Leap Night

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I was quite young when I saw Night of the Lepus for the first time.  Well, I had to have been at least ten, but when I recently sat down to watch it only one or two scenes looked familiar.  Like most poorly done horror films, Night of the Lepus has gained a cult following.  The story is loosely based on Russell Braddon’s comedic novel Year of the Angry Rabbit.  Without the comedy.  Or at least without intentionally being funny.  In an effort to control rabbit overpopulation in Arizona, a new virus is released into the population.  Instead of killing off the bunnies, it makes them grow as large as wolves and become carnivorous.  They go around attacking people with big, nasty, pointy teeth (to be fair, Monty Python and the Holy Grail wouldn’t be out for three more years).

Night of the Lepus was criticized for not being scary at all—a cardinal sin for a horror film.  I was kind of embarrassed when my wife walked in and found me watching it.  Nostalgia can do funny things to a person.  It is almost painful to watch the public officials make such obvious missteps each time they start to get an idea of what’s happening.  They’re almost as imbecilic as the Trump administration was.  Meanwhile rabbits are hard to make scary.  Perhaps William Claxton should’ve read Watership Down.  Ah, but Richard Adams’ classic was only published in 1972, the year the movie was released.  What was it about the mid-seventies and rabbits?  

Part of the problem is that Night of the Lepus takes itself seriously without the gravitas required to do so.  Who can believe actual rabbits are vicious when, to make them monstrous, the movie simply shows rabbits against miniature scenery?  Their human handlers occasionally smear their mouths with red, but a rabbit doesn’t appear cunning and vicious.  And to get them to attack people they had to use human actors in rabbit suits.  I’m a fan of nature going rampant as a vehicle for horror.  Hitchcock’s The Birds did it effectively.  So, I’m told, did Willard (which is remarkably difficult to access with HBO never having released it onto DVD).  The seventies were when ecology began to be recognized as perhaps the most important of global issues.  Half a century later we’re still struggling to reconcile ourselves with it.  Meanwhile the rabbits have begun to appear in our back yard.  They may nibble our perennials, but I’m not afraid.  At least as long as they don’t watch Night of the Lepus and start to get some ideas.

Natural Born Killers

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Every year I spend some time at the local 4-H fair. I grew up not knowing about 4-H, and the discovery of the organization as an adult has been an education for me. The local university extension that supports 4-H is Rutgers, although on campus you never hear about this rural aspect of the sophisticated world of academia. My daughter has been a member of the cat club for years, and although not a member myself, they are cordial and always offer me a chair (something no university has ever done) to spend a few hours in the shade while the kids showcase their skills and knowledge. Young potential is one of the few sources of optimism I find in a culture obsessed with selfish gain. My daughter’s cat club shares a tent with the alpacas, the epitome of herbivorous tranquility. With wool so soft as to be unbelievable, the alpacas with their long, graceful necks and huge brown eyes, look to be the least offensive creatures at the fair (except maybe the bunnies).

People in crowds, however, often shift dynamics and stress systems that would otherwise find their own balance. While many of the thousands of visitors at the 4-H fair are respectful of the animals, many others seem unaware that loud voices and running children and constant noise can stress even docile animals kept in small enclosures. Kids will find a cat in its cage and bark at it to get a reaction, and we all know the glass-tapping behavior that drives the reptiles wild. The fair has been part of my life for three years now and I’ve never noticed a stressed alpaca. They seem above it all. Yesterday, however, one stressed animal took on a surprisingly human behavior and began to bully a smaller alpaca in its pen. Apart from the caricatured spitting, the larger animal began licking and biting the smaller one, snaking its long neck after the smaller camelid’s head, biting its ears, and generally making its life miserable. The aggression lasted only a few minutes, but it felt to me like the tension of seeing bullies rough up a kid on the playground. The fairgoers felt uncomfortable, with some even wagging their fingers at the larger, aggressive animal.

Club members eventually stepped in to separate the fighting alpacas, and the poor, smaller animal kept trembling for several minutes after the attack. No blood was let; the assault was mostly psychological. I went out to get a snack at the food tent. When I returned I was relieved to see the smaller animal had been removed from the pen, given some space. Later I learned the young animal had died from the stress of the attack. I had seen the incident, and the violence had mostly been of an unrelenting display of dominance with a minimal physical attack. The aura of threat had created the stress. Saddened, I realized that a parable had unfolded before my naïve eyes that afternoon. Like all parables, only those with perceptive eyes may be able to see through the drama and get to the heart of the matter. If only people were as perceptive as even the innocent herbivores, perhaps such parables could finally come to an end. In the meantime, maybe I’ll watch the bunnies and forget what I read in Watership Down.

Just look the other way...