a loner who inherited a spacious London house from his father.  He lets out the downstairs rooms but keeps to himself upstairs.  One of the reasons is that he realizes that he’s mentally unstable.  He’s a serial killer, in fact.  His young downstairs neighbor takes a shine to him and he reveals, via film, that his father tormented him as a child to film his fear reactions.

As an adult, Mark works in the film industry.  He also kills women while filming them to capture their fear reactions—taking his father’s work a step further.  Although shy, he is charming enough to others.  When he sees a fear reaction, however, he feels compelled to murder.  The neighbor downstairs doesn’t suspect him, but her ocularly challenged mother does.  Thinking back over it, many moments reminded me of a racier version of Hitch.  Racy because Mark picks up money on the side by taking boudoir photographs that the local news shop sells to certain customers.  This is a creepy film and perhaps the creepiest scene is where a local girl, well underage, comes into the news shop to buy a candy bar just after the owner sells an older man a pornography book.  We don’t like to admit that such things could happen.

There is so much going on in this movie that it’s clear, at least to me, why it has garnered such acclaim.  I spent the first twenty minutes or so wondering whether I should really be watching, but as I stayed with it I couldn’t look away (which is one of the very self-reflective issues that the film addresses).  The analyses I’ve read never really went into detail regarding the plot, so there were plenty of places where I wondered what would happen next.  The pacing is more in keeping with the turn of the sixties, but the mind work seems ahead of its time.  Some call it a precursor to slashers, but it doesn’t linger on the actual bloodshed (which is minimal, considering).  It does take its time to make you think while you watch.  And somehow it makes viewers complicit, it feels, with what they’ve seen.