Let There Be

President Dwight D. Eisenhower was, as everyone knows, a military man. With the role of Commander in Chief, United States Presidents control a military that eats up an enormous amount of tax dollars. To keep us safe, we’re told. Even though he was a military man, in his farewell address Eisenhower warned the American people of the Industrial Military Complex, a group of companies that not only eat national budgets for breakfast, but also control the most dangerous technology in the world. Secrecy, we’re told, is key. We don’t want any other nation on earth knowing what we’re up to. In fact, most Americans have no idea of and no control over what we’re up to. When people like Edward Snowden come out, their tales are so extreme that it is fairly easy to dismiss them. Would a good government ever do that? Nah. We’re the good guys, right? These were the thoughts going through my head after I watched Star Trek Into Darkness. I always run a couple years behind, it seems, on major movies. This one disturbed me in a way uncharacteristic of the Enterprise and its crew.

StarTrekIntoDarkness_FinalUSPoster

Since it’s been out a couple of years I don’t need to give spoiler alerts unless some readers are even further behind than me. Okay: here’s a spoiler alert.

As James T. Kirk gets busted down in rank for violating the prime directive to save Spock, he takes over the Enterprise when Admiral Pike is gunned down in a top-level Star Fleet meeting. Vowing revenge, he encounters Khan, the eponymous villain of the old series Wrath of Khan. As Admiral Marcus had made an alliance with Khan the parallels with the Bush family and Sadam Hussein became clear. And when Scotty finds a super starship on a moon of Jupiter, secretly developed by Star Fleet to go to war with the Klingons, more than a touch of the Black Ops came to mind. Here was a government that couldn’t be trusted and that didn’t trust its people to know its intentions. When Khan pilots this Black Ops starship into San Francisco, the shot of it falling out of the air so resembled classified military craft that I actually shuddered. The destruction was a parable of 9/11.

Throughout the movie there is a dialog of ethics. Is it right to kill a known criminal without trial? Is it permissible to start an unprovoked war? Does might make right? Khan, despite being evil, tells the truth. The movie disturbed me because I can’t remember the last time I could truly trust the government. I vote Democrat because they are the party that seem to do the least damage to the planet and actually care for the poor. I was born, however, after the Eisenhower administration. John F. Kennedy was assassinated after my first birthday. My reading since leaving college has convinced me that we will never get the full story. Star Trek, although set in the future, has always been a projection of the present day. Those few groaners of episodes from the late ‘60s that delved into popular culture proved that. As I watched the crew of the Enterprise battling an enemy under its own flag I realized little has changed in the final frontier.


The Search for Khan

Star_Trek_II_The_Wrath_of_Khan

Continuing with the series, I watched Star Trek II: The Wrath of Khan last night. Since weekends are the only time I have for the media, I also threw in Star Trek III: The Search for Spock. Now, I haven’t seen either of these movies since their theatrical release longer ago than I care to admit, but many of the details, particularly from II, had stayed with me. Clearly The Wrath of Khan is superior in every way, but I hadn’t realized how literate it was until I saw it again. From Tale of Two Cities to Moby Dick to the Bible, the viewer in 1982 was given a sci-fi movie with classics sprinkled through it. I hadn’t read Ahab’s famous words on the dying lips of Khan when I first saw it, but I still realized that they were powerful words nevertheless. The premise of both movies, however, is biblical—the Genesis project, which even gets Spock quoting the Bible, is creatio ex nihilo, well, not exactly ex nihilo, as we do have a Big Bang to start the thing. Throughout the language of creating in six days is juxtaposed to morality, for in order to create, you must destroy.

We all know that Spock dies, citing a utilitarianism that would’ve made John Stuart Mill proud, but in what is really a biblical trope: self-sacrifice. And this leads to speculations of resurrection, always lurking in the background of the biblically minded. But theology (and the acting) turn bad in III. We’re all glad to see Spock alive again, but it turns out that Genesis destroys itself after just a short time, and that “Genesis is a failure.” Where do we turn back from the first page of the Bible? There is no preface here. There is, nevertheless, a temporary garden of Eden on the Genesis planet, and it is a federation-level secret. You just can’t keep anything from the Klingons, however. So the Bible implodes and Kirk’s son sacrifices himself so that Spock might live. Can I get a concordance here?

I’m not a trekkie, but I had noticed from the original series through the original cast movies, the assumption was for a biblically literate audience. That assumption can no longer be presumed, although, if pressed, many people could guess that Genesis is in the Bible. Meanwhile, the flood of Noah is also upon us. Exodus comes next. Movies featuring Leviticus are rare. Even as the cast ages visibly from the young, brash Kirk of the 1960’s to the bespectacled, patrician father with regrets in The Search for Spock, society itself has also aged. Some would say, matured. But we need directors telling us now that the flood story is found in Genesis. The Bible has been on self-defense mode for some time as religion has become equated with fanaticism. And yet, even as resurrection looms, we can’t help but to wonder if better things lie ahead.