The Splice of Life

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Splice Although not really scary, and although almost attainable with current technology, Dren is a curious monster. Many movies of the horror genre have explicit religious elements, but Splice may be a little too much science fiction for that. Or is it? The story is simple enough: a couple of geneticists have gene-spliced a couple of viable creatures that can be farmed for important chemicals and enzymes to solve diseases. So far, so good. But then the idea occurs to them: if the chemicals that can be used to help cure animal diseases had a human element, couldn’t they be used to cure our own diseases? And here is where the ethical quandaries begin. Adding human DNA to the mix, even when in small portions, suddenly throws open the moral dilemmas. Dren is the somewhat human result of these experiments, but the movie ends with the haunting, unanswered question—what is it to be human?

Although today the field of ethics is largely claimed by philosophers, morality is a measure of beliefs about right and wrong. In many cultures, including our own, religion has quite a lot to say about the issue. Once human DNA is mixed in the creature morphs from a bumpy slug into a creature that looks mostly human. The ethical dilemmas that surround human potential—abortion, stem cell research, cloning, and in past ages eugenics—all focus on the rights of the human person. Once a person is born, however, we almost immediately begin to curtail those rights until most of us become cogs in an unfeeling corporate machine. We are valuable, but for whose purpose? Who, sitting in their cubicle, or on their assembly line, or behind the wheel, says, “For this they defended my right to be born”?

Oddly, we privilege the potential of life without tirelessly working to improve the lot of those who’ve already been born. Perhaps, indeed, this is some form of evolutionary advantage—protect the future of the species at all costs. This idea becomes religious when it is deemed God’s will. In the movie, Dren’s creators ultimately deem her unhuman, a monster who must be destroyed. They, however, nurtured her humanness all along. While not the most profound movie ever filmed, Splice highlights the fact that ethics reflect the values of society. And society sometimes withdraws even humanity from those who’ve lost its favor.

Freud’s Nightmare

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B movies are a guilty pleasure. Weekends sometimes allow for guilty pleasures, when I can check my mind at the door, take a seat near the screen, dim the lights and grab the popcorn. 1950‘s sci-fi reflects paradigms that have ossified in some people’s brains, it seems. It has been many, many years since I watched Attack of the Fifty Foot Woman. I was a child the last time I saw it. As an adult the message is strikingly different. The year is 1958, and my parents haven’t even married yet. Millionaire Nancy Archer has a run-in with an alien in a “satellite,” but he only wants her for her jewelry. Meanwhile her cheating sleaze of a husband, Harry, is making out with the redhead at the local, and plotting to kill his wife for her money. So far the story is fine, if tragic. Then the woman, enlarged by radiation, breaks free from her chains, rips the roof from the bar, and grabs her husband. To the local sheriff, there’s only one option—shoot the “monster.” He unloads a riot gun into her, and, hitting a transformer, electrocutes her. The crowd, aghast, run to see if her trashy husband is alive. The wronged woman they ignore. The metaphorical elephant in the room. Role end credits.

Attackofthe50ftwoman

The misogyny of this story escaped me as a child, as did the sexual innuendo. I was only after the cheap thrills of cheap special effects. So I turned to The Incredible Shrinking Man, released a year earlier in 1957. Scott Carey, after sending his loyal wife Louise to the galley for a beer, is hit by a radioactive cloud while on his brother’s boat. An accidental dose of insecticide some months later sets him to shrinking—a freudian fear for all men. As he grows smaller, his will to dominate his wife—now a giant to him, increases. Many scenes end with a tiny man leaving his wife in tears. Even when he is supposed dead, but in reality is too small to make himself heard, Louise is reluctant to leave, in case he still needs her help. Like a short beer, I suppose. The spider scene, which no doubt caused nightmares when I was a child, follows on his monologue about having to dominate his new, tiny universe. The little man shrinks into non-existence with the realization that “to God there is no zero.” What he doesn’t say aloud is, “as long as one is male.”

IncredibleShrinking

These are the 1950s to which some political commentators (and not a few voters) wish us to return. Men fear being dwarfed by women. Call it radiation, or call it social regress, or call it paranoia—the message is all the same. Man must dominate. Women who overshadow are a threat. In the earlier film, Scott Carey is a passively shrinking man. By the next year, when Nancy Archer grows, it is now an “Attack.” Fast forward half a century. Dreamwork’s Monsters vs Aliens makes a parody of Nancy Archer, and Susan Murphy’s fiancé, Derek Dietl (who is clearly modeled on the smug, self-righteous newscaster in Attack of the Fifty Foot Woman) ends up alive, but shamed. The male alien who seeks to dominate her is destroyed. And the male monsters feel somehow less fierce in her presence. As this year’s political posturing clearly demonstrates, there is still a long, long way to go before true equality appears. Many men are clearly stuck in the black-and-white fifties. The full-color, larger than life Ginormica will hopefully better reflect the paradigms of the future.

Hallowed be thy Kane

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Watching the alien burst from Kane’s distended abdomen as he appeared to have eaten too much seemed somehow appropriate on Thanksgiving. I’m well aware that my taste in movies does not always match expectations and few bother to comment on my idiosyncratic observations. Nevertheless, it had been years since I’d watched Alien and on this particular holiday it felt like synchronicity. I’ve seen the film a few times before, but this is the first time since starting this blog. Not surprisingly, some biblical allusions popped out at me as I watched the crew of the Nostromo struggle with alien life. And I’d just read of NASA’s “exciting discovery” on Mars, a discovery whose official announcement for which, like Christmas, we’ll have to wait until December. Learning that the gut-busting alien was modeled on Three Studies for Figures at the Base of a Crucifixion by Francis Bacon (a contemporary one) only sweetened the analogy.

Character names hide aspects of personality and intention. Sometimes the writers may not even be aware of all the shades of gray. The alien’s first victim is Kane. On paper he seems an ordinary citizen, but on the screen the euphony with the first human child, Cain, is obvious. As Parker is lamenting how large the alien has grown in just a short time, science officer Ash whispers, “Kane’s son.” Or is it Cain’s son? Cain, the infamous ancestor of the sinful Grendel and any number of other villains of literature and cinema. Cain is, significantly, the first child born in Genesis, himself the genesis of sin in the world since his murder of his brother is the first act that the Bible declares a “sin.” The alien, born worlds away, conforms to biblical expectations.

Since Ash is actually an android and has no real feelings, he admits the alien to the ship and protects it until he is destroyed by his shipmates. He represents unfeeling science amid the horror of human bodies being invaded and rent apart. When accused of admiring the alien, the resurrected (!) science officer states, “I admire its purity. A survivor… unclouded by conscience, remorse, or delusions of morality.” Is he not really describing science itself? Religion is running rampant on the Nostromo. As Ripley sets the detonation charges and finds her escape blocked, she races back to the console and cancels the self-destruct order which the HAL-like Mother ignores. In a secular prayer Ripley calls out to Mother who, like any deity, does not answer all human pleas. And even as she escapes the detonating ship, Ripley will find that Cain’s son is still lurking in the corner of the emergency shuttle, for the science can never truly escape from Genesis.

Puppet Master

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Usually I resist mentioning books I’m reading on this blog until I have finished them. It is probably because of some misplaced Protestant guilt at taking a small measure of undeserved satisfaction at claiming an achievement that I haven’t legitimately earned. Or maybe it is my innate fear that the author will say, on page 200, “by the way, everything before this is wrong.” In any case, sometimes I forget the important initial stages of a grand argument by the time I reach the final chapters, neglecting any ideas that may have arisen along the way. I just started Victoria Nelson’s The Secret Life of Puppets. I read her Gothicka earlier this summer, and couldn’t wait to get started on Puppets. Besides, when was the last time I saw an academic book with a back-cover sound-byte by Neil Gaiman?

The idea that is so compelling in The Secret Life of Puppets is that in the modern era religion and art have reversed roles. That is to say, people tend to turn to literature (and movies or other media) to discover a sense of transcendence—previously the bailiwick of religion. Religion has transformed into the receptacle of literary imagination instead of remaining the inspiration for it. New Religious Movements grow out of fictional sources—consider Scientology or Jediism or the religions growing from Avatar. But the connection runs to even more profound depths. Quoting a screenwriter she met, Nelson points out that horror movies are often the only genre of film in which God comes naturally into the conversation. Elsewhere God-talk feels high-handed.

Religion has become a kind of fiction while fiction writers preserve the prerogatives of the divine. We suffer from repressing our intuitive way of knowing. Perhaps it is only logical that I select an example from science fiction here. Since the late ’60’s the figure of Mr. Spock has stood sentinel over the neurosis of the flawlessly logical. Just one glimpse and we know this is not homo sapiens sapiens’ behavior. We think with both halves of our divided brains. Scientists sometimes commit the oh so human fallacy of supposing evolution is robbing us of passion. Falling in love would be a lot less enjoyable if it made sense. No, we have not outlived our need for the gods. I think Neil Gaiman would back me up on that.

The Force

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A long time ago in a galaxy far away, or so it seems, I began studying religion not knowing where it would land me.  One of the great things about studying religion is the perpetual refreshing of religious thought that grows with human culture.  Anthropologists and philosophers and sociologists have difficulty defining exactly what religion is.  It is clearly a belief system of some description, but in many parts of the world religion is not so much reflective and reflexive—doing the ancient rituals and getting on with life.  Every great once in a while I learn about a new religion.  Those who don’t spend too much time thinking about it might be surprised to learn that new religions emerge quite frequently, and sometimes with the most unlikely of inspirations.  Consider Scientology.  While reading about new religions recently I discovered Jediism, or Star Wars religion.  Like Scientology, it is based on science fiction.  For those of us alive in another universe in 1977 it is difficult to convey to more recent hominins just how impressive Star Wars was.  Life-changing, in some instances.  Jediism takes the concept of the Force and makes it a central tenet of a belief system for the twenty-first century.
 
Having witnessed the impact of Avatar in even more recent lightyears, perhaps we should not be surprised that fantasy worlds spawn new religions.  After all, although death and suffering pervade even the most pristine of human-concocted galaxies, good ultimately wins over evil in these realms.  It is something worth hoping for.  Maybe even believing in.  Some people question how serious those who call themselves “Jedi” on religious surveys really are.  There are online Jedi sanctuaries, and even humor can be a part of a serious religion—consider the craze of Christian clowns that was going around in the 1980s.  For those of us from long ago, religions just don’t seem authentic without some antiquity to them; they should’ve been started centuries ago by founders who can be mythologized to sainthood or divinity.  We have more facts about the life of Yoda than we do of Jesus.


 
The thin line between fact and fiction grows more effaced every day.  Can religions be based on fictional founders?  Of course they can!  Without any means of determining objectively which religion is right (if any), we are left with only a person’s word about what s/he believes.  If I choose to believe that Sherlock Holmes was a real person what harm does it do?  It may even benefit the estate of Sir Arthur Conan Doyle.  As Matt Rossano points out in his book Supernatural Selection, religions are about perceived relationships.  Many people have relationships with fictional characters, sometimes falling in love with one or fantasizing about being one.  Basing a religion on a fictional character may be the greatest sign of trust.  After all, we can’t even define religion in a way on which all specialists will agree.  Religion itself may be the ultimate fiction.  May the Force be with you, just in case.

The Illustrative Man

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To a young boy growing up in an economically depressed small town without money to buy fancy things, escapist reading is a natural hobby. As with many boys, science fiction held my undying attention. My favorite writer was Ray Bradbury. His stories were short enough to consume in a single sitting, and they were full of wonder, and imagination, and possibility. I had nearly all of his books. So today, when I learned that Ray Bradbury had died, it felt as if another author’s works had been burned and the great man himself simply disappeared. Along with Edgar Allan Poe—whom I discovered early—and H. P. Lovecraft—whom I discovered late—Ray Bradbury represented what I believed a short story should be. I began writing short stories when I was in grade school. I still have a few of them, and the influence of Bradbury is most profound. At times it feels like the world is running out of dreamers.

Instead of churning out young people eager to explore the possibilities—and even the impossibilities—of the world, our educational system has become much more prosaic. We teach our young how to find jobs. Walking across Manhattan in a weary mood one morning it occurred to me: we go to college and we receive specialized training to make us fit for more cerebral jobs. We work those jobs in order to make corporate executives wealthier. Work benefits the one-percenters most. All the way to the office I dream of a life where I might have pursued creativity and exploration. I still awake before 4 a.m. every day to scrape together a few fragments of a moment to write before heading off to work in the big city. The characters I invent live in my head and die a subtle death as email and book proposals force their bossy way into my consciousness.

The worlds Ray Bradbury imagined were places where the familiar and the strange easily mixed. Many of his tales would be categorized as fantasy rather than science fiction today, but they manage to instill an almost religious reverence among those who believe paradise might be just over on that next unexplored planet. Or perhaps it will never stop raining there and the universe will drive us mad. When I “grew up” and needed to liquidate my juvenile assets, I sold most of my Ray Bradbury books to a used book dealer. Rarely a day passes when I don’t regret that impetuous move. And some days, such as today, I feel it especially deeply. One commodity that our fumbling world simply can’t afford to lose is its dreamers. On an unexplored planet somewhere out there, I know Ray Bradbury agrees with me.

From Wiki Commons

Map is Territory

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Far be it from me to challenge the established certitudes of the experts in academia, but I’ve been beginning to think maybe map is territory. This insight came to me from an unorthodox source (of course). I was watching War of the Colossal Beast over the weekend—among the corniest of corny 1950’s sci fi flicks. If you were born around the middle of the last century you already know the premise: a nuclear device has converted a man into a towering giant who resists all attempts to stop him or keep him under control. The reason that map and territory came to mind was that this 60-foot tall man (an apt companion for the 50-foot woman) could not be found by the authorities although he was terrorizing Los Angeles. Just as I was climbing on my high horse I realized that the problem they faced was communication. (And maybe they needed glasses.)

From the perspective of the twenty-first century and the vast network of instant communication (you can tweet your latest observation while on public transit, deep under the Hudson), map has become territory. There is nowhere left for the sixty-foot giant to hide. I am not the only one to speculate on the effect this shift will have on religion, but when we have become so intricately inter-connected, we seem to have squeezed the mystery out of life. Every trail has been blazed, every path has been trod. Old Ecclesiastes is laughing up his wizard’s sleeve. If a giant escapes among us its location will be texted across the territory second by nano-second. There is nowhere for us to hide either.

Our dependence on electronic media has changed part of the human race. It is easy to forget that in places not too distant, some of them even in the developed nations, there are human beings untouched by the revolution that has compressed map and territory. I have to wonder if their lives are better or worse for the ease that pervades our culture of flying fingers and ultra-dexterous thumbs. Avoiding the concept of the noble savage, I sense of kind of purity in the life free from the constant buzzing of 3G and 4G networks, wi-fi hotspots, and microwave towers disguised as trees. Theirs is a life where map is not territory, where being unplugged is natural and normal. It is a world where giants might hide in the night, and those who fear them may be all the more human for doing so.

Too Tired or Not too Tired?

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An article in the current Discover magazine ponders invisibility. Sight is actually the perception of certain wavelengths of light, and by bending particular wavelengths around an object it can be rendered invisible. There’s nothing really new there, as anyone who’s heard of the Philadelphia Experiment knows. The next step of the quest, however, is to determine if, by sending parallel light rays at manipulated speeds, an event might be rendered invisible. Event in this sense of the word currently denotes an event on a cyclotronic scale, an incredibly miniscule and inconceivably brief occurrence. Since humans are endlessly inventive, the corollary is naturally what might transpire from there as larger events are targeted and rendered clandestine. Could an historic event be lived out in (or engineered into) complete obscurity? It sounds like science fiction, but these questions are being asked in the workaday world in which we live.

Messing with history is related to fooling about with time. Twice every year we attempt to manipulate the standard determined by our sun and human convention to set clocks forward or back to maximize daylight at certain hours. We are rendering times invisible. Every year when I groggily adjust to the new time scale, I grumble about how wasteful it really is. Being one of those people who wakes up before the alarm clock goes off (I had never even heard the alarm on my current clock), twice this week I have found myself startled awake by the foreign beeping next to my head. In disbelief I stare at the 4 a.m. displayed in placid blue digits floating in the dark. Well, changing three time zones the day before setting clocks ahead probably didn’t help, but I wonder why we don’t just leave time alone.

Waiting for the bus in the dark, a silent kind of joy begins to grow as daylight creeps into those murky morning hours. Then we fool about with time and plunge those on the verge of daylight back into the darkness. Just that one hour leaves a nation yawning uncontrollably for a couple of weeks until our bodies adjust to the new schedule. Why can’t we leave time alone? People are never satisfied with time as it is, but since we can’t seem to stop it, perhaps we can render select portions of it invisible. The potential for abuse seems awfully large to me. Let’s put it to a vote. If we are going to make one historical event disappear, I suggest we do it twice annually. And those events would be the insane toying with time by setting our clocks ahead and back. Excuse me, but I feel another yawn coming on.

Attack of the 50-Foot Women

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A society will be remembered by its lowest common denominator. At the mention of the Roman Empire many people immediately think of the decadence of that once mighty power in decline. Rome ruled the world at one time—or so it seemed—but Nero had his fiddle and Caligula favored his horse Incitatus as a senator (today we’re more accustomed to seeing asses in government than horses). The madness of Napoleon. The insanity of Hitler. Mighty powers crumbling under their own weight. Walking through Times Square is an education. Recently a fifty-foot woman appeared, looming over the heads of commuters, tourists, and the homeless. Unlike the classic 1958 sci-fi flick, this woman is apparently happy, smiling broadly, and nearly naked. She is an advertisement for Sports Illustrated’s soft porn swimsuit edition. Stories above us all, she pulls back her hair and, if she weren’t a fantasy, I’m sure she’d be chilly dressed like that in a New York winter.

We’re talking lowest common denominator here. As I man I can’t help but to understand the appeal. Advertisers know it too. At the corner of 42nd and 7th, there is another fifty-foot woman, apparently nude, sitting in an office chair for Go Daddy with a QR card across her torso offering to those who would scan her, “See More Now!” It is difficult to be judgmental when advertisers are using basic psychology to sell their products, and studies have shown that men are very easily aroused by visual images—our juvenile imaginations never do grow up. But women this large? In 1958 Nancy Fowler Archer was salaciously considered a monster, but the producers knew teenage boys would watch in fascination. Such simple creatures.

There is a disturbing subtext here. Men are weaker than they pretend to be, but that doesn’t bother me much. Vulnerability is where humanity is most authentic. The problem with the fifty-foot women in Times Square is the message to American society that women are a commodity. They, like everything else in Times Square, can be purchased and owned. They exist solely for the pleasure of men. I am not a prude, but I do believe that such blatant shows of the female body for sale bear as a subtext “mene mene tekel upharsin.” A society that cheapens its women in such a forum is creating the standards by which a hopefully more advanced future will remember it. Standing beneath the open thighs of the fifty-foot woman on my way to work, I am profoundly sad. This is Rush Limbaugh’s American Dream writ large.

Trouble with Triffids

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Some time ago, I posted about the John Wyndham novel, The Day of the Triffids. In playing on the loss of humanity’s primary sense of sight, the story creates a truly eerie scenario in which people are harvested by plants. Not just any plants, but alien plants! Of course, such an idea demanded a movie rendition. The film was released the year I was born, but I only just got around to watching it. Compared to the psychologically thrilling novel, the movie doesn’t ever reach the intended level of terror. Nevertheless, religion, as usual, plays a role in the movie. As Bill Masen, the protagonist, makes his way from London to Paris, attempting to find other people who retain their sight after a devastating meteor shower blinded most of the world, he comes upon a mansion where the wealthy owners are caring for the disabled. (Hard to imagine that these days, but it was the 60’s, and idealism was kicking in.) While discussing their rather hopeless options, Bill suggests there is little reason for optimism. His new-found love interest, Christine, says “We must keep faith,” to which Bill replies, “It’s going to take more than that to get through this.”

Indeed, God is no help against the triffids. These intelligent, moving plants are soon everywhere, consuming humans and intent on taking over the planet. Bill and Christine, along with their adopted daughter Susan, make their way to Spain in hope of finding a military solution. They stop at a mission, topped with a cross and inhabited with a helplessly blind, and expecting, couple. The message is clear—there is no god to help those left to their own devices. Even those who live in god’s real estate have been abandoned. Those who survive are those who help themselves. Eventually our hapless heroes are rescued by the navy and a submarine moves them safely away from triffid-infested Europe. Then, in the final scene, our blended family is seen walking into a church while a voiceover declares that the triffids did not defeat humanity after all, and “Mankind survived and once again have reason to give thanks.”

Exegeting this film, however, leads to some uncomfortable conclusions. Those who had no divine aid give thanks to an impotent deity after it is all over. The solution for destroying triffids—salt water (you might want to store that away for future use)—is discovered by scientists and is applied at their personal peril. Even the heavenly-based origin of the menace has divine overtones: colorful portents in the sky are the provenance of God. In 1962 science had not yet even reached the moon. The default fallback, based on decades of evangelical sculpting of culture, is to give thanks to the Lord, despite the devastation. Indeed, a new Garden of Eden might be said to have resulted from the triffid assault. In this garden parasitic plants teach humans to give thanks, but the vast majority of humanity remains blind.

Brain Death

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The computer revolution has spoiled some of the wonder associated with old films that had been formerly staged with cheap props and poorly written dialogue. (Well, computer literacy has not always improved the dialogue, in all fairness.) Nowhere is this more apparent in the science-fiction/horror genre where CGI has made the impossible pedestrian. There’s little we’re not capable of believing. Back in the fifties and early sixties when even color film often went over budget, some real groaners emerged. Over the weekend I watched one of the movies at the front of the class for poorly executed. The Brain that Wouldn’t Die, however, is experiencing something of a renaissance with a stage musical coming out next month in New York based on this campy classic. Most horror movies don’t really scare me much, probably due to overexposure. The Brain that Wouldn’t Die, however, creeped me out in an unexpected way. Daring toward exploitation status (the movie was shot in 1959 but not released for three years), the “protagonist” is Dr. Bill Cortner who specializes in transplants. When his girlfriend Jan is decapitated in an automobile accident, Cortner keeps her head alive while seeking a body onto which to transplant it. Ogling over girls in a strip club, or even stalking them from his car while they’re walking down the street, the doctor imagines what features he’d like grafted onto his girlfriend’s still living head.

Campy to a nearly fatal degree, the film is nevertheless disturbing on many levels simultaneously. Although I was born the year the film was released, I was raised to consider both genders as equal. The unadulterated sexism of a man grocery shopping for the body he wants stuck onto his girlfriend’s head was so repellant that I reached for the remote more than once. A bit of overwritten dialogue, however, stayed my hand. Kurt, the obligatorily deformed lab assistant, while arguing with Cortner declares that the human soul is part in the head, yet partially in the heart. By placing a head on another body, the soul is fractured. Now here was a piece of theological finesse unexpected in such a poverty of prose. The question of the location of the soul has long troubled theologians, an inquiry complicated by the growth of biological science. Heart transplants are common today, but the resulting people are in no way monstrous. The amorphous soul, theologians aver, is non-material yet resides within a specific biological entity. Some have even suggested that you can capture its departure by weighing a dying body at the moment of death. Others suggest no soul exists—it is a mere projection of consciousness. Cortner, however, once his eyes have opened the possibilities, can’t look back.

Our social consciousness has grown considerably since the late 1950s. Politicians and Tea Partiers who hold that era up as a paradigm of sanity do so at the price of half the human race. On the outside with the oiled hair, polished shoes, spotless automobiles, society seemed clean cut and orderly. Women, however, were relegated to inferior roles while men made the rules. Life was less complicated then. We knew who was in charge. Or did we? As a species that has evolved via sexual reproduction, it has taken us surprisingly long to realize that both genders are essential to humanity. We still tolerate gender disparity in pay scales, often shored up with the tired excuse that pregnancy and childbirth disrupt “productivity” and therefore female efforts are worth less than male—never changing due to biology. Such trumped-up excuses ring as hollow as a head without a body. Many Neo-Cons will even use the Bible to support it. John Q. Public (always male, please note), they insist, yearns for the “good old days.” The days they desire, however, were days of cheap horror and unrealistic dialogue. If they can watch The Brain that Wouldn’t Die without flinching, our future is bleak indeed.

Writing the Divine

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The media has displayed considerable interest of late in the views of well-known writers towards the divine. Given the vast numbers of non-famous people daily consigned to Hell by the righteous, there are more tears shed for Anne Rice than for the thousands who’ve never written a vampire novel. Equally fascinating is a story from CNN yesterday on Ray Bradbury’s views on God. I cut my literary teeth on Ray Bradbury. I don’t even recall how I discovered him in the small town where I grew up. More likely than not I found used copies of his story collections at Goodwill. Already interested in science fiction, his tales of the future or fanciful past and alternate worlds captured my imagination. Living in a town where nothing ever seemed to happen, Bradbury was a doorway into someplace colorful.

According to John Blake and Bradbury biographer Sam Weller, the doyen of the sci-fi short story is an avid believer in something out there. Reluctant to accept any single religion, Bradbury embraces religious concepts as the wisdom of the sages. He believes, according to the article, that we have much to learn from religions. The views suggested in the interview may lack the rigor and sophistication of the professional theologian, but Bradbury’s emphasis on love comes close to the mark for several religions. People build superstructures around their religious founders and insist on orthodoxy and military adherence to human speculation about them. Often in the process, love becomes just another tenet left over, if you have time for it.

For many decades as I pursued formal degrees in religious studies, I was taught to put away childish things. I gave away my Ray Bradbury books and purchased hefty tomes of incomprehensible gibberish that passes for theological erudition. Then my daughter was assigned Fahrenheit 451 as high school reading. I picked up Bradbury again. His writing lacked the absolute wonder and fascination it held for my twelve-year-old eyes, but it was like greeting an old friend once again. My thinking had been partially shaped by this storyteller, and it is perhaps even possible, in a Bradburian sort of way, that I felt a “spiritual” connection as I read his books as a young boy. Reading his amateur views on religion was a quiet sort of homecoming.

An old friend

I See You, This Time

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With the advent of Avatar on DVD, I finally had the opportunity to see the movie. This time there was no booming bass and overly active 3-D, and I didn’t end up feeling nauseous for days after. On a small screen it lacked the compelling sense of being in each scene that the first ten minutes of my theatrical experience of the movie had, before I had to seal my eyes tight for the rest of the film or be carried out on a stretcher. Nevertheless, I was able to follow the story this time.

I have posted several times on my affinity for old science fiction films; a large part of my boyhood was spent watching hours of improbable adventure on the black-and-white. Perhaps counter-intuitively, I ended up studying religion instead of science, or even literature. Religion, however, is deeply embedded in science fiction, probably because it is deeply embedded in people. And Avatar was no different. Early commentators noted the similarities of Pandora to Eden. Two trees in the garden (Hometree and the Tree of Souls) were easily borrowed from Genesis. The idea of nearly naked natives living in harmony with the world around them, the soft, graceful curves of the forest contrasted sharply with the angular, obtrusive construction vehicles intent on raping paradise. I’m a sucker for archetypes, I guess. The concept of Eywa as “All Mother,” a nurturing goddess rather than a frowning father deity, only enhanced the sense that Pardora’s box should not be violently wrenched open. Even the hideout of the protagonists was nestled among floating rocks called the Hallelujah Mountains – presumably the name given by earthlings.

Yes, the writing was at times trite, and the characters were caricatures of themselves, but in the tragic light of the Gulf of Mexico Oil Spill, Avatar’s world was pristine, uncomplicated by greed and corruption. The Na‘vi, like zealous Christians, are born twice; the metaphor of foolishly maintaining hope in the harsh light of uncaring entrepreneurs might lead to a limited salvation even for this tired old planet. I am an unrepentant tree-hugger. And if there is a film that, despite its limitations, says it is alright, even noble, to hug trees, then I say it is religious in the deepest possible sense.

All Mother is watching

Civil Rights and Science Fiction

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I remember reading L. Ron Hubbard’s science fiction before the Church of Scientology was widely known. Not surprisingly, the religious movement began in New Jersey – a state where anything seems possible (except finding a job or having a stable government). Over the weekend, however, a New Jersey Star-Ledger story noted that some former members of the Church of Scientology are trying to sue their religion for violation of labor laws and unreasonable pay. Lawyers predict such a case cannot win in court, and I personally wonder how such cases of enforced labor differ from other brands of organized religion that require that extra push from their members. Doesn’t the church reserve the right to demand, voluntarily of course, that citizens forfeit their legal rights?

When I was young and naïve (instead of being old and naïve, as I am now), I took my first teaching job at Nashotah House. I was not yet thirty. It was, of course, a conflicted situation: a bunch of men living in the Wisconsin woods trying to maintain a monastic presence nestled between the sinful cities of Madison and Milwaukee. (And a few women, always the minority of the student body collective.) One of only two non-clergy on the faculty, I was surprised when, in response to what was an unreasonable administrative demand I was told, “When you signed your contract, you gave up your civil rights!” I’m not a lawyer, but I learned an important legal lesson – never mess with the saintly sorts that make up the church administration. Religion is big business. And religious bodies can afford big lawyers.

I feel sorry for the plaintiffs in this legal dispute, but they are in a wide and vast company. Organized religions are human constructs, and human constructs will always favor climbers. Climbers who reach the top will always build fortresses to protect their personal interests. In the church they’ll call it ecclesiastical authority and trace it right back to Jesus handing Peter some metaphorical keys. No, the church is not above the felonies and misdemeanors that secular courts just can’t judge. Potential members should read the contract, including the fine print. And don’t be taken in by the bits that sound like science fiction.

Inventor of new worlds

In the Heart or in the Head?

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I don’t have cable television. I don’t even have one of those digital conversion boxes. I’m afraid the costs and technology have gone beyond a guy who grew up with a black-and-white television with the screen the size of an old Mac Classic. I still try to keep a wary finger on the pulse of popular culture, and fortunately the internet provides just about everything in a condensed version. When I want to see a television show I generally do so through DVDs. Again, expense is prohibitive to the underemployed, but kindly family members often help out with occasional contributions. My brother surprised me this Christmas with the first season of the History Channel’s Monster Quest series (brothers sometimes see what you try to hide from the wider world). After a long weekend of class prep, I sat down to watch an episode last night that introduced me for the first time to the work of Dr. Robert J. White, a retired professor from Case Western Reserve University.

I have always been intrigued by the unlimited possibilities, no matter how remote, that science fiction can conjure. This episode, however, was factual and showed footage of Dr. White’s successful head transplant operations on monkeys in the 1970s. I had no idea that such work had ever really been conducted, let alone successfully. Visions from X-Files: I Want to Believe flashed across my cerebrum while I watched the footage. Not to mention the ubiquitous heads-in-jars of many a science-fiction movie! A plaguing religious question was also stirred back into life after having settled at the bottom of the tank for many years – where does the essence of a person reside? Organ transplants are everyday occurrences, and many lives are prolonged by the sharing of body parts no longer used by their original owners. And transplants do not stop below the neck – cornea transplants bring us very close to the brain, the presumed seat of our personality, consciousness, or, if you will, soul.

when a head meets a body

Dr. White’s monkeys that survived seemed to have retained the personality of the original monkey head on its new body, but I wonder if that was just an illusion. In our world where each individual is treated as a discreet unit, the essence of a person is thought to reside in the brain. Our brains, however, recognize our bodies and sometimes bodies reject the very organs intended to save them. Is there really any possibility of preserving the essence in one’s head alone? Or are we, like ants and bees and Portuguese Men o’ War, really all part of a collective organism? Maybe there is a good reason I don’t have cable or a digital conversion box.