Star Struck

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One of the coveted symbols of approval in my childhood was the star at the top of a paper. I watched in amazement (perhaps because they were so rare) when a teacher would inscribe a star without lifting her pencil from the paper. I thought I had never seen anything so perfectly formed. Of course, in my teenage years under the influence of Jack T. Chick and his ilk, I learned that the five-pointed star, especially in a circle, and more especially upside-down in a circle, was a satanic symbol. My childhood achievements had been, apparently, a demonic blunder. This fear of geometry still persists in America, as a story of a woman in Tennessee fighting to have “pentagrams” removed from school buses shows. The woman, who has received death threats and therefor remains anonymous, took a picture of the offending LEDs and has asked, out of religious fairness, to have the satanic symbols removed from the bus. The news reports are almost as tragi-comic as the complaint.

600px-Hugieia-pentagram

The pentagram, or pentacle, has a long history, some suggest going back to the Mesopotamians. (Uh-oh! We know how they loved their magic!) In fact, the symbol was benign in religious terms until it was adopted by Christians as symbolic of the “five wounds” (zounds!) of Christ. The symbol could also be used for virtue or other wholesome meanings. The development of Wicca began in earnest only last century, although it has earlier roots. Some late Medieval occultists saw the star as a magic symbol, and the inverted pentagram was first called a symbol of “evil” in the late 1800s. As a newish religion seeking symbols to represent its virtues, Wicca adopted the pentagram and some conservative Christian groups began to argue it was satanic, representing a goat head. (The capital A represents an ox head, so there may be something to this goat. I’m not sure why goats are evil, however.) Wicca, however, is not Satanism, and is certainly not wicked.

Symbols, it is sometimes difficult to remember, have no inherent meaning. Crosses may be seen in some telephone poles and in any architectural feature that requires right angles. The swastika was a sacred symbol among various Indian religions, long before being usurped by the Nazis. And the pentagram was claimed by various religions, including Christianity, long before it was declared dangerous by some Christian groups. There may be a coven in Tennessee seeking to covert children by designing and installing taillights of school buses, but I rather doubt it. School children feel about their buses as I feel about mine on a long commute to work each day. A kind of necessary evil. The truly satanic part, I suspect just about every day, is the commute itself. There must be easier ways to win converts.

Symbolic Confusion

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While on a drive through New England, we were discussing Islam with our daughter. Now I’m no expert on Islam, but I have covered it in a few classes. It has had a presence in America for a couple of centuries at least, probably first arriving with slaves from Africa. As we drove into Springfield, Massachusetts, I saw four slender towers rising into the sky off the highway and said, “Look, it’s a mosque,” supposing the towers to be minarets. When we drew closer, it was clear that these were really just the decorated finials of a quite secular bridge. Embarrassed at my mistake, my family was kind enough to console me with the suggestion that the four towers from that angle did look like the accoutrements of a mosque. (Earlier in the day I had seen my first Sikh temple in Connecticut, so the mistake might be at least slightly justified.) My wife mentioned how misidentified symbolism could be confusing. This spurred me to consider how symbolism frequently becomes a stand-in for reality.

I’ve been reading about witches lately. Like many legendary fears, witches can be interpreted in many ways. They have their origins in the belief that nature may be manipulated by will over a distance and had been feared for the effectiveness of their powerful spells. After the tragic witch-hunts of the Middle Ages ran their horrible course, witches came to be seen as the result of overactive imaginations and rampant superstition. The modern Pagan movement has revitalized the witch in a somewhat safer environment, and has applied various symbols to it. Thor’s hammer, the ankh, and the pentacle are considered the symbols of modern witches by various covens and practitioners. While passing by a department store on East 43rd Street, I noticed apparel decorated with pentacles—the symbolism adopted by some witches.

This reminded me of a fracas that erupted some years back when a fashion designer incorporated the ornate letters of the Arabic script into the design of a sleek dress that left less to the imagination than a traditional burka. The designer expressed surprise when Muslims objected to words from the Quran being used to decorate immodestly covered women’s bodies. In both these scenarios symbolism has demonstrated its power for being what philosophers call the Ding an sich, the thing itself. Symbols are often that way, bridging as they do the worlds of religious thought and secular existence. I wonder how much we as a society would gain from letting bridges be symbols that participate in the reality they represent.