Split Personality

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This may be the way to develop a split personality.  For the majority of my waking hours of the week I’m a biblical studies editor.  I do the usual, boring editorial work associated with that job.  Academics contact me supposing I’m just some Joe who majored in English and who has to pay the consequences.  Once in a very great while the person contacting me knows that I once was a professor as well, but that’s rare.  So I have one part of my life.  When I’m not at work I continue to research (in my own way) and write books, as well as this blog.  Being in “the biz,” I have a fair idea about how to get published in the academic realm.  Ever since Weathering the Psalms came out I realized I could use that knowledge to steer my books toward appropriate publishers, but all of this is very separate from my day job.

A third compartment of this personality is as the closet fiction writer.  I’ve had thirty short stories published (under a pseudonym, for work purposes) and anyone curious about that pseudonym’s life can’t really tap into this one because I have to keep them separate.  I’m also involved in a faith community.  Most of the people there are surprised that I watch horror and write about it, and even write it.  Only two have expressed any interest in reading what I write.  So it is that each of these discrete elements—and they’re not all!—prevent me from being an integrated personality.  I know other religion scholars who watch and write about horror.  Because they’re academics they can integrate it into their profiles in a way a mere editor can’t.  To be fair, they’re misunderstood too.

The possibility of living an integrated life is limited in the workaday world of capitalism.  Companies want you to spend as much time as humanly possible making money for them.  You shouldn’t try to shine any light on yourself, and if you do, well, keep the company name out of it!  Who wants to be associated with some horror pariah?  And yet, statistics reveal about half the population of the United States enjoys horror movies.  A significant number of those people attend religious services or belong to religious bodies.  So what’s a graphomaniac to do?  I write because that’s what I do, and have always done.  I started in fiction and moved to academic and now I blog.  Somewhere in there there’s a person and someday I may discover who he is.

Writing the Divine

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The media has displayed considerable interest of late in the views of well-known writers towards the divine. Given the vast numbers of non-famous people daily consigned to Hell by the righteous, there are more tears shed for Anne Rice than for the thousands who’ve never written a vampire novel. Equally fascinating is a story from CNN yesterday on Ray Bradbury’s views on God. I cut my literary teeth on Ray Bradbury. I don’t even recall how I discovered him in the small town where I grew up. More likely than not I found used copies of his story collections at Goodwill. Already interested in science fiction, his tales of the future or fanciful past and alternate worlds captured my imagination. Living in a town where nothing ever seemed to happen, Bradbury was a doorway into someplace colorful.

According to John Blake and Bradbury biographer Sam Weller, the doyen of the sci-fi short story is an avid believer in something out there. Reluctant to accept any single religion, Bradbury embraces religious concepts as the wisdom of the sages. He believes, according to the article, that we have much to learn from religions. The views suggested in the interview may lack the rigor and sophistication of the professional theologian, but Bradbury’s emphasis on love comes close to the mark for several religions. People build superstructures around their religious founders and insist on orthodoxy and military adherence to human speculation about them. Often in the process, love becomes just another tenet left over, if you have time for it.

For many decades as I pursued formal degrees in religious studies, I was taught to put away childish things. I gave away my Ray Bradbury books and purchased hefty tomes of incomprehensible gibberish that passes for theological erudition. Then my daughter was assigned Fahrenheit 451 as high school reading. I picked up Bradbury again. His writing lacked the absolute wonder and fascination it held for my twelve-year-old eyes, but it was like greeting an old friend once again. My thinking had been partially shaped by this storyteller, and it is perhaps even possible, in a Bradburian sort of way, that I felt a “spiritual” connection as I read his books as a young boy. Reading his amateur views on religion was a quiet sort of homecoming.

An old friend