Green Pagan

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The folk tradition doesn’t encompass folk horror only.  I’ve been working on The Wicker Man, one of the initial folk horror classics, long enough that I sometimes need to remind myself of that.  Of course, it was the cover image featuring said movie that drew me to David Huckvale’s A Green and Pagan Land: Myth, Magic and Landscape in British Film and Television.  The descriptive subtitle more or less informs the reader what the book is about although it reaches further than that.  Huckvale also interprets novels, short stories, and classical music pieces according to landscape.  And sometimes it ranges beyond Britain, especially to other Anglo-Saxon cultures.  Richard Wagner, for example, plays a prominent role in one of the chapters.

Having written about popular media myself, I’m aware of how such issues can easily arise.  A movie too good not to discuss falls out of the precise range you’ve set for yourself.  And no matter how much media you can consume there will be tons more that you could, had you the time, add to your experience of it.  This book looks at mostly British media with an eye toward the pagan landscape.  That doesn’t always mean horror, but sometimes it does.  Huckvale always has interesting things to say about the media he addresses.  Whether the pieces go back to Arthurian legend or to more recent fictional pasts, the landscape has a role to play.

Indeed, folk horror is generally defined by landscape.  That makes sense considering that it’s all around us.  Many people in urban settings may have to struggle to find it.  Indeed, when they want to get away they head for it.  In Britain—and anywhere in which invasion has taken place—the earlier pagan ideas are imprinted on the land.  In Britain they’re perhaps more obvious; think of Stonehenge.  As later interlopers modern people see them and wonder.  And then we create stories—literary, musical, or visual—about the experience.  I’m so used to reading about folk horror that I’d finished the book before I realized it wasn’t really the focus of the entire thing.  While I don’t live in a major city, I too have blinders on for much of the time.  I’ve got a book deadline and I wanted to read this before making final revisions.  I’m glad I did.  There were places where I was just in the backseat, along for the ride, but there were also chapters where The Wicker Man was a crucial component.  And it reminded me of why I enjoyed living in that landscape for a few years.

Bad Dog!

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A few years back, it was, when I saw my first video of a robo-dog.  I don’t mean the cute ones that you might fool yourself into thinking, on an off day, might be a real mammal.  I mean the bare-bones, mean-looking robot kind.  If was, of course, being developed by military contractors.  Then just days ago I saw something truly frightening.  In a video from China, one of these robo-dogs with an assault rifle and a ton of sensors mounted on it, was remotely air dropped by a drone and began policing the area.  Knowing that fleets (I’m not sure that’s the right word) of thousands of drones have been coordinated for entertainment purposes, and aware of how much money and tech militaries have, well, let’s just say nightmares aren’t just for sleeping any more.

Image credit: DARPA, public domain via Wikimedia Commons

Dogs, until they mostly had it selectively bred out of them, are killers by nature.  The wolf has to be a predator to survive in the wild.  As much as we like bipedalism, it has to be admitted that four legs (or more—imagine the robo-centipede, if you dare!) benefit locomotion quite a bit.  You may get a lower angle of view but a boost for speed.  And if you see a robo-dog, especially one with a machine gun for a nose, running is where you’d want to excel.  But we’ve taken our companion—our “best friend”—and made it into yet another engine of fear.  As someone who grew up with an inordinate number of phobias, I really don’t need one more.  Of course, it’s a truism that if a technology comes from the military it will be cause for alarm.

I’m capable of dreaming.  I can dream of peace and cooperation and what we could build if we didn’t have to worry about the aggressive, the greedy, and the narcissist.  Those who never learned to play well with others but who make money easily and spend it to bend the world to their bleak, bleak vision that lacks a happy ending for all but themselves.  I can envision meeting people who are different without the first thought being exploitation—what can I get out of them?—or fear that they wish to harm me.  Humans are endlessly inventive, especially when it comes to ways to harm one another.  If our creativity could be set toward working for the benefit of all, dogs would be for petting and drones would be for seeking out new ways to solve the problems that beset us all.  Instead we make them into new nightmares.

Flavor of Childhood

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Giant, telepathic crabs whose molecular structure make them impervious to bullets, explosives, and fire, and that know how to use dynamite and who plan to take over the human world?  A group of scientists trapped on an irradiated Pacific island that is slowly sinking into the ocean?  This must be Attack of the Crab Monsters!  I was born during what is generally considered the dearth  period of the American horror industry.  Roger Corman, however, was working hard outside of the studio system to cater to that new demographic—teens with spending money.  Drive-in theaters were big and for about $100,000 you could shoot a double-feature and bring in ten times that much.  If you shoot quickly enough you can produce several of these in a year and not have to worry about the big studios.

It’s been fashionable to laugh Corman off, but he knows how to live the teenage dream.  Monster movies were part of the childhood of many of us during this “dearth.”  Yes, sophisticated frights were yet to come, but these creature features were full of creativity and escapism.  And so many unanswered questions.  How did those giant crabs chop all the radio wires to bits with those indelicate giant claws?  If they could smash through the outside wall of a house, why couldn’t they break through a light-weight door once inside?  And why, knowing that bullets and grenades can’t possibly hurt them, do scientists keep firing away?  What was that oil subplot all about anyway?  And how do you end a film with the lines “He gave his life,” followed up by “I know”?  This is stuff, like Strawberry Quik, I couldn’t get enough of as a kid.

No, this wasn’t intelligent horror—it was often laughable—but it made an impression.  As an adult I can’t recall which of these movies I’ve seen before and I suspect it would take a lifetime to watch all the films Corman directed or produced.  Along with his contemporary indie director/producer William Castle, Corman may be inordinately responsible for my tastes as an adult.  I’ve grown more sophisticated (I hope) in some ways, but I’m at a pay grade where free on Amazon Prime often decides a weekend’s entertainment.  Besides, these movies struggle to top out an hour’s running time.  You can still get a lot done in a day and still have time for a monster crab, giant leech, or wasp woman.  With enough radiation, and imagination, anything can happen.

Former Education

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Like most people I don’t have time to sit around thinking much about college.  Once in a while you’re forced into it, however.  This time it was by an NPR article.  I attended Grove City College for a few reasons: it was a Christian school close to home, it wasn’t expensive, and, perhaps most of all, I knew campus because the Western Pennsylvania Conference of the United Methodist Church held its annual conference there.  I’d been several times during high school.  It didn’t hurt that I was a Fundamentalist at the time.  Grove City was a college of the Presbyterian Church and I loved having debates about predestination with professors who actually believed in it.  At the same time, I was encouraged to think things through, which liberal arts colleges are known for promoting. Is it now “conservative arts?”

Photo credit: The enlightenment at English Wikipedia

The NPR story my wife sent me was about how Critical Race Theory is disputed at my alma mater (sic).  I noticed in the article that Grove City is no longer affiliated with the Presbyterian Church.  It’s become much more right wing than that.  At the same time they ask me for money on a regular basis.  What made them think they had to go hard right?  Are they still educating students or are they indoctrinating them?  It reminded me of a sermon I heard at yet another conservative school I was associated with: Nashotah House Episcopal Seminary (or at least it was then).  The priest made an entire sermon about how it was right to be conservative, as if no matter what the issues there was some creed to get behind in staying behind.  As if virtue exists in never admitting you were wrong.

I suspect that my failure to attain a full-time academic position at a reputable school was because of what looks like a conservative outlook, despite the evidence of this blog.  Yes, I grew up Fundamentalist—you grow up the way you were raised.  Hopefully, however, you start thinking after that.  And experiencing.  And yes, using critical thought.  There comes a time when “because I told you so” just doesn’t cut it anymore.  For many of us that’s when we go to college.  If it’s a good one you’ll be encouraged to debate with your professors.  Not one of them has all the answers, I can assure you.  Education is, by its very nature, progressive.  We learn and we continue to learn.  We don’t stand still and say the 1950s was when God reigned on earth.  It wasn’t.  And it wasn’t any time before that either.  Now we know that Critical Race Theory should be taught.  We know Black Lives Matter.  What I personally don’t know is what became of a college that was once conservative, but at the same time, believed in education.

Stinging Days

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It doesn’t take much to encourage wasps.  Even after a few unseasonably cold weeks in autumn, one warm day will bring them back, poking along the siding looking for a nesting place.  My most recent stinging incident occurred in October.  It’s fitting, then, I suppose, that to try to keep awake late one October weekend afternoon that I watched The Wasp Woman.  These creature features were what I grew up with, and this was a Roger Corman brief film from 1959.  In fact, it was so brief that eleven minutes had to be added to make it a stand-alone television release.  It was originally part of a theatrical double feature.  Finding out about added time explained why Dr. Zinthrop’s accent changed from the first eleven minutes to the rest of the film.

Women have the same right as men to be made into monsters, of course, but there’s a poignancy to this storyline.  Janice Starlin is the owner of a cosmetics company but profits have been declining since she’s showing signs of aging.  Her customers want a younger looking woman providing their beauty products.  As is to be expected for a movie from the fifties, it’s a pretty sexist storyline.  Still, through the plodding plot the viewer can’t help but to feel for Ms. Starlin.  So when Zinthrop shows up with an extract made from wasp royal jelly (a secretion that actually comes from honey bees) that reverses aging who can blame her for trying it?  Of course it turns her into a giant wasp woman.

These kinds of mad scientist movies with their inevitable results perhaps injected a sense of caution into those of us who grew up watching them.  They weren’t great works of art, but that doesn’t mean they didn’t have something to say.  What I heard, watching this one, was that women exploited for beauty products suffer from natural aging processes.  And any formula that reverses aging come with its own set of problems.  The only other scary part of the film was when employees have to get to the upper floors to prevent Starlin from killing people, they have to wait for the elevator.  Their sense of frustration, although funny, is nevertheless a reality of working in a high-rise.  These movies from the late fifties seem to me to be a cry for help.  The sexist, button-down, white shirt world isn’t all it’s advertised as being.  Mad scientists are needed to help us cope.  Or at least stay awake on a sleepy October weekend afternoon.

Reading Algorithm

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I appreciate help.  I really do.  It’s easy to feel overwhelmed in this world and others offering to help out are welcome.  But you do have to wonder about algorithms.  They seem to lack human sympathy.  And perhaps the ability to count.  Every year I enter the Goodreads Reading Challenge.  I would read without it, of course, but having that extra pressure doesn’t hurt.  Because of my convoluted mental makeup, I try to get things I have to do done early.  That means I want to finish my reading challenge before I have to.  In my commuting days I read about 100 books per year.  When I stopped commuting I had to bring that number down by about half—frankly, I don’t know where the time went, but I do spend more awake time with my family, which is good.

So I’ve settled on setting my Goodreads goals at about 50-60 books per year.  I often exceed it, depending on how many big books, or ponderous academic tomes I read.  Lately I’ve set the goal at 55, which is just over a book a week.  That seems doable to me.  This year I achieved that goal in September, but that doesn’t stop me from reading, nosiree!  I’m currently somewhere near the 60 book mark and I’ll keep going.  Now the help I was referring to is this: Goodreads typically sends an encouraging email in October suggesting how to meet your goal.  My message showed, via tracker, that I’d already met my goal, but telling me I could still meet it with these suggested books.

The books suggested are fine, I’m sure.  And that this message was sent via some formula that I have no hope of being able to comprehend, I’m also sure.  An algorithm, however, doesn’t feel for you.  I’m relieved to have the goal behind me and to continue pressing on regardless.  I could use some help in getting the lawn mowed, should an algorithm like to apply.  I particularly resent having to do so while wearing a jacket and stocking cap.  It’s time for the grass to be settling down for its year-end nap, isn’t it?  Or maybe an algorithm could do my job for me.  I guess that’s not funny, because that fate has befallen many humans, I suppose.  Maybe the solution is simply to read more.  That’s not a bad thing, but I don’t need an algorithm to get me to do it.

Kings and Gods

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Kong has never been my favorite monster.  Perhaps because it is more of a sad story than a scary one, and in movies of gigantic animals, there always seem to be scaling problems.  The monsters are only reacting to the circumstances in which they find themselves and humans prove to be the real problem.  In ways nearly impossible to conceive, less than a century ago films like the original King Kong shocked and stunned audiences.  Humans are such visual creatures and no similar spectacle had been seen before.  I recently watched the 1976 reboot for the first time.  I’d seen clips, of course, and kids in junior high were talking about it back when it came out.  For me it was more like “if you know the story already, why see another attempt to tell it?”

Visually, there is a lot of nice cinematography in the film.  We’re all used to CGI so the animatronic Kong isn’t really believable, but nevertheless, our emotions map onto his with the prolonged shots of the gorilla’s facial expressions.  That part was effectively done.  Much of the rest of the movie left too many questions for belief to be suspended.  The heartlessness of corporations was too real and perhaps the scariest part of the movie.  Watching any movie with explosions on the twin towers brings back a kind of post-traumatic 9-11 reaction.  Prolonged, nearly Russian-length, death scenes personally don’t do it for me.

The reason I was watching, however, was for the religious aspect.  This is underplayed, but the islanders clearly worship Kong and consider him a god.  (I did wonder what he ate since no giant fruits were shown, but the immense snake tells us not all was revealed.)  In one reflective moment on the oil tanker back home, Jack Prescott says that they’ve taken the islanders’ god and their society will fall apart.  Western enterprising does have much blood of this kind on its hands.  And no matter how it’s dressed up King Kong always appears to be a racist story.  Some critics say the 1976 version isn’t horror, but instead a kind of bizarre love story.  While I don’t think much thought went into the implications—it seems the movie was a showcase of state-of-the-art animation for the period (otherwise the long scenes of Kong changing faces and blowing on Dwan make little sense)—that accidentally play into tropes of gods falling in love with women.  Maybe there’s a reason I haven’t watched any of the other reboots.

No Donations

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They’re after my blood.  In fact, they repeatedly call on my work phone asking for it.  But when I go in they won’t take it.  There are blood shortages, I know.  My wife and I used to be regular donors.  Then we moved to the United Kingdom for my doctorate.  Although largely vegetarian even then, Britain came to be under the “Mad Cow” disease scare just at that time.  Bovine spongiform encephalopathy seems to have been caused by adding filler from other animals to cattle feed.  Naturally vegetarian cattle—vegan as adults—were being fed animal by-products.  Anyone who lived in the United Kingdom during the height of the scare is banned from ever donating blood in the United States, no matter how severe the shortage.  That doesn’t mean they won’t continue to call and make you feel guilty for not donating.

Image credit: C. W. Love, public domain via Wikimedia Commons

Medical care is culture-specific sometimes.  We once knew a woman who was a medical doctor in Sweden but who could not practice medicine in the United States.  At least not without undergoing extensive medical retraining.  I think of wonderful organizations such as Doctors without Borders where medically trained people help out those in less developed nations.  Nations may be a necessity, but nationalism quickly leads to problems, many of them major.  I realize that mixing medical techniques can cause complications, but I wonder if sometimes we go too far.  And I often think about the medical problems caused by consuming too much meat.  Raising cattle and hogs, especially, leads to huge environmental problems.  There are better ways.

It’s been about five years now since I’ve been more or less fully vegan.  Eating options have expanded enormously in that time.  There are plenty of options for eating out, although most restaurant chains still seem to equate the practice with consuming animal products.  For me the process was gradual.  While living in Scotland in the late eighties to early nineties we cut most red meat from our diets.  When my daughter turned out to be a natural vegetarian, I joined her.  After several years living that way (over two decades now), I finally made the leap to being vegan.  Animals should have rights.  Nature can be cruel, I know.  Still, to exploit other species for our gain and their sacrifice bothers me.  I like to share.  I even like to donate blood.  I’m still asked to do it and am turned away when I show up at the door.  I can’t help but to think there’s a better way.

Forbidden Things

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I owe Douglas Cowan a debt of gratitude.  Spending evenings at the American Academy of Religion and Society of Biblical Literature annual meeting curled up with his then new book, Sacred Terror, I was amazed.  Vaguely in the back of my mind I knew that film scholars were writing about horror, but I didn’t know that religion scholars even could.  Of course, later I discovered that Cowan had predecessors, as do we all, but that still didn’t change the fact that he opened my eyes to possibilities.  Being a slow reader with an unrelenting 925, I can’t keep up with any one author’s total output but I knew I’d need to read The Forbidden Body as soon as it was announced.  Subtitled Sex, Horror, and the Religious Imagination, it covers many aspects of what’s being called embodiment studies.  And there are, of course, monsters.

Where he finds the time to read so much and watch so much I can only guess.  This book covers a lot of territory that I can’t even begin to summarize here, but it goes without saying that Cowan’s many observations are worth paying attention to.  If I were to try to find a main theme I think it would be bodies out of place.  At least that what it seems to me.  Bodies out of place can mean many, many things.  Horror isn’t shy, of course, about showing you many of these.  As always, the unexpected part is religion.  Better, religious imagination.  I’ve been trying for years to articulate how religion and horror are related, and this is obviously something I haven’t been the only one pondering.  Cowan offers trenchant thoughts on this and even gives you some glimpses of unexpected monsters along the way.

Horror is often considered puerile, I know.  You get an image of a bunch of guys in business suits or military uniforms shaking your shoulders and saying “grow up!”  But what is it we’re growing up for?  To feed the monster.  So that those who are the monster can pamper their bodies with the luxuries everyone else works to provide.  Religion often serves to motivate those who are on the production end of this scale, but there is a truly Ottoian fear that compels us, lying not so very far beneath the surface.  Religion reaches out to those who encounter the monster.  And those people have bodies.  Cowan touches on many aspects of horror here from Corman to Lovecraft to Sade.  My response, perhaps appropriately, is that my head feels like it’s exploding.  I have so much yet to learn.

Past Knowing

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It’s like watching a fall in a movie in slow motion.  You know you can’t really stop it, as much as you’d like to.  We see the collective world pieces moving into place for a third world war and thinking people worldwide are wondering why countries such as Italy and Sweden are electing hard right candidates.  Especially when Russia is invading countries at will.  I’m no politician and I resent having to be drawn into political topics, but at times you just have to say something.  Even if it won’t change anything.  Parts of the Bible are like that—witnesses simply wanting it to be noted.  Something seen, something said.

My family wasn’t political as I was growing up.  They pretty much just voted Republican, being in a rather Pennsyltuckyish county.  When I was nearing voting age I asked my mother about the political parties.  We’d learned about hawks and doves in school, and having been taught that Republicans tended to be those who started wars I wondered why Christians voted for them.  She really didn’t have an answer for me and I later came to realize that as a certain segment of Protestantism is actively attempting to bring about the second coming, this fits the plan.  One way to do so is by initiating wars—environmental degradation is another—because they believe it’s all going to end soon anyway.  Although Jesus advocated for peace, they choose war, ironically, to bring Jesus back.  That was the start of my journey to the Democratic party.  War serves no purpose.

In democracies worldwide right-wing parties are propagandizing heavily to urge nationalism.  Separatism.  Fear of the stranger.  Many in Russia believe Putin’s rhetoric that Ukraine is a dangerous threat to the largest country in the world.  China, the largest country in terms of population, feels threatened by the small island nation of Taiwan.  Borders around much of India are disputed.  The control of resources, in thrall to capitalism, makes people want to close borders and watch out for their own.  At least their own that are members of their party.  From my perspective it’s difficult to see a peaceful way out of this.  Even the world’s oldest democracy falls prey to the propaganda of a known swindler.  Human society is complex.  We have enough resources to meet the needs of all except the greedy, but it’s the greedy who run for office.  We have, it seems, forgotten the last century entirely.

Photo credit: Remember, public domain via Wikimedia Commons

Eclecticism

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Eclectic.  An eclectic approach is experiential.  I don’t mean to be obscure here, but I was once an academic.  Let me try to spell this out a little more clearly.  You’re reading along in your academic study—perhaps it was assigned to you for a class, or perhaps you have unusual interests, or maybe you want a deeper treatment than you find in Barnes and Noble or on the internet.  In any case, what you’ll often find is academics like to glom onto a theoretician that they follow.  Applying Derrida to this, Lacan to that, and Bakhtin to the other.  In doing so they establish their mastery over complex theory, and earn their ticket into the academy.  You, the poor, curious reader, are left wading through explanations of the theory when what you really want is the content—the actual subject of the book.

My own work has been rightly accused of lacking theory.  Or, more precisely, not following a consistent theory.  It’s eclectic.  That’s because I believe in an experiential approach to research.  I trust my own experience.  Your experience is different, I know.  Trust it.  We learn things through experience.  Perhaps others were raised by parents who read and thought deeply and introduced their children to Deleuze (and perhaps Guattari as well), but most of us weren’t.  And some of us came to trust both raw logic and intense feeling.  We call it instinct in animals, but in people we expect more.  What’s wrong with being eclectic?  It seems to make sense.  If Foucault had it right, shouldn’t it be obvious to all of us?

What’s always amused me about this is that such theoreticians—and I don’t know how you become one without basing your work on your own experience—come and go like fashions.  Ricoeur was the big name a few years back and now I haven’t seen anybody writing about him for a couple of decades, at least in the fields I’m reading.  I tend to read primary material and think as deeply as I can on it.  Yes, I read others who write on the topic and sometimes I’m even quite taken by someone else’s approach.  Still, my experience tends, alas, toward the Baconian—an embarrassment for a vegan, I suppose—that of gathering information and seeing what makes sense of it.  I read the theoreticians from time-to-time and then I read those not classically considered experts.  We’re all in this knowledge game together.  Even Lévi-Strauss and his school.

After It’s News

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We live our lives by the news cycle.  It tells us what to think about and worry about, often beyond our local, daily concerns.  And sometimes we forget about yesterday’s headliners.  If you’re curious about whatever became of actual Hurricane Ian, I can tell you.  He’s been hanging around here.  Oh, he’s a mere shadow of his former self, becoming just a low-pressure system sitting off the Atlantic coast between New York and Philadelphia.  And spinning, and spinning, and spinning.  Around here we haven’t seen the sun since last Thursday.  The rain has been intermittent, but yesterday it was pretty much all day and he’s set to continue dominating the skies here at least through today.  Your typical hurricane, if there is such a thing, just keeps moving until it reaches unpopulated areas and nobody cares any more.  This one has been a long-term guest.

With the first few days of lassitudinous rain we had maybe an inch.  Rainfall spat and sputtered and sprinkled.  Yesterday it began to really come down and as I write this it’s too dark to tell but I can hear it splashing on my windows.  The toadstools popping up in the yard are impressive.  As has been the wind and below average temperatures.  I’m wearing my winter-level protection and dodging raindrops on my morning jogs.  Some days I’ve had to delay them for the water.  Not too many other people are out taking their exercise, I notice.  The Weather Channel’s taken to calling it just a low-pressure system, but we’re on a first-name basis now.  Ian is still very much a thing.  At the end of “daylight” yesterday the rain gauge read about three inches.

The thing about these “unusual” storms is they’re becoming the norm.  Global warming has been affecting us for years now, even as we deny it exists.  Our summer around here was very hot and very dry.  The dry was okay by me, but the heat prevented any outdoor work or play for a good deal of the time.  Days when you’d stay inside and try your hardest not to move.  We had maybe one or two days of transitional weather then boom, straight to November.  The leaves around here are still mostly green although they’ve been starting to change more readily now that October’s arrived with December in it’s train.  Forecasters tell us, like Annie says, the sun will come out tomorrow.  Around here we sure hope that’s right.  I wonder what else is happening hidden behind the news?

Not Ian, but you get the picture

Subconscious Humor

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It’s good to know your subconscious has a sense of humor.  What with all that’s going on in the world these days, God knows we could use a laugh or two.  At least a smirk now and then.  One of the less-anticipated aspects of becoming old and wise is disrupted sleep.  Our bodies did not evolve for the 925 schedule, and the “eight hours a night” trope is more naturally along a pattern of sleep for maybe four hours, get up for a while and get things done, then sleep for a few more hours, until dawn.  That doesn’t fit well at the office, so we try to cram all of our sleep into one unbroken stint.  When you’re young that’s often not a problem, at least in my experience.

Then you reach a certain age when, with no discernible change in habits, you have to visit the restroom in the middle of the night.  Modern people, of course, have a lot on their minds, so after that mid-night pee it’s difficult to get back to sleep.  For those of us who can’t break the long-term commuting habit, any waking after midnight is likely to be the end of a night’s sleep.  Once you get tired enough, however, you tend to overpower the full bladder and snooze on to the usual rising time.  (For some of us that’s earlier than it is for others, but that’s immaterial.)  This is where the subconscious starts to play its role as the comedian.

Mildly thalassophobic, I tend not to go out on very deep water, especially in small craft.  To be fair, I don’t live too close to the ocean and I don’t own a boat of any kind, so this often isn’t an issue.  One of my biggest traumas in college was meeting the “swim a length of the pool” requirement for graduation—I understand that’s now been abolished.  I nearly didn’t make it, but the last semester as a senior I had a private show—which must’ve been funny—for the swim coach.  So when I need to pee and I sleep through the middle of the night, I have deep water dreams.  I’m on a small boat in an ocean.  Sometimes I see paranormal geysers bursting from the surface and wonder what they are.  Then I wake up and dash for the bathroom.  Hey, it could be worse—my subconscious could find a humorless way of waking me.  Meanwhile, it probably wouldn’t hurt to take some adult swimming lessons.

All that water…

Sleepy Hollow West

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You’ve got to admire those who are determined to be writers on their own terms.  As someone who’s tried and tried again to break into even indie presses, I know few established publishers will even consider fiction from someone who’s not already established.  As my regular readers know, I’ve been reading a lot about the Legend of Sleepy Hollow lately.  So I came across Austin Dragon’s Hollow Blood.  Part of a two-volume novel set, the story takes a creative approach while retaining several of the original characters, even having clever nods now and again to the wording in the original.  Although clearly self-published, Dragon is able to let his imagination go on this one.  Julian Crane, Ichabod’s nephew, is out to avenge his uncle’s death.

In Sleepy Hollow he confronts Brom Bones with the crime, but wrongly.  It turns out that the Marshal—there are elements of the old west in this too, with cowboys and showdowns—knows where Crane has settled and offers to take the nephew to him.  So unfolds a story that feels a bit more like a western than a horror story at points.  I don’t want to give away too much since Dragon, like most of those who make their living by writing, needs to move copies to stay solvent.  The thing is, Sleepy Hollow seems to be an evergreen subject.  America keeps coming back to it.  Many writers try to take it on as the basis for more modern reboots.  Of course, I have to read the second volume to find out how it really ends.

I can’t help but think that the internet has made it difficult for writers by allowing anyone to establish him or herself as one.  If you can build a fan base, you can make a living at it.  The publishing industry faces problems of its own, of course.  Paper shortages are a problem.  Not only the pandemic, but the assumption that ebooks were going to spell the death of print led paper mills to cut production.  Funny thing—print has been seeing a resurgence of interest.  Large media seems surprised, scratching its metaphoric head and saying “People like actual books—who knew?”  But I digress.  The simple tale of a love triangle in the 1790s with a ghost on the loose has spawned a great number of offspring.  Some published the traditional way, and others on a writer’s own terms.  It’s a story worth the retelling.

More Excuses

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Perhaps it was my Shingrix-addled brain—but we all know that’s an excuse—I decided to watch Creature (1985) and Attack of the Giant Leeches (timeless) over the past couple of days.  The former was a decision made when not having the energy to read, I could still search Amazon Prime for “free to me.”  I was all set to start Attack of the Giant Leeches when I scrolled over Creature only to learn it would be free for only eight hours more.  I recalled, somewhere in the haze, that a movie called Creature was on my watch list, and since time was running out, I clicked play.  Clearly a knock-off of Alien, with even a Sigourney Weaver stand-in, it was one of the most badly written films I’d seen in a long time.  I was surprised to learn it’d had a theatrical release.

A crew stranded on Titan, one of Saturn’s moons, finds a creature—one that looks like a down market version of Ridley Scott’s nightmare—that feeds on unsuspecting astronauts.  Still, the surprises kept coming.  The impossibly pretty women and rugged men of the crew seemed unlikely.  And was that Klaus Kinski trying a move on the security officer that he wouldn’t have survived if he’d tried it on Sigourney?  And how was it even possible that this was nominated for the Best Horror Film of 1985 at the Saturn Awards?  Okay, granted 1985 wasn’t a banner year for horror, but Creature really doesn’t seem to hit the bill for “best of” category—but it was over 25 years after a classic.

Attack of the Giant Leeches is obviously the lesser of the two movies, but it falls into the category of “so bad it’s good.”  The leeches are clearly people in rubber suits, and the caricatures of the hooch-swillin’ swamp-dwellin’ lazy ole homeboys is just too good to pass up.  And the fact that it’s just over an hour long is a bonus when you’re having trouble keeping your eyes open.  Those black-and-white sci-fi horror films of the fifties sure take me back to more innocent times (not the fifties, and the film isn’t all that innocent).  Given that both movies were free on Prime, and given that my head was fuzzy from my vaccine, I counted this as a worthwhile effort at staying awake.  We seem to have come to a more sophisticated era, in many regards.  Such films can’t compete with their modern-day counterparts and even streaming companies are producing their own these days.  There’s something to those older films, however, and maybe it’s helped along by a shot in the arm.