Bigger than Manhattan

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Walking inside with the newspaper this morning, I would have wagered that the word “biblical” would appear on the front page. This would have been a fairly safe bet since the headline of the New Jersey Star-Ledger reads, “Fire, Flood and Now a Massive Iceberg.” The reference is to the Petermann Glacier iceberg from Greenland that will likely threaten human maritime activities in the North Atlantic for some years to come. The massive iceberg, “four Manhattans” in size, is expected to drift down along the Canadian coast, causing potential problems for off-shore oil wells and shipping traffic. Sounds like a job for James Cameron, or maybe Kevin Costner.

The biblical connection comes in paragraph three: “It’s been a summer of near biblical climatic havoc across the planet, with wildfires, heat and smog in Russia and killer floods in Asia.” The more I ponder this curious superlative for disaster (i.e., “biblical”), the odder it grows. The Bible is really home to few epic disasters, most of them centered in the flood, the exodus and wilderness wanderings. Those who favor an apocalypse might throw Revelation in for good measure, but overall the Bible deals mostly with everyday occurrences that seldom find reflections in the media. To convey the idea of grand disaster, however, the Bible remains unrivaled.

While the Petermann ice island may not be the end of life as we know it, it is an appropriate symbol of our times. Our planet is warming; no one denies that. It is through human irresponsibility, it is true, but like all truths, this is controversial. The Bible, that great bastion of western morality, is frequently used to bolster positions that claim God gave the earth to humanity to do with as we please. It might serve the captains of greed and industry well to realize that the world given to Adam and Eve was flat, with a see-through dome overhead, and it was the only habitable space in a very limited universe.

Reaping the Exodus

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Strange coincidences transpire. In 2007, just after the professor in my discipline at Rutgers University retired, I showed up in the Religion Department seeking adjunct work. With the vicissitudes of “full-time” employment, at times my part-time stint at Rutgers is all I have. While covering the book of Exodus my first year there, students began asking me what I thought of The Reaping. I hadn’t seen the movie, which had been released on Good Friday of that year, but I promised my charges that I would. Still on my Hollyptic kick, I decided to rewatch it last night. The script was handled much better than that of Lost Souls, although the movie as a whole lacks credibility. It is, however, an example of how the Bible mystique continues to pulse through Hollywood’s veins.

The concept of bringing the plagues against Egypt into the bayou was a fresh one, but the satanic cult aspect has been overdone. A strong female lead in the role of a disenchanted former clergy-woman was a nice touch, and although the premise of her back-story was contrived, it was also decidedly eerie. The element of the movie that students wanted professional comment upon, however, was Katherine’s scientific assessment of the plagues of Egypt. This idea has a comparatively long history. Since critical biblical scholarship began, naturalistic suggestions for the non-historical plagues have been offered. Strangely, these offerings are intended to buttress an historical event that the theories themselves undermine. There is no archaeological or historical evidence for the exodus. Why then, are scientific explanations of the plagues necessary?

The story of the exodus is liberating; slaves liberated by a loving God forms a back-story that most oppressed people want to be true. The sad fact is that religion is more often used to repress than to liberate. Somewhere along the trajectory of human social evolution, religion became a key element in the control of the masses. This becomes clear from the merest glimpse at religion as it existed in ancient Egypt itself, or any of the other cultures contributing to Israel’s religious tradition. The Reaping, like so many films that springboard from the Bible, offers a conflicted worldview where nobody really knows who is in charge of the universe. In that aspect, it mirrors human religious experience.