Firestorms

Banned Book Week technically doesn’t start until the week after next, but I have a pathological fear of being late.  I don’t know why.  It could be that I’m aware time is of limited quantity and much of it is owed to the beneficent corporation that keeps you alive, so you have to trade it for food.  And books.  Not much of it is left to do what you want to do.  In any case, my last book for the 2018 Modern Mrs. Darcy Reading Challenge was in the banned book category.  Long ago I had decided it would be Kurt Vonnegut’s Slaughterhouse Five.  I’ve read it before, of course, but it had been long enough that the details had been sanded away and I could only remember parts.  One thing I’d forgotten is how much Vonnegut brings religion into the story.

Writers who avoid religion miss the motivating factor of the majority of human beings’ lives.  This has always seemed a strange denial to me.  I’m not suggesting that every novel should mention religion, but since it is concerned with ultimate interests, it is somewhat surprising that it’s so often overlooked.  Not that it plays a major role in Slaughterhouse Five, but any novel concerned with death is inherently in the realm of ultimate concerns, I should think.  Right, Dr. Tillich?  In any case, I’d forgotten that Slaughterhouse Five was such a poignant, funny, and sad novel.  Vonnegut’s experience of World War Two clearly haunted him—most writers are haunted by something—and his musings were, and often are, banned.

If there were banned books in my high school (and I grew up in a conservative area, so surely there were) I didn’t know about them.  Let’s face it, teens seldom sit around talking about significant novels.  Many, at least among my classmates, didn’t read those that were assigned in English class.  Slaughterhouse Five wasn’t one of them.  I learned about Kurt Vonnegut from a friend while in college.  This is the third of his novels that I’ve read in 2018.  The first two I’d never read before.  So it goes.  I’m keenly aware of time.  I’m also aware that those who would ban books are often those who obtain elected office.  And when you find that your own nation has turned on you, remembering the fire-bombing of Dresden is an appropriate response.  For such reasons Banned Book Week remains important.  It should be a national holiday, at least among those of us underground during the firestorm.


Jericho’s Folly

The sound was compellingly familiar although it had been years since I’d heard it.  We were visiting the Quakertown farmer’s market for the first time—this weekend event is widely advertised and we were curious.  Part fresh produce, but mostly flea market, it was a tribute to my generation.  You could find stuff from my childhood years here, making it a species of time travel.  We stepped out of the car on a gray morning when I heard it.  I was drawn to it.  I’m at the age where I recognize things before I can name them.  “Where are you going?” my wife asked.  “Toward Pink Floyd,” I replied.  Music has a way of doing that to you.  It took another minute for me to place the song.  It was from the album The Wall.

After we returned home I had to hear it again, uninterrupted by the distractions of a flea market to new home owners.  It was a frightening experience in the age of Trump.  Although they’d never been my favorite band, I had a long history with Pink Floyd.  My older brother used to listen to them, and when I was working as a church intern (yes, there is such a thing) while in college, the kids in a family I was staying with took me to see The Wall on laser disc—an affluent family in the neighborhood had just bought a player, and I was curious both about the technology and the film.  The Wall is one of those concept albums that requires attention—you kind of need to listen to the whole thing.  The accusations against those who are different being sent “up against the wall” chilled me with thoughts of Trump and American fascism.  I can only listen to the album within prescribed headspace.

Even those who’ve never been sent to boarding school can imagine how it lends itself to abuses and horror.  At Nashotah House the album was almost as frequently cited as Hotel California.  When the religious isolate themselves odd things begin to happen.  On one of the occasions when I was left home alone in our New Jersey apartment, I pulled out my DVD of The Wall and began to watch it.  As the years melted away, I suddenly felt young and intensely vulnerable.  The visuals, like a little pin-prick, were jabbing at nerves a little too close to the surface.  I had to turn it off and watch a horror film instead.  It’s even scarier to listen to the album when democracy has failed its constituents.  The wall, after all, is a most protean of metaphors.


Museum Monsters

Timing has never been my strong suit.  As soon as I stopped my daily commute to New York City, the Morgan Library and Museum opened a display titled “Medieval Monsters: Terrors, Aliens, Wonders.”  To appreciate the irony of this fully, you need to realize my office was just across the street from the Morgan Library, and the daily visits would’ve provided a good opportunity for a lunch-time break with my beloved monsters.  Instead I was spending the time moving further west and unpacking.  Still, displays like this are a tacit form of validation.  Those of us who admit, as adults, that we like monsters huddle under a cloud of suspicion.  Monsters are a matter for kids—like dinosaurs and fairies—not something on which an upwardly mobile adult spends his time.  We’ll take whatever validation we can get.

Perhaps we’ve been too hasty to dismiss our monsters.  Even the Bible, after all, has them.  They help us cope in a chaotic and uncertain world.  A world of hurricanes and Trump.  A world lacking compassion and sense.  Monsters have always been symbols of the borderlands.  Creatures that cross boundaries and that shouldn’t exist but somehow do nevertheless.  Science has helped us understand our world, but in our desire to grow up enough to use Occam’s razor, we find that it shaves a little too close.  Besides, what can be more unnatural than shaving?  When we lose our ability to believe in monsters, we lose a piece of our ability to cope with an unpredictable world.  Monsters have their practical uses indeed.

If the world were more predictable, I would still be teaching instead of editing.  Or I’d still be living in an apartment rather than a house.  Moving is chaos embodied.  Like monsters, it’s best left to the young.  It’s just like this world for a monster display to open just across the street right when you’ve moved out of town.  I should expect no less in a cosmos marked by uncertainty.  Medieval Monsters isn’t the only museum display of the weird and wonderful.  Monsters have a way of showing up again once you think they’re safely gone.  Family and friends share with me their visits to other monster exhibits at other museums.  They may wonder at my fascination with them—an adult with a sober doctorate in the field of history of religions, biblical studies, ancient Near Eastern religions, whatever.  It’s kind of a monster in its own right, on display here daily.  If you happen to miss it, don’t worry.  It’ll remain lurking in its own corner of the internet.


Scriptural Slashers

Let me relish this a moment.

Thanks.  You still there?  It’s not too often, you see, that I get to feel like I’m near the front of the crowd.  I began writing Holy Horror when there were a small handful of books on the market concerning horror and the Bible.  I wasn’t aware of Brandon R. Grafius’ work at the time, but it sure is gratifying to see that others have noticed the connection.  Reading Phinehas, Watching Slashers: Horror Theory and Numbers 25 is pretty much what its title says.  I’ll be having more to say on it in a different venue—don’t worry, I’ll let you know—so I’ll keep to the basics here.  My spellcheck, and I’m sure not a few others, might have trouble identifying Phinehas.

In one of those weird, short, violent episodes for which the Good Book is justly famous, the story of Phinehas is clearly part of a larger, untold narrative.  Like the sons of the gods marrying the daughters of men in Genesis 6.  The grandson of Aaron, Phinehas was one of the hereditary priests of early Israel.  The Israelites wandering for their 40 years in the wilderness were nearly as xenophobic as the Trump Administration.  When one of the chosen people chose a foreign wife, Phinehas, full of zeal, grabbed a spear and skewered the couple.  Tradition says in flagrante delicto.  This act of violence stops a raging plague sent by the Almighty, so Phinehas looks like a hero in context.  If you want to read the story the subtitle tells you where to find it.  Or you could read Grafius’ excellent book.

Horror, which should be already obvious, enters the picture in the form of theory.  Yes, there is such a thing as horror theory.  Grafius uses it to analyze this story, along with other methods.  This is what I’m relishing.  I certainly wasn’t the first to notice the connection.  Many years ago Phyllis Trible wrote Texts of Terror, noting how the Bible seems less holy (my expression, not hers) when read from the perspective of a woman.  Indeed, many accounts that seem like standard issue narratives of God laying down the rules and humans disobeying tend to fall pretty heavily on females.  And the punishments used are fit for horror films.  Grafius focuses specifically on slashers, but one gets the sense that this book is just the start of something larger.  This reader, at least, hopes that is the case.


Look Both Ways

One of the things I miss the most about my teaching career is learning from the young.  While some professors in my experience believed the learning only went one way, I always found a kind of reciprocity in it.  I passed on what I learned from taking classes and having my face in a book all the time, and they taught me about popular culture.  Academics don’t get out much, you see.  It’s a basic issue of time—we all have a limited amount of it and research, if done right, takes an incredible chunk.  In fact, when hot on the trail of an idea, it’s difficult to think of anything else.  Pop culture, on the other hand, is what the majority of people share.  Now it’s largely mediated by the internet, a place that some academics get bored.

Speaking to a young person recently, I was initially surprised when he said that his generation was more interested in the Devil than in God.  Parents have always been concerned that their children not go astray, but this was, it seemed to me, more of an intellectual curiosity than any kind of devotion.  God, he averred, was thought of as aloof, pious, self-righteous; in a word, Evangelical.  The internet can be downright ecclesiastical in its affirmation that our inclinations can be what used to be called “sinful.”  Not that these things are always bad, but they are the kinds of things we’re taught to feel guilty about.  The divine response?  Anger.  Displeasure.  Shaming.  Young people, my interlocutor thought, found the Devil more understanding.

Perhaps this is the ultimate result of Evangelical thinking.  We’re watching in real time as the party of Jesus is becoming the party of intolerance for anyone different than ourselves.  Rather than turning the other cheek, it’s fire when ready.  Eager to retain the “brand” of “Christianity,” they slap the secular label on any outlook different than their own, although their own faith is without form and void.  It used to be that this was the realm of the Devil.  This sheds a different perspective on what my young colleague was saying.  Instead of bringing people to God, the Evangelical movement is driving them away.  Traditionally, the Devil was after the destruction of human souls.  That seems to be one of the new values of the right wing of the church.  There’s quite a bit to think about in this observation by this young one.  I’m glad to know that traffic still moves both directions on this street.


Appily Ever After

While in the theater to see The Nun (which ended up being the biggest take) this weekend, I couldn’t help but notice that the pre-movie adds were all about apps.  I couldn’t help it because, much to my own chagrin, I’d left the house too quickly and I hadn’t brought a book to read while waiting.  This may not be news to some people, but different cinema chains have different “channels” of what passes for entertainment and ads to try to draw viewers in early.  The movie house we used to frequent in New Jersey had a variety of goods on show, most of the time.  The one we visited here in Pennsylvania presumed that everyone had their phones in hand, waiting for the show to begin.  On screen was the idolization of the app.

My phone is old enough that most modern apps don’t work on it.  Most of the time that doesn’t matter to me since I’m not addicted to the device.  Of course, when you’re trying to park your car in a town that offers only online options for such a convenience, I sometimes wish I could download the relevant necessary software.  Otherwise, I often wonder what we’ve lost in our lust for connectivity.  Coming out of New York on the longer distance bus recently, the driver called out, as leaving the Port Authority, “Lights on or off?”  The unanimous chorus, for I didn’t speak, answered “Off!”  I glanced around.  I was surrounded by devices.  I carry a book-light with me on the bus, for this has happened before.

“Drink the Kool-Aid” has become post-Jonestown slang for simply following the suggestion of someone without considering the consequences.  I sometimes wonder if our smartphones come in more than one flavor.  I’m not talking about features or physical colors.  As apps chip away at our money, a little bit at a time, they also take larger pieces of our time.  I’ve experienced it too, but mostly on my laptop (I don’t text—my thumbs aren’t that limber, and besides, the apocopated messages often lead to misunderstanding, emojis or not), the wonder of one link leading to another then realizing an hour has disappeared and I still feel hungry.  Perhaps that’s the draw to the modern commuter.  Or movie goer.  I’m sitting in the theater, taking a break from unpacking.  In my version of multitasking, I’m also doing research by watching a horror movie.  Around me eyes glow eerily in the dark.  I’m lost in the forest of unsleeping apps.


Nun Among Them

Life is sweet when watching a horror movie counts as research.  It’d be sweeter, of course, if a university paid for it, nevertheless, I went to see The Nun on its opening weekend.  My wife gamely went with me (no sponsor was paying for this) on a rainy Saturday afternoon.  Now, if you haven’t been following The Conjuring universe, you might not know about The Nun.  The full story will be revealed in Nightmares with the Bible, which is coming along nicely.  Suffice it to say it’s a movie about a haunted convent in Romania.  Those who know the Dracula tradition will perk up at the mention of the location.  The scenery is quite lovely in a horror genre kind of way.  And it also has ties to The Conjuring diegesis that bring the story full circle.

Ghostly nuns, it turns out, can be scary.  Religion, after all, involves coercion and threat as well as love and salvation.  Sister Irene, the protagonist, is a novice nun sent on a mission to investigate said convent.  The film reveals both an awareness of religious motivation and a seeming lack of research regarding monastic life.  Sister Irene, for example, tells the students at her school that the Bible isn’t to be taken literally.  It’s “God love letter to humanity.”  Well, parts of it are.  Still, the struggle with biblical literalism is a present-day issue that the movie addresses head on.  It was difficult to believe, on the other hand, that even a novice would walk into a chapel where someone is praying and call out “Hello?”.  Many years at Nashotah House taught me something.

Cloistered environments, although not part of most people’s experience, are great locations for horror.  For example, the first night she spends in the monastery Irene is told that the great silence is observed until dawn.  Did I mention that in chapel no one can hear you scream?  There’s an element about that in actual cloistered life.  The discipline of secrecy is heavy and full of threat.  We spent a great many silent days at Nashotah House and the sense of violation as sin was heavy indeed.  The part that truly stood out, however, was where the nuns used their only recourse against evil; they had to pray.  In the world of action movies, striking out with whatever is at hand is the expected response.  Spiritual entities, although the film does relent, can’t be touched except with spiritual threats.  The praying nuns looked so helpless in the presence of a demon.

There were less than a dozen people in the theater.  The Nun may not be a runaway hit.  The devoted will see it, however, and some of us will include it in our working life as a kind of spiritual exercise.


Museum Haven

At various points of my career I’ve applied for museum curator positions.  Since those who actually land those jobs have degrees in museum studies, I’ve never gotten as far as an interview.  Still, I like to think I’d be good at it.  I spend time in museums and I’ve been told I have an okay eye for design.  And I recently read that museums are educational institutions.  That makes sense since people tend to be visual learners.  (This is something I took into account in my classes as well, illustrating lectures to make a point.  The traditional academic feels that pictures are somehow “soft” learning as opposed to the harsh realities of text and word-based instruction, but I beg to differ.)  We see things and they stick with us.

On a visit to the New York Historical Society museum I once looked at their somewhat abbreviated sculpture collection.  This isn’t the Met, after all.  One of the tricks I’ve learned about museum displays is that some curators place subtle humor in their framing of objects.  For example, my gaze was drawn to a figure of a pilgrim.  A stern-looking fellow, he’s captured in full stride, massive Bible tucked under his arm, determined frown on his face.  This is a man trying to create Heaven on earth, dour though it may be.  Taking a step back, my camera found a smile in this image.  On either side of this angry Christian were two naked women: one was apparently Artemis with her bow, the other perhaps a Muse.  The lines of the display draw attention to this juxtaposition.  There’s some humor here, intentional or not.

This also takes me back to yesterday’s post about Heaven.  Perceptions of what it is differ.  There’s a mindset like the pilgrim that sees a life of suffering being rewarded in the hereafter with endless bliss.  I do have to wonder whether too much hardship down here might not make one forget how to enjoy oneself.   It’s difficult to picture a Puritan in rapture.  It’s as if the journey—the hard road—is the real source of enjoyment here.  Each of us, I suppose, has her or his own view of Heaven.  Mine’s kind of like a library with all the time in the world without end to read.  Others, I suspect, would find paradise as a garden.  Yet others would see Heaven as a kind of museum, but it would be one where laughing out loud was okay, for the Curator definitely has a sense of humor.


Somebody Else’s Heaven

Ailanthus is known as the “tree of heaven.”  It’s an introduced species in North America and, like many such species, it outcompetes its rivals.  The tree of heaven isn’t bad to look at—in fact its handsome appearance was one of the reasons it was brought to these shores.  Heaven isn’t all that it’s cracked up to be, however.  The tree is aggressive and resilient, and difficult to eradicate.  Among the many unexpected “gifts” the former owners of our house left us was a back yard full of ailanthus trees.  At first I thought they were pleasant but then I had to remove a small one.  The smell almost knocked me off my feet.  I then learned that the Chinese name for it translates to “foul smelling tree.”  Whose version of heaven is this?

Over the weekend I spent some time lopping off trees of heaven.  Mosquitoes, I found out, love its shade.  It keeps the kinds of friends you might expect.  Heaven is, after all, a construct.  The word can refer to either the great dome of the sky in which the ancients believed deities dwelled, or the realm of blessedness to which the righteous go after death.  In either case, it was assumed to be a pleasant place.  Any trees there (and there are some according to the Good Book) would likely have a pleasing fragrance.  The ironically named version we get down here didn’t get the memo, it seems.  As best as I can determine, the name of the tree refers to its rapid growth, as if it’s grasping for the sky.

A problem with our own species is that we seem to think we know more about this world than we do.  We introduce species from other parts of the planet without considering how they impact the local environment.  In the case of a property with lazy former owners, it can translate to a real problem with heaven trees.  We’re often taken in by the innocence of names.  The first time I saw a tree of heaven, in a public park in New Jersey, I thought I should write a blog post about it.  It took being invaded by heaven, however, to make it seem relevant.  Heaven is a foreign nation, it seems.  It should smell nice and be open to people of all nations and creeds.  According to Revelation the trees up there bear fruit every month of the year.  Presumably in heaven someone else has to take care of the yard work.


Growing Shadows

As summer wends its way slowly toward autumn my reading becomes more gothic.  It feels as natural as the progression of the seasons, I suppose.  While waiting for the turn I’d been holding onto Carlos Ruiz Zafón’s The Shadow of the Wind.  Not having read any Zafón before, I wasn’t sure what to expect.  My copy had been blurbed by Stephen King, and I figured that was pretty high praise.  I found the book through one of my web searches for the most gothic novels and this one takes a while, but I can see why it makes some of those lists.  I wasn’t sure at first if it was intended to be comic or serious, but that combination is an imitation of life itself.  We laugh, we cry, we shudder.

The story slowly builds, and I’ll address this further on Goodreads.  What I want to consider here is the nature of place.  Human beings—and I would argue animals as well—have a sense of place.  Space becomes sacred through events both dramatic and quotidian.  That’s why we make pilgrimages to places where our heroes lived.  Just to be there.  To think about it.  To feel it.  The Shadow of the Wind is a story of Barcelona during a time of war.  There’s no escaping the moody sense of old Europe in this tale.  In that sense religion is quite often casually mentioned.  It’s part of place in a way many Americans overlook.  The church bells I can hear everyday beg to differ, no matter how empty the pews may be.  Zafón wants to share his gothic Barcelona with a story that leads to real shivers.

It would be a stretch to call this a horror novel, but it is in the sense that V. C. Andrews’ Flowers in the Attic is.  It reminded me at several points of Wilkie Collins’ The Woman in White (my copy of which was destroyed in a flooded garage).  Many lives, I suspect, have quiet gothic elements to them.  I know that mine does.  While there may be a little supernatural at work in The Shadow of the Wind, most of the action is believable.  This is the way people behave.  The way they treat, and mistreat one another.  While the days are still hot around here, the angle of the sun in the sky doesn’t lie.  We’re fast approaching the equinox from which we’ll slide into the long nights of winter.  And reading, the more gothic the better, will help us make it through no matter where we are.


Patriarchal Faith

One of the dynamics we see in present-day America is the worship of belief itself.  This is nothing new since faith is the “substance of things hoped for, the evidence of things not seen.”  It’s hard to trust in what you can’t see.  Trusting in trust may be tautological, but it’s also a natural development for something that evades proof.  If it goes too far, however, such religion becomes an idol.  Its teachings become secondary to its very existence.  Its rules, no matter how contradictory, must all be followed.  And those who believe are encouraged not to think too deeply about it since, if they did, this inherent inconsistency would be obvious.  The knee-jerk reaction of “the Bible says” is one such defensive measure.  I saw this all the time while teaching in seminary.

The other day I heard the melody of “Faith of Our Fathers” playing on the local church bells.  Interestingly, this is a Catholic hymn adopted by Protestants.  It’s kind of an anthem to this idea of worshipping the faith rather than the deity to which it points.  Consider the chorus: “Faith of our fathers, holy faith!/We will be true to thee til death.”  Originally a celebration of martyrs—those who found the courage to die in their steadfast belief—the hymn survives into an era when the perils besetting what used to be Christianity are less political and more scientific.  We live in a universe compellingly explained by science while politics has appropriated religion and counts on it to keep worshipping faith as an entity, regardless of distorted beliefs.  The hymn plays on.

Many public intellectuals are wondering about how evangelical Christianity could so easily divest itself of Jesus’ teachings and accept Trumpism.  Some have already begun to suggest that Trumpism is a “cult.”  (Religionists would say the proper term is “New Religious Movement,” since we no longer judge religions, no matter what forms of mind control they might prefer.)  The problem with experts on religion is that anyone can claim that sobriquet, bona fides or no.  Some of us have documented decades of official study of the phenomenon—those who paid attention in seminary and continued to pay for many years for a doctorate in this elusive field—but we’re are easily outshouted by those who take the words of this hymn literally, as they were meant to be taken.  Martyrdom comes in many varieties.  As I listen to the bells, I consider the implications.


Quaker States

Religions have always fascinated me.  Having grown up in one that was self-assured that it alone was right, I didn’t have much opportunity, as a child, to look closely at others.  I had to assume that other religions took their beliefs just as seriously as we did, but that they were dead wrong.  Majoring in religion requires a bit more broadmindedness.  We looked, as objectively as possible, at other traditions.  Still, Grove City College is unapologetically evangelical, so some professors weren’t shy about stating this or that belief was just plain wrong.  Things improved from then on, academically speaking.  By the time of my doctorate, and as an Episcopalian, I learned to distance myself a bit; dispassionate was the only way to be in the face of sometimes conflicting accounts.

The other day, following my natural curiosity, I was researching Unitarian Universalists.  Having a strong biblical background, I was curious about this denomination that represents Scriptures quite differently.  The Google metrics brought up a page with logos of various traditions: the Unitarian one I recognized, as I did the Episcopal and United Methodist Churches, having been a member of both.  Then I noticed the symbol used for the Quakers: the Quaker oats man.  I was inclined to laugh and be horrified simultaneously.  The “Quaker” Oats symbol is a commercial mock-up, and had Google read Wikipedia it would’ve known that the company has nothing to do with the faith.  Capitalizing (literally) on the reputation of Quakers for purity, the company used William Penn as a model for a guy who wouldn’t cheat you.

Now that I live in the Quaker State (again), I’ve grown curious about the Society of Friends.  This is particularly so since they are one of the few Christian groups to have been expropriated by the commercial world.  Who’s ever heard of Presbyterian laundry detergent?  Well, with the exception of hospitals and caregiving institutions, which are happy to take the name of a denomination, religion is hardly a trusted commodity these days in these parts.  The Quakers do have a symbol—two superimposed, four-pointed stars.  Metrics, however, are based on search frequencies, I suspect.  As far as religious denominations go, the Society of Friends isn’t massive.  Far more people search for Quaker Oats than the actual religion whose name the company borrowed.  Such is life in these United States—the ultimate corporate venture.  Now a wholly owned subsidiary of The Trump Organization.


Holy NRA

A religious nation in love with guns leads to some strange juxtapositions.  In a home goods store that I won’t name—hey, you can have fun trying to find it!—we came across just such an oddity.  Appropriately for a franchise near Bethlehem, there was a framed painting of the holy family: Mary, Jesus, and Joseph, halos and all.  Completely surrounding the Prince of Peace and company were framed replicas of guns.  I’m sorry to state that the holy family, notwithstanding divinity, was sadly outgunned.  There’s only one such family, but of the making of firearms there is no end, and much shooting wearies the body.  Of all the weirdness that has plagued Christianity, this love of guns among the evangelical followers of the Prince of Peace has to rank near the top.

Believe me, I know what it is to be afraid.  I grew up with more than my share of phobias, and since buying a house different ones from my childhood set have come to light.  People want to feel safe, and the gun industry has successfully spread the message that a firearm or two will do the trick.  Often it backfires.  Those meant to be protected are killed in an accidental discharge or a domestic dispute turns deadly.  The real drawing power of guns, I think, is the sense of power.  The message in our society is that God wants you to protect your property.  That doesn’t mean that the government can’t take it away, but hey, at least you’ve got a gun, right?

I’ve always felt that ownership was a strange concept.  I look out the window and see the birds perching on “my” roof.  I see the squirrels digging in “my” yard.  I see the rain soaking “my” investment.  In what sense do I own this house?  Am I not just borrowing it long enough to live here while I’m alive?  We met one of the former owners.  Who lived here before him I don’t know.  I have no idea who built the house.  Besides, the money to purchase it came from a bank, and if I don’t pay my mortgage, the real “owners” will step forward and sell it to the highest bidder.  I own no guns.  They’re dangerous and costly and would I ever find peace after shooting anyone?  I look at the holy family.  Joseph and young Jesus have firearms aimed at their heads.  If the holy family isn’t safe, what hope do the rest of us have?


Searching Again

Research can be addictive.  Those who know me are generally aware of how I can’t let ideas go.  I suppose this is necessary for those who write books—concentrating on one subject for a long time is mentally taxing and can lead to early loss of interest.  Those of us inclined to embrace this activity live for the thrill of uncovering new ideas and making connections that we’d overlooked.  My work on Nightmares with the Bible is a case in point.  Before submitting this book proposal I’d done a lot of reading on the subject of demons.  This is a dark topic, but those of us who live in temperate zones spend quite a bit of time without daylight, so I might think of this as a kind of therapy.  Or an excuse to do research.

Here’s often what happens: I’ll be writing along when suddenly a new question pops into my head.  Why was this or that the case?  The internet makes amateur research quite easy, but as someone raised on solid scholarly food, I need to check my sources.  When a professor I would’ve headed to the library with interlibrary loan slips in my hand.  These days I tend to turn to my own books and lament that I don’t have just the right one (there’s a reason, you see, that there are so many tomes in this house).  I try to find workarounds and used copies.  Perhaps I’ll pick up an adjunct class or two to be given library access again.  Meanwhile, the idea, like an ear worm, is burrowing into my conscious mind.  Until it’s time to go to work.

That great eight-hour stretch of day drains my energy.  Indeed, many employers count on taking the best you have to offer and making it their own.  What you do with “the rest of your time” is up to you.  Thing is, research is a full-time job.  Fortunately some of what I learn while on the clock will help me with my own research agenda.  The overlap isn’t especially strong, but now and again something I read in a manuscript will sync with what I do in the pre-dawn hours before I commit myself to the time-clock.  It’s a strange way to do research.  Back at Nashotah House I’d use the summers to follow the clues laid before my mind and, as long as I went to chapel, it was considered part of my employment.  Now it’s considered an avocation.  I can’t help myself, though.  Personal research is not part of the job description, but I’m an addict when it comes to learning new things.


Slow to Travel

A family friend recently died.  I was in New York City when I received the news, and I mused how recent a phenomenon this speed of information is.  The news wasn’t necessarily a shock—this friend had been experiencing failing health, he was a close friend of my grandfather—but for some reason Samuel F. B. Morse came to mind.  The story goes that Morse invented the telegraph because of his experience of being away from home when his wife died.  By the time he received the news and was able to get home by the conveyance of the day, she’s already been buried.  He set his inventive mind to improving the speed of communication over a distance.  In these days of receiving texts mere seconds after something momentous happens, it’s difficult to imagine that for the vast majority of human existence, personal news traveled slowly.

Feeling in a reflective mood I recalled how when I was in college I wrote letters home.  Yes, the telephone existed by then—don’t be so cynical!—but long distance bore a cost and college students find ways to save their money for girlfriends or spending a weekend in Pittsburgh.  News traveled more slowly.  Back before Morse, the swiftest option was the letter.  The death of a friend might take days or weeks to reach those close.  Distance in time, as well as space, may not have lessened the shock, but the immediacy of a text wasn’t there.  The death had occurred days or weeks ago.  There was nothing left to do but grieve and get on with life.  Like Samuel Morse—perhaps the only point of comparison between us—I was unable to get away immediately.  New York City isn’t easy to escape quickly.

We move swiftly and slowly at the same time.  I know news moments from the event, but this physical mass I inhabit is sluggish takes some time to get around.  Manhattan’s an island, and although it’s not Styx we’re crossing, the Hudson creates barriers enough.  Now my journey includes crossing the entire state of New Jersey before I can even reach home.  Were I to drive back to my original home, it would add another five hours at least in the car.  Sometimes I wonder if the immediacy of knowing is a blessing or a curse.  The shock is immediate and visceral.  But like an injection, the sharpness is quickly over and the dull ache sets in.  Our family friend had been suffering for some time.  Now he’s at peace.  I like to think he’s with my granddad, and that the two of them together won’t judge me too harshly for moving so slowly.