Sterling Serling

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“There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone.” The words are those of Rod Serling, native of Syracuse and Binghamton, and creator of The Twilight Zone. When I travel to a new place, I like to honor the writers and creators of the region. Yes, there always have been many creators. By my age, Rod Serling was dead, but he had, before that time, created a cultural phenomenon that would stay with the world forever after. It would be difficult to quantify the effect The Twilight Zone had upon me as a child. That opening took ahold of my young mind and convinced me that there was more to life than what appeared on the surface. It is the power of creation.

Rod_Serling_dictating_script_1959

Serling was a fighter. “The angry young man of Hollywood” who used his fiction to protest war and racism, Serling took on many issues in The Twilight Zone that would have been censored had they been presented as fact. Fiction is the vehicle in which truth rides. The bizarre world Serling envisioned captured the imagination to such a point that if I write, “do-do-DO-do, do-do-DO-do” many of you will be able to conjure the theme of The Twilight Zone in your heads. We all know that this is a sign that something strange is about to happen.

There is something about place. I’ve written about sacred geography before, and it is one of the more fascinating aspects of human subconscious life. Something about Syracuse-Binghamton still says “Rod Serling.” Maybe it’s in the low, glowering clouds or the ancient Native American names and traditions that can still be found in this region. Although I’ve never lived in New York, my ancestors did, in the region just east of here. A lifelong wanderer, I sometimes wonder what it is to belong to a place. I have often felt the persistent call of upstate New York, the salmon wisdom whispering me home, perhaps. I’ve never lived here, but maybe I belong here. New York is now proud to claim Rod Serling, and I drive from Syracuse to Binghamton delving deeply into the sacred geography of the region and ponder how such a mind came to be. Even creators, it turns out, have to be created.

Fall of the Planet of the Apes

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Perhaps it is being under the influence of a head-cold that just won’t go away, or perhaps something deeper, I decided to watch Rise of the Planet of the Apes. Raised in a fundamentalist household, I was enamored of Planet of the Apes (the original one) and watched it and all its sequels repeatedly back before VCRs made owning such chestnuts possible. Perhaps it was that taste of forbidden fruit—evolution—that left such an exotic buzz in my head, or perhaps it was the unforgettable climax. The message that we’ve done this to ourselves. I once even missed seeing a high school friend after several years’ absence on a visit home because an all-day Planet of the Apes marathon was airing on TV. Perhaps it was the subtlety, the Rod Serling feel to it, or the deep level of empathy it evoked, for whatever reason, that original movie remains one of my personal favorites. In Rupert Wyatt’s slick new backstory, something was missing.

The CGI of Rise of the Planet of the Apes is pretty remarkable, except for the occasional jerkiness of violent scenes intended to pump up the testosterone. The subtle emotions visible in Caesar’s every glance conveyed the sense that animals share rights to this planet with us. I’ve been reading about animal intelligence again, and it saddens me that we’ve reached this far in our development only to continue the fiction that homo sapiens are unique among the tree of life. It’s not much of a tree when one of the branches is not and never has been attached. Our animal cousins have much to teach us, and perhaps that’s why I keep returning to Planet of the Apes, despite Charlton Heston. Even the new movie makes several nods to the original with naming the main family Rodman, Caesar building a three-dimensional puzzle of the statue of liberty only halfway complete, calling his mother “Bright Eyes,” spraying Caesar with a hose in his cage and calling the primate center a madhouse, and the cheesy repetition of “Take your stinking paws off me you damn dirty ape!” It simply can’t rise to the level set by the writing of Rod Serling and Michael Wilson.

The box-office success of the film tells us something about ourselves. Ironically, and perhaps intentionally, Wyatt’s version neuters the evolution. The apes don’t rise from an unspeakably long evolutionary track from us, but we create them with the nemesis of twenty-first century humans, the virus. Caesar and his friends are genetically engineered by humans, and God has nothing to do with it. In the original, a theological subtlety lingered as a religious court of orangutans condemned Taylor for religious reasons. His claim of human primacy was heresy to primate sensibilities. The new version takes itself too seriously for that. We can’t jangle the evolution keys anymore because of our own national schizophrenia concerning the raw power of nature. Just when we think we’ve evolved beyond petty superstition masquerading as righteousness, yet another state attempts to guillotine the entire scientific enterprise. It’s a sure thing that if the apes don’t get us, we’ll take care of it ourselves. That was the message already in 1968.

Hair Today

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In what may be the most bizarre recent example of religiously motivated violence, the Associated Press reports that a breakaway Amish group is accused of the crime of haircutting. Amish beliefs about personal appearance are well known, and taking various biblical injunctions seriously, they believe cutting a man’s beard or a woman’s hair to be a sin. (Any Amish reading this, please correct me if I’m wrong.) The aptly named Sam Mullet, the leader of a breakaway Amish group (the article doesn’t specify the contention) has been charged with forceful barbering with intent to shave. Not himself, but other Amish men in Ohio. The Amish trace their roots back to the Anabaptist movement that only accepted adult baptism and would rebaptize those who were sprinkled as infants. They acquired other beliefs along the way such as hard work and industriousness, distinctive dress styles, and the shunning of electricity. They are devoted to pacifism.

The story, which Rod Serling would have been proud to air, has Mullet forcefully cutting the beards of men and the hair of women in another Amish community. The article doesn’t explain how Mullet took on his Delilah-esque treason, but after giving his enemies the Seville treatment, he took photos of his victims. The Amish don’t like pictures either. Apparently the Amish community is terrified of this mad shearing heretic. The mind reels attempting to conjure an image of the struggle or even what might have led to it. Where did the camera come from?

Religion, no matter the denomination, prescribes unusual behavior. What one society supposes to be normative is simply a matter of socialization. When you are brought up with, say, a man wearing a colorful brocade dress while breaking a translucent wafer over a goblet of wine and claiming it to be God, that seems perfectly normal. Anyone who tries to challenge or desecrate this rite would be designated an infidel, heathen, pagan, or worse. Many think the Anabaptists, whether Mennonite, Hutterite, or Amish, to be quaint and curious like forgotten lore. In fact, their religious beliefs go back to a venerable past. Images of The Witness flood to mind when reading how the FBI has become entangled in the barbarous act. Perhaps it is time for Mulder and Scully to make a reappearance. But just in case, perhaps they should sport some sturdy helmets and Kevlar, since reports are out that some Amish are sitting on the porches with shotguns, while one lurks in the shadow with his snipping scissors.

Lost and Found

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As a young lad I was fascinated by the supernatural. This may explain, but in no wise excuses, my choice of a career in religion. As I grew in years and skepticism, this interest began to feel like a security blanket in a college dormitory — an embarrassment to be jettisoned as quickly as possible. Along the way, of course, I’d given away what I thought to be the detritus of childish fantasy, including my collection of cheap, pulp fiction, tending toward the Gothic.

As I grow more ancient, and more observant, I see that sometimes the impetuousness of youth cradles a profound wisdom. Sometimes we do get it right the first time. I still haven’t figured out if that’s the case with me, but it seems to be a hypothesis worth the exploration. Part of my current search for reality is the reassessment of my childhood learning in the school of classical Gothic fiction. The books are no longer as cheap as they used to be, and when I take them out in public I hide them inside a larger, more academic book so that no one really knows what I’m reading. As a friend once observed, people think that those of us who hang out in the religion sections of Borders are immediately suspect. More so the adult toting a beaten-up paperback written for a teen readership a number of decades ago.

One of my lost memories was a juvenilized version of Rod Serling’s Stories from the Twilight Zone. I had shoveled my copy off to Goodwill along with many other shards of my childhood when I “grew up.” The memories of the angst that the very cover generated in me led to a frantic online used book hunt a few years back. Inside the stories seemed flatter than I’d recalled, but the larger ideas they generated were still worth paying attention to. Perhaps the real lesson is that childhood should not be dismissed as wasted time playing and indulging in carefree amusements. Our childhood proclivities, it now seems, preset the trajectories for our lives. So I still have a quasi-career in a religion department, and I have a copy of a book that started me asking the bigger questions.

Anybody else remember this?

Anybody else remember this?