Which Mountain?

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Disney movies—and I still think of Disney primarily as a movie studio—were part of my childhood.  A small part, but there nevertheless.  We didn’t go to theaters often but we caught some movies on television (do you remember eagerly reading TV Guide to find out what was going to be on that week?).  We did watch The Wonderful World of Disney and some of their series—I recall the one ones on Daniel Boone and Davy Crocket.  Still, I missed a lot.  I didn’t see Mary Poppins, for example, until I was in college.  So the other day I got curious about Escape to Witch Mountain.  I’d not seen it as a child and never saw any reason to watch it as an adult.  I’ve been taking a break from bad movies, and, as it turns out, Disney.  So there may be spoilers below, in case you’re waiting to see it.

I didn’t know the backstory or the plot, so seeing this the first time I wasn’t sure what to expect.  The movie shows its age (I was a mere lad of twelve when it was released), but the story is interesting.  Tony and Tia are adopted but have to be sent to an orphanage.  We quickly learn that they have “powers,” and that adults like to exploit such things.  A wealthy villain has his fixer pose as their long lost uncle to get them to his house, under his control.  The children realize that they must escape to, well, Witch Mountain.  Actually, that takes some time and a sympathetic adult who can drive.  In the end it turns out that they’re aliens, not witches.

Not cheery like many Disney films, Escape to Witch Mountain, although you know it will end well, has a fair bit of tension.  Especially scary is the mob mentality that takes over the locals when they start their literal witch hunt.  Armed and dangerous, those who want to preserve the uniformity of small-town mentality are serious about their convictions.  As usual, they focus on the enemy without getting to know who, or what, they really are.  Obviously, there are larger issues to consider, as there are when anyone has an advantage.  But the kids, aliens, are sweet and mean nobody any harm.  All they want is to get back to their people.  Can humans, however, ever be satisfied knowing that there are others out there more advanced than we are?  Perhaps there’s a reason for cover-ups, after all.  Disney often says more than it’s given credit for saying.  Even if I missed it until now.

Tales of Wonder

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OnceUponATimeI knew of fairy tales as a child, but I recall them mostly being mediated through the Wonderful World of Disney on Sunday nights, just before bath time.  I don’t recall experiencing them in written form, and although I may have experienced them as narrated versions from time to time, my memory is mostly of the animated variety.  I’ve been reading about fairy tales lately since folklore clearly relates to many sacred narratives.  My most recent book on the subject is Marina Warner’s Once Upon a Time: A Short History of the Fairy Tale.  Like most of Warner’s books, this is a unique telling, one which takes into account modern and some post-modern concerns.  Addressing what fairy tales tell us about the supernatural, gender, psychology, and growing up, this is a little book with big thoughts.
 
Unlike the polished literature of the elites, fairy tales come from the folk, the common person.  In this sense they are often truer than the establishment version of things.  Life can be violent and magical, and nobody raises an eyebrow when something supernatural occurs.  These tales often contain uncomfortable truths.  Fairy tales may help children to cope with eventualities, but they also unsettle along the way.  Rare is the tale where someone doesn’t die before it’s all over.  Like many disenchanted adults who’ve discovered the promises society makes to be false and hollow, I find returning to fairy tales as an adult somewhat therapeutic.  Long ago in a land far away often sounds much better than here and now.  Nor is it pure escapism.
 
As Warner points out in the very final thoughts of the book, fairy tales have come to be treated as scriptures.  Like scriptures, they turn into myths.  Myths may be retold, deconstructed, reassembled, and applied to many situations to inform us of the human thing to do.  We sell ourselves short by not recognizing the other scriptures that wisdom has provided down the ages.  While most of the folk wisdom we have preserved in the canon of fairy tales don’t go back to the Bible, they do retread some of the same territory.  By calling some of it scripture and other secular, we might miss that very many of the truths are similar indeed.  The assumption that growing up means leaving truths of childhood behind may, on occasion, bear reexamination.  If we look closely at our fairy tales we may discover that we should keep them close at hand, no matter what our age.