Poe’s Novel

Certain authors, some great among them, excel at short stories.  I know from personal experience that trying to publish a book of such stories is a very hard sell.  For a writer like Edgar Allan Poe, who was trying to live on his words, it often led to periods of poverty.  Thinking of him as a short-story author, I had never read his only novel, The Narrative of Arthur Gordon Pym of Nantucket.  Hailed by fellow brief-tale writer Jorge Luis Borges as Poe’s best, I figured I’d better give it a try.  I’m glad I did.  I had, however, no idea what to expect.  Those who write on Poe seldom pay it much mind.  He was famous for his poems and stories, and this gothic, sea-faring novel was, according to the introduction, suggested to him by those who felt his making a living as a writer might improve if he used long form.

Concerning the edition: the novel is in the public domain.  Penguin Classics, however, often contain nice introductions.  Indeed, the intro by Richard Kopley in this edition is excellent.  A few of his observations stood out to me—this novel was, in some measure, about Poe’s family.  Both the protagonist and the author have five-syllable names with the same cadence, ending on a three-letter surname beginning with P.  Also, as both the introduction and notes make clear, Poe was deeply steeped in the Bible.  You seldom read about Poe and religion.  Writers from America’s first generation, however, were uniquely brewed in it.  I’d never considered that about Poe before.  There are many editions of Pym available, but I recommend this one because of its introduction.

The story ends without resolution, just so you know.  Pym, talked into an adventure by a somewhat devil-may-care friend, goes out on the ocean on a boat after a night of drinking.  And herein hangs the tale.  Well, actually, the friend convinces the young man with a taste for the sea to stow away on a whaler that his father captains.  A mutiny, however, leaves Pym “buried alive” onboard.  A shipwreck leads to near starvation and a boon companion survivor.  Picked up by an explorer headed south, they discover a surprisingly temperate Antarctic circle where a native tribe turns treacherous because of their fear of the color white.  It does seem that there’s a race narrative taking place here too.  I enjoyed the story although the chapters about longitude and latitude don’t quite rise to the level of Melville’s maritime writing.  It’s a tale worth the read, however, but find one with a good introduction and it will be smoother sailing.


Author! Author!

It happened in Salem.  In 1861.  The classic American card game, Authors, was published.  G. M. Whipple and A. A. Smith devised the game, which has remained available ever since then.  It’s one of the few games I remember having as a kid.  We, of course, had the Bible Authors game as well, which I’m kind of nostalgic for, but not enough to see if it’s on eBay.  The object of Authors, an early form of “Go Fish,” is to collect sets of four cards for each author.  Each card lists a different work.  Poets are represented by poems, of course, but prose authors mostly by books.  I have to confess to having eBayed this some time back and having beetlebrowed my family into playing it with me.  I noticed, however, a few curious omissions.

Edgar Allan Poe isn’t among their number.  Neither is Herman Melville.  Rather strangely, they included Shakespeare—centuries earlier than the others—and Alfred, Lord Tennyson.  The only female is Louisa May Alcott when there were perfectly acceptable Brontës in the room, as well as Jane Austin.  The game reflects its time.  A couple years back I was in Michaels—you know, the arts and crafts supplies store.  In fact, Michaels is one of those places for family outings, for families like mine.  (We tend to be creative types.)  While I’ve never been into scrapbooking, I walked down that aisle and found a set of stickers labeled “Literature.”  Two authors were represented: Shakespeare and Poe.  People smarter than me have argued that worldwide Poe is probably the best recognized American author.  I think it’s safe to say Shakespeare occupies a similar role in Britain.

Poe had fallen afoul of many in America because of an intentionally damning obituary by Rufus Wilmot Griswold, whom Poe had named his literary executor.  If it weren’t for Poe nobody would likely know Griswold’s name today.  In 1861, when Whipple and Smith were inventing their game, Poe wasn’t really considered worthy of emulation, largely because of Griswold.  He wasn’t the kind of guy you’d want your kids to be too curious about as you tried to teach them about literature.  Authors has gone through over 300 editions over the years.  I’ve never seen any of them (apart from Bible Authors) other than the Whitman edition from my childhood.  Each time I pick it up, smell the cards (go ahead—try smelling your Kindle), and thumb through the authors I feel like I’m missing something.  Go fish.