10 More Questions

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10QuestionsI don’t watch television. This is not some moralizing, high-brow stance—it’s just the fact that it isn’t cost-effective with the little time I have for the tube. Growing up, however, television was at times my best friend. I see we’ve grown apart over the years. Who’s to blame? In this week’s Time magazine, the 10 Questions are directed to Mark Burnett, whom, prior to reading them, I couldn’t have identified with my TV Guide atop a Bible. Burnett is the mind behind the movie Son of God, originally a History Channel television show that managed to beat out even Game of Thrones. The laconic remarks left to Burnett reveal a man somewhat cagey about religion, but with a sense of mission nonetheless. What had never occurred to me is that even evangelists have corporate sponsors. According to Belinda Luscombe, Burnett said, “Do you remember what it was that launched Billy Graham? It was William Randolph Hearst. And Hearst Corporation put the first initial money into The Bible series and Son of God.” The first money into the son of God, Billy Graham, and the Bible. Who can match such a pedigree?

The public airing of faith lacks something without big money. The Crystal Cathedral, Lakewood Church, Heritage USA. Where would we be without the media moguls to lead us? There’s gold in them thar hills. All it takes is those willing to ask the gullible to mine it. Where your treasure is, there will your heart be also, n’est-ce pas? Seems like the Son of God raced past the Lego Movie on its opening weekend, but fell behind Non-Stop, although he’s still gaining. This is the sign of true divinity. Who will ultimately win? Does anybody have an ark?

Crystal Cathedral Ministries went bankrupt in 2010 and sold the Cathedral to the Catholics. Heritage USA lost a slug-out with Hurricane Hugo, as Jim Bakker was checking into a cell with Lyndon LaRouche. Can even the Son of God rock the critics with such a record? Mark Burnett is also credited with helping to create reality television. As we watch the rise and decline of the Duck empire, and the tearful admissions of personal failings from evangelists so rich that we have to admit a funny thing happened on the way to the Compaq Center, can there be any doubt where reality really lies? Who can really tell the difference between The Bible and The Game of Thrones?

No, Uh

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Noah2014Poster

“Give me any two pages of the Bible and I’ll give you a picture.” The words belong to Cecil B. DeMille, according to Stephen Whitty’s weekend write-up about Bible movies in the New Jersey Star-Ledger. The story was inspired by a trio of big-budget Bible films—Son of God, Noah, and Exodus—set to be released this year. While Mel Gibson put me off of Jesus movies, perhaps forever, I’ve been planning to see Noah ever since my wife first pointed the poster out to me in a local theater lobby last month. The flood story has always spoken to me, lasting well beyond the nursery years with all the fluffy animals aboard the ark. One of the points that Whitty is making, however, is that Hollywood knows something the New Atheists do not—there’s big money in religion. People will pay to see it on the big screen. The Bible still speaks to a secular nation.

Noah’s story has been dramatized many times over in the entertainment media. It is often a theme in popular fiction, although well hidden, and reemerges in the occasional search for the lost ark documentaries or Veggie Tales shorts. There’s something timeless about the world-wide flood. For me it seems to go back to the thrill of the impossible. Those first eleven chapters of Genesis teem with the surreal world of lifespans centuries long, primordial gardens full of good food, gods intermarrying with humans, and waters that cover any number of sins. There’s a robust, adventurous air to such stories—they push on the boundaries of human experience and burst beyond them. It doesn’t matter whether Noah’s ark is round, boxy, or extraterrestrial—the flood’s the thing. It appeals to imagination like less mundane disasters simply can’t.

I don’t go to the movies to learn about the Bible. I can do that right at home with a single outlay for a relatively cheap book that can be read over and over again. No, it is these early days of the Bible that give rise to the prepositional phrase “of biblical proportions,” that the movies show so well. I’m not sure that I’ll be able to make the transition from Batman to Moses when Exodus comes out later this year, but next month I do plan to let the waters of the largest event in earth’s fictive history wash over me with all its CGI glory. Seeing is not always believing, but the flood is one of the most powerful stories ever told. Who can resist the calling of deep unto deep? Be warned, the entire theater will be in the splash zone.