Blushing Brides

Death does strange things.  But first I have a confession to make: I had never seen The Princess Bride before recently.  Since it is a favorite film of many people and since Rob Reiner had been murdered earlier that week, my wife wanted to see it again (for her).  Given the timing, she must have seen it shortly before I proposed to her, or maybe shortly afterwards.  Perhaps I owe a debt of gratitude to the movie.  I entered into it not knowing anything about the story or even the genre.  Rob Reiner was eclectic in his tastes, directing everything from comedy to horror, Spinal Tap to Misery.  As for Princess Bride, it felt like a light fantasy, generally comedic but with no laugh out loud parts.  It’s a sweet story with intriguing characters.  And a cast of big names.  I have to assume that since I may have been the last person on the planet to see it that the plot is already known.

The fact that it is based on a book makes me want to read it, but I understand it is quite long.  One of the debates that constantly seesaws in discussions of pop culture is whether it’s better to read the book or see the movie first.  Typically I fall on the book side (but you already guessed that).  I think that might’ve enhanced my experience here.  I do try to enter movies fresh, without reading about them in advance or watching trailers.  But then again, I tend to watch horror films as a kind of default.  In The Princess Bride, things turn out alright.  Definitely better than they ended up in Game of Thrones.  Fantasy is a genre that I sometimes read, but the sword and sandal scene isn’t my favorite.  The comedic aspect, however, makes Princess Bride work.

I also wonder if the initial impact had something to do with the cultural moment.  1987 stands out in my mind as a year of cultural significance.  It was a formative year in my life: I went to Israel that summer to work on an archaeological dig.  Pop culture was also in an odd place.  In my mind this mostly tracks with music of that year.  U2’s Joshua Tree came out early, and I recall a number of albums I purchased that were formative to me as a twenty-five-year old.  The one that most spoke to me, as a dark fantasy was Bruce Springsteen’s Tunnel of Love, which I still listen to every October.  I saw a lot of movies that year, but Princess Bride wasn’t one of them.  I feel like I have, in a small measure, temporarily caught up.