Ghost in the Ark

Jonathan Carroll’s The Ghost in Love demonstrates what might happen if all the rules were broken. Slipstream writing is new to me, being a conventional nineteenth-century American writer fan. Nevertheless, I regularly try to stretch my imagination wider than it has previously gone to see how others view the world. The Ghost in Love was quite an adventure into multiple realities. As with all fiction I mention on this blog, however, there is a profound religious dimension to the work. Besides the eponymous ghost of the title, the Angel of Death also makes an appearance in the narrative. Among his early lines is the statement that black-and-white movies are like prayer because it is necessary to work harder to overcome disbelief. This is just before the Angel of Death is stabbed to death.

In an ongoing theme of my own, however, the truly striking element was the use of Noah’s flood yet again. In the fiction I’ve been somewhat randomly reading, the flood story continues to appear at unexpected junctures, underscoring its depth in the human psyche. In this case, a talking dog has to solicit support from other animals to assist the protagonist in fighting off death. Invoking what Carroll terms UPTOC, “universal peace to overcome chaos,” Pilot the dog engages the hidden communication skills of animals that had been first instituted at the flood to get everyone aboard the same ark. In this sly rhetorical use of the theme, Carroll throws light on an aspect of the flood story that might otherwise remain unilluminated: it is a metaphor for universal peace.

Reading the news headlines can be a trying exercise. I fully realize that bad news sells better than good and that what we read in the papers is, like most human activity, a business enterprise. Nevertheless, the truth remains that humanity’s greatest enemy is itself. Peace has never been universal, not at least since Sargon of Akkad began toying with the idea of empire. Great catastrophes cost countless lives, but in those dark moments are glimpses of light: humanity at its most human, caring for others regardless of outlook or creed. Maybe that’s why the flood story recurs so frequently in literature. We’re not all in the same boat, but we are all trapped outside the one vessel that might save us. As we fight against the overwhelming waves, gasping our last breaths, we realize that we all have a lot more in common than we might have ever supposed.


Billion Dollar Babies

Yesterday I attended a holiday-themed concert. It was an unusual mix of the archaic and post-modern in that although many traditional holiday pieces were sung, the readings were from an assortment of writers, some still living. The theme, not surprisingly, was the wonder of birth. One of the readings was from D. H. Lawrence, a writer more often associated on the making of babies end of the equation. Nevertheless, as the soporific music flowed I found myself once again thinking of special babies.

The concept of a special child marked at birth has an ancient pedigree. Long before Samuel, Samson, and Moses there were ancient heroes known from their unusual births. The theme is at least as old as Sargon of Akkad, and probably even older. Those who grow to achieve great things in life must, by back-formation, have had a wonderful birth. Of course, when they were born nobody knew they were special yet, and so our mythopoeia demands we devise incredible births for them. Anyone who is a parent knows that time stops and the entire world stands in rapt silence as your own child is born. All babies are billion-dollar babies.

The subtext to all of this is that without even looking for a special child we should realize that all people have inherent value. If religions truly taught that message there would be a lot less religious violence in the world and the dreams of many more infant dreamers might be attained. Perhaps all religions should take the stories of their own origins more to heart and hear them more often than once a year.