Only within the last couple of decades have movies begun to be taken seriously as expressions of the Zeitgeist. An art form not even 150 years old, commercial movies have been seen primarily as an entrepreneurial exercise—money-making ventures with little serious thought. Now students of society recognize that where our wallets are, there our hearts are also. Even in the depths of recession the entertainment industry maintained its draw. The unemployed could at least watch movies cheaply at home. Yesterday’s newspaper contained an insightful entertainment piece on horror movies by film critic Stephen Whitty. Noting that the film industry began when the Production Code largely mirrored pre-1950’s American cultural values, Whitty observes that clergy were left out of movies, or when they appeared they were strong role-model characters. Then, beginning with The Exorcist, the demonic became a huge theme in movies. As Whitty concludes, “Certainly it’s partly a reflection of a growing fundamentalism” that indicates why such movies are now so popular. Many Americans believe in angels and demons and turn to them to explain the serendipitous or contretemps.

Scary, but not necessary.

Social attitudes help to explain what we see on the big screen. Almost from the beginning religious leaders have castigated the entertainment industry as an unholy counterpart to sanctified living. Theater was earthy and evil, movies immoral, and even the desire to be entertained took away from the struggle for salvation. Ironically, however, movies tend to reflect conservative values. At least when it comes to demons. In the current glut of demonic films—which most Americans rate as the scariest kind of horror movie—the church-sanctioned hero is often the only effective tool against evil. A mythology of a Manichean dimension reigns: good struggles against evil and good will prevail. Unfortunately, this Hollywood scenario falls on the side of simplistic solutions to complex problems. Evil is our own doing—we need no demons to tell us how to be bad. Likewise, help often fails to come from on high.

Over the weekend I watched Dogma once again. Severely criticized as immoral and trashy, the overall message is, however, one of faith and hope. No fundamentalist, Kevin Smith certainly takes his pot-shots at Christianity, particularly Roman Catholicism, but in the end God and angels are real, and demons are defeated. Yes, this comedy is intended to be entertainment, but the audience that views it probably agrees with its core values. As Whitty demonstrates, the past decade has flooded the market with Hell-born foes, and there seems to be no imminent slacking of the pace. People are afraid. Our efforts at free-market Heaven have turned out to benefit too few while too many are still without work or adequate security. No, we need no demons to instruct us in the ways of evil. We are fully capable of initiating our own.